L’œil du Cyclone

Dear Reader, some of you might know that I don’t live too far away from Nantes and that I can be found wandering the streets of Nantes with a camera, or sitting in the pub talking with friends. So, nothing new here then.  You might not know that I sometimes publish said photos of Nantes, and even the pub, with friends of course, on Instagram.  I also sometimes go out and participate with other photographers in what is usually a solitary pastime. 

Nantes Grand Angle, a sort of collective of photographers from Nantes, often has events (with local partners) that want to get their event onto the local social networks and get some “viral” publicity.  The game is you go to the event and then talk about it on your social accounts and people might be interested thinking well, he went to see this, why don’t I go along too.  It’s the basics of social marketing. 

Why do I usually see photography as a solitary pastime? Because I get a certain amount of social anxiety.  For most extroverts, those pushy people that are in favour now, the word “mingle” gives them a buzz that they seem to thrive on.  I, as an introvert, find the words “new people”, or even the idea of “meeting new people”, “social”, or “mingle” just fill me with dread.  It’s akin to going on one of those terrifying rides at the fair. It’s scary, thankfully doesn’t last very long, leaves you feeling empty, very awkward, sheepish, and makes you want to run away as soon as possible.  sonds like my sex life on a good day.

So against my better judgement, I confronted my fear, and went on an outing with Nantes Grand Angle.  I could always just stay at the back and be subtle and try to fade into the background.  It also meant that I would visit a new place, Le Lieu Unique, which as its name might suggest, is certainly unique!  The Lieu Unique also contains the Tour Lu (sans T pour le jeu de mot de merde en français, et oui, je suis rendu à ce point là !)  It originally house the LU biscuit factory (des petits beurres de LU, which is another pun for the Happy Birthday song).  Dear Reader, I apologise for the years of therapy that you will need to get over that last paragraph.  It’ll teach you to speak French!

Right, back on track.  The Lieu Unique, which indeed is unique as the name suggests, houses not only an exhibition for introverts to take photos of for social marketing, but a bar, a reading room, a bookshop, and if I’m not mistaken, a hammam, as well as a whopping great tower.  It is a hothouse of culture where you can get fed, drunk, steamed, and get some culture, leading to the acquisition of a little intelligence! Maybe, depending on the order you do each activity.

I was there with my fellow photographers, some of which were annoyingly extrovert, to live the experience of Art from Taiwan in the “Eye of the Cyclone.”  The Lieu Unique boss, had, uniquely, gone to Taiwan in 2018, had been to an exhibition at The National Museum of Fine Arts of Taiwan, and had invited some of the artists to come to Nantes and show their work, purely an artistic venture.  Since 2018, the world has changed not only through COVID, but also because China would like to get its hands on Taiwan for economic reasons and political ones.  Taiwan came to the front in modern terms when the Kuomintang government who lost to Mao’s Communists, fled Mao and fled to the Island of Taiwan, setting up a new independent government, that China still hasn’t gotten over and is still very upset about.

In the early 1960s, Taiwan entered a period of rapid economic growth and industrialisation called the “Taiwan Miracle».  In the late 1980s and early 1990s, the ROC transitioned from a one-party military dictatorship to a multi-party democracy with a semi-presidential system. Taiwan’s export-oriented industrial economy is the 21st-largest in the world by nominal GDP and 19th-largest by PPP measures, focusing on steel, machinery, electronics and chemicals manufacturing. Taiwan is a developed country, ranking 20th in GDP per capita. It is ranked highly in terms of civil liberties, healthcare, and human development.  Again, something that China isn’t overjoyed by.  So as you can imagine, such an exhibition is as much political as artistic.

So now we have set the scene, let’s get down to the nitty-gritty.  The expo itself.  I admit not knowing a huge amount about Taiwan, however, since visiting the expo, I have read up to find out more about its history and culture.  It’s Chinese but at the same time properly Taiwanese. I will include official links to the expo and the English documentation at the end of the article.  But what I really wanted to do with this article was to talk about my experience of the exposition and the way the exhibits left their mark on me.

The first exhibit, Exhibit A, or Battle City – Scene, by Chang, Li-Ren, model, just blew me away with the complexity of the modelling and the realism recreated in model form.  The artist came over for the oeuvre installation and I can imagine a rather rotund Asian chap on all fours adding details to his masterwork.  Not based on reality, but the artist just wants to give an impression of what Taiwanese urbanism looks like.   There are cars, housing, and motorbikes, but the whole place is devoid of people.  It’s very eerie, yet totally fascinating and a photographer’s dream.  The whole thing is massive (7600mm x 8100mm x 2600mm), and the attention to detail is fascinating.

Exhibit B, Future Shock, by SU Hui-Yu, video, talks about a dystopian future, unfortunately, a not-too-distant future according to the artist influenced heavily by the American author Alvin Toffler, where people are drowning in information, and unethical technologies.  Maybe it’s happening already?  Definitely though provoking and frightening in equal measure.

Exhibit C, Braindead travelogue, YUAN Goang-Ming.  At first, you have the impression of traditional Chinese brush art, but with non-traditional means, like using markers, but also gold and jade.  From the centre of the painting, shoot out 10 disks of images showing the artist marking his territory in the landscape.

Exhibit D?  I’m going to keep the rest of the exhibition secret, because the idea is that you go and have a look yourselves, especially if you live in Nantes!  Did you really think that I would or could reveal all?  No!  Leave them wanting more!!!  Oh ok, you can have a few more pictures, but that’s your lot.  Go down there and have a look.  It’s free to visit; and you won’t be left unmoved…  You really get a feel of what life is like in the “Eye of the Cyclone.”

Links and all that:
Le Lieu Unique
Nantes Grande Angle
The documentation in English (pdf file 0,99Mo)

I would like to thank Nantes Grande Angle and our guide, Tanguy, not only for his welcome to the uniquely Lieu Unique but also for his great expertise. The poor man even had a look at this blog to see where I would publish my write-up. Brave too, and probably already in therapy. I hope I have done him justice!

February Continued…

In my last article Dear Reader, I promised you some colour photography and in this article, you’re going to get it.  The sun was still warming my back and it felt good to be alive again!  I talked about missing out on the Jaune in the Grue Jaune, but not this time.  Shorter article maybe but some great colour for you.  When I bought the Fujifilm X100f one of the things that had was the Classic Chrome film simulation, which was supposed to emulate Kodachrome which of course died in 2009 and can no longer be processed.    The X100f of course has other film simulations, which you can look up on the web, but that Classic Chrome look just got me.  A slightly more subdued colour range with a certain warmness and something that you just can’t quite put your finger on, which reminded you of an age gone by in photography.

I mean the whole camera seems to have a certain vintage vibe to it despite all the technology hidden away inside.  The little knobs and buttons everywhere just remind you of a film camera.  How was I supposed to resist?  As you can see in various articles and various photo galleries, I didn’t resist and I’m still OK with that!  I even went on to acquire an XT2 with interchangeable lenses, which offer me more variety in the kinds of shots I can take, as well as keeping the same feel to my shots. 

Everyone says to shoot in RAW.  I can hear them even now saying, “Shoot in RAW you fool!”  Well I do, but I also shoot jpegs to have those images already colour edited to fit that Chrome feeling.  It’s consistent and I still have my RAW files to fall back on if needed.  The Fuji Jpegs are amazing and it helps me to cut down on the amount of editing that I have to do.  I’m basically lazy, so if I can avoid doing something and yet get a perfectly satisfactory result, then I’m going with the path of least resistance. 

On this outing, I was using the 18mm (24mm equivalent) lens with the XT2.  Again, I’ve talked before how I decided to go wider instead of longer, and if any of you are laughing at this point, get your minds out of the gutter!  I’m talking photography!!

So without much further ado, let me present you with some colour photography taken on the XT2 in Nantes.  

P.S.  I think I found the banana….

Jardin des Plantes, Nantes

This story actually begins in my village in Vendée, with a foray into the next town and its Saturday market. But you could argue that it began earlier in Nantes when I bought my son’s girlfriend an old film camera, a Canon AE1 with a 50mm f1.4 lens, that I nearly kept for myself, but in a pang of culpability, couldn’t. I would have replaced it with a more classic standard 50mm f1.8 lens. Damn you conscience!

Let us start therefore not at the very beginning but the second beginning, which is like the first beginning, but is in fact the second, thus being named the second beginning, but is still a rather good place to start as the Sound of Music told us whilst explaining the notes to sing by using a woodland creature, the sun, me, a long long way to go, sewing, a note after the previous one, an afternoon snack with bread and jam etc.

I might start at the very beginning after all.  My son’s girlfriend is on a journey, much like myself, discovering photography.  As some of you Dear Readers might have noticed, I’m ever so slightly old-school.  Having a digital camera, and shooting like it was a machine gun hoping for the best is not my idea of what photography should be.  I am more sedate, probably because I am more rotund middle-aged gentleman, aka fat bald git, but find that it suits me.  I prefer to take my time.  One of the advantages of film photography is that it forces you to slow down, and concentrate to take a picture, with apparently, but I’m not quite sure, supposedly even, more value.  When I take a photo, I take a photo on purpose.  I do not do it whimsically on the off chance of realising “the” shot.  I also learnt on film, so maybe this is a habit I picked up early on.   

Anyway….  I thought this might be a way to help Elise slow down, and to be more mindful when photographing something or someone.  Mindfulness is all the rage at the moment, but I think it might just be more about taking your time and being conscious of the action you are partaking in.  I refer the reader to the middle-aged rotund gentleman comment earlier.

I made sure she had some film in the camera so it was useable straight away, and explained to how to focus, not just the lens but mentally too.  Explained what all the dials and displays were about and basically let her get on with it.

We are now at the second beginning, which is still an OK kind of place to start.  The day is Saturday, and the previous day we had arranged for them to come over for lunch, and I said that I would go to the market and get some goodies, which means basically, some nice saucission, cheese, nice fruit, some duck sausages to be eaten later on during the week without necessarily needing to duck whilst eating them, but duck sausages, because they were made with duck meat.  Obviously a duck that didn’t….  I came home with my goodies, and was told off for buying too much and how were we going to eat all that….  We gave it a fine go!

Elise then had the idea of doing the typical after French lunch walk, and we were all told that we would be doing it.  However, a friend phoned to invite her to a pyjama party, so there went that idea.  I riposted, saying that it was fine and that we should go out into Nantes to take pictures the next day with the film cameras.  I prepared a couple of cameras for them to use, and some rolls of film.

Even if we didn’t go out I knew I would be at least good for a nice cup of tea.  For Christmas, which was well before the beginning beginning, and even the second beginning, I had brought my daughter a mix to make Madeleines, which French people automatically associate with Proust, in the same way the English automatically associate a cup of tea, with another cup of tea.  The smell as I came down was amazing a filled the house with loveliness and sweetness.  There was also a huge dash of tastiness when I bit into Madeleine number one.  I showed immense self control and put four of my Madeleines into a box with a further half a dozen to share with Killian and Elise.  They too, were very happy with my display of self-control.

The enthusiasm for “going out for a walk” from the previous day had all but disappeared, but we eventually set off for Nantes to visit the Jardin des Plantes, which was where Jules Verne once hang out back in the day.  Tradition, tradition, tradition….

I had my X100F, which I adore, Killian a 1960 Kodak Retinette 1B, and Elise the infamous AE1.  We made a good go at it and ended up cream crackered after a nice long walk.  As the all round good egg that I am I made sure we passed by an open bakery on the way back to the car to get the a treat for the gouter, which usually is the four o’ clock snack for small children, that older children or younger adults still seem to enjoy, even a middle aged rotund gentleman….

Cloé in front of my lens

It was last Friday, and we were only doing 36 hours this week at work, so I was free on Friday afternoon. I like to go and visit my son, and his girlfriend, as I know I’ll be allowed to have a nice cup of tea and be able to talk photography without being told how boring I am. My daughter-in-law asked if I would like to come round as she was doing a photoshoot with somebody from Instagram. There was a friend to do make up and hair, and we would take it in turns being made up and photographed. Sounds like a deal right?

I of course turned up to early as they were getting the other girl from Nantes. I was asked if I could get pizza and off I went to get pizza; It’s easier like that. I got back and everyone was there. Elise, my ex-daughter-in-law, Maureen, to do the make up, and Cloé the girl from Instagram who was along for the ride. That morning I had piled up all my gear and put it in the boot ready for the off. I had a couple of lights and some modifiers for speedlights. It was going to be a good day. Tea, and pizza in the same phrase has to be a good omen.

Elise does a bit of YouTube and has a three light set up for her videos. Fine for video but not so good for photography. As you might have seen I have been exploring the use of artificial light in photography and seem to be on the, if not right path, then certainly a path that is taking me somewhere. So, I wasn’t a fan of these video lights and thereofre set up my own. A flash, that would flash into an umbrella and the light would come back through an translucent white diffuser giving off a nice soft light. Yes I’m a big softy! I had a new led light to act as a hairlight, and was able to turn the power down so it wasn’t too harsh.

Elise started off and it interests me immensely to see somebody else start working and see how they interact with the model. The model being Cloé already made up by Maureen. I would take the occasional “behind the scenes” for Elise. I wasn’t happy with the light, so when it was my turn I turned everything off and just allowed my lights to work their magic. i’m becoming a fan of this soft light and seem to have understood the basics of how it might work and what it might do for me.

Cloé wa already “warmed up” if you can say that, and we started talking about her complexes about the way she looks. I showed her the first photos that we were getting and she seemed happy with the way it was going. I shoot RAW and JPEG at the same time. It means that I can see my black and white image on the screen and it gives me an idea of what I will achieve later whilst editing. I will however only edit my RAW file, as each pixel contains so much more information than a JPEG file, and although less destrucive than back in the day, it is still a feature of JPEG files even though they have progressed immensely over the last 15 years.

We kept talking and caught her laughing at some of my Dad jokes that she hadn’t heard before. I would see a picture I like and then activate the shutter. The first few reminded me of Anne Frank, and what she might have looked like had she have survived the war. Now I’m feeling sad about all that suffering in the camps. What an utter waste of human life.

Anay, we kept going and the feeling of the photos changed and looked slightly more modern. It is 2021after all. I switched to the X100F which is usually for street photography but holds it’s own in a studio environment, and the 35mm equivalent lense was great for getting some full body shots. The fact that Cloé was sitting on the floor gave a very flattering angle and I think I might just have to do it more often.

Before showing you the photos I would like to say a huge thank you to the three girls for putting up with me and the very generous feed they gave me. It gives one such a boost, and at the moment it’s a wonderfull thing to have. Covid is getting right on my wick, and although I know that this situation is temporary, it feels slightly less temporary.

So the tools used for this shoot… Canon 6D Mark 2 with a 50mm F1.8 lens, a Fujifilm X100F with a converter so I could go from a 35mm equivalent to a 50mm equivalent. The fash was a GODOX TT600 speedlight with GODOX X1T triggers.

Good morning Dear Reader…

I seem to have a thing for old fashioned, black and white, low key portraits and as I evolve as a photographer it seems to be my “new thing” to learn about. The person who says he knows everything and no longer needs to learn is wrong and probably has his head up Where the sun tends not to shine. The beginning of wisdom is to know that we know nothing and that realisation seems to come with age, not for everyone, but for me at least.

I wanted to discover this world which was foreign to me. Now I seem to have a knack of being able to take portraits of places and let the viewer have a feeling of having visited those places and sharing my vision of these places.

But can I really I hear you say, “Even the news and documentary photographers can change the meaning of a photo just using the angle used to record the shot.” But there is still emotion.

Don’t forget that photography really does allow you to see what I see looking through a viewdinder at a given time and place. It is the only art that allows that. Paintings you say in disgust! But I would reply no since due to the very nature of that medium we are already in an interpretation of what the painter saw. We could say the same if a writer, especially depending on the skill of that said writer. We have a portrait, and a representation, but only photography permits you to to physically see what my eyes saw.

The next part against this arguement is about what we do in a darkroom or on software on our computers, I can begin to interpret my scene and maybe show you how I might have felt. This is what I try to do with my art.

I do this through my quasi exclusive use of black and white photography, and in a portrait session I can use my lights to give different feels. I will of course give you examples in the traditional gallery at the end of the article. The sitter or victim depending on your sense of humour, remains true to his physical representation as I don’t transform the person as people do in advertising or in fashion. If you have a so called defect, you’re keeping it. I’m not going to change your shape, or make your skin a smooth as a baby’s bottom, that’s your affair and not mine, but with angles and lighting and asking you to pose in different ways, I can change how people might envisage you and hopefully catch your essence on film or on my screen.

There is forcibly a certain rapport that is built, however temporary, but it will be as real as I can make it to make my representation of you as real as possible. And that Dear Reader, is how I see my role when acting a portrait photographer. With friends, and family this rapport is easier to create as it already exists and i am working on my introvert side to try and work through my shyness whilst still using my ninja introvert skills to get am image that is pleasing to all parties. It has to be a win win situation for both of us, the sitter, and the photographer, which allows the third party, the viewer of the photograph to feel something.

Have I been spouting a whole load of bollocks as usual, or is some this nearing intelligent observations? Who knows? I sometimes have these thoughts in my mind and I should probably get them down on paper more often. You never know when something worth recording might pop out of my brain. Yes. I have just woken up and the memories of my photo shoot yesterday and the previous evening’s time spent making selfies (however artistic) to try out my new light set up and get to learn what I can get out of it are still fresh in my semi conscious mind.

My sitter in this series was Sergio Uribe, how is a very dear friend and one of those people that wonder into our lives for a reason. The session was about showing him my appreciation and thanking him for being my friend. Strangely i can hear the theme tune to Golden girls in my head. I obviously am need of a cup of tea and some toast. Thank you Dear Reader for continuing to read what I say, and help me get up and face my Sunday…

Canon and the Helios 44-2 58mm

It was a Sunday after a night celebrating a friend’s birthday with a “couple” of drinks. Which meant I was a tad on the tired side. Not hungover of course. Let’s just say that I needed to move my booty and air my mind.

As those of you who know me might have guessed already that meant making sure I was fit to drive. I was fit to drive. Grabbed my Canon 6D Mark ii and stuck on the Helios 44-2 58 mm F 2,0 lens.

At 58 mm we are leaving the standard focal lengths and heading off into portrait lens territory. How bold of me! Especially as I would be using it on the streets of Nantes. It’s a M42 screw mount lens and therefore needs an adapter in order to work on my modern DSLR. Manual focussing and without focus peaking and with my bad eyes is not easy unless yon use the flippy outy screen and zoom in,which meant that even I could get some in-focus images.

The Helios is a Russian lens from the Soviet era and the build quality could be described as slightly solid. When I first bought it I had placed it on my dining room table. It fell off the table onto the tiled floor and damaged a tile… But you dear reader are sensible and don’t do that kind of sh*t so you’ll be fine.

One thing I haven’t mentioned yet is the bokeh that this lens gives out. If you like creamy bokeh goodness with a bit of a swirl then you won’t be disappointed. Try and spot it as you look through the photos. The bokeh whores amongst you will not be left wanting.