The holidays

Hello. I have a friend called Julie Dodge and she is a photographer in Brooklyn NY. I have asked her to mentor me and maybe put me in a different direction with my photography and help me develop as a photographer. She’s full of talent and is somebody that I admire greatly. She suggested that I write this article.

Did you see what I just wrote there? I said the holidays, not Christmas but the holidays. Does that mean that I’ve become all woke and don’t want to offend? Not bloody likely. Christmas has come and gone and now we’re in that holiday limbo, before New Year’s Eve but just after Christmas.

Even during winter I sleep with the window open so as not to be too hot in bed (and don’t go reading anything unto wards into that statement, this is not that kind of blog!!) and we have just come out of the other side of Storm Bella. At least according the noise of the wind. and not that wind either!

When I think back to two weeks ago, Christmas felt so far away. I had 36 hours left at work and the whole holiday thing just hadn’t sunk in at all. Christmas could have been 6 months away and it wouldn’t change a thing. 2020 has been weird like that for everyone. The Christmas tree was up and running at the very end of November as was quite common. Maybe just a way of people trying to find a modicum of normality since normality just ran away with the light beer virus and some guys getting freaky with a bat in China.

I listen to the radio at work which is a wonderful and a great way to stay up to date with things happening at home back in Brexit land. On BBC RADIO 2 (that I can’t help hearing the jingle in my head when I say it) they had decided that they would play only Christmas music on the 1st of December to usher in the Christmas Season. Best day ever at work! I love it. You’re constantly listening out for Whamageddon or All I want for Christmas is You. That music would accompany me throughout December and keep me going.

The factory was going to shut for Christmas and I would finish work on the Friday lunchtime of the 18th.

I had been doing a whole load of product photography for the company. They have an excel file showing all the references of all the hardware that we use and a photo of each article. However the photos they have are not up to the required standard. Crap would cover it too. I told my boss about this and said I could do a better job of it. They say that necessity is the mother of invention, and it would allow me to learn something new. I went onto Google, YouTube, and then on to Amazon to get a light box, which is a box of light which allows you to get a well lit photo of each screw, hinge, and other things that I don’t know how to translate into English. That’s not as bad as it seems. Everyone talks French at work. Strange isn’t it. The only English they all know is how to ask where Brian is. Brian is invariably in the kitchen. But not when I looked for him!

This also explains why I had my camera with me. As of the 15th of December we had finished with confinement and had now entered a new phase. No confinement but a curfew. They also said that the curfew would no be enforced for Christmas Eve which meant that people could spend Christmas together, but would be enforced on New Year’s Eve. This is despite our dear President’s love of secularism or the infamous French concept of Laïcité. Go figure. Maybe it’s a sick joke, or could it be that he knows that he won’t be voted in next time if he cancels Christmas.

But I digress, or in French, je diverge, parfois je dis bite! It was Friday afternoon and I was freeeeee. Yes. Freeeeeee!! I’m free, I do what ever I want, any old time…. I decided to head into Nantes to make sure that my family would have the same amount of gifts and therefore not be jealous. It was wonderful. This new found freedom and all I had to do was to be home by 20h! I of course had my camera with me and it was the closest I had been to normal for ages. My last stop would be the HAB Gallerie, which is on the Île de Nantes, and where there is a massive crane, but don’t forget that size does not matter. And a crane can be grey or yellow and that is fine too. It felt wonderful! This is where the photos in this article are from in case you were wondering. I think the photo of the huge crane give it away.

Christmas came and went as did the food, my son, his girlfriend, quite a bit of drink, and some great laughs. We are now in the Christmas anti climax. No church this year. Maybe Covid is laïque as well. All a bit strange really, but it was good to be able to celebrate as a family. But “strange” has been the bass continuo of this year 2020. 2021 is just around the corner and people are putting way too much hope into it.

With vaccines, time, and the continual social distancing, things will get better. Things will gradually become less strange. I even dare to think that people with rediscover social interactions and above all discover how important they really are. Some will look back and think I did well to get through this, some will regret not having done enough to help others. Some will have toilet roll till the ends of their days. But when we come out of the other side of this period, we will have all changed. Society will have changed. There will be a new normal, and not necessarily the one that that the hippies are hoping for, but a new one anyway, in which we will need time in which to find ourselves.

Thank you for still reading the drivel that seeps out of my mind on a more or less regular basis. There will still be photos to look at. Until that happens, I wish all of you a very Happy and Peaceful Christmas. May your God bless you.

Kodak Portra 160 in action

I have already shown these photos on Facebook and Instagram, but I wanted to share them here too. I had the pleasure to take a film camera out to Nantes with some Portra in it. Kodak Portra is one of those iconic films that everybody waxes lyrical about and I can understand what the hype is about. I certainly love it and the results the I mananged to get from it. I would love be able to work out how to make my digital photos have the same feeling, but when I take film shots I don’t have to worry about it.

The following photos were taken on Portra 160 film using my Pentax ME Super, which as the name suggests is pretty cool, during the month of May just after lockdown and in Nantes where I can be found often with a camera around my neck.

Portra 160 is described as having a natural color palette with low saturation and low contrast. It has breathtaking color, sharpness, and very fine grain. I really love these colours. Normally the name Portra might suggest Portrait and you’d be right in thinking that. For portraits it’s magical. But it also seems to work in street photography.

I do love the Cathedral in Nantes and haven’t been back inside since the fire. I miss it and the music from the organ which was magnificent and depressingly no longer there.

https://shootitwithfilm.com/how-to-shoot-kodak-portra-160/ This could interest you too

https://www.alexburkephoto.com/blog/2019/5/16/metering-and-shooting-kodak-portra-film And here is another link that you might want to have a look at. Loads of info and worth a read. I wish I had have know about this first. I don’t think I was too far off though.

https://fstoppers.com/film/unofficial-film-film-look-long-term-review-kodak-portra-400-502260 This article is on Fstoppers and discusses Portra 400 but it’s a good read too.

Canon and the Helios 44-2 58mm

It was a Sunday after a night celebrating a friend’s birthday with a “couple” of drinks. Which meant I was a tad on the tired side. Not hungover of course. Let’s just say that I needed to move my booty and air my mind.

As those of you who know me might have guessed already that meant making sure I was fit to drive. I was fit to drive. Grabbed my Canon 6D Mark ii and stuck on the Helios 44-2 58 mm F 2,0 lens.

At 58 mm we are leaving the standard focal lengths and heading off into portrait lens territory. How bold of me! Especially as I would be using it on the streets of Nantes. It’s a M42 screw mount lens and therefore needs an adapter in order to work on my modern DSLR. Manual focussing and without focus peaking and with my bad eyes is not easy unless yon use the flippy outy screen and zoom in,which meant that even I could get some in-focus images.

The Helios is a Russian lens from the Soviet era and the build quality could be described as slightly solid. When I first bought it I had placed it on my dining room table. It fell off the table onto the tiled floor and damaged a tile… But you dear reader are sensible and don’t do that kind of sh*t so you’ll be fine.

One thing I haven’t mentioned yet is the bokeh that this lens gives out. If you like creamy bokeh goodness with a bit of a swirl then you won’t be disappointed. Try and spot it as you look through the photos. The bokeh whores amongst you will not be left wanting.

Île de Nantes with the XT2

It was the first full day of leave from work and I wasn’t able to get to the UK so what is a guy to do? I was devastated but it became clearer and clear that my trip to Hull wasn’t going to happen. You can take the man out of Hull, but not the Hull out of the man. Retail therapy would cost a fortune. An interesting idea with many merits, but my credit card might not be OK with that… So I decided to go out to Nantes with my camera.

Some of you might remember me talking about Sean Tucker in my article about the portraits with one speed lite. His latest video was talking about minimalism in street photography and how he would go around the Barbican for some modern architecture photography shots. Believe it or not but I don’t actually live in London, no, I live near Nantes and so did the next best thing. The Île de Nantes is an area that is under development and has some very interesting architecture with lots of texture.

Nantes is one of those places that is old and has gone through so many mutations over the centuries but has always found a way of reinventing itself. Some of you might have realised that I frequent a certain establishment in the quartier historique of Bouffay, which is where the staff of the Castle used to live. There are long boulevards with Hausmannien architecture. Other areas with traces of various workshops from the beginning of the 20th century, the Passage Pommeraye, that 19th century collection of shops that have become such a feature of Nantes. The Île de Nantes had the naval dockyards that after the decline of shipbuilding in Nantes were transformed. And so it is the turn of the rest of the Île de Nantes.

I wanted to try and find shots which were based on form and light almost as if I were trying to give my eyes and vision a workout. I was using the FUJIFILM XT2 with the 16mm f2.8 lens. It was a lovely day too!

I think it might have to be something that I should try more often….

The obligatory bike shot in the streets of Nantes

To start off with this was just going to be a short preparative article before I publish my the photos from my night time article about night photography in Nantes. I was going to start off by talking the pubs opening in England and Ireland tomorrow. I wanted to show you the way that the new normal isn’t like the old normal but it’s still OK and that you can still enjoy meeting up with friends and rediscovering each other after lock down. Our bars reopened on the on the 11th of May so we’re kind of used to the whole thing. We put on our masks if we have to move around the bar. I might be half English and half Irish, but after a certain quantity of ale we all have to visit and inspect the plumbing. Just put the mask on and don’t forget to wash you hands afterwards;

So I’d finished work at 11h45, and was free for the whole afternoon. When I go to Nantes I always park in the same place. I’m a creature of habit. So, I park, and as soon as I come out of the car park I put my camera to my to check my settings. To start with I had the Helios M44-2 55mm lens on the XT2. It’s a lens famous for its swirley bokeh, but on the APS-C captor it’s more tricky to get, but it’s still a beautiful lens. I take a few shots of Bouffay. The bikes, the tramlines.

I wanted to capture the textures of the street. In black and white one can’t capture colour even if that colour information is present in my RAW files. I was looking for repetition of patterns, wanted to to get depth of field, wanted to play with the light reflecting off the street and capture people coming through the pool of light.

Strangely the pub isn’t very far away from these photos and I strangely I found myself sitting down with a Guinness in my hands… I had my mask on, and my hands have never been cleaner. It’s good to be amongst “my people” once more. I think that’s what I missed most about lock down. Having this social group of people who are good to me and make me want to be good to them. They know their names, and I love them dearly!

Well I wasn’t expecting that to go there… I’m such a sentimental old fool. I have hugged them and have made a real special effort not to break their ribs whilst hugging them.

So here are the photos of the pub where my “people” seem to congregate.

So it was already a great night, but I wasn’t there just for a good time despite rumours in certain quarters that I will always deny of course! I wanted to take even more photos. I had the Fujifilm XT2 and the 7 Artisans 35mm F1.2 lens which turns out to a be a manual focus, 50mm equivalent. I usually like to go wider, but that’s my little secret!

When I’m next in Nantes, hit me up! I’ll usually tell people on my Instagram and come up and say Hi! I might even buy you a beer. If we talk, be ready to talk about photography and this fair city of ours. If you have any questions about the photos in this article then just ask! I don’t bite.

My Mamiya C220

My Mamiya C220, aka my little baby, aka possibly my favourite camera, has just been repaired. It is a Twin Lens Reflex, or TLR for those in the know. Why is it my favourite camera? For a few reasons.

Reason 1. I can actually see what I’m doing. I look into the viewfinder and can see everything really clearly without my glasses. The perception of depth of field is amazing and it’s almost like looking at a 3D tv screen.

Reason 2. It looks so cool! When I’m out on the streets the camera becomes a conversation piece. If I’m taking photos with my Canon 6D and zoom lens, people can get slightly tetchy and think I’m up to no good. Going for the understatement of the year award. However with the Mamiya they seem to think a guy with that big a camera around his neck deserve special respect, even though size doesn’t really matter and it’s all about the moment you’re capturing on film. It starts a conversation and therfore an exchange. You tell them that it’s Medium Format and what that entails. which leads me up to Reason 3.

Reason 3. It’s a Medium Format camera. Now, all the hipsters started discovering film a short while back, and talked about how awesome it was Dude! They were there with their Canon Ae1’s feeling so “with it” because “film is just so authentic man,” and because “film photography is real photography”, and that “digital just isn’t the same man!” Well guess what, you bearded little hipster you, film is how we OG’s rolled back in the day, because that was all there was. That was with 35mm film photography with 135 film. Medium Format just blows their minds because it’ 6 x 6, which translated means each negative mesures 6 centimetres by centimetres. Yes, size does seem to count again. You’re basically getting a huge amount of information on your negative.

Reason 4. Because of the depth of field you get with that 80mm lens. Alright you can get the same depth of field with a smaller lens, but it’s not the same. I’m worried that size is becoming a theme in this article and may show lack of confidence and hidden insecurities…

Reason 5. Did I say it looked really cool? I’ve just looked further up and it appears that I have already said that. Remeber what I said in a previous article about the importance of the “film process” which takes you from buying the film, putting it in the camera, taking the photos, right through to developing, and then scanning your negs, etc. When I use digital, it’s great. I love it. It is so dependable. I press a button and the camera can do so much. It’s like driving my Renault Scénic to work every day. It does the job and does it really well, and I still enjoy it. Taking the Mamiya out for a spin is like getting that beautiful vintage MG out of the garage and driving out to the coast, and just enjoying the wind in my hair, or my memory of what that felt like. It’s a camera that gets me excited to go out and take photos.

Was it good for you too? Right. Let’s get down to the nitty and the gritty and show you some photos. I used two rolls that day. One was Fomapan 120 format ASA 100, and the other was Ilford HP5 shot at box speed. The C220 doesn’t have a light metre so I calculated exposition using “Sunny 16.”