Tag: Nantes

Prime Lenses: Elevating Your Photography Beyond the Basics – Part II

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In my last article we explored the prime lenses in my collection and how and why I use them concentrating on my own experience with each one. I started ultra wide and am now going to head towards a narrower field of view. We’ll start with the nifty fifty, go through the Helios 44-2 58mm f2, on to the 85mm f1.8, and end on the Helios 135mm f2.8.

50mm f1.8 – the nifty fifty

Be it a digital lens or one for a film camera, this focal length is considered to be the “standard” to which all the others are compared to.  I have already mentioned my initial set from 1987 where the Pentacon 50mm f1.8 was fitted onto my Praktica MTL3.  It is the lens with which I learnt photography.  Why is it considered the “standard?”  Convention wisdom would suggest that the view offered by the lens is the closest to the human eye.  This explains why Robert Doisneau used it extensively in his documentary photography.  Henri Cartier-Bresson is known for his ability to capture decisive moments in street photography. The 50mm focal length, with its natural perspective and good depth of field, was perfectly suited to this approach. It is also one of the more simply constructed lenses and yet still offers a great shooting experience be that digital or film shooting.

Helios  44-2 58mm f2.0 

This is one of those lenses that one hears about and has a certain mythology.  It is known  most for its swirly bokeh which you can see in the images in the slideshow below.  I think mine must have cost around 50 Euros so in my mind I was thinking, you can’t go far wrong.  This swirliness adds interest to any photograph be it in an oriental garden, on in portraits.  Just enough to make the viewer have a closer look and fall even further in love with your capture.  It’s an old soviet lens and fairly solid as you can read in the article I wrote about the Helios and the Canon 6D mark II.  It is the first of my “portrait” lenses.

We’ve done the bokeh bit, now let’s talk about the focal length.  When in the studio I will start using my 50mm, but this is always ready in my bag.  But it’s not just a portrait studio lens, and I have used it on outings in Nantes.  As all “telephoto” lenses, it separates the background from the subject, and brings forward the subject to the fore.  I haven’t used it on my Praktica film camera yet and should probably do so very quickly.  It would be a shame not to after all.  As it stands I have to use an adapter for my Canon and another adapter for my Fuji XT2.  With the crop sensor on the Fuji it magically turns into an 85mm equivalent.

Canon 85mm f1.8

This is the most classic portrait lens and allows me to take a step back compared to using the 50mm.  Again, the bokeh on this lens is lovely and so creamy that it could give a rotund older gentleman a heart attack if it were cake.  But it’s not cake, so everything is fine.  When I’m in the studio I can concentrate on the eyes and by the time the portrait gets to the ears we’re in creamy bokeh territory.

However, some photographers will take this lens into the street for street portraits.  It’s not a huge lens, and thus less creepy, and allows the photographer to take a step back and still feel close to his subject.  This distance between photographer and subject contributes to a more natural interaction between photographer and model, reduces the feeling of being cramped or intrusive, and leads to a more natural interaction, which in turn leads to more natural posing and a more relaxing experience for everyone.

Helios 135mm f2.0

This is the largest of my “everyday” primes and back in 1987 it was in my bag to bring the world even closer than I could with the nifty fifty.  I was a beginner back then.  And didn’t realise the potential of telephoto lenses.  The approach is much the same as for the 85mm but allows even more distance, and is great for those intimate shots that can capture the alluring side look.  In landscape it can help you pick out details in the landscape that you can’t get closer to for practical reasons, and bringst that background that much closer to the foreground.  For those of you who don’t like manual focussing, you might want to give this one a miss.  This was a lens from an age before autofocus came along.   However on my Fujifilm XT2 this transforms into a rather snazzy 200mm lens due to it’s APSC sensor and 1.5 crop factor,  which would be a lot cheaper than a more modern equivalent, and with the focus peaking on mirrorless cameras, this can be a very convincing argument.

Conclusion.

Primes can generally be considered to be a higher quality option.  With their simpler constructions, they can offer sharper images   They generally have larger apertures, allowing for ease of use in lower light, and providing that creamy, sexy bokeh that everyone keeps mentioning.  By adding a limitation to the creative process they can help the photographer become a more deliberate and mindful craftsman, and concentrate more on composition.

However, even though individually lighter than most zooms, their collective mass may be more important if you constantly want to have every single option available in your bag.  You will be changing lenses more often, when having more to choose from.  Never forget that you are the person carrying them around.  So choose carefully, be deliberate, and plan ahead.   The results will be worth it! 

Prime Lenses: Elevating Your Photography Beyond the Basics – Part I

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Introduction

This article is a follow on from my last article discussing the various merits of zoom and prime lenses.  Today I’m going to try and give a more indepth look into this world of primes.  The lenses that I will be discussing are my own and I have experience with them.  I will be talking more about how “I” use them and how they affect “my” photography, be that the actual photos or the photographic experience.  All the really techy stuff is available on Google;  I’m trying to give you an idea of the sentiments that I have when using the various lenses.  That said, let’s get into the nitty gritty.  I will go through each lens giving you details on how I use it, how “they” say I should use it, and start from the widest to the longest focal length.  This was turning into a longer article than usual, but since there’s a lot to cover, it will become a two part article.  Again mother, I will be talking shop, so consider yourself warned again… Sounds fair?  Let’s go!

Fisheye lens (TT Artisans 7mm f2.0 manual focus lens)

My fisheye lens (7mm so a 11mm full frame equivalent) is the one I use with my Fujifilm XT2.  It is a super wide lens made by TT Artisans, and its main claim to be included in my collection is that it was affordable.  Or at least affordable compared to some of the lenses out there.  However it doesn’t feel cheap on the camera.  It’s manual focus, but I can focus very closely (minimum focus distance is 0.125 metres) and the whole shot will be sharp.  It’s ultra wide so it gives a great level of distortion, which I love, but others might not.  If you can manage to get your horizon level, then you might not get as much distortion as you could by just raising the view 10° higher than the horizon. I love the effect that I can get from it.  It’s definitely a niche lens, and the price I would have to pay for something similar for my DSLR would be silly money.

16mm f2.0 (Fujifilm brand lens with autofocus 24mm equivalent for full frame lenses)

This was the first lens I bought for my Fujifilm XT2.  This 16mm lens’ full frame equivalent would be 24mm.  Why did I buy it?  Well, I already had a 35mm equivalent lens on my X100F, and thought that the difference between 24mm and 35mm would allow me to go wider and get more into my scene whilst avoiding the distortion of the fisheye lens. A particular outing sticks in my mind and was when I used the lens to take photos of the modern architecture on the Île de Nantes.  The wide angle of view (hence the name wide angle lens) was perfect for this kind of street landscape photography.  Would I use it for close-up portraits?  Only if I want to elongate people when taking a shot from low down on the ground looking up.  Would it be good for classic street photography?  Possibly as a compliment lens to my 35mm equivalent lens on my X100F.  Do I regret acquiring it?  Not at all and I particularly like its wide angle of view.

28mm f2.0 M42 mount lens for the Praktica MTL 3 film camera

I started my photographic journey with this film camera and only bought this lens much later.  I had my 50mm f1.8 (nifty fifty) and this was my first venture into a wider lens.  Could I see a massive difference straight away?  No.  But I no longer felt the need to move further back to get the view I wanted into frame.  Moving back with  a camera on your eye and banging into a building and saying sorry to the building is not the way to go, however British you may be.  The Leica Q (a very sexy little thing) uses this 28mm lens and is aimed at street photographers who have enough money to buy a Leica.  The same goes for the Richo GR II but without the need to sell a kidney.  There is a great debate on the Internet talking about the difference between the 28mm and 35mm lens for street photography, which tries to polarise everyone.  I try to stay as neutral as possible in these kinds of controversies but I do use my 35mm lens more.  Do I still like the 28mm format?  Yes.  Is it very different from the 24mm format?  Not hugely, but I tend to worry less about distortion .  I should probably go out and run a roll of film and see how I feel afterwards.  I remember the need to go in close to avoid capturing too much in the frame with this lens, but that is not a factor that could deter me from using it.

23mm f2.0 (X100F lens equivalent to the 35mm for a full frame camera)

The 35mm lens is the classic for street and documentary photography.  It was the lens used by a majority of newspaper photojournalists in the 1970’s, 1980’s and 1990’s.  This might explain its influence on my own photography.  I remember when the Independent first came out and the high quality of photojournalism.  I think that if Fujifilm decided on the 35mm equivalent for their fixed lens cameras then there’s probably a very good reason for it.  Through my use of the X100F for street and documentary photography I have become very accustomed to the view it gives me of the world.  It’s not just for the street though.  Even as a sole travel lens it allows me to capture details of a trip, as well as wider views to tell my story in more detail. It’s brilliant as a lens for environmental portraits and is wide enough to always give contect in the frame to the main subject.  If you try to do close up photography with portraits you might notice some distortion but if that happens just move ever so slightly backwards, reframe, and the problem should no longer be one.

In my next article, we will go higher up the focal lengths and discuss the narrowing field of view that they offer and explore how they bring the background forwards. As for this article, all the information laid out is equally as valid for film or digital photgraphy.

The Photographer Behind the Lens

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Embarking on a photography outing is filled with anticipation, decision-making, and a blend of personal passion and professional discipline. Anything can go wrong, but maybe that’s not the right way to put it. Perhaps I should rather say, expect the unexpected and be ready to adapt. As I prepare for each little jaunt, I face a range of choices that shape the outcome of my photographic endeavours.

Selecting the Right Gear:

The first step in my preparation involves choosing the right camera for the occasion. Factors such as, “Does it still work?” for my film cameras, or “have I charged enough batteries?” for my digital cameras, enter into consideration. My energy levels and the allure of film versus digital play a crucial role in this decision-making process. For example, “Do I have the energy to develop and scan my negatives, or can I face hours of photo editing?” For me at least, it’s not just about the gear, but about the experience it brings. Those of you who have used film will know exactly what I mean. It is a totally different experience to using digital cameras. The words “faffing” and “about” spring to mind. What is my goal in going out today? Is it just to see what happens, or do I “have” to get results?

Navigating Weather and Mental Health:

Weather forecasts and mental well-being become significant considerations as I plan my outing. I, like most people, have an aversion to being rained upon. Even though I might not melt, I don’t want rain getting into the electronics in modern cameras. The allure of capturing the perfect shot often outweighs the discomfort. Yet, there are moments when self-care takes precedence, telling me to just stay in. Sometimes, staying in and getting my ironing done provides as much satisfaction as going out, allowing me to look so dapper on my next outing. The joy of unlimited cups of tea might just make staying in on a rainy day all the more appealing.

Packing the Essentials:

A well-equipped photography bag is essential for any outing. From spare batteries to a flask of tea for comfort, each item serves a purpose in ensuring a successful day of shooting. The contents of my bag reflect not only my photographic needs but also my personal preferences and creature comforts. However, the weight of the equipment is a crucial consideration, especially for street photography where mobility is key. As a more rotund gentleman of 52 years, this has become more and more important. Basically, you can take it with you, but you have to carry it. The X100F and a couple of spare batteries weigh next to nothing, but a Mamiya, or DSLR with a couple of nice zoom lenses suddenly makes you feel less young and daring. Don’t get me started on tripods. Yes, you might need one (in fact, you do) if you want to be doing long exposure photography, but imagine lugging one up a mountain. Okay, don’t. It’s not worth it. So ask yourself what do you really need, and will one of your children carry it for you? And how much will it cost you to make it worth their while?

The Lens Palette:

Crafting Perspectives: Different lenses allow me to achieve different results. If I use my 16-35 lens, I will get wide vistas in town and have a certain level of “artistic distortion.” If I use the 24-70, I have quite a good range of focal lengths, and also a macro feature on the lens. If I use my fisheye lens, I can get all “arty farty.” With a 35mm lens, I am perfect for street photography, and it’s the lens I use the most. The nifty fifty allows me to have a more human-eye view of the world.

The Digital Dilemma:

When it comes to the choice between film and digital photography, authenticity often clashes with practicality. While the allure of film photography appeals to my desire for authenticity, and it does look exceptionally cool, and you can enter “smug mode” knowing that you are arguably better than those who only know about digital photography (yes, snob value does exist!), the energy and time required for development and scanning can be daunting. On the other hand, digital photography offers convenience, allowing for instant image transfer and easy post-processing in software like Lightroom. The decision ultimately hinges on the balance between artistic vision and practical considerations, and can I really be bothered? I know, you have just lost respect for me as an artist, but the struggle is real.

Professionalism Meets Passion:

For professional assignments, meticulous preparation is paramount. From checking equipment to selecting the perfect lenses for the job, every detail contributes to achieving the desired outcome. I noticed this during my musical studies when the goal is to get a paying gig and deserving the pay. You have to get results and your reputation depends on those results. But, even in the midst of professional obligations, the passion for photography remains at the heart of every endeavor. Top tip of the the day. Always have a back-up plan. No planning survives initial contact with the enemy. You’re on your own and have to improvise. What can go wrong, will go wrong, so prepare for this.

Mapping Out the Journey:

Finally, planning the route to my destination adds an element of anticipation to the journey. Do I have to drive for miles, and will there be a loo somewhere on the way? How will I be able to acquire snacks? Are there any small producers that might need a client? I mean I don’t always think about food, but when you live in a country known for the quality of its produce, and where it is almost a duty to consume on the good stuff, it kind of is… Anyway, make sure you look at where you’re going on a map. And if you’re visiting a historic site or attraction then check the opening times. It has happened before. You turn up to a place and it’s closed, so I went a saw my plan B… The path ahead is filled with possibilities and opportunities for creative exploration.

In conclusion

The art of preparation is an integral part of the photographer’s journey. Balancing personal passion with professional commitment, each outing offers a chance to immerse yourself in the beauty of the world through the lens of a camera, whether it’s under the open sky or amidst the comforting hum of domesticity.

Finding Balance: Photography and Personal Wellness

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In the sanctuary of my thoughts, where the gentle glow of lamplight dances upon well-worn bookshelves, I find solace from the chaos of the world. With my dog, Molly, by my side, I embark on a journey of introspection.

As someone who values quiet reflection and nuanced understanding, I’ve learned to appreciate the delicate equilibrium that enriches a fulfilling life. Amidst the pursuit of knowledge and creative expression, it’s easy to become ensnared in the whirlwind of activity, neglecting personal well-being in the relentless chase for success.

Yet, amidst the simplicity of my surroundings, among the familiar scents of brewed tea and the soft hum of a jazz record playing in the background, I am reminded of a timeless truth: genuine fulfillment springs not from ceaseless striving, but from nurturing inner peace and harmony.

For photographers and thinkers alike, the quest for excellence can exact a toll on the spirit, leaving behind exhaustion and doubt. Each moment of creation demands both physical exertion and emotional resilience.

But amid life’s ebbs and flows, it’s crucial to honor the sanctity of body and mind, to heed the whispers of intuition and the call of the soul. What value is there in a well-crafted image or a finely wrought idea if born from weariness?

In my own journey as a seeker of beauty and understanding, I’ve come to embrace moments of stillness and contemplation, carving out time for rest and reflection amidst the bustle of daily life. Whether reveling in solitude or feeling the gentle caress of a cool breeze, I’ve discovered that inspiration often arises from quiet depths.

Photography serves as a therapeutic outlet for many, offering respite from the pressures of modern life. Through the lens, we enter a realm of infinite possibilities where time seems to slow and worries fade into the background. Immersed in the act of creation, we create a space where anxiety and overthinking lose their grip, replaced by a sense of calm and clarity.

For those grappling with depression or loneliness, photography can serve as a lifeline, gently coaxing us out of isolation and into the embrace of the world. As we wander with camera in hand, we become mere observers, detached from the chaos that threatens to overwhelm. In framing a shot, we find solace in the simple beauty of the moment, forging a connection with the world that soothes the soul and restores the spirit.

When I’m not at my desk, crafting articles or editing photos to share with you, I’m exploring this balance between creativity and self-care, constantly striving to find harmony in my own life.

In the tranquil sanctuary of creativity and self-discovery, photography emerges not only as a means of capturing fleeting moments but also as a powerful tool for nurturing personal wellness. Through our cameras, we embark on a journey of exploration and introspection, finding solace in the beauty of the world and sanctuary in the act of creation.

As we navigate the complexities of modern life, let us honor the delicate balance between ambition and well-being. Photography offers us a pathway to reconnect with ourselves and the world, inviting us to embrace stillness amidst the chaos and find beauty in the ordinary.

Whether framing the perfect shot or crafting prose to accompany our images, let us remember the profound interconnectedness between creativity and personal wellness. By prioritizing self-care and mindfulness in our photographic practices, we not only enhance our capacity for artistic expression but also cultivate a deeper sense of harmony and fulfillment in our lives. Even if our endeavors don’t always yield the desired result, it’s essential to recognize that the journey itself is as, if not more, important than the destination.

So, dear reader, as you embark on your own photographic journey, may you find solace in the act of creation, clarity in moments of quiet contemplation, and inspiration in the beauty that surrounds you. May your photographs serve not only as snapshots of the world but also as windows into the depths of your soul, guiding you towards a life of greater balance and well-being.

Ian James Myers: A Candid Exploration of Life, Humor, and Cultural Observations

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At 52 years old, Ian James Myers embodies a unique blend of wit, introspection, and cultural curiosity that permeates his writing and captivates his audience. Through candid conversations and insightful reflections, Ian invites readers into his world, offering a glimpse into the complexities of his mind and the richness of his experiences.

From his irreverent musings on birthdays to his humorous critiques of French culture, Ian’s writing is characterized by its authenticity and unfiltered honesty. He doesn’t shy away from discussing personal struggles, societal issues, or the absurdities of life, infusing each piece with a refreshing dose of humor and self-awareness.

Ian’s journey through life has been anything but conventional, and his writing reflects the myriad twists and turns that have shaped his perspective. Born in the United Kingdom and later relocating to France, Ian has navigated the complexities of cultural identity and belonging with humor and grace. His observations on French society, from its perceived arrogance to its cultural quirks, offer a nuanced portrayal of life as an expatriate.

One of the most striking aspects of Ian’s writing is his willingness to confront difficult topics with candor and vulnerability. Whether he’s grappling with mental health struggles, navigating familial dynamics, or pondering life’s existential questions, Ian approaches each subject with a keen sense of introspection and empathy. His writing serves as a mirror for readers to reflect on their own experiences and find solace in shared humanity.

Despite his self-professed “grouchiness” and irreverent humor, Ian’s writing is imbued with a deep sense of gratitude and humility. He expresses genuine appreciation for his readership, acknowledging the role they play in his creative endeavors and the sense of community they foster. From the thousands of visitors to his website to the supportive comments left by readers, Ian’s audience serves as a source of inspiration and validation for his work.

Ian’s writing journey has been a testament to the power of authenticity and self-expression. He doesn’t conform to societal norms or expectations but instead embraces his quirks and imperfections with unabashed honesty. Through his writing, Ian reminds us that it’s okay to be flawed, to question the status quo, and to find humor in life’s absurdities.

As Ian continues to navigate the ups and downs of life, one thing remains constant: his commitment to sharing his unique perspective with the world. Whether he’s chronicling his adventures in photography, reflecting on the passage of time, or simply sharing a humorous anecdote, Ian’s voice resonates with authenticity and warmth.

In a world inundated with noise and superficiality, Ian James Myers stands out as a beacon of sincerity and humor. His writing challenges us to embrace our own quirks, to find joy in the mundane, and to approach life with a healthy dose of skepticism and laughter. As we journey alongside Ian through the ups and downs of life, we are reminded of the power of storytelling to connect us, to inspire us, and to remind us of our shared humanity.

This article was generated by Chat GPT after having been shown various articles on this blog and asking for him, or should I say her, to analyse some of the more juicier ones. I can assure you Dear Reader that they have not become my therapist, but isn’t it interesting to get a non biased idea on who AI thinks I am. I’m not sure about eye-opening, but definitely interesting. Am I unhappy about what they said? I’m not really sure. Those of who who know me personally, or throujgh my writing, tell me what you think. Feel free to be completely honnest in the comments section. That’s what it’s there for!

The Quiet Orchestra of Cups and Crumbs: Indulging in Tea and Cake at Home

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There’s a hush within the walls of home, broken only by the gentle clink of china and the soft rustle of pages turning. Sunlight paints warm squares on the table, and a familiar aroma fills the air – the alluring scent of freshly brewed tea, mingling with the promise of sweet delight. Forget the clamour of cafes and the pressure of trendy patisseries; here, amidst the comfort of your own haven, awaits an indulgence both simple and sublime: the pairing of tea and cake.

This is not just a snack, mind you, but a ritual, a rebellion against the hurried pace of life. Here, you are the maestro, wielding the teapot and cake fork with practiced ease. No deadlines loom, no expectations burden you. Just the quiet orchestra of clinking cups, the warmth of tea on your tongue, and the crumbly symphony of cake yielding to your fork.

But before we lose ourselves in the indulgence, let’s ensure the foundation is perfect. Forget the sacrilege of microwaved water! A proper cup of tea deserves a touch of ceremony. Here’s the secret:

The Art of Brewing:

  1. Choose your weapon: Select your tea wisely. A robust Assam for an invigorating morning, a delicate Darjeeling for a contemplative afternoon, or a fragrant jasmine for a touch of serenity. Loose leaf offers the fullest experience, but quality tea bags work too – I’m thinking Yorkshire tea, Yorshire Gold, or even Barry’s Gold from Ireland.
  2. Heat the water: Water is the soul of tea. Use water heated to the appropriate temperature – boiling for black tea, around 80°C for green tea (except green tea is for hippies or stresed out millenials). Using a kettle helps achieve precise temperature control.
  3. Warm your vessel: Preheat your mug or teapot with hot water to prevent a temperature drop when the tea arrives.
  4. The infusion dance: Measure your tea – a teaspoon per cup. Add the tea leaves to the warmed pot, then pour the hot water gently over them. When using a tea pot, the rule is one spoon of tea for the pot and one spoon of tea per person.
  5. Let it steep: Respect the steeping time! Each tea has its preference – 3-5 minutes for black tea, 2-3 minutes for green tea (for hippies and stressed out millenials). Be patient, this is where the flavour magic happens.
  6. Strain and savour: Once steeped, strain the tea and discard the leaves (unless using a teabag). Now, breathe in the aroma, hold the warm cup in your hands, and take that first sip. Let the flavours bloom on your tongue. I always add milk, which takes off the tanin edge of strong tea.

The Perfect Pairing:

Now, to the cake! Choose a companion that complements your tea’s character. A rich chocolate brownie pairs well with robust teas, while a light, citrusy slice enhances the delicate notes of Darjeeling. Remember, this is your symphony, so experiment and find the perfect harmony.

With each sip and bite, the tension of the day melts away. The world outside can wait, for within these four walls, you’ve created a sanctuary of indulgence. No judgement, no pressure, just the quiet joy of the moment.

So, the next time you crave a moment of solace, skip the cafes and turn inwards. Brew a pot of tea, slice a delightful cake, and settle into the haven of your home. Let the quiet orchestra of cups and crumbles fill your senses, and rediscover the simple yet profound pleasure of indulging in your own company.

And remember, Nantes may boast charming cafes, but the truest indulgence often lies in the quiet corners of your own home, waiting to be savoured with every mindful sip and bite. Take a moment, dear reader, and indulge in the simple symphony of tea and cake at home. You deserve it.

A nice cup of tea made with love ? It’s a hug in a mug!

Exploring Nantes: A Photographer’s Perspective

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In the hushed confines of my study, where the scent of bookst mingles with the comforting aroma of steeping tea, I find myself transported to distant realms of discovery. With my faithful canine companion at my feet and a mischievous feline observer perched high atop a pile of unironed laundry (I must get that sorted out), I embark on a journey not only through the winding lanes of Nantes but through the corridors of time itself.

Nantes, with its labyrinthine streets steeped in centuries of history, beckons with the allure of bygone eras and whispers tales of yore to those who listen with open hearts and discerning eyes. As a photographer of a somewhat vintage disposition, I am drawn not only to the grandeur of its architectural marvels but to the quiet corners and hidden alcoves where the soul of the city reveals itself in subtle nuances and fleeting moments.

My approach to photography, much like my approach to life, is one steeped in reverence for the past and a keen appreciation for the present. Armed with my camera and a discerning eye for detail, I set out to capture the essence of Nantes not merely as a series of picturesque scenes but as a living, breathing tapestry of human experience.

In my wanderings through the cobbled streets of the old town, I am enraptured by the timeless beauty of the Château des Ducs de Bretagne, its imposing walls bearing witness to centuries of tumultuous history. Yet it is in the quiet courtyards and shadowed alcoves of this ancient fortress that the true spirit of Nantes reveals itself, echoing with the whispers of generations long past.

  • Chateau de Ducs de Bretagne, or Nantes Castle
    Chateau de Ducs de Bretagne, or Nantes Castle

As I meander through the bustling markets and labyrinthine alleyways, I am captivated by the vibrant tapestry of colors and textures that adorn the cityscape, each tableau a testament to the creativity and resilience of its inhabitants. From the fragrant stalls of the Marché de Talensac to the bohemian charm of the Île de Nantes, every corner of the city offers a glimpse into the rich tapestry of Nantais life.

But it is perhaps in the quiet moments of reflection, amidst the tranquil banks of the Loire River or beneath the leafy boughs of the Jardin des Plantes, that the true magic of Nantes reveals itself. Here, far from the hustle and bustle of the city streets, I find solace in the simple beauty of nature and the timeless rhythm of the river, a reminder that amidst the chaos of modern life, there are still moments of peace and serenity to be found.

In my pursuit of the perfect photograph, I am guided not only by technical skill and artistic vision but by a profound sense of reverence for the world around me. Each click of the shutter is not merely an attempt to capture a fleeting moment in time but a homage to the beauty and wonder of the world we inhabit.

As the sun sets over the horizon and the last rays of light dance upon the waters of the Loire, I find myself filled with a sense of gratitude for the privilege of bearing witness to the timeless beauty of Nantes. In its winding streets and hidden corners, I have discovered not only the essence of a city but the essence of life itself—a tapestry of moments, both fleeting and eternal, woven together in the fabric of time.

As the golden hues of sunset paint the Loire River, my camera lens captures one last fleeting moment of this captivating city. Nantes has unveiled its charm, whispering stories through its cobblestones and revealing its soul in hidden corners. While my journey ends here, yours can begin. Pick up your camera, wander the winding streets, and discover the magic of Nantes waiting to be captured, frame by frame. You might just find yourself transported, too.

Has Spring sprung, or is it just springing?

Posted on Posted in Black and White Photography, FranceTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 5 Comments

In my little corner of France, the weather has been a little on the rainy side.  We had a good week at the end of January, but since February, somebody, somewhere, without knowing the ramifications of his words, must have said, “et bah, on a besoin d’eau hein….”  God obviously granted this person their prayers and we have been rained on for the last few weeks!

It all began with a brief respite at the end of January, a fleeting interlude of sunshine before February just started urinating on us from above. It’s as if someone, somewhere, uttered the magic words, invoking the heavens to shower us with their blessings. And shower us they did, with rain pouring down like a pissing cow (as the French so poetically put it) that had been on the lash all night , couldn’t find the loo, and could no longer keep it in.

Yesterday, we were visited by none other than Louis, the storm, and not the child of the Prince of Wales. His presence was felt with each gust of wind and every raindrop that tapped against the window.  This was proper rain.  The kind of rain that makes your Yorkshire more elderly aunts would tell you that you might want to put a coat on, but told off by your Northumbrian grandmother if you dared use an umbrella.  It was a different time…  I would dash out to do my quality control for the timber deliveries at work whilst trying to dodge the heavy showers and not get blown over by the 50 mph gusts of wind.

But amidst the downpour, signs of Spring’s imminent arrival emerge like treasures hidden in plain sight. No longer do I awaken to the frosty chore of scraping ice off my windscreen; instead, there’s a gentle warmth in the air, a whisper of hope that dances through the rain-soaked streets.

As I make my way through the soggy pathways, I can’t help but notice the subtle changes taking place. The blackthorn bushes in the hedgerows begin to bloom, their delicate blossoms a testament to nature’s resilience. Daffodils peek out from gardens and roadside nooks, adding splashes of colour to the grey canvas of the day.

And despite the forecast calling for more rain, there’s a sense of optimism in the air, a feeling that Winter’s grip is loosening and Spring’s embrace is just around the corner. It’s a feeling that stirs something deep within, a sense of anticipation for what lies ahead. As you can see in the photo, it doesn’t rain “all the time.”

We still aren’t in 100 ASA film weather, except if you only want to shoot at F1.8, and when in 400 ASA we can start to go over F8, at least during the day.  You thought I wouldn’t talk about photography?  Really? At least I can go out and catch the rain on film.  Sunnier days are brighter, but the melancholy of rain is just as special and poetic.

So, dear readers, as we navigate the unpredictable dance of Spring’s arrival, let us do so with all the warmth and humour of old friends reunited. For whether it be the son of the Prince of Wales or the ghost of various Kings of France, when Louis comes knocking, it’s bound to be a royal affair.

The X100F, again!

Posted on Posted in Black and White Photography, Reportage, street photography, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , 6 Comments

She’s My Pride and Joy

It seems that I’m not the only one who raves about this powerhouse of a camera. This just proves that size truly doesn’t matter. I’ve mentioned it on numerous occasions and I stand completely justified in doing so!

Here’s a selection of articles that I have written showcasing phtoography from this amazing little camera in no particular order:

The idea behind using a camera is not just about capturing moments, it’s also about the experience it grants you. This camera has the ability to inspire and motivate its users to explore and create, which is a testament to its design and functionality. The joy and enthusiasm that comes with using this camera is contagious, and it’s evident in the way it empowers photographers to unleash their creativity. It’s not just a tool, but a companion that fuels the passion for photography, encouraging individuals to embrace the world around them through its lens.