Exposures

Four decades behind the lens. Six years of sharing the journey.

Welcome. I’m Ian — photographer, horn player, and writer living in the Vendée, near the Loire-Atlantique border. This blog has been running since 2019 and shows no sign of stopping.

You’ll find black and white film work, travel essays, orchestra photography, philosophical digressions about why any of us bother pressing the shutter, and the occasional camera review written by someone with strong opinions and a perhaps unreasonable attachment to grain. No algorithms chose what appears here. No agency wrote it. Just forty years of looking, and six of writing it down.

Start anywhere. Stay as long as you like.

Latest from the Field

  • Messing about along the river in Clisson

    Messing about along the river in Clisson

    A 45-minute walk along the river in Clisson with a Canon EOS 500 and a roll of Agfaphoto APX 400. Castles, viaducts, calla lilies, and laundry — what film photography finds when you stop looking too hard and start looking behind you. Read more

  • For the people who were already here

    A few months ago I finished a book. It didn’t start as a book — it started as a series of posts on this blog, one question at a time, and then became something I realised was a single argument rather than a collection of pieces. The argument is this: photography is not complicated, but… Read more

  • The Parc D’Asson

    The Parc D’Asson

    A quiet morning in Montaigu, HP5+ pulled to 200 ISO, and the Sunny 16 rule. Sometimes the best places to photograph are the ones you’ve been ignoring. Read more

  • Capturing Time: A Photographic Journey Through Château de la Preuille

    Capturing Time: A Photographic Journey Through Château de la Preuille

    Discover Château de la Preuille through stunning black and white film photography. Explore this 11th-century Vendée estate’s vineyards, towers, and moat reflections captured on HP5 film. Learn about gîte accommodations, wine tourism, and analog photography techniques. Experience timeless French heritage where history meets hospitality in Saint-Hilaire-de-Loulay. Read more

  • YOU CAN’T BUY HAPPINESS, BUT…

    YOU CAN’T BUY HAPPINESS, BUT…

    “You can’t buy happiness, but you can buy good wine.” A philosophical photo essay exploring what Nantes, France teaches us about the good life—beauty as democracy, the right to solitude, and pleasure as infrastructure. Discover how black and white street photography reveals the architecture of everyday happiness in one of Europe’s most livable cities. Read more

  • Birdsong in Black & White: A Morning at the Jardin Extraordinaire

    Birdsong in Black & White: A Morning at the Jardin Extraordinaire

    First visit to Nantes’ Jardin Extraordinaire meets first roll of Ilford Pan 100. Shot on a Nikon FE, developed at home in Ifosol 3, scanned on Opticfilm 8100. A slower pace, a Panama hat, and the Grue Titan in the distance. Why analogue photography still matters in 2026, and how film helps me be more… Read more

Featured Projects

  1. The UK Chronicles
    Light, minimalism, and preparation.
    Shot entirely on the Fujifilm X100F during a recent solo journey through Britain — a deliberate exercise in traveling light, seeing deeply, and preparing for the sensory overload of China.
  2. The Film Archives
    Memory in monochrome.
    A vault unlocked: black and white film photographs from Nantes, Clisson, and beyond — captured long before this blog existed. Grain, patience, and timeless moments.
  3. Photography Philosophy
    Why do we do this?
    Not a tutorial. Not a gear guide. A quiet exploration of purpose — the “why” behind the viewfinder. For those who photograph not to post, but to feel.
  4. The Orchestra Visit to China
    Culture, chaos, and concert halls.
    A visual symphony from the road with the orchestra — temples, trains, backstage glances, and the electric silence before the first note.

About the Photographer

I am not an influencer. I am not a brand.
I am a photographer, ever so slightly stubborn, analogue at heart, digital when needed, and fiercely independent. I’ve been developing my own film since the 1980s. I built this blog in 2019, not for followers, but for focus.

I do not outsource my editing. I do not chase trends. I shoot what moves me, and I hope, sometimes, it moves you too.

“Commercial editing offers and unsolicited partnerships will not be published or replied to. This space is sacred; for art, not advertising.”

A Note from a Reader

“j’adore… il y a des jours avec, et les jours sans….”
— A kind visitor, September 2025

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