A Sunny February Afternoon


Sometimes you have brunch and just feel that all is well with the world. Well, that Sunday, all was definitely well with the world, or at least, well with my world, which isn’t a bad way to be on a delightful sunny February afternoon. Out in town with my camera, well-fed, and just wandering around, seeing what would turn up in front of my camera.

If I were to be honest, I know that if I go to such-and-such an area, I will get such-and-such a kind of photo, so we can’t about wandering around aimlessly, but there was a sort of randomness… Sort of.

Get ready for some technical information, which will hopefully explain the style of photos that I am presenting to you today. When converting my images to black and white, I edited as if I had a red filter on my camera and as if I were using black and white film. When using this red filter, anything that is blue comes out in a darker tone. It’s going to be easier to use an image instead of a thousand words…

Basically, anything that is a deep blue turns almost black and makes for a powerful image. Some people love it (I do), others don’t (ah well), and that’s all fine too! You get the picture!

A lot of the photos that follow will exhibit this effect as if they were case book studies. You need the sky to be a certain way or it just won’t work, but when it does, you get the kind of image that jumps out at you. That and the 16-35mm lens, you can’t really go wrong. Mind you, after that delicious brunch, not a lot could go wrong…

He’s still wider…


Dear Reader, in my last article I said I would try and get some more photos for your delectation. On Saturday I was in a rehearsal room all afternoon playing for a new orchestra. The Symphonique des Bords de Loire, which basically means on the river Loire just south of Nantes.

The Orchestre d’Harmonie de Cholet have just just changed musical direction, and all of a sudden I was looking for a new direction (not the pop group), so I seized the opportunity to make a change and start playing some more “classical” music in a different setting. I of course wish them the best of luck with their new conductor.

So that’s where I was on Saturday afternoon and so wasn’t really busy capturing images with my new toy.

My wife has decided to get to some Spring cleaning. Who ever said you can’t do autumnal Spring cleaning? Vive la différence! My cleaning skills despite military training in the early nineties have been declared not up to my wife’s standards and methods so my apparent incompetance is your gain, and also allows me to be out taking photographs with my new toy, the 12mm TT Artisan fish-eye lens on the Fujifilm XT2. At least I’m doing something creative instead of getting shouted out for being bloody useless.

So, I am now in town taking photos at the Hangar à Bananes which is seriously lacking in bananas before going to Sunday night mass, and looking after my soul. You get a different kind of crowd on a Sunday night and it feels a little more exclusive. I will then proceed to the pub for a pint of Guninness to look after the Guinness family, and to continue to drink the pub dry one pint at a time. This is a life long quest so I can take my time instead of do it all in one session. I suspect that they might being re-supplied before I can dent their stock. I suppose it’s just a feeble excuse to go to see my friends and talk bollocks all night.

Here is the photographic evidence of the time spent this afternoon pursuing artistic endeavours!

Alnmouth First Day of Photography


As promised, I said I would share photos from my trip to Northumberland post by post. No novels, just photos…

I have got my need for colour out of my system. Maybe. Possibly. Well, never say never, and all that. I wanted to share some timeless black and white photography.

It was my first morning of photography where I sneaked a visit to Scott’s of Alnmouth for elevenses. There was the sea mist that you saw in my article Sea Mist. And when it cleared, it was an amazingly sunny day.

Not necessarily the best of conditions for photography, but as a photographer, I try to adapt to the day’s conditions. Lots of contrast etc. It also avoids getting up the crack of dawn. Thank you Dawn.

Does this mean that I am lazy? Possibly. Do I care? Absolutely not. When on holiday, I commence my day with a cup of tea (or maybe even more than one) and toast. It’s possibly time for a cup of tea right now. As I age graciously, I appreciate these simple pleasures of life. I also still have some Yorkshire tea! You’re jealous now, aren’t you!!

Parisian Nights.  Part II.  Montparnasse et Montmartre.


First of all, well done for not missing part two of this incredible recitation of fifty-something outings in a lovely part of the world, except where my wife is concerned.  She didn’t come because of her great wariness of Paris and all things Parisian.  I did want to come, which is how I can write this second instalment.  Her loss.  She just missed out on all the fun, fun, fun!

So, where was I?  Definitely in a great mood, probably not in the fittest states if I were driving, and heading gently back to my hotel after having said goodnight to friends!  I had missed out on pudding after my evening meal and knew that I had the Cyrille Lignac raspberry tart to look forward to.  I found my room and actually get into it without having to call for help.  It was a warm evening after a warm day, but the coolness of the evening was starting to arrive.  O happiness, I could get my window open and still reserve my modesty with the blinds.  I hit the deck.  Well, I didn’t hit.  It was like sliding into bed in a happy, sugary, raspberry mood and I drifted off to sleep.  Hotel pillows seem to have this magical way of sending you off to dreamland….

I had set an alarm, just in case, but woke up at 6am.  Far too silly, but it allowed me to emerge at a leisurely pace, which seems to be my general speed at the moment.  Mass was at 11 am, so I had loads of time.  Breakfast was between 8am and 10am.  So definitely had loads of time.  Now came the epic battle with the shower.  Trying to work out how to operate it and not getting shot with cold water.  Yay, it was possible and turned out to be a lot less challenging than I thought to begin with.  I even got the rainfall showerhead to work.  It was lovely just being able to chill, listen to Radio 2, and take my time without guilt.  I floated down to breakfast, in an incredible mood.

Hotel breakfasts are something I quite enjoy.  Self-service, and a chance for me to pretend to be healthy, with yoghurt, fruits, cheese, ham, pain au chocolat, cornflakes and, most importantly, a nice cup of tea.  Once you figure out the various dispensing machines for the hot drinks, you’re fine. I finished before 10am to respect the fast before Holy Communion, and floated back up to the room and looked after my skincare and beard care routine.  I may be a fat git, but I like to be a well-groomed fat git.  Bag packed, and ready to check out knowing I could leave my bag at the hotel until my train, a very useful service. 

The Church was on the Boulevard Montparnasse, just beyond the cinemas and cafés.   It was a beautiful church dedicated to Our Lady, and the frescos high up on the walls were perfect for visualising the episodes of the Rosary.  An old lady came up to me and gave me a hymn sheet and the Parish bulletin.  She was one of those sweet old ladies that you can’t just say no to.  I saw others that tried but saw how futile it was.  Obviously an old girl on a mission.  Three priests as well.  Music that brought a tear to my eye.  It was lovely.  After mass, I said my Rosary and headed off into town.

We had arranged to meet up at the Abbesses metro station in Montmartre which has one of those Art déco metro entrances that you see in all the photographs.  I got the typical shot and regretted not having stayed around to get more detailed shots.  Maybe next time.  Because, as Arnie said, “I’ll be back!”  We met up at the appointed time and meandered through the streets to the Funicular.  I would not walk up those steps.  Let me bring you back to the leisurely pace concept mentioned earlier.  As we were going up, I showed them where I would probably have had a heart attack if I were taking the steps…  We got to the top and spied an Irish pub.  Well, it would be rude not to.  We ordered a couple of pints from the typical Parisian waiter.  The man was running around like a madman.  We knew straight away that he wasn’t having a good day, showed appropriate empathy, and won him over.  There was the pub itself, a speaker blaring out rock music, and the guy was covering three terraces. Another girl looked after serving the food.  We waited, waited, and waited some more.  We gave the order to the waiter, whose back was obviously giving him gip, and jokingly said he should try some cocaine for the pain.  He jokingly replied that he was already on cocaine, and I think having seen him zooming all over the place, I believed him.  It was just poor management, and a lack of staff, and they were doing what they could.  Anyway, we were about to leave and the food came.  Not the right order, but the right order was there fairly soon afterwards.  We were debating if we shouldn’t just cut our losses and leave and just pay for the drinks.  Anyway, we saw people coming up the stairs that we had given up on.  Some were actually running up “and down” and “back up again” obviously being far too sporty for a Sunday Lunchtime.  We saw a “pétasse Instagram” posing and being photographed by her mother.  Obviously getting the Paris trip shot for her feed.  Something I would never do…  Maybe I should?  Big dude being a “pétasse” and posing like a pretty, young, twenty-something.  It could be style and a sociological view of beauty standards on the Internet.  Or it could be bloody awful.  Maybe not then.

We looked over the panorama of Paris, trying to identify the buildings we could see.  I even saw a tower in Romainville near where I used to live when my wife and I lived in Paris, or rather just outside Paris, in those close suburbs you see on the news, but not for the good reasons.  I do love living in the country.  Sacré Coeur is an amazing church and crowns Montmartre like Our Lady, keeping an eye over Paris and the Parisians, making sure they do nothing too stupid.    We wound our way through the narrow streets towards Place de Tertre, which had been overtaken by restaurant seating pushing the artists to the edges of the square.  I kept my eye on Dom who was keeping his eye on Vanessa.  It was mid-afternoon and after nearly 30K paces in the weekend; I was knackered, and those taxis were looking very appealing.  We walked down to the bottom of the hill and saw a poor tourist being ripped off by the game of the three cards and you have to follow the Queen, etc.  A good old-fashioned tourist scam.  It was simple spotting each member of the team, and I felt sorry for the poor guy. 

We arrived on the boulevard, but the heat, fatigue, and knee had got the better of me.  I’m not good at goodbyes. In fact, I would even say that I hate them.  We hugged goodbye, and I descended into the abyss of the Paris metro, arriving parched at the hotel to fetch my bag.  I must have looked awful as the guy went and got me some water.  Maybe looking like a fat old guy has certain advantages to it?  I took my bag and crossed the road to the Montparnasse train station.  I could buy some food and water.  Knowing exactly where I would go to eat and drink, English voices that reminded me of young English public school boys filtered through.  It’s always strange hearing your own language in a foreign country, even though you might expect it in Paris.

I was headed to the platform when my train came up on the boards.  My electronic ticket worked and allowed me through the gates.  I boarded the train and sat at a table for four.  The other seats were taken, but being in first class, people attempted to be quiet.  The lady opposite me offered to take my bag for me and put it in the rack at the end of the carriage.  I felt guilty because it was heavy, but she was very gracious about it.  My headphones and tablet gave me that sense of privacy and I watched YouTube on the way home.  In the group chat, I informed everyone that my train was on time and I wished them a pleasant trip home.  Normally it was planned that my son was going to pick me up at the station in Nantes, but Virginie told me to get a ticket from Nantes to Montaigu, which I did at Montparnasse and told me she would pick me up at the station in Montaigu.

Once home, I just got naked and went to bed, in a very non-sexy way.  I just wanted to get to sleep as soon as possible.  Work would start at 5am the next morning.  Not the easiest of things.  It was a wonderful weekend, and I was so happy to have met up with friends from home and Sergio from Nantes.  It was like having a bit of home coming to see me and was just what the doctor had ordered. With all the various Facebook posts and reels, and I suppose this article, we have dragged that weekend out to nearly three weeks. So Happy Birthday Vanessa.  Welcome to the 50-year-old club.  It would appear that it happens to the very best of us.

How was your weekend?


Well, on Friday night we had the consecration of Ukraine and Russia to the Immaculate Heart of Mary.  As a Catholic, and, as somebody who has actually been to Fatima, and knows what a big thing this is, it was a very moving and special moment.  The majority of us wish peace for Ukraine and wish for an end to Putin’s invasion, and anyone who says it’s just a special military operation is in serious error!  Since the beginning of the invasion, this is a start of hope in this grizzly war.  Let’s keep praying for them!  What else was Pope Francis supposed to do?

I’m sorry if Catholicism isn’t your thing, but it is mine, and I wanted to get that out there.  You can hate me later.

On Saturday, I felt slightly out of it, especially after the emotion of the previous evening.  I felt tired and just wanted to sleep and rest.  During the week, I had started reading up on using an ultra-wide lens as a portrait lens.  As it happens, I have one for my Canon 6D Mark II.  The infamous 16-35mm.  If you look at previous articles and on my Instagram feed, you can see the results that I have managed to get from this setup.  I love the distortion that this lens gives me.  It allows me to create images that although taken in real life seem to have an otherworldly feel to them.  “They” say it’s all about creating images that “stand out” and I’m all for that! 

So instead of just reading up on it and wishing, the best thing to do is to pull the proverbial finger out, get the kit out of the camera cupboard and use it!  I’ve been using my Fuji camera systems lately and I thought it would be good to have a change.  I’ve been so happy with the Canon and the 16-35mm lens in the past, and have had such great results with it, so I was feeling really geared up and positive. 

Then I got out and for some reason, I just couldn’t get into the zone.  I was fortunate enough to get a couple of half-decent photos, but I certainly wasn’t feeling it.  I kept at it with my legendary stubbornness, but I knew it wasn’t a good day.  I know you can’t have a good day every day, but I usually do better than that.  Let me assure you, however, that this is only temporary, and that next Friday afternoon I will have another go. Not every photo was useless as you can see in the gallery, but you do feel a certain frustration.  You’re all geared up to create and then you get performance issues. Still no idea why, but it could always be worse. I could have given the booze up for Lent and therefore not be able to have a pint of Guinness to console me. Oh, wait…

There’s a difference between knowing the theory, having practised, and being able to reproduce great results every time.  That is probably the reason that I am still an amateur and not a pro.

I will not let this discourage me and next time is next time.  If this ever happens to you then please don’t fret about it.  Sometimes it’s just not your day.  It doesn’t mean that you are a bad photographer, it just means that it’s not a good day on a given day.  Be stubborn.  Keep going.  Don’t give up.  Show the buggers what you can do!

Here are the photos.  Not all of them were horrible, and one or two shine out, which is actually quite good. Tell me what you think.  How should I change my approach for the next time?

February Continued…


In my last article Dear Reader, I promised you some colour photography and in this article, you’re going to get it.  The sun was still warming my back and it felt good to be alive again!  I talked about missing out on the Jaune in the Grue Jaune, but not this time.  Shorter article maybe but some great colour for you.  When I bought the Fujifilm X100f one of the things that had was the Classic Chrome film simulation, which was supposed to emulate Kodachrome which of course died in 2009 and can no longer be processed.    The X100f of course has other film simulations, which you can look up on the web, but that Classic Chrome look just got me.  A slightly more subdued colour range with a certain warmness and something that you just can’t quite put your finger on, which reminded you of an age gone by in photography.

I mean the whole camera seems to have a certain vintage vibe to it despite all the technology hidden away inside.  The little knobs and buttons everywhere just remind you of a film camera.  How was I supposed to resist?  As you can see in various articles and various photo galleries, I didn’t resist and I’m still OK with that!  I even went on to acquire an XT2 with interchangeable lenses, which offer me more variety in the kinds of shots I can take, as well as keeping the same feel to my shots. 

Everyone says to shoot in RAW.  I can hear them even now saying, “Shoot in RAW you fool!”  Well I do, but I also shoot jpegs to have those images already colour edited to fit that Chrome feeling.  It’s consistent and I still have my RAW files to fall back on if needed.  The Fuji Jpegs are amazing and it helps me to cut down on the amount of editing that I have to do.  I’m basically lazy, so if I can avoid doing something and yet get a perfectly satisfactory result, then I’m going with the path of least resistance. 

On this outing, I was using the 18mm (24mm equivalent) lens with the XT2.  Again, I’ve talked before how I decided to go wider instead of longer, and if any of you are laughing at this point, get your minds out of the gutter!  I’m talking photography!!

So without much further ado, let me present you with some colour photography taken on the XT2 in Nantes.  

P.S.  I think I found the banana….

The Contradictory Contradiction


I have a friend here who said that I am always contradicting myself and that it isn’t logical and how can I say two things at the same time, and I replied that the two things, although contradictory in appearance, are both as true.  That person is a production of French education with philosophy as the subject that all French teenagers go through to learn how to think the way the Education Nationale tells them to think, under the guise of learning all about freethinking and critical thinking.  I, however, am a lot less French despite what some people might like to think, and I will think any blooming way I desire, with or without contradictions.

I’m not talking about my mental state, for once, but photography.  I love both digital photography and analogic photography.  I am bewildered by modern technology and could be classed as a geek, and yet the experience of using old technology that is obsolete for some gets me all excited as a small child waiting for Father Christmas, but being told by their mother to go to bed, otherwise, he won’t come.  It didn’t stop me from waking up at the crack of dawn, and I think my parents might have regretted the decision to buy me a guitar for Christmas and hearing me playing at some ungodly hour of the morning.  As a 49, fat middle-aged gentleman, I can understand them, but my 6 or 7-year-old self didn’t and couldn’t imagine the disturbance that I had caused them.

Oh, how times change!  While I’m on the nostalgia train going to the “good” old days, I have vivid memories of a drawer at my grandparents’ house, where my mother was brought up, and in whose room I would be staying.  Inside this drawer, many “old” things just fascinated me.  It could be my grandfather’s old plumbing ruler or golf tees.  It could be anything but it was an entrance into another world for me.  My grandmother’s kitchen, because at that time, my Grandfather wouldn’t be in the kitchen, was a place where everything was from the 1930s and it all just fitted together.   There was the Anderson shelter, which had been turned into a proper pantry, was a relic from the Second World War where they would have sheltered from German bombs falling on the town and trying to stop my Great Uncle’s shipyards from operating correctly.  My Great Aunt would drive around in an ambulance taking care of casualties.  Amazing people from an amazing time. 

What does this have to do with photography?  Not a huge amount, but is that a problem?  Oh yes, it tells you about my fascination for the old and very new.  I have “a number” of cameras, the eldest being from the 1940s and the newest from 2021, with nearly every decade being represented in-between the two dates.

So I was going somewhere with all this.  Ah yes, lately I seem to be getting back into film again.  In the last but one article, you may have seen the photos from the Mamiya, which is a relatively modern camera being from the early ’80s.  Well, this time, I’m still using a camera from the 1980s, the Pentax ME Super.  For once, I wasn’t using Ilford HP5, which is my “go-to” film.  No, I decided to be different and get out of my comfort zone, and use a new film.  I say new film, I mean Rollei has been around for donkey’s years, but this was a “new to me” film.  May I introduce you to Rollei RPX 100.  I never use 100ASA film, but was turned by Fomapan 100, which you can see in the photos from the Hangar à Bananes.  A fine-grain film, especially when you compare it to the grain from HP even when shot at box speed, let alone 800ASA or even 1600ASA.

The film was developed in ILFOSIL 3, and I thought it was great.  I tried in town and country and was thrilled.  The thing that pleased me the most was that it kept flat, which means a lot to somebody who has ever tried to scan film. The last time I bought a film I played wild cards, and it was also a lot cheaper than HP5 which is a very convincing argument.  I still dream of Kodak Portra 160, but it is getting more and more scarce, and therefore more expensive.  A beginning of the month kind of film.  Oh look at that, my pay has just gone in…

So yesterday evening I was scanning a film my son had shot on a 1960s Kodak camera, and thinking about how he has changed since 2016 when I picked up my Fuji XT2, a slightly more modern mirrorless digital camera. I hadn’t used a modern camera in quite a while and it almost felt foreign to me, and yet familiar at the same time. My fingers seemed to find the controls without looking very far, and it felt very natural.  Maybe my love of digital and analogue isn’t that contradictory after all?

Now it’s time to show you the results of the Rollei RPX 100.  I liked it and am happy I bought more than one roll.  The camera, as I think I said earlier, was the Pentax ME Super.

Kodak Portra 160 in action


I have already shown these photos on Facebook and Instagram, but I wanted to share them here too. I had the pleasure to take a film camera out to Nantes with some Portra in it. Kodak Portra is one of those iconic films that everybody waxes lyrical about and I can understand what the hype is about. I certainly love it and the results the I mananged to get from it. I would love be able to work out how to make my digital photos have the same feeling, but when I take film shots I don’t have to worry about it.

The following photos were taken on Portra 160 film using my Pentax ME Super, which as the name suggests is pretty cool, during the month of May just after lockdown and in Nantes where I can be found often with a camera around my neck.

Portra 160 is described as having a natural color palette with low saturation and low contrast. It has breathtaking color, sharpness, and very fine grain. I really love these colours. Normally the name Portra might suggest Portrait and you’d be right in thinking that. For portraits it’s magical. But it also seems to work in street photography.

I do love the Cathedral in Nantes and haven’t been back inside since the fire. I miss it and the music from the organ which was magnificent and depressingly no longer there.

https://shootitwithfilm.com/how-to-shoot-kodak-portra-160/ This could interest you too

https://www.alexburkephoto.com/blog/2019/5/16/metering-and-shooting-kodak-portra-film And here is another link that you might want to have a look at. Loads of info and worth a read. I wish I had have know about this first. I don’t think I was too far off though.

https://fstoppers.com/film/unofficial-film-film-look-long-term-review-kodak-portra-400-502260 This article is on Fstoppers and discusses Portra 400 but it’s a good read too.