Jardin des Plantes, Nantes

This story actually begins in my village in Vendée, with a foray into the next town and its Saturday market. But you could argue that it began earlier in Nantes when I bought my son’s girlfriend an old film camera, a Canon AE1 with a 50mm f1.4 lens, that I nearly kept for myself, but in a pang of culpability, couldn’t. I would have replaced it with a more classic standard 50mm f1.8 lens. Damn you conscience!

Let us start therefore not at the very beginning but the second beginning, which is like the first beginning, but is in fact the second, thus being named the second beginning, but is still a rather good place to start as the Sound of Music told us whilst explaining the notes to sing by using a woodland creature, the sun, me, a long long way to go, sewing, a note after the previous one, an afternoon snack with bread and jam etc.

I might start at the very beginning after all.  My son’s girlfriend is on a journey, much like myself, discovering photography.  As some of you Dear Readers might have noticed, I’m ever so slightly old-school.  Having a digital camera, and shooting like it was a machine gun hoping for the best is not my idea of what photography should be.  I am more sedate, probably because I am more rotund middle-aged gentleman, aka fat bald git, but find that it suits me.  I prefer to take my time.  One of the advantages of film photography is that it forces you to slow down, and concentrate to take a picture, with apparently, but I’m not quite sure, supposedly even, more value.  When I take a photo, I take a photo on purpose.  I do not do it whimsically on the off chance of realising “the” shot.  I also learnt on film, so maybe this is a habit I picked up early on.   

Anyway….  I thought this might be a way to help Elise slow down, and to be more mindful when photographing something or someone.  Mindfulness is all the rage at the moment, but I think it might just be more about taking your time and being conscious of the action you are partaking in.  I refer the reader to the middle-aged rotund gentleman comment earlier.

I made sure she had some film in the camera so it was useable straight away, and explained to how to focus, not just the lens but mentally too.  Explained what all the dials and displays were about and basically let her get on with it.

We are now at the second beginning, which is still an OK kind of place to start.  The day is Saturday, and the previous day we had arranged for them to come over for lunch, and I said that I would go to the market and get some goodies, which means basically, some nice saucission, cheese, nice fruit, some duck sausages to be eaten later on during the week without necessarily needing to duck whilst eating them, but duck sausages, because they were made with duck meat.  Obviously a duck that didn’t….  I came home with my goodies, and was told off for buying too much and how were we going to eat all that….  We gave it a fine go!

Elise then had the idea of doing the typical after French lunch walk, and we were all told that we would be doing it.  However, a friend phoned to invite her to a pyjama party, so there went that idea.  I riposted, saying that it was fine and that we should go out into Nantes to take pictures the next day with the film cameras.  I prepared a couple of cameras for them to use, and some rolls of film.

Even if we didn’t go out I knew I would be at least good for a nice cup of tea.  For Christmas, which was well before the beginning beginning, and even the second beginning, I had brought my daughter a mix to make Madeleines, which French people automatically associate with Proust, in the same way the English automatically associate a cup of tea, with another cup of tea.  The smell as I came down was amazing a filled the house with loveliness and sweetness.  There was also a huge dash of tastiness when I bit into Madeleine number one.  I showed immense self control and put four of my Madeleines into a box with a further half a dozen to share with Killian and Elise.  They too, were very happy with my display of self-control.

The enthusiasm for “going out for a walk” from the previous day had all but disappeared, but we eventually set off for Nantes to visit the Jardin des Plantes, which was where Jules Verne once hang out back in the day.  Tradition, tradition, tradition….

I had my X100F, which I adore, Killian a 1960 Kodak Retinette 1B, and Elise the infamous AE1.  We made a good go at it and ended up cream crackered after a nice long walk.  As the all round good egg that I am I made sure we passed by an open bakery on the way back to the car to get the a treat for the gouter, which usually is the four o’ clock snack for small children, that older children or younger adults still seem to enjoy, even a middle aged rotund gentleman….

Kodak Portra 160 in action

I have already shown these photos on Facebook and Instagram, but I wanted to share them here too. I had the pleasure to take a film camera out to Nantes with some Portra in it. Kodak Portra is one of those iconic films that everybody waxes lyrical about and I can understand what the hype is about. I certainly love it and the results the I mananged to get from it. I would love be able to work out how to make my digital photos have the same feeling, but when I take film shots I don’t have to worry about it.

The following photos were taken on Portra 160 film using my Pentax ME Super, which as the name suggests is pretty cool, during the month of May just after lockdown and in Nantes where I can be found often with a camera around my neck.

Portra 160 is described as having a natural color palette with low saturation and low contrast. It has breathtaking color, sharpness, and very fine grain. I really love these colours. Normally the name Portra might suggest Portrait and you’d be right in thinking that. For portraits it’s magical. But it also seems to work in street photography.

I do love the Cathedral in Nantes and haven’t been back inside since the fire. I miss it and the music from the organ which was magnificent and depressingly no longer there.

https://shootitwithfilm.com/how-to-shoot-kodak-portra-160/ This could interest you too

https://www.alexburkephoto.com/blog/2019/5/16/metering-and-shooting-kodak-portra-film And here is another link that you might want to have a look at. Loads of info and worth a read. I wish I had have know about this first. I don’t think I was too far off though.

https://fstoppers.com/film/unofficial-film-film-look-long-term-review-kodak-portra-400-502260 This article is on Fstoppers and discusses Portra 400 but it’s a good read too.