Why do I bother taking photos?

Sometimes you read an article, or watch a YouTube video that makes you sit up and think, yeah, that person’s right about that. Why do I even bother? Is it about self-validation through the Gram? Is it the process? Is it to provide a document?

Watch the video first and then we’ll come back and have a chat. OK?

So why do I bother taking photos? Well? Have I slipped into the “selling myself” on the Gram, and also trying to find a social acceptation and validation through my photography? Quite possibly, but not solely, but I would be lying if I said I didn’t give a damn about the likes. I love it, but despite that I would still continue. This past week I have been on holiday. I have been looking at the weather to see what kind of light I could get, but more importantly to see if I would get rained on! Sgt Gilbert once told me dinnae worry Petal, your skin’s waterproof. And he was of course right. But I do have a preference for being dry, the way I like my Martini.

So why do I do I bother? I could go on about my fascination with cameras that started at an early age and developed as time went on. You can read about all that on my About Me page. I still get off when I go into a camera store, but strangely more when I go into a film camera store and see all the historical models and stuff from another era, que les moins de vingt ans, pourraient jamais connaître, as Aznavour said in one of his songs. But it’s not just the kit, despite having spent a certain amount of money collecting. I have to justify each thing I buy and it has to allow me to progress. Sure I’d love a Leica, and maybe one day I might acquire one, but I don’t need one to progress. But above all, I love the process. I love the process of going somewhere, getting my camera out, and just taking a photo. It’s amazing. My OCD loves doing film photography, because there are more steps to getting the photo and you have to go through more hoops to get there. Choosing the film you’re going to use, putting it into the camera which will shape the photographs you will take, and winding on the film after each shot. I also love the sound that the camera makes. The click and hearing the mirror going up and smacking back down telling you that you have just created and image. I don’t get that with digital cameras, but I still love Digital. It really is getting out, and just seeing what you’ll get. If I want more control over the outcome, then I’ll be in my studio where I can control everything. But isn’t leaving it to chance so much more exciting?

So does this still mean that I’m an amateur photographer? Can I still take photographs just for me? Yes, but I do like sharing them with you. But as I’m not selling my photography as a professional, I have this freedom to take photographs on my own terms. I can choose to go where I want to go. I can choose what is important to me especially when I’m out. This is what I did in that first outing of my holidays. Showing them here is like my Latrigue albums. Sure I share the hell out my articles, but it’s not like putting everything on the gram, and I’m well aware that not a huge amount of people will see them. Here people generally look just at the album at the end of each article. And you know what, that’s great!

Social Media will change, and so will Instagram. Some would say it has changed hugely from its inception. Facebook, has morphed into this huge monster too. But they are only temporary. Art, if I can be as bold to call what I do, art, has been around for centuries. Photography, is starting to get established after 150 years. People did it before Instagram, and will still do it when Instagram no longer exists. Will I still be doing it? Quite possibly. I have this need to create images. I have this desire to record the world around me. If people didn’t see them would it stop me? Probably not. Is it part of leaving a legacy for my children’s children, sharing events and places from my relatively short time on God’s earth? Definitely. A picture can tell a thousand words. I can see one of my photos, and remember what was going through my wind when I took it. It brings me right back to that instant.

The question raised in this video for me was about the process of photography, and would I still do it if nobody was to see any pf my photographs? Yes I definitely would. This photography lark has provided me with a kind of therapy which allows me to stand back from the world and observe it. I am no longer an actor, but merely an observer and I can press record if I want to. It gets me out of the house and outside trying to find new places and visit old places too. It has given me an opportunity to learn new techniques and offer myself different options to allow my creativity to manifest itself. There is still something so magical about creating an image that excites, and enthrals me. Yes I will keep going.

Thank you for perusing moments that no longer exist. Just as an after thought, I should probably tell you where these photos were taken. Trentemoult, just opposite Nantes, on the south bank of the Loire river. And taken on my Canon 6D Mark II, with the 16-35mm lens.

Cloé in front of my lens

It was last Friday, and we were only doing 36 hours this week at work, so I was free on Friday afternoon. I like to go and visit my son, and his girlfriend, as I know I’ll be allowed to have a nice cup of tea and be able to talk photography without being told how boring I am. My daughter-in-law asked if I would like to come round as she was doing a photoshoot with somebody from Instagram. There was a friend to do make up and hair, and we would take it in turns being made up and photographed. Sounds like a deal right?

I of course turned up to early as they were getting the other girl from Nantes. I was asked if I could get pizza and off I went to get pizza; It’s easier like that. I got back and everyone was there. Elise, my ex-daughter-in-law, Maureen, to do the make up, and Cloé the girl from Instagram who was along for the ride. That morning I had piled up all my gear and put it in the boot ready for the off. I had a couple of lights and some modifiers for speedlights. It was going to be a good day. Tea, and pizza in the same phrase has to be a good omen.

Elise does a bit of YouTube and has a three light set up for her videos. Fine for video but not so good for photography. As you might have seen I have been exploring the use of artificial light in photography and seem to be on the, if not right path, then certainly a path that is taking me somewhere. So, I wasn’t a fan of these video lights and thereofre set up my own. A flash, that would flash into an umbrella and the light would come back through an translucent white diffuser giving off a nice soft light. Yes I’m a big softy! I had a new led light to act as a hairlight, and was able to turn the power down so it wasn’t too harsh.

Elise started off and it interests me immensely to see somebody else start working and see how they interact with the model. The model being Cloé already made up by Maureen. I would take the occasional “behind the scenes” for Elise. I wasn’t happy with the light, so when it was my turn I turned everything off and just allowed my lights to work their magic. i’m becoming a fan of this soft light and seem to have understood the basics of how it might work and what it might do for me.

Cloé wa already “warmed up” if you can say that, and we started talking about her complexes about the way she looks. I showed her the first photos that we were getting and she seemed happy with the way it was going. I shoot RAW and JPEG at the same time. It means that I can see my black and white image on the screen and it gives me an idea of what I will achieve later whilst editing. I will however only edit my RAW file, as each pixel contains so much more information than a JPEG file, and although less destrucive than back in the day, it is still a feature of JPEG files even though they have progressed immensely over the last 15 years.

We kept talking and caught her laughing at some of my Dad jokes that she hadn’t heard before. I would see a picture I like and then activate the shutter. The first few reminded me of Anne Frank, and what she might have looked like had she have survived the war. Now I’m feeling sad about all that suffering in the camps. What an utter waste of human life.

Anay, we kept going and the feeling of the photos changed and looked slightly more modern. It is 2021after all. I switched to the X100F which is usually for street photography but holds it’s own in a studio environment, and the 35mm equivalent lense was great for getting some full body shots. The fact that Cloé was sitting on the floor gave a very flattering angle and I think I might just have to do it more often.

Before showing you the photos I would like to say a huge thank you to the three girls for putting up with me and the very generous feed they gave me. It gives one such a boost, and at the moment it’s a wonderfull thing to have. Covid is getting right on my wick, and although I know that this situation is temporary, it feels slightly less temporary.

So the tools used for this shoot… Canon 6D Mark 2 with a 50mm F1.8 lens, a Fujifilm X100F with a converter so I could go from a 35mm equivalent to a 50mm equivalent. The fash was a GODOX TT600 speedlight with GODOX X1T triggers.

Good morning Dear Reader…

I seem to have a thing for old fashioned, black and white, low key portraits and as I evolve as a photographer it seems to be my “new thing” to learn about. The person who says he knows everything and no longer needs to learn is wrong and probably has his head up Where the sun tends not to shine. The beginning of wisdom is to know that we know nothing and that realisation seems to come with age, not for everyone, but for me at least.

I wanted to discover this world which was foreign to me. Now I seem to have a knack of being able to take portraits of places and let the viewer have a feeling of having visited those places and sharing my vision of these places.

But can I really I hear you say, “Even the news and documentary photographers can change the meaning of a photo just using the angle used to record the shot.” But there is still emotion.

Don’t forget that photography really does allow you to see what I see looking through a viewdinder at a given time and place. It is the only art that allows that. Paintings you say in disgust! But I would reply no since due to the very nature of that medium we are already in an interpretation of what the painter saw. We could say the same if a writer, especially depending on the skill of that said writer. We have a portrait, and a representation, but only photography permits you to to physically see what my eyes saw.

The next part against this arguement is about what we do in a darkroom or on software on our computers, I can begin to interpret my scene and maybe show you how I might have felt. This is what I try to do with my art.

I do this through my quasi exclusive use of black and white photography, and in a portrait session I can use my lights to give different feels. I will of course give you examples in the traditional gallery at the end of the article. The sitter or victim depending on your sense of humour, remains true to his physical representation as I don’t transform the person as people do in advertising or in fashion. If you have a so called defect, you’re keeping it. I’m not going to change your shape, or make your skin a smooth as a baby’s bottom, that’s your affair and not mine, but with angles and lighting and asking you to pose in different ways, I can change how people might envisage you and hopefully catch your essence on film or on my screen.

There is forcibly a certain rapport that is built, however temporary, but it will be as real as I can make it to make my representation of you as real as possible. And that Dear Reader, is how I see my role when acting a portrait photographer. With friends, and family this rapport is easier to create as it already exists and i am working on my introvert side to try and work through my shyness whilst still using my ninja introvert skills to get am image that is pleasing to all parties. It has to be a win win situation for both of us, the sitter, and the photographer, which allows the third party, the viewer of the photograph to feel something.

Have I been spouting a whole load of bollocks as usual, or is some this nearing intelligent observations? Who knows? I sometimes have these thoughts in my mind and I should probably get them down on paper more often. You never know when something worth recording might pop out of my brain. Yes. I have just woken up and the memories of my photo shoot yesterday and the previous evening’s time spent making selfies (however artistic) to try out my new light set up and get to learn what I can get out of it are still fresh in my semi conscious mind.

My sitter in this series was Sergio Uribe, how is a very dear friend and one of those people that wonder into our lives for a reason. The session was about showing him my appreciation and thanking him for being my friend. Strangely i can hear the theme tune to Golden girls in my head. I obviously am need of a cup of tea and some toast. Thank you Dear Reader for continuing to read what I say, and help me get up and face my Sunday…

Barber shop portraits

Dear Reader,

I have neglected you and have been away for some time. I needed to get rid of the introspection and get over it. I have also tried to learn new things and have been experimenting with using speedlites and light modifiers. Now you have already seen the beginnings of this exploration, but I have managed to find new victims, I mean models and was even asked by my barber if I could take some photos for them too.

My father always taught me to be good to people. Goodness will never be wasted. If somebody throws it back in my face then it is a réélection on them and not me. As long as my motives are pure then all is good, so to speak. I have been to that barbershop since it opened and have followed their progress over the years. When I am in Nantes I seem to always have a camera around my neck, as you never know when that “shot” would come along. And whilst waiting my turn I might take a couple of photos and I would of course give them a copy of each photo.

I am more an introvert so the idea of meeting a complete stranger and building a quasi instant rapport with the person is a pretty daunting prospect. Maybe it is what is the most difficult for me. I have been given various means of getting through this scary barrier. Some say, fake it ’til you make it, but it’s not really for me. One thing I did use was get the person to pretend being in a photobooth. I’m generous and so give them 5 shots instead of four, to pull funny faces and get it out of their system. It generally works and I encourage the person in front of the lens, and show them the first images and get them more at ease… I suppose if it works, then it works.

They also see me getting all my kit ready and set up, and you can see a kind of wonderment in their eyes, as if this guy is really serious, so we’re going give it a good go.

So last week I had dropped a message to my son asking him to give me a hand and be my assistant. He was there for moral support and to help me lug my equipment from the underground car park to the actual barbershop He did it brilliantly. So we arrive and they were waiting for us. We introduced ourselves to everyone, new staff, and learnt each other’s names. It’s always nice to say Kim, instead of hey you. Cassiopée was used to being in front of the camera and was fine posing and smiling, and what was worrying me was not being able to get a “real” portrait. Paco, the poor lad was just busy cutting hair.

This of course, raises the subject of what is a “real” portrait.

Portrait photography is about capturing the essence, personality, identity and attitude of a person utilizing backgrounds, lighting and posing.

I don’t know how far I am managing to take this concept on board but I’m trying. So, Cassie was easy to photograph, but Kim was a different matter. She told me before shooting that she didn’t feel at ease being photographed, but when showing her the photographs when I took them, she began to build her confidence, and her colleague helped her too. We did single portraits, then a whole load of portraits of the two girls together. I think the extrovert side of Cassie helped Kim to be less conscious of the camera. It was there but by the time she finished she could have gone for more. Thank heavens for Cassie.

I knew that my camera settings were the right ones for the result I wanted, and my lighting set-up was the way I wanted it and I was getting consistent results which is good too, which just allows me to get on with taking the photos and concentrating on the person in front of my lens. Who doesn’t look good in a low key portrait. I think they have certain elegance that you don’t get in different portrait formats, however much I might love candid street portraits.

Photographs of the inside of the Barbershop.
Inside the barbershop

As I had been asked by the boss to take the photos I felt it was not the time or moment to experiment and decided to keep myself in the “safe” zone. I’m lucky in the way I have a daughter in law or daughter who are always up for being photographed and don’t’ care me trying something new. It had been decided that I would take some portraits of the barbers, and some of the Salon itself. Looking back I was just trying not to take up too much space and for the ambiance shots I might have been better using a wider angled lens to get a larger angle. Each “job” has its constraints I suppose.

Soooooo, the equipment contained the Canon 6D Mark 2, the
Godox TT600 Flash Speedlite, an umbrella with a diffuser, and a Manfroto stand, and a black and white reversible, collapsible backdrop. The two lenses i used wer the 16-35mm F4.0 ans the 50mm F 1.8.

Thank you also to O Barber Nantes, to Cassie, Kim, and Paco, and Bryan who just happened to be there, for being really kind to me and accepting me and letting me getting on with some photography.

Happy New Year?

Happy New Year Dear Reader, and thank you for continuing to read my twice monthly drivel that spews forth from my  obviously damaged mind. Maybe it’s reassuring for you to have somebody madder than yourself?  Or maybe I just admit it and embrace it!

I think at the beginning of any year we always look back to the previous year and basically just hope for the best. That’s  exactly what I did in 2019 and look where it got us!  So this year I’m going to look back and search for the great positivity from 2020. 

I think many of us would describe 2020 as the shittiest of years for a long time.  We were introduced to Covid and saw a lot of our everyday freedoms curtailed in quite a disconcerting manner.  Our dear President Manu, declared that we were at war with this deadly virus.  And made sure the press scared us into complying with some very draconian policies to “protect” us.  So to those who are still alive I say, well done!  To those of us who are still alive I  say, don’t forget those who didn’t make it.  I’m not going to go into inflated figures of Covid related deaths and all the conspiracy theories that might exist, because when you’re  dead, you’re  dead, Covid or no Covid. 

At the beginning of my year I am usually on holiday from work and will think how far away August seems until we get to go on holiday again.  I, like many of my colleagues with look to the month of May, and its streak of bank holidays, labour day on the 1st of May, VE Day on the 8h of May, even though France at best came in a slight second, Whit Monday, and Ascension Thursday.  We are looking to see if it is a worker’s year, or a year for the bosses.

Let me explain to the non French of you.  In France we have a concept that is a wonderful thing, called “le pont” or the bridge.  If a public holiday falls on a Thursday; we get the Friday off too, and the same for a Tuesday; we get the Monday off. If the holiday is on a Wednesday, you get the Wednesday off.  You can’t  win ’em all!

I’ve  just checked on the calendar, and this year it’s half and half.  The 1st and the 8th are on Saturdays, so tough!

Right, now that you know about the concept, you will realise that we look to the month of May as being a way to get a couple of long , and most importantly, paid, weekends.  The weather is usually good and gives us a foretaste of Summer.  Brilliant right?  It also helps “bridge” the gap between January and August, which can be very long otherwise.

Well in 2020 all bets were off.  We discovered a new concept that year. The concept of lockdown.  On the 17th of March, the country went into lockdown, which was basically house arrest, but you’re allowed out to buy groceries, to get one hour’s exercise a day, but that’s  it. Translated into reality the country pressed the pause button, and everyone was put on furlough, with 85% of net pay paid by the government, and the rest by the company.

House arrest isn’t a very positive term, so let’s  make it more positive.  At the Eve of Saint Patricks Day, my local supermarket stocked up on Guinness and put it on special offer!  Daddy was going to have some special Daddy time, and not have to worry about going into work the next day. My son had set up clandestine meetings with his new girlfriend, and despite our protests decided to go out and visit her.  Sex is a powerful driving force…  we said that it would be silly to pay a fine of 135€ just for that.  The following week she moved in with us and spent the whole of lockdown with us.  That brought a certain animation into our lives and despite the intensity of it all, it could have been a lot worse. 

It also afforded me time to rest. I mean proper rest.  A rest from everyday life.  Not like a holiday rest, but a rest never the less.  It made us realise how speical such a moment can be.  It allowed us time to be physically present with each other in a way that “normal life’ doesn’t afford us.  It allowed us to discover a new person. With faults, but also great qualities. The first being that she is a cheap drunk, which in our family who has had a great fondness for drink drinks for generations is really a blessing.  I’m  not saying that we are all alcoholics, despite our Irish roots, but we do partake and enjoy a drink drink. As opposed to a drink, which is left for total abstainers which are a curse on humaity. 

I discovered that my daughter has a fondness for making cakes, and not only just of making them, but is quite good at it.  This brings joy to my heart, as I too, have a fondness for cakes, especially eating them!

We lost track of time, and with hindsight, I realise what a luxury that is.  We all have our phones on constant alert, we all have things to do, we all like to consider ourselves busy, but there,  we were all on hold. Not just people like me but everyone.  Yes, I’m  talking about you, celebrities.  Those people on TV,   those people on our screens.  We saw them trying to prove how they were still relevant on various podcasts, and showing what they looked like without the glamour and  how like us they were, in their massive houses, with massive kitchens, and how in reality they look as shitty as we do on a morning after having had some drink drinks.   I think they burst the bubble and broke the illusion of magic that surrounds them. That’s  an other great thing about Covid.  It showed us the sameness of humanity.  People in my little council house were under the same restrictions as those in mansions. Money and fame couldn’t protect them.  Talk about a level playing field. 

It gave me time also to get back into film photography and my greatest achievement was to conquer my film funk.  I discovered what I had been doing wring and no longer make that mistake. 

Towards the end of that first month of lockdown, cracks were staring to appear, but we still managed to get along enough so as not to kill eachother before Covid would.

I came out of lockdown early in order to go back to work on the 20th of April. As you know I am a big lad, and my BMI is above a certain level which could have allowed me to remain on lockdown and not go back to work.  But as I said to my boss, I’m  not going to get any thinner by staying at home, and the idea of having somebody in “my” stores, not working the way I did was abhorrent.  At the time I was also the only person working in my stores that knew all the products etc…  I was therefore allowed back.

Restrictions were gradually lifted and we came out of our shelters with our masks on, and started to look forward to Summer.  A trip to the UK was definitely out of the question, and my little getaway to Hull, would be cancelled.  I negotiated well and got all my money back. I was one of the lucky ones.  By early July travel restrictions had been lifted and as I had some time off from work, I took my daughter to Paris for the Day.  I rediscovered the  capital after having beem away for 20 years.  I also got to spend some quality time with my daughter.  We had the chance to meet up as a wider family, so for the Fête Nationale, and met up with other membres of the French family to celebrate.  Thanks to Sean Tucker and his very educative videos, I had launched myself into the world of portrait photography and was fortunate to have some willing victims to be portraited…  We even celebrated the 60th birthday of a great friend too. It felt almost normal again. 

August saw me going back to Paris twice and loving the capital as much as ever.  I’ll be back!

Spetember seemed to be very normal, but mask wearing seemed to be coming back into fashion. This would not be your typical rentrée. Even in  the windband things were going to change as lockdown 2.0 came info force.  Lockdown 2.0 was an awful lot like what I lived through in April.  Everyday freedoms taken away, except I could still go to work, and al5hough regearsals, they had changed and we were spaced out in the rehearsal romsphyically I mean of course. No mushroomswere harmed in any way.  Come Novemeber concerts were cancelled and we discovered curfews, but only in certain counties.  But it was all just putting off the inevitable further lockdown. 

Christmas was relatively normal and we were allowed to go to the non essential shops again on the 15th of December.  The government installed a nationwide curfew, but would not enforce it for Christmas.  It was good to be together again as a family and celebrate a very special birth.  Don’t worry, I’m  not going to give my Christmas sermon about how God the Son, part of the Holy Trinity, allowed himself to experience a full humanity, and human fragility. Born not as King, despite being God.  Humanity, human fragility, and exceptional humility. 

New Year’s Eve technically was under curfew. My wife had decided to get the house looking ship shape for that evening’s meal.  That means that it is a wonderful opportunity to bugger off and not be there to annoy her by just existing and breathing. 

Last Year I had buggered off to Nantes and spent the afternoon and early evening taking photos of the Hangar  à Bananes, so this year decided to do something else. This might just be turning info a tradition…  possibly…

Over the two weeks of holidays, my sleep has gone haywire, and although I sleep enough hours it is a broken sleep. Today it would be different. I had decided to bugger off to the beach in Noirmoutier and would enjoy the sun coming up over the last day of this rather “particular” year. The alarm went off at 6am. You see how serious I was? My camera kit was in the car. I shut the car boot and my cup of tea fell off the car roof and broke. It was as if 2020 wanted to get the last laugh. Bitch! I still got off on time and the road took me past my factory. Thankfully I didn’t stop and kept going. I arrived at the supermarket in Noirmoutier at opening time, and decided to go and have a pee in the supermarket toilets.

I went into the toilets and discovered the light was broken. I wasn’t going to pee in the sink, which has been an option, albeit an emergency option in the past. Luckily I had my phone, and used the torch on that to light my way. I got my sandwich and went back to the car. Ate the sandwich, and headed off to my final destination. The rest as the say is history, and you will see the pictures at the end if this article.

So now you’re pretty much up to date. I have seen may Instagram stories being rather rude about 2020, and how shitty it was and how 2021 can only get better. But taking stock, 2020 was a good year. People got together against a common foe, people realised that life has more important lessons for than Facebook. People realised that there are so many more important things in life, like family, and freinds, and the importance of all these social interactions that have been withheld from us. I know now where my priorities lie, and how much I treasure them. Has it been easy? Not every day. But with vaccines coming out, maybe there is light at the end of the tunnel. Maybe i will even be able to get back and visit the UK despite Brexit. Maybe Brexit might even work. A free trade agreement is all that Britain ever wanted anyway. 2021 will undoubtedly have its own set of challenges but 2020 has shown us that we can get through things that might seem impossible. Let us hope so anyway!

Bourrée ou Macé?

To start with, I’d planned on going to one of the Loire Valley castles yesterday, but due to brain fog I thought it better to just go to bed. So I did. This morning there was no sign of fog, outside or in my brain.

I thought I would go to the Chateau de Plessis Bourée as I do like a drink, and bourée means drunk in French. I do have a family reputation as a drinker to keep up. So off I went. It’s a beautiful place and that day it was a very beautiful place, but also a very shut beautiful place. It seems the Plan B will have to do, which is the Chateau de Plessis Macé, which is slightly more sober. Boring…

I’m actually writing this in the car as I wanted to get that drinking joke out of my mind and onto paper, or screen…

All I have to do now is to drive 19km and I’ll be at party pooper castle! It had bloody well be open or I’ll be very upset and have to go straight to the pub. And with all these new restrictions means I have to get a couple in before chucking out time at 10pm. It sounds like English pubs on a Sunday when I was growing up.

Right off I go. Talk to you later Dear Reader.

I have arrived in one piece and I assume that the Plessis Bourée was nursing a hangover after a particularly good night earning its name once again. Macé looks slightly more open, or at worse, less shut. We shall see! The excitement is killing you isn’t it. Seated there on the edge of your seat wondering if I’ll be successful on this trip. It is with trepidation that I shall open the car door. Maybe more with the handle…. poor trepidation.

I decided against taking the guided tour. I did the “visite libre” and handed over my name, phone number etc. in case of Covid contact. Therefore, as the cheap skate that I am, I only visited the outsides. I still managed to get a couple of nice photos and was able to visit the Chapel.

I’ll put up the boring stuff like links etc., addresses, prices when I finish the article later on. For the moment, you’ll have to do with this!

Now for the boring stuff, or maybe even interesting stuff, depending on whether or not you enjoy history.  A Plessis is a fort built on a hill surrounded by bushes as a defence, and the word Macé comes the Latin word for Mathew, Mattheus. The original fort was built in the 11th century buy Raynaud the first and was a wooden tower, in the 12th century the wood was replaced by stone.  It always pays to invest in construction.  It defended Angers from the Dukes of Brittany.  We nicked it during the Hundred Year’s War, as it was pretty much abandoned.  It also allowed us a little pied-à-terre from which to nick local natural resources.  This is wine country and who doesn’t like a drink eh?  We were mercilessly pushed out of France, and the Plessis was taken over by Louis de Beaumont who built the castle that we see today.  1678, the Castle is bought by the Bautrau de Serrant family, and in 1749 by the Walsh family (which doesn’t sound very French to me, just saying).  In 1868 the Countess Sophie Walsh de Serrant (OK so maybe they were French after all), took up residence in the Castle and launched a huge construction project in the actual Logis.  1907, the Archives de France director, Charles Victor Langlois (Charles Victor the Englishman, Langlois is the medieval French for Englishman, oh the irony) acquired the Castle.  As in most of France during the Second World War, the Germans occupied the Castle, as they did the rest of France.  Yes, there’s something Vichy about the French, as Noel Coward once said.  1967 Philippe Langlois-Berthelot gifted the Castle to the Maine et Loire Department, possibly to avoid paying taxes (again, nothing sure, but follow the money…). 1980 the “Commons” builing was renovated as function rooms.  You have to make money somehow, and who wouldn’t to have a reception in a beautiful castle?  1987, the artistic director of the Anjou Festival, Jean-Claude Brialy, a French and very butch luvvie, presented the infamous Barber of Seville by Beaumarchais.  Skip forward to 2020, the photographer Ian J Myers visited the Castle because the other one he wanted to visit was shut, and he was buggered if he was going to leave the area without taking a couple of photos for posterity and his blog!

You, Dear Reader are now up to date.  All that is left for me to do is to edit the photos and present them to you. I had originally planned to visit a few of the Loire Castles but then Lockdown happened, again! I’ll change plans and see what I come up with for future articles!