Cloé in front of my lens

It was last Friday, and we were only doing 36 hours this week at work, so I was free on Friday afternoon. I like to go and visit my son, and his girlfriend, as I know I’ll be allowed to have a nice cup of tea and be able to talk photography without being told how boring I am. My daughter-in-law asked if I would like to come round as she was doing a photoshoot with somebody from Instagram. There was a friend to do make up and hair, and we would take it in turns being made up and photographed. Sounds like a deal right?

I of course turned up to early as they were getting the other girl from Nantes. I was asked if I could get pizza and off I went to get pizza; It’s easier like that. I got back and everyone was there. Elise, my daughter-in-law, Maureen, to do the make up, and Cloé the girl from Instagram who was along for the ride. That morning I had piled up all my gear and put it in the boot ready for the off. I had a couple of lights and some modifiers for speedlights. It was going to be a good day. Tea, and pizza in the same phrase has to be a good omen.

Elise does a bit of YouTube and has a three light set up for her videos. Fine for video but not so good for photography. As you might have seen I have been exploring the use of artificial light in photography and seem to be on the, if not right path, then certainly a path that is taking me somewhere. So, I wasn’t a fan of these video lights and thereofre set up my own. A flash, that would flash into an umbrella and the light would come back through an translucent white diffuser giving off a nice soft light. Yes I’m a big softy! I had a new led light to act as a hairlight, and was able to turn the power down so it wasn’t too harsh.

Elise started off and it interests me immensely to see somebody else start working and see how they interact with the model. The model being Cloé already made up by Maureen. I would take the occasional “behind the scenes” for Elise. I wasn’t happy with the light, so when it was my turn I turned everything off and just allowed my lights to work their magic. i’m becoming a fan of this soft light and seem to have understood the basics of how it might work and what it might do for me.

Cloé wa already “warmed up” if you can say that, and we started talking about her complexes about the way she looks. I showed her the first photos that we were getting and she seemed happy with the way it was going. I shoot RAW and JPEG at the same time. It means that I can see my black and white image on the screen and it gives me an idea of what I will achieve later whilst editing. I will however only edit my RAW file, as each pixel contains so much more information than a JPEG file, and although less destrucive than back in the day, it is still a feature of JPEG files even though they have progressed immensely over the last 15 years.

We kept talking and caught her laughing at some of my Dad jokes that she hadn’t heard before. I would see a picture I like and then activate the shutter. The first few reminded me of Anne Frank, and what she might have looked like had she have survived the war. Now I’m feeling sad about all that suffering in the camps. What an utter waste of human life.

Anay, we kept going and the feeling of the photos changed and looked slightly more modern. It is 2021after all. I switched to the X100F which is usually for street photography but holds it’s own in a studio environment, and the 35mm equivalent lense was great for getting some full body shots. The fact that Cloé was sitting on the floor gave a very flattering angle and I think I might just have to do it more often.

Before showing you the photos I would like to say a huge thank you to the three girls forputting up with me and the very generous feed they gave me. It gives one such a boost, and at the moment it’s a wonderfull thing to have. Covid is getting right on my wick, and although I know that this situation is temporary, it feels slightly less temporary.

So the tools used for this shoot… Canon 6D Mark 2 with a 50mm F1.8 lens, a Fujifilm X100F with a converter so I could go from a 35mm equivalent to a 50mm equivalent. The fash was a GODOX TT600 speedlight with GODOX X1T triggers.

Good morning Dear Reader…

I seem to have a thing for old fashioned, black and white, low key portraits and as I evolve as a photographer it seems to be my “new thing” to learn about. The person who says he knows everything and no longer needs to learn is wrong and probably has his head up Where the sun tends not to shine. The beginning of wisdom is to know that we know nothing and that realisation seems to come with age, not for everyone, but for me at least.

I wanted to discover this world which was foreign to me. Now I seem to have a knack of being able to take portraits of places and let the viewer have a feeling of having visited those places and sharing my vision of these places.

But can I really I hear you say, “Even the news and documentary photographers can change the meaning of a photo just using the angle used to record the shot.” But there is still emotion.

Don’t forget that photography really does allow you to see what I see looking through a viewdinder at a given time and place. It is the only art that allows that. Paintings you say in disgust! But I would reply no since due to the very nature of that medium we are already in an interpretation of what the painter saw. We could say the same if a writer, especially depending on the skill of that said writer. We have a portrait, and a representation, but only photography permits you to to physically see what my eyes saw.

The next part against this arguement is about what we do in a darkroom or on software on our computers, I can begin to interpret my scene and maybe show you how I might have felt. This is what I try to do with my art.

I do this through my quasi exclusive use of black and white photography, and in a portrait session I can use my lights to give different feels. I will of course give you examples in the traditional gallery at the end of the article. The sitter or victim depending on your sense of humour, remains true to his physical representation as I don’t transform the person as people do in advertising or in fashion. If you have a so called defect, you’re keeping it. I’m not going to change your shape, or make your skin a smooth as a baby’s bottom, that’s your affair and not mine, but with angles and lighting and asking you to pose in different ways, I can change how people might envisage you and hopefully catch your essence on film or on my screen.

There is forcibly a certain rapport that is built, however temporary, but it will be as real as I can make it to make my representation of you as real as possible. And that Dear Reader, is how I see my role when acting a portrait photographer. With friends, and family this rapport is easier to create as it already exists and i am working on my introvert side to try and work through my shyness whilst still using my ninja introvert skills to get am image that is pleasing to all parties. It has to be a win win situation for both of us, the sitter, and the photographer, which allows the third party, the viewer of the photograph to feel something.

Have I been spouting a whole load of bollocks as usual, or is some this nearing intelligent observations? Who knows? I sometimes have these thoughts in my mind and I should probably get them down on paper more often. You never know when something worth recording might pop out of my brain. Yes. I have just woken up and the memories of my photo shoot yesterday and the previous evening’s time spent making selfies (however artistic) to try out my new light set up and get to learn what I can get out of it are still fresh in my semi conscious mind.

My sitter in this series was Sergio Uribe, how is a very dear friend and one of those people that wonder into our lives for a reason. The session was about showing him my appreciation and thanking him for being my friend. Strangely i can hear the theme tune to Golden girls in my head. I obviously am need of a cup of tea and some toast. Thank you Dear Reader for continuing to read what I say, and help me get up and face my Sunday…

Barber shop portraits

Dear Reader,

I have neglected you and have been away for some time. I needed to get rid of the introspection and get over it. I have also tried to learn new things and have been experimenting with using speedlites and light modifiers. Now you have already seen the beginnings of this exploration, but I have managed to find new victims, I mean models and was even asked by my barber if I could take some photos for them too.

My father always taught me to be good to people. Goodness will never be wasted. If somebody throws it back in my face then it is a réélection on them and not me. As long as my motives are pure then all is good, so to speak. I have been to that barbershop since it opened and have followed their progress over the years. When I am in Nantes I seem to always have a camera around my neck, as you never know when that “shot” would come along. And whilst waiting my turn I might take a couple of photos and I would of course give them a copy of each photo.

I am more an introvert so the idea of meeting a complete stranger and building a quasi instant rapport with the person is a pretty daunting prospect. Maybe it is what is the most difficult for me. I have been given various means of getting through this scary barrier. Some say, fake it ’til you make it, but it’s not really for me. One thing I did use was get the person to pretend being in a photobooth. I’m generous and so give them 5 shots instead of four, to pull funny faces and get it out of their system. It generally works and I encourage the person in front of the lens, and show them the first images and get them more at ease… I suppose if it works, then it works.

They also see me getting all my kit ready and set up, and you can see a kind of wonderment in their eyes, as if this guy is really serious, so we’re going give it a good go.

So last week I had dropped a message to my son asking him to give me a hand and be my assistant. He was there for moral support and to help me lug my equipment from the underground car park to the actual barbershop He did it brilliantly. So we arrive and they were waiting for us. We introduced ourselves to everyone, new staff, and learnt each other’s names. It’s always nice to say Kim, instead of hey you. Cassiopée was used to being in front of the camera and was fine posing and smiling, and what was worrying me was not being able to get a “real” portrait. Paco, the poor lad was just busy cutting hair.

This of course, raises the subject of what is a “real” portrait.

Portrait photography is about capturing the essence, personality, identity and attitude of a person utilizing backgrounds, lighting and posing.

I don’t know how far I am managing to take this concept on board but I’m trying. So, Cassie was easy to photograph, but Kim was a different matter. She told me before shooting that she didn’t feel at ease being photographed, but when showing her the photographs when I took them, she began to build her confidence, and her colleague helped her too. We did single portraits, then a whole load of portraits of the two girls together. I think the extrovert side of Cassie helped Kim to be less conscious of the camera. It was there but by the time she finished she could have gone for more. Thank heavens for Cassie.

I knew that my camera settings were the right ones for the result I wanted, and my lighting set-up was the way I wanted it and I was getting consistent results which is good too, which just allows me to get on with taking the photos and concentrating on the person in front of my lens. Who doesn’t look good in a low key portrait. I think they have certain elegance that you don’t get in different portrait formats, however much I might love candid street portraits.

Photographs of the inside of the Barbershop.
Inside the barbershop

As I had been asked by the boss to take the photos I felt it was not the time or moment to experiment and decided to keep myself in the “safe” zone. I’m lucky in the way I have a daughter in law or daughter who are always up for being photographed and don’t’ care me trying something new. It had been decided that I would take some portraits of the barbers, and some of the Salon itself. Looking back I was just trying not to take up too much space and for the ambiance shots I might have been better using a wider angled lens to get a larger angle. Each “job” has its constraints I suppose.

Soooooo, the equipment contained the Canon 6D Mark 2, the
Godox TT600 Flash Speedlite, an umbrella with a diffuser, and a Manfroto stand, and a black and white reversible, collapsible backdrop. The two lenses i used wer the 16-35mm F4.0 ans the 50mm F 1.8.

Thank you also to O Barber Nantes, to Cassie, Kim, and Paco, and Bryan who just happened to be there, for being really kind to me and accepting me and letting me getting on with some photography.

Jean Guillaume ce héro!

I am truly blessed. I have some very good friends that are wonderful people.  Jean Guillaume is one of those people.  He personifies kindness, gentleness and positivity, and an example for us all. No wonder he got to marry Stephanie who is just as wonderful!    You may remember in a previous article that I went to Paris with my daughter.   It was a great day out, but I of course had to put my daughter first.  So I did, but I did say that I would go back to do some photography on my own so I could concentrate on capturing images and not to have worry about somebody else. 

Now some of you may know that I frequent a certain establishment in Nantes and some of my friends seem to hang out there too.  Some are in front of the bar and others behind the it. I was sitting outside talking and Jean Guillaume comes along to meet up with his wife who is with us.  We’re all talking and I let loose that I’m going to Paris on such and such a day and he says he’ll be in Paris with his Mum and that we should hang out.   What a great idea. Sounds like a plan.  I needed to go to the barber’s and he should probably come along with me. We are men, but sometimes we need pampering too.

It’s decided we’ll go and get ourselves done at the barber’s. I look up various addresses online and get us booked in to Grizzly Barbers.  The name sounds fun and I get him the works. He deserves it. Self care is important and it’s good to be good to a friend when you can. 

My wife and daughter had gone off to see a friend north of the Loire and it was half way to her mother’s house so they went up there too. 

I was a “free man” but used this freedom to get myself sorted out.  So Thursday came around and I headed up to Nantes to get the train to Paris.  1st class was only 5€ more so decided to treat myself.  Slightly larger seats and a bit more leg room.  And you get to feel extravagant.

I was on time for the train except my electronic ticket didn’t want to work.  I tried pushing up the luminosity of my phone but to no avail.  The departure was getting closer and the guard called Rennes, who told him that my ticket was valid and I was allowed on the train accompanied by the guard.  The train journey itself was fairly uneventful which is a good thing and my friend asked which wagon I was in and that he would meet me off the train.  I arrived and headed towards the top of the platform, and after showing him a photo of exactly where I was he said turn round and  saw him!  My first stop would have to be Marks and Spencers to get a picnic lunch.  They have sandwiches which are like having a bite out of my childhood and spark so many memories.  He knew the area and we went off to eat in a park.  It was wonderful just chatting and sharing.

Sitting in the park chatting.

After we had eaten he showed me around the Montparnasse Quartier where he used to live and hang out. It was all very beautiful and very Parisian.  I explained that the only imperative that we had was to be at the barber’s for 1pm, and prepare ourselves to look great afterwards.   It felt good to back in Paris and it was great being there with a friend.  I knew a little of the area but was far from knowing it an intimately as Jean Guillaume.   There were some great photos to be had and he was so patient waiting for me each time and telling me that I was about to be run over etc. 

With time flying by we headed to the car and drove to the barber’s  and managed to find a space just outside.  I was amazed!  I would be scared poopless driving in Paris by my friend seemed to thrive on it.   Maybe the fact of it being August and really empty helped.  They had all gone on holiday!  A word of advice to anyone visiting the capital. Go in August, half  the people aren’t  there and the half that are still there seem to just want to chill!

and managed to find a space just outside…

When you enter Grizzly you can tell that it is a very high end and high quality barbershop and the service was excellent.  My barber and I talked about our mutual passion for photography as he shaved my head the old fashioned way, and then proceeded to do my beard.  I made sure my barbershop virgin friend got the whole whack.  Hair cut, beard cut, getting his nostrils waxed, and a neck massage to finish with.  He deserved it.  It’s important for guys to have a guy place for being pampered.  Even if you don’t go every week, it’s worth it maybe every three months.  It wasn’t cheap, but so worth it, and worth every cent!   I’m looking forward to going back.  Definitely an experience.  Jean Guillaume was certainly more than happy with the whole shebang and felt fabulous, and looked great!  What more could you ask for?

felt fabulous, and looked great!

I spotted a camera shop and we parked up and went in.  It was like a child entering a sweet shop with many things of great beauty.  I saw a 15mm lens for my Pentax ME Super, but at 1350€ I thought it might be difficult to justify spending as much.  And my wife would kill me!  I did however come away with a little Olympus Pen EE S half frame camera which is something I’ve been looking for for such a long time. An amazing find, and the day I go back to Grizzly, I may have to go back and visit that little shop.  It was turning out to be a great day. 

I was asked where I wanted to go, and I said the Marais, aiming to get to the rue des rosiers which was, and still is, the epicentre of the Jewish community in Paris.    It’s an amazing place and on Sundays it can get very busy.  I went into a Jewish bakery.  Jean Guillaume had never had Strudel!  I was about to correct that.  We had been in book shops with art, we had sat in beautiful gardens eating chocolate covered raisins.  We even got as far as Beaubourg.  Time was still flying by, and we had to go and see a friend and give him his flat keys.  Another good deed for the day.

Jean Guillaume had never had Strudel!

The last stop of this epic day was going to be WH Smiths on the rue de Rivoli.  Bookshop, with such a great choice of books.  I ended up buying The English, by Jeremy Paxman, and a couple of books to give me some light reading about what it means to be English, and Irish.  They also have some food essentials for anglophiles like Yorkshire tea; I already had some but still came away with a few goodies for my wife and daughter.

We sat outside the café where we had parked. Wine for one, and a pint of 1664 for the other of the two friends. They discussed everything and more. They were chilling as friends do and looking back over the day they had shared together with new and old experiences for both of them. It felt good to be alive.

They discussed everything and more.

The last stop was Gare de Montparnasse where the trip had begun. We headed off to Marks and Spencers to get our evening meal. I had selected a few sandwiches to eat on the train, and a few more goodies for home too. We headed up to the platform to where my train was to leave from. Little did I know then that I would not be getting on that train. Jean Guillaume waited with me for my train. There had been a blue Adidas bag that had been left on the train and over the loud speaker came the announcement that the person who had left said bag should come and get it and that the train was being delayed.

After a certain time, soldiers had got onto the train, more police had come along. Things weren’t looking good. Crunch time came when I got a text message from the company to say that the train had been cancelled. My friend was still with me and explained what they had just said over the tannoy. I had my bags with me and my walking stick over my arm. Apparently they were gong to try and sort out hotels for us and allow us to take the train the next morning.

Now whilst listening to this i turned around and hit somebody with my cane. Not hard, but enough to get “the look” so I very quickly apologised and with Jean Guillaume we diffused the situation. But we got talking to the lady I had just agressed with my cane. Then all of a sudden he said, “I can take you back!” My first reaction was to say no, but the idea worked it way very quickly into my head, and we would drop off our new friend Annie on the way back. I phoned Virginie to prepare a bed for our guest and I knew we had what we needed in our bag to make a wonderful breakfast.

The decision had been made. We would drop off Annie in Angers, and then head home to Nantes. We found a corner shop that sold us some water, and a couple of chocolate bars for Jean Guillaume for energy, and then a café that would sell us a coffee. Those little Parisian coffees that just wake you back up. We said that we would pay gas money and road tolls. It was out of the question to leave our friend out of pocket! I also said I would do some of the driving if needed to help out.

The trip back was quiet, at least for some of it as I had drifted off to the land of nod. I was woken up and asked to just chat to our heroic driver. It was a pleasure and we looked back at our day, and how wonderful he now looked, as well as plans for the future, and we put the world to right. I took over the driving, and when we needed more petrol we stopped off and I filled up the tank. We got to Nantes station a 3.30 am, and I found my car. The machine to pay for the ticket didn’t seem to want to work and neither did the interphone when we tried to talk to a technician. There was a homeless guy sleep with his girlfriend sheltering out of the rain who lifted up the barrier for me to get out of the car park, but I still paid at the exit and thanked him for his efforts.

I thanked Jean Guillaume, my hero, for getting me back to my car, and he went home to his hunny to surprise her, and I drove the last kilometres to get home to my wife and daughter. Heroism is when you go above and beyond the call of duty, and Jean Guillaume was a true friend and a true hero. So thanks once again, Jean Guillaume, ce héro!

More  Portraits

I have a wife, and my wife has friends from her work. I therefore have friends from her work. One of these friends has a husband. This husband is therefore a friend of mine. Not only that but we were invited to celebrate his birthday with him. As my present to him I said I would take along the studio and set up in the garden. Which,believe it or not is exactly what I did.

I was up for the experience of photographing other people outside my perfectly dysfunctional family. I wanted to see if I could build up a relationship however temporary with my model and end up with a half decent photo.

I based it on a self service photo opportunity and not force anyone who didn’t want to pose, to pose. So out come the extroverts and then the shy introverts.

Booze helps as always and people were getting more relaxed as the booze started having an effect.

Only drink with moderation, if you can find him that is.

Back in Nantes for some street photography

It’s always good to back into town. I took along my daughter, a fuji XT2 and a cheap Chinese lens that was dirt cheap. I mean dirtier than my work boots after a hot summer day. But like my dirty work boots, it got the job done. You will of course see the results at the end of this article.

The lens in question is the 7 artisans 55mm F1.4 (equivalent to a 80mm full frame lens). It’s basically a portrait lens, and it was strange using it for street photography, wow, I just broke a photographic rule. Aren’t I just the ittle Rebel! Traditionally one would use a 35mm or 50mm lens. People have criticsed this lens on youtube and the jist is to say that it’s soft in the corners, and if you look at 1:1 at pixel level it’s not as good as “normal lesnes” . However this is not what i’m about. I try and capture a moment in time whilst wondering around the city. When you look through these photos will you seriously be looking at each individual pixel? Some of my film cameras don’t have lenses that do that compared to my fancy Canon DSLR lenses.

You can see where I’m going with this I think. Yes it’s cheap, but it’s also a metal build, and feels great on my camera. It gets the job done. And even though my old teacher isn’t into the soft silky focus of the bokeh, that’s alright too!

Am I seeming slightly defensive here? Possibly. I have a habit of defending the weak when I can. This lens has been getting a hammering on YouTube and the Internet in general. But it’s OK. For the price you’re not getting the very latest in lens technology that will encourage you to take out a second mortgage on your house! This one only cost me 109€. And for that price it does the job, which is what I ask it to do!

The Internet has become a place of polarisation,and people spout such codswallop about anything and everything. Be that political, racial, sexual, and the list goes on. Yes People, I bought a cheap Chinese lens , and yes I enjoyed using it! Yes I even dared to share some of the results with you!

Photography has always been expensive and even now top end gear costs a fortune. If somebody has a cheaper option then why the hell not!

I bought it as a compliment to my Fuji XT2 which is also a compliment to my Fuji X100F, which is a lovely little camera and with my Mamiya C220 is my favourite camera for street photography.

I don’t know if the following photos are streetphotography or not, people have their own ideas, but they were certainly photos taken on the streets of Nantes. I’m not going to enter into a deabte about what is or is not street photogrpahy. I was certainly happy with them otherwise I wouldn’t dare sharing them with you!

Feel free to give me your feelings about the photos and any feedback is always welcome. You already have a link to the lens for a bit more info. The group in the photos is Polka & Co and the play French Jazz and I’ve heard them a few times playing in town! The restaurant Chez Maman is one on my favourites and also has the gift of just being opposite the John McByrne Irish pub, and just happens to be Daddy’s Happy Place…!