Choosing the Right Film Format: 35mm vs. Medium Format Photography

Posted on Feb 9, 2024Feb 4, 2024 Posted in Film Photography, photography tutorialsTagged 35mm, 6x6 format, 6x7 format, 6x9 format, analog art, analog film, analog nostalgia, analog photography, art of film, Artistic Vision, aspect ratio, camera choice, camera examples, camera selection, classic cameras, Creative photography, depth of field, film camera, film development, film enthusiasts, film equipment, film formats, film formats guide, film negatives, Film Photography, film photography exploration, film vs. digital, fine art photography, France, Ian Myers, iconic photography, ijm photography, ijmphotography, image detail, image quality, image resolution, Landscape Photography, medium format, medium format advantages, medium format benefits, medium format cameras, medium format models, medium format photography, Nantes, photographer, photographic journey, photographic techniques, photography, photography comparison, photography styles, portrait photography, retro photography, street photography, TLR cameras, Vintage aesthetics, vintage cameras, Visual Storytelling, Vivian MaierLeave a comment

Introduction In the world of film photography, the choice of film format can significantly impact the results you achieve. Whether you’re an aspiring street photographer or simply an enthusiast looking to explore the world of analog photography, the decision between 35mm and medium format can be crucial. This article explores the major differences between these two formats, helping you along on your photographic journey. As we dive into this discussion, it’s essential to understand how the choice of format can influence your work.

1. Understanding the Basics Let’s start by establishing a foundation. 35mm photography is the more common format, known for its accessibility, ease of use, and widespread availability. It is the standard format of film. However, medium format photography offers distinct advantages worth exploring.

2. The Key Differences

Image Quality and Resolution: The most noticeable difference between medium format and 35mm photography lies in image quality and resolution. Medium format film, with its significantly larger negative size, captures an significant level of detail and clarity. The larger negatives provide ample room for precise rendering of textures, fine lines, and intricate patterns. This translates to stunningly sharp and highly detailed images, ideal for both professional work and fine art photography. If you’re aiming for prints that capture every nuance, medium format is the way to go.

Aspect Ratio: Another significant difference is the aspect ratio. 35mm film typically yields images with a 3:2 aspect ratio, while medium format cameras typically offer a square 1:1 aspect ratio. The square format can be a creative boon, pushing photographers to rethink composition. It forces a balance between the vertical and horizontal aspects of your subject, a characteristic reminiscent of the iconic street photographer Vivian Maier, who frequently used a TLR camera. The square format encourages unique framing and adds an artistic challenge to your photography.

Depth of Field: Medium format allows for a shallower depth of field compared to 35mm. This means that it’s easier to achieve that sought-after background blur or bokeh, perfect for portrait and street photography. With a well-executed composition, your subject can pop against a beautifully blurred backdrop, making them the focal point of the image.

Size and Weight of Equipment: In terms of portability, 35mm cameras have the upper hand. They are compact, lightweight, and ideal for street photography where you need to be quick on your feet. Medium format cameras, on the other hand, tend to be bulkier and heavier due to the larger film format and the associated optics. This makes them better suited for planned shoots where image quality takes precedence over convenience.

Cost of Film and Development: While 35mm film and development are more budget-friendly, medium format film comes at a higher cost. When using the 6×6 format you will only have 12 images per roll of film. This of course makes every shot count. If you are stressed out about messing up a shot on 35mm film then your anxiety will shoot up to lunar levels with only 12 shots. But remember what I have said earlier, no shot is wasted and every shot is a learning experience. The enhanced image quality, detail, and artistic potential make medium format film worth the investment for those who prioritize the final result over the upfront cost. If you’re planning to produce gallery-worthy prints or pursue a professional career, the expense can be justified.

Flexibility and Convenience: 35mm cameras are known for their flexibility and convenience, making them well-suited for capturing quick shots or candid moments. They’re also readily available, and film processing is more accessible. In contrast, medium format cameras require a more methodical approach, ideal for planned and deliberate photography. The process is slower, encouraging you to carefully consider each shot and compose it meticulously. This added effort can lead to more thoughtful and deliberate photographs.

3. Street Photography with the Pentax ME Super and TLR Influence Vivian Maier, a renowned street photographer, serves as an inspiring example of how camera choice can shape your photographic style. Maier favored the TLR camera, a medium format model known for its distinctive qualities. Her use of the square format and unique perspective have left an indelible mark on street photography.

I want you to think about the fact that a TLR is hanging around your neck at tummy level or even waist level, so the way of looking at your subject will automatically affected too.

If you’re looking to explore street photography with a Pentax ME Super, remember that the compact 35mm format offers its advantages for candid, on-the-go shots. However, Maier’s work reminds us that the choice of equipment is a personal one, and there’s no one-size-fits-all answer.

4. The Mamiya C220 Review: A Medium Format Marvel As we venture further into the world of medium format, the Mamiya C220 beckons. Just as Vivian Maier chose a TLR for her street photography, other photographers have found success with medium format cameras like the Mamiya C220. In my upcoming review, I’ll explore the features, benefits, and considerations of this remarkable medium format camera, guiding you towards your next photography adventure.

The Induction to a Higher Level of Photography When you make the transition from 35mm to medium format, you’re stepping into a higher echelon of photography. If you think that 35mm film is great, you’ll be enthralled when you see your images taken by a medium format camera. The level of detail and depth of field that medium format offers is simply unmatched. It’s like upgrading from a standard screen to 4K resolution for your photography. Every detail comes to life, and the depth of field adds a whole new dimension to your work. It’s a revelation that will leave you wondering why you didn’t make the leap sooner.

The 35mm format photo captured on the Pentax MS Super. The “standard” format of film photography. The one we all know.

The square format common to much medium format photography with a 6×6 format. I’ll let you look at the differences for yourself.

The lenses for each shot was a 50mm lens for the 35mm format film photo, and the 80mm mm lens for the medium format photo. However, both lenses are equivalents.

Conclusion In closing, remember that there’s no definitive answer to the question of 35mm vs. medium format. It’s a matter of personal preference and artistic vision. Both formats have their merits, and your choice should align with your goals and the style of photography you wish to pursue.

Stay tuned for the Mamiya C220 review, where I’ll delve deeper into the world of medium format photography, and consider the impact of the TLR on your creative journey.

The journey of film photography is full of exciting choices, from your film format to your camera model. Vivian Maier’s legacy reminds us that every camera has its unique personality and that your creative vision should be the driving force behind your choices. Whether you decide on 35mm or medium format, your camera is your artistic tool, and the world of film photography is yours to explore.

Frame It Right: The Art of Composition in Photography Part IV

Posted on Dec 1, 2023Feb 7, 2024 Posted in Black and White Photography, Nantes Photography, photography tutorials, Travel photography, Wildlife PhotographyTagged Artistic Composition, Artistic development, Artistic growth, Artistic insights, Artistic journey, Artistic Photography, Artistic Vision, capturing moments, capturing urban life, City photography, cityscape photography, composition, Composition balance, Composition Principles, Creative balance, creative exploration, Creative Expression, creative framing, Creative photography, Creative photography ideas, creative process, Creative vision, Direction in photography, Framing techniques, France, Grasping fundamentals, Ian James Myers, Ian Myers, ijmphotography, Image composition, Image impact, Landscape Photography, Leading Lines, Mindfulness in photography, Nantes, Observational skills, Pathways in photography, photographer, Photographing symmetry, photography, photography advice, Photography Composition, Photography composition guide, photography composition tips, photography concepts, Photography Inspiration, Photography practice, Photography Skills, Photography Techniques, Photography Tips, Practice and experimentation, Rule of Odds, Rules of Space, street art, street photography, Street portraits, Street scenes, Symmetry in Photography, Urban environment, urban exploration, urban photography, visual art, Visual Balance, Visual Composition, Visual harmony, Visual Impact, Visual Storytelling, Visual techniquesLeave a comment

In my previous articles, we’ve embarked on a journey to understand the basics in photography. I have talked about exposure, set out some of the “rules” of composition, and even delved into the world of colour theory. Today, I’d like to introduce you to the rule of odds and the rules of space, two fundamental elements that will take your photography to the next level.

Before we talk about these new concepts, let me reiterate the importance of building a solid foundation. Just as we did with framing, negative space, and colour theory, it’s crucial to master each concept before moving on to the next. Take your time to learn and apply these principles in your photography journey. The other four articles will stay up, and you can read them at your leisure.

The Rule of Odds in Photography

The rule of odds is a composition guideline that suggests using an odd number of subjects or elements in your frame, typically three or five, rather than even numbers. Why? Because odd numbers tend to create a more balanced and visually pleasing composition.

When you use the rule of odds, you create a natural focal point within your photograph. Our eyes are drawn to the centre subject, and the uneven arrangement adds a sense of harmony and intrigue to the image. The result? A more captivating and dynamic photo that engages your viewers. It’s all about balance.

Rules of Space: Balance and Direction

Now, let’s look at the rules of space. This concept involves how you position elements and subjects within your frame to achieve balance and direct the viewer’s gaze. It leaves space for the subject and can be used in multiple ways as a storytelling tool. It can also be used in conjunction with the other composition techniques that I have talked about in my previous articles.

Tips

Think outside the frame. What is going on outside the frame becomes as important as what is oing on inside the frame. Let’ take the picture of the guitarist. Who is he looking at? What’s going on outside the frame? Is there an audience? Where is the audience? Using rules of space the viewer will more curious and be more engaged in the photo.

Conclusion

One can talk about composition and the effect it has on photography till the cow come home. People will always bring up “composition” and will always tell you how “they” would have done it differently. In these four articles you will now know what they are talking about and be able to decide for yourself. In absolute terms, “your” photographs are about what “you” saw, and only “you” can see that. But keep the rules that we have discussed in the back of your mind, and take your photograph with purpose and being conscious about what you are doing. Mindfulness is the key.

My next article will talk about the differences between 35mm film photography and medium format photography. For film enthusiasts or anyone else who is curious you will be entering into a new world. There are, of course, trade offs between each format, and we will discover them. Maybe you’ll be bitten by the Medium Format bug too… As always Dear Reader, I appreciate your enthusiasm, and I look forward to our next exploration together. Until then, happy shooting!

Frame It Right: The Art of Composition in Photography Part I

Posted on Oct 20, 2023Jan 31, 2024 Posted in photography tutorialsTagged Art of Photography, Artistic Composition, artistic expression, Artistic Photography, Artistic Vision, camera settings, Camera Techniques, Composition in Photography, Composition Principles, Composition Techniques, Creative Composition, Creative photography, Creative Visuals, exposure triangle, Framing in Photography, France, French, Ian Myers, ijm photography, ijmphotography, Image Balance, Landscape Photography, Leading Lines, Mastering Photography, Nantes, Perspective in Photography, photographer, Photographic Vision, photography, Photography Aesthetics, Photography Artistry, photography basics, Photography Composition Guidelines, Photography Composition Rules, Photography Craft, Photography Creativity, Photography Education, Photography Fundamentals, Photography Insights, Photography Inspiration, photography mastery, Photography Rules, Photography Skills, Photography Techniques, Photography Tips, photography tutorials, portrait photography, Rule of Composition, Rule of Thirds, Still Life Photography, Symmetry in Photography, Visual Balance, Visual Composition, Visual Elements, Visual Impact, Visual StorytellingLeave a comment

In my last article we talked about exposure, and balancing the elements that form the “exposure triangle”, i.e. the sensitivity of the film that we’re using, of the ISO setting on our camera sensor, the shutter speed, i.e. how long we let the light hit the film, or camera sensor, and aperture, i.e. the size of the hole that light comes through measured in F-Stops. When these elements are in perfect osmosis, we should get a decently exposed photograph.

Introduction to composition principles

Now we shall take this knowledge and build upon it with notions of composition, i.e. how we will organise the elements in our photograph. Sometimes we have control of where these elements are, for example when creating a still life image. Other times we have no control whatsoever and just have to move ourselves instead. The way we do this is by thinking about our “Composition.”

As humans we are all guided by rules, some universally moral, some defined by the country we live in (like in France where they seem to be forbidden to make a decent up of tea), and Art is no exception. There are rules in Art that make an image pleasing naturally to the eye, and, believe it or not, these “rules” have been around for a long time. Now I hear you little rebels sat at the back of the classroom near the radiator saying how you don’t live by rules, and that you break every rule in the book. And I have no problem with that. I would however suggest you learn the “rules of composition” first and then, and only then break them knowingly.

Photography is art made with light, and the first photographers were heavily influenced by the art and paintings in the local Art Galleries. They therefore had a very “classical” notion of composition. I want you to imagine those massive oil paintings in a gold frame showing a Victorian gentleman looking over the top of a waterfall, framed by the forests, and still looking so dapper.

The Rule of thirds

This is one the first things that people will talk about when talking about composition. The idea, as the name suggests is to divide a photo equally into thirds horizontally and vertically, and put the point of interest (subject) where the lines intersect. Or you could have a landscape photo where sky will take up two thirds of the photograph and the foreground the other third. In editing software, when framing you shot they will put a three by three grid on your photo automatically. Some digital cameras allow the use of this grid inside the viewfinder. When taking a portrait you would ideally have the eye where the lines cross. Yes Ian, but this has been done, done, and done again, and has become a cliché I hear you say. Possibly, but it works mate! Don’t knock it. As I said earlier, learn the rule, master using the rule, and then you might consider breaking the rule, but it will be a conscious decision and above all, deliberate. But it will permit a pleasing and natural result.

Leading Lines and Perspective

Leading lines are lines that lead the eye into the photograph, turning it into something dynamic. The lines will converge on a certain point in the image, which, if you want, can be on the grid that I described in the last section. This point is the vanishing point, and give geometrical forms to your image, and can lead to the subject of you photo. When using straight lines,you can emphasis to shapes in architecture and acquire a very “graphic” image. Using a wide angled lens or even a fish eye lens will emphasize these line even further and the distortion of these lenses will add even more interest to your image. I will talk about the most common lenses in a future article. We’re not there yet. The lines don’t have to be straight, they can be curved or S shaped. Think of a winding road in the countryside. Whichever version you use, there will be a feeling of being drawn in to the scene.

In the first photograph of the original Pegasus Bridge all the lines converge to a central point with a person standing which gives us an idea of the scale of the bridge. These straight geometrical lines give a feeling of stability and solidity.

In the second photograph, we can see an image that uses an S curve, and as you can see, the effect is totally different. More subtle, but they eye is still drawn in to the image.

Leading lines can appear in nature and in the landscape. Look at the way that the tree line and lines in the mountains converge on a specific part of the photograph and show the different layers of the photograph.

I seem to use them in quite a few of my photos, and with time, you won’t even have to seek them out. You will be lead…

Symmetry in photography

In last week’s article we talked about exposure and how it is a balancing act between the three elements: film sensitivity, aperture, and shutter speed. We can find this symmetry in our compositions too.

Symmetry in photography is a fundamental principle that enhances the visual impact of images. It involves balancing elements on both sides of a central axis or point. There are various types of symmetry, including horizontal, vertical, radial, and bilateral, each offering unique opportunities for creating appealing compositions. Symmetry naturally draws the viewer’s eye, adds stability, and is particularly useful in architectural, landscape, and macro photography. However, breaking symmetry with a contrasting element can introduce tension and creativity. By framing subjects thoughtfully, adjusting camera angles, and recognizing symmetry in both natural and man-made subjects, photographers can master this powerful tool for captivating compositions.

In summary, symmetry in photography is about creating balance and harmony through the arrangement of elements within the frame. It provides a sense of order, highlights patterns, and engages viewers, while also allowing for creative deviations when necessary to convey a specific message or emotion.

Conclusion

Firstly let’s not be fixated by these rules. I was right to describe them as “guides” to composition. Talking about them is fine, but we have to put them into action. Don’t try to do them all at once. Take one rule. Look at it closely. Think how can I use this one rule? How can I master it, or at least take it on board. When you think that is is engrained into your mind, then start using a different concept. I can’t stress that when learning, take your time. Let the concept become second nature.

There will be occasions when you feel that you are no longer advancing in your composition, but stick at it. You will not obtain mastery after just one outing. I’ve been doing this for 40 years and am still learning something new each time I go out with my camera. People talk about being on a photographic journey, and that is a very good way of looking at it. You can’t run before you can walk. Don’t let yourself be overwhelmed by what you might see on Instagram, or even on this blog. We are all at different places on this path.

In next week’s episode we will explore framing, negative space, colour theory, texture. There will be a third article to cover pattern and repetition, scale and proportion, depth and layering. There are so many points to talk about in composition that we may even have a fourth article but we’re not there yet!

See you next week. Until then, keep shooting!

Canon AE-1 Program – A Classic Film Camera for Timeless Photography

Posted on Sep 22, 2023Feb 8, 2024 Posted in Black and White Photography, camera review, Film PhotographyTagged 2022, analog camera, analog photography, Artistic Vision, automatic controls, basic edits, black and white, blackand and white photography, Canon AE1, canon AE1 program, creative controls, creative editing, creative possibilities, creative process, digital tools, film camera, film development, film development process, film is not dead, Film Photography, film photography tips, film processing, film scans, France, French, Ian Myers, ijm photography, ijmphotography, image adjustments, image editing, Lightroom, magical world, manual controls, Nantes, Photo editing, photo enhancement, photo enhancements, photo manipulation, photo processing, photo retouching, photographer, photographic creativity, photography, Photography equipment, Photography hobby, Photography Journey, Photography Skills, Photography Style, Photography Techniques, picture editing, raw image, retro photography, RPX 100, shooting experience, shooting modes, street photography, transition, vintage effects, vintage photography, visual art, Visual Storytelling5 Comments

The Canon AE-1 Program is a timeless gem that continues to captivate photographers and film enthusiasts alike. As a classic film camera first introduced in 1981, it effortlessly combines automatic and manual features, making it an excellent choice for both beginners and experienced photographers.

Automatic and Manual Controls

One of the standout features of the Canon AE-1 Program is its versatility in handling exposure. For those new to film photography, the program mode automatically sets both the shutter speed and aperture, allowing them to focus solely on composition and creativity. It takes the technical complexities out of the equation, delivering stunning results with ease.

However, for those who crave creative control, the AE-1 Program offers manual settings as well. With the freedom to adjust shutter speed and aperture manually, photographers can explore their artistic vision and experiment with different effects. The inclusion of shutter priority mode and bulb mode for long exposure photography adds even more possibilities for artistic expression.

Build and Design

The camera’s solid metal body exudes durability and reliability, ensuring that it can withstand the test of time. Its sturdiness makes it a trustworthy companion on any photographic journey. Handling the AE-1 Program instills a sense of nostalgia and craftsmanship that modern digital cameras often struggle to replicate.

The bright and clear viewfinder with a split-image prism aids accurate focusing, enhancing the overall shooting experience. Moreover, the hot shoe for attaching external flashes and the self-timer feature further contribute to the camera’s versatility.

Technical Details

35mm SLR film camera
Program mode, shutter priority mode, manual mode
Metal body for durability
Bright and clear viewfinder with split-image prism
Hot shoe for flash attachment
Self-timer for group shots and self-portraits
ISO range: 12-1600
Shutter speeds: 1/1000 to 30 seconds
Aperture range: f/1.2 to f/16 (depending on lens)

Pros

User-Friendly Interface: Ideal for beginners and those new to film photography, the AE-1 Program’s program mode takes care of exposure details, allowing photographers to focus on creativity.
Creative Freedom: With manual controls and additional shooting modes, experienced photographers can fully unleash their creativity and experiment with different photographic techniques.
Timeless Design: The camera’s robust metal body exudes a sense of craftsmanship and nostalgia, making it a pleasure to handle and use.
Bright Viewfinder: The clear and bright viewfinder with a split-image prism aids accurate focusing, ensuring sharp and well-composed shots.

Cons

Iconic Status: As one of the most sought-after film cameras, the Canon AE-1 Program may come with a higher price tag due to its iconic status.

The Verdict

The Canon AE-1 Program stands as a testament to timeless design and reliable performance. Whether you’re new to film photography or a seasoned enthusiast, this classic camera offers a perfect balance between automatic convenience and manual creativity. Its sturdy build and user-friendly interface make it a delightful companion for any photography journey.

So, if you’re yearning to experience the charm of film photography or simply want to relive the golden era of analog cameras, the Canon AE-1 Program will undoubtedly leave you inspired and amazed by the magic of capturing moments on film.

Happy shooting!

My Personal Thoughts

Without any hesitation, I wholeheartedly recommend the AE-1 Program to all photography enthusiasts out there. Whether you’re new to the charm of film photography or an experienced shutterbug seeking a trustworthy and adaptable companion, this camera will surely delight you. “Just do it” as a certain shoemaker once said.

I’ve had the pleasure of using the AE-1 Program for quite some time now, and I must say it’s been an absolute joy. Not only does it beautifully capture those precious everyday moments, but it also allows for endless creative possibilities. One feature that I particularly appreciate is its seamless transition between automatic and manual controls, empowering me to effortlessly tailor my shooting experience.

The idea here is to give you a raw image from the film scans and show you what you can get with a minimum of fuss in Lightroom with some very basic edits. What do you think?

And here we go with a small selection of pictures from the last roll I developed, which are from 2022 and taken in the streets of Nantes. There will be more to come as I head back into the magical world of film photography!