A Whirlwind of Joy: A Day of Celebrations

Sundays usually find me in the city of Nantes, where I prefer attending an evening Mass. You get a different crowd at the evening mass, and it feels more exclusive. This particular church stands out for its reverent atmosphere, the cherished celebrant, and the more traditional Mass it offers. It’s not just about tradition; it’s the sense of reverence it brings, allowing for leisurely Sunday mornings. But yesterday was different, and I found myself up at the somewhat ungodly hour to go to mass at 9:30 AM.

Why the early rise, you might wonder? I had a date with destiny at 1:00 PM, helping friends celebrate their 30th wedding anniversary.

If you’ve read my recent article about bidding farewell to my beloved X100F, you’ll recall the camera’s untimely breakdown. Fate, it seemed, had other plans for me. The ISO dial had broken down, rendering me unable to control ISO settings. It was a frustrating predicament for any photographer.

In an attempt to assess the camera’s condition, I had left it sitting in my glove box for over a month, thinking I might need to send it for repairs. But yesterday, as I turned it on, I was amazed and baffled to see it working again as if nothing had happened. It was a photographic miracle, one that put a smile on my face.

With my trusted camera miraculously resurrected, I set off for my friends’ home, ready to revel in their love story and join the festivities. It was a heartwarming celebration, marking three glorious decades of their union. But there was more to this gathering than just an anniversary.

My friends had recently embarked on a journey to adopt their second child, a precious soul from China. They were soon to depart for China, eager to bring their new daughter home. The air was filled with palpable excitement, the anticipation of a new chapter in their lives.

As I arrived at the party, I was greeted not only by the radiant couple but also by familiar faces from my past. Friends who had once been my teachers and companions in the orchestra I had been part of until the previous year had gathered. It was a reunion of kindred spirits, a chance to catch up on life’s many twists and turns.

The day took an unexpected turn when my wife joined the festivities later in the after. She had been having a meal with the people she had learned to drive a school bus with, so she was going to be late. Little did I know that the surprise and icing on the proverbial cake were yet to come.

A Serbian orchestra arrived, instruments playing and walked playing up to the rest of us. The moment they began to play, the air was filled with a symphony of pure magic. The musicians entertained us with their musical virtuosity, their music becoming the heartbeat of the celebration.

Under the summer sun and the backdrop of a joyful celebration, the strains of Balkan music filled the air. It was as if the very essence of celebration had taken musical form. The infectious rhythms swept us off our feet, and we danced with abandon, reveling in the sheer euphoria of the moment. Laughter, love, and music merged into an unforgettable medley, creating memories that would last a lifetime.

As I reflect on that day, I can’t help but marvel at how life has a way of surprising us when we least expect it. What began as a simple morning Mass and a camera conundrum unfolded into a day of pure joy and connection. It was a reminder that sometimes, the best moments in life are the ones we don’t plan for—the unexpected gifts that leave our hearts brimming with gratitude.

And so, my summer concluded with a flourish, with the echoes of Balkan rhythms resonating in my heart. It was a day of celebrations, a day of love and friendship, and a day that reminded me of the beauty of life’s unpredictable dance. It’s safe to say that I’ll be holding onto the memories of this day for a long, long time, and perhaps reconsidering the pace of my Sunday mornings in Nantes.

A Pilgrimage to Mont Saint Michel: A Journey of Faith and Endurance

The hot summer sun beat down as I embarked on a journey that had been brewing in my mind. Mont St. Michel was not only a quest to escape the sweltering Vendée heat but also a spiritual endeavour to connect with the divine in a magnificent setting.

A Return to Childhood Memories

The journey began at my home in the picturesque Vendée region, where I set out on a 220-kilometer trip to Mont Saint Michel. It was a return to a place I had visited as a wide-eyed boy, eager to explore its mysteries. However, this time, my mission was twofold: to capture the awe-inspiring beauty of this monument through my camera lens and, most importantly, to offer my prayers to the Almighty.

The Road Less Travelled

The road to Mont St. Michel took me through Nantes and Rennes, where I made stops at local bakeries to purchase food for the journey. As I stocked up on provisions, I couldn’t help but reminisce about my first visit to this iconic place some forty years ago. Speaking with my parents, who recalled our family visit, added a nostalgic layer to this pilgrimage.

Physical Challenges and the Power of Will

One of the significant challenges I faced during this pilgrimage was my battle with arthritis, a persistent companion that had become an unwelcome part of my life. Walking with the aid of a cane, I knew that this journey would not be without its pains. However, I had learned a valuable lesson during my time in the Army: the mind can command the body to persevere beyond its perceived limits. Armed with this knowledge, I pressed on, determined to conquer the physical difficulties that lay ahead.

Prayers in Motion

My journey was more than a physical voyage; it was a spiritual quest. Along the way, I offered up my sufferings to God, a testament to my unwavering faith. The act of praying while traversing the miles was a reminder of the power of faith, even in the face of adversity.

A Divine Encounter at Mont St. Michel

Finally, I reached the awe-inspiring Mont St. Michel. Its grandeur and the spiritual aura surrounding it took my breath away. I knew I was in the presence of something sacred. It was here that my pilgrimage took on its most profound meaning.

A Moment of Grace

Before the Blessed Sacrament, I knelt in prayer. As I poured out my heart to the Lord, I couldn’t help but notice the passers-by who seemed oblivious to the divine presence. In that moment, I offered a prayer that God might reveal Himself to them in some way. And then, as if in answer to my prayer, two individuals genuflected before the Blessed Sacrament. It was a poignant reminder that God’s presence is not always apparent, but it is real and powerful. The simple act of acknowledgment by those two individuals filled me with hope and gratitude.

A Pilgrimage Worth Every Step

As the day wore on and I made my way back home, I couldn’t help but feel tired. The physical exertions of navigating the ups and downs of Mont Saint Michel had taken their toll. However, it was a good tired, a sense of accomplishment and fulfilment that can only be gained through a meaningful journey.

Looking Ahead

Reflecting on my pilgrimage, I realize that while the physical challenges were significant, they were far outweighed by the spiritual rewards. My journey was a testament to the power of faith and the determination of the human spirit. If I were to undertake this pilgrimage again, I would not go alone. Having someone to share the driving and the walks would undoubtedly make the journey more manageable. In the end, my pilgrimage to Mont Saint Michel left a lasting mark on me. It was a journey of faith, endurance, and prayer, a testament to the power of the human spirit and the divine presence that guides our paths.

That August Holiday Vibe

My son seems to use the word “vibe” in a lot of situations. And for once, that word encapsulates exactly how I feel at this very moment. I’m in front of my computer at my desk, typing this article. Why is this an August vibe, though? Because I’m not at work and have the freedom that comes with August to do what I want, within reason, of course. I have my Marshall headphones that have a Princess Leia “vibe”. I’m listening to Ella Fitzgerald sing her beautiful heart out on Amazon Music, and the fan on top of my desk is blowing a fresh breeze through my golden locks. Those of you who know me will understand the ridicule of that last phrase. Locks, golden or otherwise, are something I haven’t had to deal with for many years, but that cool breeze is still very refreshing on my bald scalp.

I have been out, and this will blow your minds as much as the fan is blowing my hair, with my camera taking photographs. I can hardly believe it too. The photographs at the end will not likely seem like holiday photos to you, but to me they are precious! You don’t have to be sitting roasting on a beach to feel on holiday. What I’m getting at is that freedom comes only once a year. Work is important, but rest is important too. Ironically, “Summertime” is playing. The version with Louis Armstrong and Ella together! It really does take you to another place.

And then, there’s my photography escapade. I went old-school with film this time—none of that instant digital gratification. You take the shot, develop the film, scan the negatives, and only then do you wade into the world of editing. Now, you’re probably wondering, “Why the hassle when you’ve got smartphones and digital cameras?” But let me tell you, it’s a deliberate pace that wraps you in its own magic. You deliberate on each shot, finding meaning in every click. Out of the 36 shots I took, I’ve kept 16 for this piece. Fingers crossed, they’re worth the effort.

Film photos emanate a distinct “vibe” compared to their pristine digital counterparts. There’s a soft grain, an endearing imperfection that render them timeless. Some would say they embody an eternal tranquilly, a perpetual “vibe.” In future articles, you will see more of that timeless “vibe,” and pictures from an exhibition at the HAB Gallerie, which I’ve talked about in past articles. There will be shots of various art works all over Nantes that are all part of the annual Voyage à Nantes art season. This year, it’s all about statues taking over the city. But that’s for future articles. I have to keep you coming back for more, don’t I!

Bastille Day 2023

It’s of course Bastille Day here in France so you have to imagine the pace of life in a 2CV, in first gear, driving along a farm track, at not a rapid rate of knots. One could even go as far as too say, slitgly more sedate than usual, pumped up on black French coffee.

This morning was very sedate. My alarm went off as if it were normal working Friday, and the pleasure I had turning the multiple alarms of and not going to work was almost obscene.

My shower wasn’t hurried and as I did my skin care routine (thank you Horace) I felt glowing, nearly as much as the sun trying to come through the shutters.

My cup of tea this morning was a pint of Darjeeling tea. I must have still had the glow-up as I actually filled the dishwasher before being yelled at to do by that woman who said yes 25 years ago so now has to put up with me full-time. I even made us all lunch.

My wife has an aversion to prawns so guess what I prepared for lunch. But I cooked them in olive oil and deglazed with lemon juice. So off to a good start. Sauce – half mayo, half Greek yoghurt, lemon juice, sweet paprika, and with the prawns, some chopped up four hard boiled eggs, one cucumber, and one red onion. All that served up on French “pain” as opposed to baguette, with baby spinach.

It was delicious and i now have to wash my t-shirt which has sauce on it. I also did all my dishes so I dont want to hear any nagging from a particular lady.

My original plan for the day was and still is do develop some films that have been waiting around and I have no idea what is on them, and some films that I must have started over a year ago but never got around to finishing. The idea is to have a fresh start and get back into doing some analogue photography.

We’re out at a friend’s house for dinner tonight amd admire the fireworks from afar. I think the word I’m looking for is delightful!

It would appear that I can still produce half decent negatives…

The Ship Cemetery

I can’t help but think about the men who sailed on these old ships that have been abandoned. Most likely, fisherman heading out to sea to bring back fish to sell at Ettel, a Breton port. They must be grateful not to be shipwrecks like their former vessels. And yet, when we contemplate them, we are filled with awe, realising that these fishing boats were the only defence these men had against the elements and the mighty waves.

Some of them are so decomposed that we can only just make out their skeletons and speculate about their previous states. Others have been turned into supports for street art. Maybe a more fitting tribute.

This maritime cemetery is just upstream of the Barre d’Etel, a most treacherous stretch of water with currents that will drag you out to sea, and sandbanks that will stop you entering the Ria D’Etel.

Clisson

Have you ever come across the articles named “The 10 Prettiest Villages in France,” “The 10 Prettiest Villages in Yorkshire,” “The 10 Prettiest Villages in Northumberland,” or “Some Other Dream Spot in This Beautiful World?”  No? The one closest to us, is about 15 kilometres away and not in the south of France, which I believe to be completely overrated. Like most contenders for this type of little town, there is a bustling market every Friday morning (which is actually pretty wonderful, if not a touch on the pricier side), a park that hugs the river and lets you unwind while taking in the gentle sound of the water.  A castle stands watch over the entire town.  Meandering streets wonder up and down hills as do the locals.  It is in wine producing country surrounded by vineyards who would be more than happy to flog you some wine…

Yes, it is one of “those” places, Dear Reader, but it is still beautiful. Clisson is also aware of this. Of course, I’m simply jealous because I don’t live there but wish I did.

In this series of photographs, I also chose to maintain the film-like appearance of my digital photography. It appears that summer is rapidly approaching. The days are already warmer and sunnier, but are not yet unbearably hot. And such weather is simply God’s way of encouraging you to go have a refreshing pint!

Watching people watching art

Sometimes watching people watch art is half the fun. Especially modern art. It makes you question what art actually is. Sometimes you have to look twice. Sometimes you think a five-year-old could do the same thing, and maybe even better. Or, as in the case of the work “Comedian” by Maurizio Cattelan, your art gets eaten by a hungry student that skipped breakfast.

I always seem to put things off, so I’m obviously running behind schedule with this piece. Simply put, things seem to get in the way. I nevertheless believe that the idea has some merit. The exhibition itself ended on May 7th, and I’m writing about it now, 20 days later. Dear Reader, I am aware that you are understanding of your humble servant and that you are forgiving.

If I want to enjoy some art in the same manner that I have been known to enjoy a cup of tea and some cake, I think about going to the HAB Gallery in Nantes’ Hangar à Bananes. If you were in town last month, you could have seen the “Une ebauche lente à venir” show, which featured recent pieces by Léopold Rabus and Till Rabus, some of which were produced just for the event. This art helps you take a second glance and discover the fun and foolishness in art. You may see it in the images at the conclusion of this post. See if you can spot two mischievous dogs and two mischievous pigeons!

Still life and landscapes are combined and delve into the artist’s basic urge to paint. Léopold’s paintings are loaded with lovely and weird animals: cows, slugs, birds, flies, dogs, and deer in the snow; a mound of faeces; chicken coops; and fields. Till’s paintings, in baroque and extravagant compositions, are loaded with trash, people, and other consumer objects.

Léopold Rabus (born 1977) and Till Rabus (born 1975) are Swiss artists that pay close attention to the reality of the world around them, and their art is full of sarcasm and comedy, challenging preconceived notions of what is and isn’t beautiful.

This piece, however, is about those who are viewing art and absorbing it all in. Or are they simply devouring culture to appear fashionable? To be in, since who wants to be left out? The French and their elitism in culture!  Half the fun is watching those who make a concerted effort to “educate” themselves because it is trendy, a la Molière’s Bourgeois Gentilhomme, and those who take it all less seriously and enjoy watching the humour in the paintings and laughing at the absurdity of some of the pieces. I’m all for being an intellectual in intellectual settings where the study of art is academic, as opposed to the faux leftist intellectuals, yet at times art is about not being an intellectual. As Nike once tried to say, Just Do It!

The exhibition closed on the 7th of May.

Friday afternoon in Nantes

Today was a good day. I like good days.  A mixture of barbershops, photography, cake and tea, and most importantly, friends. On this sunny Friday afternoon, I had the afternoon off from work, it would be a perfect day to go to the barbershop and get this beard of mine seen too.  I knew it was sunny just by looking out the window, and thought, let’s go manual today.

There is a rule in photography called sunny 16, that says when it is sunny, and not a cloud in the sky, you can put your camera at F16, the shutter speed identical to the ISO, or film sensibility, and all your shots should come out fine or at least well exposed.  It means that all you have to do is to concentrate on the moment and press the shutter when the moment is right, and by that I mean, when you have the composition that you want from a scene.

Sean Tucker did a whole video about it and I thought, well, you’ve taken his advice in the past, so why not now.  I was a bit of a sissy, and didn’t use a film camera, but instead used the Fujifilm X100F so I could see what I as getting, but to be honest, I didn’t really need to.  I must have more self-confidence in photography, I must have more self-confidence in photography, etc.  I didn’t go F16 but stayed a little more conservative at F11.

Right, the geeky, photographer part of this article is over.  The rest of you can join in again.

So first the barber shop with a couple of photos along the way as my photographic warm-up.  This visual warm-up is as important as the muscular warm-up is for a runner or any other sportsman.  You get your settings right.  F11 because there were a couple of clouds in the sky but not enough for F8.  Remember the sunny 16 as a guide to this outing.

My goal was to go and get my flowing locks of hair shaved off, my beard to be transformed from a homeless guy into a dashing older Dude, and then get to Church, pop in to say hello to Jesus since I was too early for confession, and head off to the pub.

With less hair than before and having to battle away throngs of female admirers along the way, I eventually made it to the pub.  It was a quiet day at the pub.  Rob, or should I say the legend that is Rob, was standing outside ready to jump on any unsuspecting client that might come by and sit down on the terrasse.  He’s a good man, and we share a love of being daft and talking utter bollocks.  Our jokes are amazing, at least to us.  Others might disagree, but under torture will admit they were slightly funny despite being awful!

After a couple of pints of water to quench my thirst and some awful jokes I needed to pee.  On my way back up I fancied a little something to nibble on. 

Rob, do you fancy some Pringles and some dip?

Not really. 

Do you know what I really fancy Ian?

No Rob? 

Some shortbread… 

I wasn’t going to make it from scratch but I knew a place where I could acquire some for a reasonable price.  So off I went to the Comptoir Irlandais.  An establishment where you can find some of the world’s more comforting produce, tea, and shortbread included.  Back to the pub.

Rob who is half Scottish let me know what a great fan of Iron Bru he is.  Guess what I found at the Comptoir Irlandais?  Yes, you’re right Dear Reader!  Scotland’s number one hangover cure, not that I’m suggesting in any way at all, that the Scots would ever need a hangover cure, but if they did, this might be it.  It’s a Marmite thing.  You love it or you hate it.  Judging by Rob’s little eyes when I came back with the shortbread fingers, and that special drink, I think we can safely say he likes it!  We of course made a tonne of finger jokes, asking our Irish friend if she would like a finger.  Yes, we were at that level.  Fart jokes would have been a great leap forward.  And I think the phrase, that’s what she said, was uttered a few times too!  So all in all, yes, it was a very good day!

A Sunny February Afternoon

Sometimes you have brunch and just feel that all is well with the world. Well, that Sunday, all was definitely well with the world, or at least, well with my world, which isn’t a bad way to be on a delightful sunny February afternoon. Out in town with my camera, well-fed, and just wandering around, seeing what would turn up in front of my camera.

If I were to be honest, I know that if I go to such-and-such an area, I will get such-and-such a kind of photo, so we can’t about wandering around aimlessly, but there was a sort of randomness… Sort of.

Get ready for some technical information, which will hopefully explain the style of photos that I am presenting to you today. When converting my images to black and white, I edited as if I had a red filter on my camera and as if I were using black and white film. When using this red filter, anything that is blue comes out in a darker tone. It’s going to be easier to use an image instead of a thousand words…

Basically, anything that is a deep blue turns almost black and makes for a powerful image. Some people love it (I do), others don’t (ah well), and that’s all fine too! You get the picture!

A lot of the photos that follow will exhibit this effect as if they were case book studies. You need the sky to be a certain way or it just won’t work, but when it does, you get the kind of image that jumps out at you. That and the 16-35mm lens, you can’t really go wrong. Mind you, after that delicious brunch, not a lot could go wrong…

L’œil du Cyclone

Dear Reader, some of you might know that I don’t live too far away from Nantes and that I can be found wandering the streets of Nantes with a camera, or sitting in the pub talking with friends. So, nothing new here then.  You might not know that I sometimes publish said photos of Nantes, and even the pub, with friends of course, on Instagram.  I also sometimes go out and participate with other photographers in what is usually a solitary pastime. 

Nantes Grand Angle, a sort of collective of photographers from Nantes, often has events (with local partners) that want to get their event onto the local social networks and get some “viral” publicity.  The game is you go to the event and then talk about it on your social accounts and people might be interested thinking well, he went to see this, why don’t I go along too.  It’s the basics of social marketing. 

Why do I usually see photography as a solitary pastime? Because I get a certain amount of social anxiety.  For most extroverts, those pushy people that are in favour now, the word “mingle” gives them a buzz that they seem to thrive on.  I, as an introvert, find the words “new people”, or even the idea of “meeting new people”, “social”, or “mingle” just fill me with dread.  It’s akin to going on one of those terrifying rides at the fair. It’s scary, thankfully doesn’t last very long, leaves you feeling empty, very awkward, sheepish, and makes you want to run away as soon as possible.  sonds like my sex life on a good day.

So against my better judgement, I confronted my fear, and went on an outing with Nantes Grand Angle.  I could always just stay at the back and be subtle and try to fade into the background.  It also meant that I would visit a new place, Le Lieu Unique, which as its name might suggest, is certainly unique!  The Lieu Unique also contains the Tour Lu (sans T pour le jeu de mot de merde en français, et oui, je suis rendu à ce point là !)  It originally house the LU biscuit factory (des petits beurres de LU, which is another pun for the Happy Birthday song).  Dear Reader, I apologise for the years of therapy that you will need to get over that last paragraph.  It’ll teach you to speak French!

Right, back on track.  The Lieu Unique, which indeed is unique as the name suggests, houses not only an exhibition for introverts to take photos of for social marketing, but a bar, a reading room, a bookshop, and if I’m not mistaken, a hammam, as well as a whopping great tower.  It is a hothouse of culture where you can get fed, drunk, steamed, and get some culture, leading to the acquisition of a little intelligence! Maybe, depending on the order you do each activity.

I was there with my fellow photographers, some of which were annoyingly extrovert, to live the experience of Art from Taiwan in the “Eye of the Cyclone.”  The Lieu Unique boss, had, uniquely, gone to Taiwan in 2018, had been to an exhibition at The National Museum of Fine Arts of Taiwan, and had invited some of the artists to come to Nantes and show their work, purely an artistic venture.  Since 2018, the world has changed not only through COVID, but also because China would like to get its hands on Taiwan for economic reasons and political ones.  Taiwan came to the front in modern terms when the Kuomintang government who lost to Mao’s Communists, fled Mao and fled to the Island of Taiwan, setting up a new independent government, that China still hasn’t gotten over and is still very upset about.

In the early 1960s, Taiwan entered a period of rapid economic growth and industrialisation called the “Taiwan Miracle».  In the late 1980s and early 1990s, ROC transitioned from a one-party military dictatorship to a multi-party democracy with a semi-presidential system. Taiwan’s export-oriented industrial economy is the 21st-largest in the world by nominal GDP and 19th-largest by PPP measures, focusing on steel, machinery, electronics and chemicals manufacturing. Taiwan is a developed country, ranking 20th in GDP per capita. It is ranked highly in terms of civil liberties, healthcare, and human development.  Again, something that China isn’t overjoyed by.  So as you can imagine, such an exhibition is as much political as artistic.

So now we have set the scene, let’s get down to the nitty-gritty.  The expo itself.  I admit not knowing a huge amount about Taiwan, however, since visiting the expo, I have read up to find out more about its history and culture.  It’s Chinese but at the same time properly Taiwanese. I will include official links to the expo and the English documentation at the end of the article.  But what I really wanted to do with this article was to talk about my experience of the exposition and the way the exhibits left their mark on me.

The first exhibit, Exhibit A, or Battle City – Scene, by Chang, Li-Ren, model, just blew me away with the complexity of the modelling and the realism recreated in model form.  The artist came over for the oeuvre installation and I can imagine a rather rotund Asian chap on all fours adding details to his masterwork.  Not based on reality, but the artist just wants to give an impression of what Taiwanese urbanism looks like.   There are cars, housing, and motorbikes, but the whole place is devoid of people.  It’s very eerie, yet totally fascinating and a photographer’s dream.  The whole thing is massive (7600mm x 8100mm x 2600mm), and the attention to detail is fascinating.

Exhibit B, Future Shock, by SU Hui-Yu, video, talks about a dystopian future, unfortunately, a not-too-distant future according to the artist influenced heavily by the American author Alvin Toffler, where people are drowning in information, and unethical technologies.  Maybe it’s happening already?  Definitely though provoking and frightening in equal measure.

Exhibit C, Braindead travelogue, YUAN Goang-Ming.  At first, you have the impression of traditional Chinese brush art, but with non-traditional means, like using markers, but also gold and jade.  From the centre of the painting, shoot out 10 disks of images showing the artist marking his territory in the landscape.

Exhibit D?  I’m going to keep the rest of the exhibition secret, because the idea is that you go and have a look yourselves, especially if you live in Nantes!  Did you really think that I would or could reveal all?  No!  Leave them wanting more!!!  Oh ok, you can have a few more pictures, but that’s your lot.  Go down there and have a look.  It’s free to visit; and you won’t be left unmoved…  You really get a feel of what life is like in the “Eye of the Cyclone.”

Links and all that:
Le Lieu Unique
Nantes Grande Angle
The documentation in English (pdf file 0,99Mo)

I would like to thank Nantes Grande Angle and our guide, Tanguy, not only for his welcome to the uniquely Lieu Unique but also for his great expertise. The poor man even had a look at this blog to see where I would publish my write-up. Brave too, and probably already in therapy. I hope I have done him justice!

He’s still wider…

Dear Reader, in my last article I said I would try and get some more photos for your delectation. On Saturday I was in a rehearsal room all afternoon playing for a new orchestra. The Symphonique des Bords de Loire, which basically means on the river Loire just south of Nantes.

The Orchestre d’Harmonie de Cholet have just just changed musical direction, and all of a sudden I was looking for a new direction (not the pop group), so I seized the opportunity to make a change and start playing some more “classical” music in a different setting. I of course wish them the best of luck with their new conductor.

So that’s where I was on Saturday afternoon and so wasn’t really busy capturing images with my new toy.

My wife has decided to get to some Spring cleaning. Who ever said you can’t do autumnal Spring cleaning? Vive la différence! My cleaning skills despite military training in the early nineties have been declared not up to my wife’s standards and methods so my apparent incompetance is your gain, and also allows me to be out taking photographs with my new toy, the 12mm TT Artisan fish-eye lens on the Fujifilm XT2. At least I’m doing something creative instead of getting shouted out for being bloody useless.

So, I am now in town taking photos at the Hangar à Bananes which is seriously lacking in bananas before going to Sunday night mass, and looking after my soul. You get a different kind of crowd on a Sunday night and it feels a little more exclusive. I will then proceed to the pub for a pint of Guninness to look after the Guinness family, and to continue to drink the pub dry one pint at a time. This is a life long quest so I can take my time instead of do it all in one session. I suspect that they might being re-supplied before I can dent their stock. I suppose it’s just a feeble excuse to go to see my friends and talk bollocks all night.

Here is the photographic evidence of the time spent this afternoon pursuing artistic endeavours!

He went wider

Dear Reader, you know how in the past I have talked about how some of us love the big massive telephoto lenses?  And how others like to go wider?  And how we start of with the “nifty fifty” F1.8 and learn on that?  That was in the days before digital photography and a world where zoom lenses came to the fore.  We had them before in the days of film photography, but my memories are of using these prime lenses, and zooms seemed to be looked down on.  I wanted to go wider.

I remember my first proper photography course where I learnt the basics of film photography, going from taking the photo, developing the film, and getting a print as an end result.  I remember seeing a photo of a horse taken with a massive head taken with a wide-angled lens and finding it fascinating!  When I said the head was massive, the lens deformed our view of this majestic beast and its body seemed smaller than its head, which is something indeed.  It was then that I learnt a photograph doesn’t have to represent a visual that is faithful to the subject.  We can mess around with reality and show the world completely differently.

So, as I said, I learnt photography with a 50mm lens.  These 50mm seem to be closest to how the human eye sees the world.  It represents reality.  In 2018 I acquired the Fujifilm X100F which has a lens equivalent to a 35mm lens.  Slightly wider, but still represents the reality of this world, and is considered “the” street photography lens par excellence.  It has a larger angle of view and allows me to get a little more in the frame and I felt the difference with the 50mm straight away.  It was still a great lens and very versatile until I tried taking a close-up portrait.  All of a sudden, I discovered some distortion in my model.  I’m not saying that my model is deformed, well, no more deformed than any of us. 

Suddenly watching YouTube, as many of us do apparently, I discovered the 16-35mm F4 lens from Canon for my Canon 6D Mark II.  It was a little more than I had ever paid for a lens, but worth every centime of euro and so satisfying.  If you care to have a look in the archives of this blog on my Instagram feed, you will discover many photos taken with this lens.  My desire to go wider was now a reality.  Distortion of reality was now in my hands.  I could create interesting images.  I discovered the way a very wide-angled lens can transform the world around us.  Leading lines exist all over the place, and the wide-angled lens exaggerates each line, leading or not!

But, and this is a big but.  You fellas can’t deny… It is possible to go wider.  I know.  Exciting isn’t it!  My mind is now blown!  There is a lens, a very special lens, called a fish-eye lens.  This type of lens can offer you even more distortion and make the world seem even weirder than it already is!  Canon does one.  It’s a 15-8mm zoom lens.  There are two types of fish-eye lenses.  One will give a rectangular view, however distorted, and one will give a round image with a black frame.  It’s a wonderful piece of engineering and for over €1000 it can be yours.  But for €1000 it can’t be mine simply because I can’t justify spending that much money on camera kit and might even be cause for divorce.  Since it is cheaper to keep her, I would have to look elsewhere instead of buying a super duper automatic lens from Canon.  So like any self-respecting poor photographer I went onto Amazon and found a manual lens for my Fujifilm XT2 (like the famous X100F except I can change lenses) for 169€ which is slightly cheaper and a slightly more reasonable purchase, and my dear wife didn’t bat an eyelid!  Not batting and eyelid is a very desirable reaction!!!

I will go out this afternoon to test this new toy and get back to you with some pictures!