Tag: Brittany

More Light Than We Imagine

Posted on Posted in Black and White Photography, Film Photography, Nantes Photography, Street Photography, UrbanTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 4 Comments

Shooting Nantes at Night with HP5+

One September evening I walked between Place Bouffay and rue des Petits Écuries with the Nikon FE and a roll of HP5+. Box speed—400 ASA. No pushing. No stand development. Just me, tired eyes, and the hope the city would be kind.

It wasn’t always.

Some frames failed outright. Missed focus—my eyes couldn’t lock the split-image patch in the dim light. Others blurred from camera shake at 1/15th, handholding like a fool. I won’t pretend those shots have hidden merit. They’re gone. But the ones that landed? They held more than I expected.

Because Nantes at night isn’t dark. Restaurants pour light onto wet cobbles. Shop signs, streetlamps, even those little menu stands outside cafés—they all feed the scene. I’d guess the focus, press the shutter, and move on. Later, scanning the roll, I found detail in shadows I thought were lost. Not because I’d exposed well—I hadn’t—but because HP5+ gathered what was there even when I fumbled.

That’s latitude in practice. Not a spec sheet promise, but the difference between a usable negative and a blank one when your hands shake and your eyes fail. I didn’t push to 1600. I didn’t need to. I just needed a film that wouldn’t punish me for being human.

The December shots are more traditional street work—grey skies, low sun, the light you expect. Even the coffee cup photo owes something to Instagram. I won’t deny it. We absorb what we see online; it seeps into our framing without us noticing. No shame in that—it’s just how we learn now.

But the September shots that worked feel more like my own. Standing in Place Bouffay as evening deepened, watching light pool around tables and bounce off stone—I wasn’t chasing a look. I was just there, squinting, hoping. And HP5+ met that without fuss.

I’m not claiming mastery. I’m claiming a few good frames out of a roll that also held misses. That feels honest. Cities don’t go dark—they transform. And sometimes, even with bad eyesight and shaky hands, a simple roll of film gives you just enough to keep walking.

All photographs shot on Ilford HP5+ at 400 ASA, developed in standard chemistry. Nikon FE, Nantes—December 2025 and September 2025, Place Bouffay and rue des Petits Écuries.

The Opening of the Film Archives – Saint Cado, Belz, Morbihan

Posted on Posted in Black and White Photography, Camera reviews, Film Photography, Landscape Photography, The Film Archives, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 10 Comments

Welcome back to the film archives, and welcome back to Brittany, that gorgeous corner of France where my in-laws live. I think I might have let it be known that my French family love camping. Yes, they’re so in tents… I’ll just let that joke sink in for a couple of seconds. In 2016 I had begun “collecting” cameras. The photos from this Breton outing in Saint Cado were taken with the Kodak Retinette 1B, a little gem of a camera from the 1960s, and HP5 Plus film.

We’ll start with Saint Cado. It’s one of those picture-perfect postcard places. It’s not easy to take a bad photo of the place. It’s photogenic. It’s quaint. It has all the clichés of a small Brittany island in the Ria d’Etel, which is an inland sea connected to the Atlantic at the Barre d’Etel… I’m thinking lobster pots, oyster beds, black and white houses with slate roofs, a local Saint, a chapel to this local saint, who was actually from Wales of all places, and a miraculous fountain that fills up with every incoming tide. Yes, it’s one of those places… Did I mention that the bridge that links the island to the mainland is a Devil’s bridge? It is said that the devil demanded the soul of the first creature to cross it. The story relates that Saint-Cado, who was a shrewd fellow, put a cat on it! It is just gorgeous!

Let’s talk about the Kodak Retinette 1B. As I said in the introduction, it is a camera from the 1960s that uses zone focusing, and the 1B as opposed to the 1A has a selenium light meter that works a treat. Zone focusing is where you focus by zones. Mind-blowing, right? If I look at my lens, I will see a distance measurement that I will use as a guesstimate. I will move my aperture dial and let’s say I’m at F8, well everything from one F8 to the other F8 will be in focus. A lot of cameras from this period used this system, and it works. If you want to open right up to F2.8, then there are little rangefinders that you can put on the hot shoe mount and there you will be able to get an exact reading for the distance from your subject. Up to you…

Why use a camera that is over 60 years old?  First of all, why not?  It works.  It’s simple to use.  It doesn’t need a battery.  You load your film and Bob’s your Uncle!  Off you go to shoot your 36 exposures.  It also looks pretty damned sexy hanging around your neck too…  It actually looks so sexy that my son nicked mine, and I had to go and get another one.  At the time of purchase I must have paid no more than £15, and even now it will cost you less than £50.  

So there you have it – a charming little island, a vintage camera, and a roll of trusty HP5 Plus. This trip to Saint Cado was a reminder that sometimes, the best photos come from the simplest tools and the most unexpected places. And who knows, maybe those old film cameras aren’t just gathering dust in the attic – they might just be waiting to capture your next adventure. (But if you happen to see my son with a Kodak Retinette slung around his neck, please tell him to bring it back!)

That August Holiday Vibe

Posted on Posted in Black and White Photography, Film PhotographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , 2 Comments

My son seems to use the word “vibe” in a lot of situations. And for once, that word encapsulates exactly how I feel at this very moment. I’m in front of my computer at my desk, typing this article. Why is this an August vibe, though? Because I’m not at work and have the freedom that comes with August to do what I want, within reason, of course. I have my Marshall headphones that have a Princess Leia “vibe”. I’m listening to Ella Fitzgerald sing her beautiful heart out on Amazon Music, and the fan on top of my desk is blowing a fresh breeze through my golden locks. Those of you who know me will understand the ridicule of that last phrase. Locks, golden or otherwise, are something I haven’t had to deal with for many years, but that cool breeze is still very refreshing on my bald scalp.

I have been out, and this will blow your minds as much as the fan is blowing my hair, with my camera taking photographs. I can hardly believe it too. The photographs at the end will not likely seem like holiday photos to you, but to me they are precious! You don’t have to be sitting roasting on a beach to feel on holiday. What I’m getting at is that freedom comes only once a year. Work is important, but rest is important too. Ironically, “Summertime” is playing. The version with Louis Armstrong and Ella together! It really does take you to another place.

And then, there’s my photography escapade. I went old-school with film this time—none of that instant digital gratification. You take the shot, develop the film, scan the negatives, and only then do you wade into the world of editing. Now, you’re probably wondering, “Why the hassle when you’ve got smartphones and digital cameras?” But let me tell you, it’s a deliberate pace that wraps you in its own magic. You deliberate on each shot, finding meaning in every click. Out of the 36 shots I took, I’ve kept 16 for this piece. Fingers crossed, they’re worth the effort.

Film photos emanate a distinct “vibe” compared to their pristine digital counterparts. There’s a soft grain, an endearing imperfection that render them timeless. Some would say they embody an eternal tranquilly, a perpetual “vibe.” In future articles, you will see more of that timeless “vibe,” and pictures from an exhibition at the HAB Gallerie, which I’ve talked about in past articles. There will be shots of various art works all over Nantes that are all part of the annual Voyage à Nantes art season. This year, it’s all about statues taking over the city. But that’s for future articles. I have to keep you coming back for more, don’t I!

The Ship Cemetery

Posted on Posted in Bretagne, France, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment

I can’t help but think about the men who sailed on these old ships that have been abandoned. Most likely, fisherman heading out to sea to bring back fish to sell at Ettel, a Breton port. They must be grateful not to be shipwrecks like their former vessels. And yet, when we contemplate them, we are filled with awe, realising that these fishing boats were the only defence these men had against the elements and the mighty waves.

Some of them are so decomposed that we can only just make out their skeletons and speculate about their previous states. Others have been turned into supports for street art. Maybe a more fitting tribute.

This maritime cemetery is just upstream of the Barre d’Etel, a most treacherous stretch of water with currents that will drag you out to sea, and sandbanks that will stop you entering the Ria D’Etel.

Bretagne – a story of sea and stones

Posted on Posted in France, History, Landscape Photography, Travel photographyTagged , , , , , , , , , , , , , , , , 4 Comments

It has been a quiet week in Saint Hilaire… But it was a pleasant weekend in Brittany.  Some may accuse the Bretons of being way too preoccupied with being Bretons, similar to the Cornish in Cornwall, or the Welsh in Wales, when they can manage to forget about getting cuddly with sheep.  In that previous paragraph, I just irritated 6.9 million people.  That’s not bad for a single paragraph.

Say what you will about the Breton people, they do do a great line in standing stones, or standing lines of standing stones, especially near Carnac.  This gets me topq where my in-laws live, which is not far from Carnac.  It was the first afternoon of our stay, and I didn’t want to irritate my mother-in-law by just existing, breathing, and so on.  I seized the chance to go out with my camera and shoot some photos.  It’s one of the reasons I look forward to these visits.  It’s truly about getting away from everything and simply soaking in the scenery.

These stones have been standing for around 7000 years, so they must be getting exhausted.  Some have just given up on life and collapsed, or have they had too many parties and consumed too much alcohol?  Anyway, when I was travelling around the grounds of these lines of standing stones, or stones standing in lines, I observed a lady with dowsing rods sitting on one of the stones.  There’s nowt as funny as folk, as my father once stated…  Then the first lady’s companion came up and tried to hug the rocks.  Now, I’ve seen some unusual things in my life, as has the majority of Hull’s population, since it’s never dull in ‘Ull.

But this not only took the biscuit, but it almost took the tea as well!  They said that the Druids had placed the stones there to make the soil more fertile, and that each stone had its unique set of qualities.  I tried not to laugh as I thought about how fertile their imagination was.  After all, they were completely serious.  I know nothing about old stones, whether standing or not, but I patiently listened to them.

I explained how we had once been to Stonehenge and how there was something about the place that was less than ordinary, and how we had seen people kissing the ground and having moments.  They told me that of course this was because of the energy.  You must ask the stone for permission to use its qualities first then sit on it.  And were I to do this I would feel something.  The only thing I felt was a sore bottom!

Wait a minute! He mentioned the Sea, not simply stones. We want to see the marine pics!!! If you’re good and well behaved I might include them in an upcoming post. I can assure you that they are ready. I’ll be highlighting Ettel’s Boat Cemetery. Be patient already!

Canon and the Helios 44-2 58mm

Posted on Posted in Architecture, Art, Black and White Photography, Café Culture, Camera reviews, Nantes Photography, Street PhotographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , 2 Comments

The Sunday morning sun was shining, and I was in need of some fresh air after a fun-filled birthday celebration with friends. Armed with my trusty Canon 6D Mark II, I decided to push my photography boundaries by attaching the Helios 44-2 58mm f/2.0 lens to my camera.

Stepping into the realm of portrait lens territory with a 58mm focal length, I knew I was taking a bold move, especially for street photography in Nantes. The Helios 44-2 is a Russian lens from the Soviet era, boasting a sturdy M42 screw mount. To use it on my modern DSLR, I needed an adapter, and the manual focusing without focus peaking presented a challenge for my not-so-great eyes. Thankfully, I discovered the trick of using the flippy-outy screen and zooming in, which helped me achieve some surprisingly sharp images.

While the build quality of this lens might be described as slightly solid (as proven by a regrettable incident where it fell from my dining room table and chipped a tile), it can undoubtedly withstand everyday use.

However, let’s talk about the true highlight of the Helios 44-2—the bokeh it produces. If you’re a fan of creamy bokeh goodness with a touch of artistic swirl, this lens will not disappoint. As you browse through the photos taken with it, keep an eye out for the captivating bokeh effect that enhances the overall visual appeal of the images. For those with an affinity for bokeh, the Helios 44-2 delivers in spades.

In conclusion, pairing my Canon DSLR with the Helios 44-2 58mm lens was a delightful adventure. While it demanded some manual effort in terms of focusing, the resulting images made it all worthwhile. If you’re up for experimenting with a vintage lens, the Helios 44-2 might be just the ticket for adding a touch of nostalgia and artistic flair to your photography. Just remember to handle it with care, unlike my unfortunate dining table incident, and you’ll be rewarded with stunning bokeh and a unique photography experience. Happy shooting!

Les filles et un garçon

Posted on Posted in Black and White Photography, Bretagne, Family Life, PortraitTagged , , , , , , , , , , , , , , , , , , , 6 Comments

As I think I’ve already told you, I am in the middle of trying to learn about this portrait palaver! I had watched the videos, I had perused the books, I had bought the equipment, I just needed some willing victims. Erm, I mean models. I was going to see my perfectly dysfunctional family for the weekend in Brittany so I was going to have to charm them into sitting for me.

We were of course late and as usual it was my fault. Who else could possibly be to blame? Just remember that the previous day I had been in Paris with my 10 year old daughter. Now I’m not trying to invent excuses but I’m certainly claiming mitigating circumstances.

But it was still my fault. all my camera gear was downstairs and ready to be loaded into the car. My son was still with us and helped me. I had my backdrop, my flash, my camera, which is pretty important, my soft box, my trigger, and everything, or so I thought. Little did I know that I had forgotten the stand. I wasn’t going to go home to get it, otherwise I would never live it down and going 200km and back for a stand might seem a little unreasonable. I think reasonable is about 500 metres and I will still incur the wrath of my wife.

We made it in one piece and after a while I wasn’t being yelled at either. What I didn’t say was that I needed to fill the car with petrol and that was going to add on time. I also bought some water too. Hey, if you’re going to be late , then be late for a reason! The other reason was that there was loads of traffic on the roads too as it was the 14th July weekend. Our average speed for the 200km was 56km/h.

We settled in, and I unloaded my kit and started cursing myself for having forgotten that blasted stand, bordel de merde de mes couilles, but it’s a learning curve and I had just learnt to load everything myself so I’m sure of everything. Ah well, I was going to have to without the flash set-up and just use natural light.

The next morning my brother in law posed for me and gave me a chance to explain to everyone how the whole shebang worked. I also got a really good photo of him that won applause on his Facebook wall, which is praise indeed! We were going for the philosopher look….

my brother in law, Vincent.

Can you feel that 80mm F 1.8 bokeh creaminess? Just the right ammount to look like an understated sex symbol… Even I’m starting to get flustered!

The results had really given me a confidence boost and my sister in law was so impressed that she needed no coaxing to sit for me. It was going so well that my niece wanted in as well. My wife and daughter had obviously forgiven my short- comings and I ended up taking photos of all of them.

It was a fun moment and I think one that will be remembered for the right reasons. I couldn’t have hoped for better.

The Quiberon Peninsular

Posted on Posted in France, Landscape Photography, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , 7 Comments

As any visit to my French family worth its salt, there is always drama. Drama and booze. This is why I refuse to drink whilst there. Usually everything is my fault. I am the immigrant after all! But this time it wasn’t me. I was in such shock that I had to go and lie down after lunch. I was respecting the ultimate French custom of the sieste. It was for digestion. And the fact that I was knackered always being alert for not saying the right thing and pissing everyone off.

So as I said, this time it wasn’t me, or my brother in law, who is the other family scapegoat. All of a sudden I heard world war three coming from downstairs. I thought it wise to stay in bed and pretend to sleep. Once the fallout had fallen out, I risked going downstairs asking what the feck just happened and making sure everyone knew perfectly well that it wasn’t me this time as I wasn’t even there!!!

My brother in law, who doesn’t follow my zero booze rule, was just really mellow. A really nice bloke and we reflected laughing about our near 30 years of victim-hood. We are really in the Zeitgeist!

People had dropped off and disappeared to the beach before going to the restaurant that evening to allow my mother in law to just sit at table and be served. There is an important rule in her house that must be respected at all times. Anyone who has a penis is not allowed in her kitchen. I have a penis and therefore the kitchen is out of bounds. I daren’t even make myself a cup of tea, and don’t get me started about cake.

As usual,I had prepared the terrain. They know I don’t like going to sit on a beach. I don’t even go swimming. I’m so fat that there isn’t a swimming costume my size. Also those bastards from Greenpeace come along in their zodiacs and try and push me out to sea. The first time it happens, it’s all fun and games, but the second time I start to get slightly miffed! I therefore do not do beaches. What I do do is to take photographs. As I hadn’t partaken of the daemon drink I was able to drive, I could drive. I could escape. And escape I did. I actually thought about going to the pub in Nantes, but then I would really be up the creek without a paddle. It would almost be worth it, but I’m not a masochist!

I thought I would take my camera and go to Quiberon and go and see the Côte Sauvage, and a beach where I had already taken some nice photos with a film camera. Tell me if you want to see those film photographs then I might have to think about editing this post and add them later.

But here I was with my Fujifilm XT2 digital camera. I also wanted to use colour in these photos. I know…. Not black and white. What is happening to me? What has the world come to?

Sooooo, I was on the coast and in the zone. My mind was just doing instead of thinking. All reflective powers had been given up in order to concentrate of getting “the shot.” I like being like this. It is my coping mechanism. And you need this. Why is being with my mother in law like going camping? Because it’s so fecking intense!

I had done my first beach. I went to the first car park on the Côte Sauvage. I parked up and then started looking for shots. All of a sudden my phone goes off, and I have my wife yelling at me for being a fecking idiot and how in God’s name was I supposed to be at the restaurant on time. I learnt what a dick I was and how I never think of anybody else, and I’d bloody well be there at such and such a time.

I didn’t have the address and nobody had talked to me about time etc. But this of course was my fault. It’s a shame because you may have had more photos to look at. But I did what I could.

Let me assure you that I am still alive and despite being yelled at when I told them what time I would be there according to my GPS, I was still keeping it together man! I followed the exact route that the GPS sent me on, and I actually arrived at the same time as everyone else. I didn’t speed. I am not a sporty driver, I’m a middle aged fat guy who takes his time. O sweet irony. They couldn’t believe me. But the proof was there for all to see!

Let’s get back to the photos. I hope you enjoy them. Feel free to leave any constructive criticism. PS I do actually like my wife’s family, and some of the members of said family are actually quite normal and decent people who are not psychotic or hysterical.

Saint Cado

Posted on Posted in France, Landscape Photography, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , 1 Comment

Hi everyone. There’s going to be some of you who will be in shock at the end of this article. I’m presenting some colour photographs to you today!!! I know. You’re already scrolling down to check and see if it’s true, and yes it is. I have to keep all of you on your toes after all!

By rights, i should have been in Hull this weekend but because of Covid it just wasn’t going to be happening. I did however, go to Paris as you saw previously and spent some time in Nantes admiring modern architecture. On the Saturday I was being yelled at by my wife because if we were late leaving the house to see my mother in law it was of course my fault for not having been arsed to collect and prepare all my gear.

I had a few things planned you see. I wanted to use my in laws as willing victims for some portraiture so I needed my studio kit, and I wanted to walk along the beaches and coast so I wanted something light and wide that would allow me to do that too.

For the photos in this series I was using my Canon 6D Mark ii and the 16-35mm lens, which I think is my official favourite lens. I have a 24mm equivalent for my xt2, but it’s not the same. I also have a 77mm thread CPL filter (which I lost whilst shooting and now hate myself) and you’ll see why I wanted it with me.

It was 10h30 and I was to be back for lunch at 12h. That’s generally enough for a walk and to get a couple of shots.

I had decided to do all the Brittany Clichés that I could think of. Small boots, sea, and lobster pots. I’m on the coast, what else did you expect?

And this is why I wanted to use the CPL filter. Get the blues slightly richer, but most importantly to minimise the reflections on the sea so you too can see how clear the water was. And boy was it clear!

One of the first shots was of the trees and the light coming through and the great shadows. Probably a left over from my architecture photography a couple of days earlier. I also wanted the lens because it has image stabilisation, which I needed for inside the church as I couldn’t be bothered to hoy around my tripod.

I’m all for getting the right shot, but with a little effort as possible and taking advantage of what my gear will allow me to get away with.

So what do “they” say about wide angle photography? “They” say you have to have a foreground element that leads the eye to the background element. Because if you don’t it just looks boring. “They” say that you have to do this and do that…. I was just spending a bit of “me” time to get away from “them” so I did what the blooming heck “I” wanted to do.

I walked around the island of St Cado and saw how the view developed in front of me. I popped down to the reservoir where people would go to be blessed. I went into the chapel, and then back over to the mainland , to the car, and to lunch. I seem to have forgotten my phone in the car too. Oh deary dear. My bleeding heart. Best decision I made that day, I think. That and getting out to take some photographs.

Happy birthday Gilet Jaunes

Posted on Posted in Black and White Photography, France, Nantes Photography, Reportage, Street Photography, UrbanTagged , , , , , , , , , , , , , , , , , , , , , , , , , ,

I’m writing this in a theatre before the tune up begins in about half an hour’s time. I was thinking back to yesterday and going out to Nantes to take a couple of photos.

I was in a foul mood on Friday; a colleague who was a nice bloke and all round good egg has just resigned and Friday was his last day. Plans have been put in place to find an “interim” solution which means more work for me and somebody else doing the forklift work. I’m not sure it will work as well. Anyway! That’s my problem and not yours, but explains why I needed to get out and do some photography.

Some of you might have heard of the Gilet Jaune movement or Yellow Vest movement in English. It was responsible for a few demonstrations that gradually became part of every day life in France. I had forgotten that yesterday was the 1st anniversary of the movement. They hadn’t, and neither had the police.

As I came into town I could see a whole load of police vans parked up in front of the castle. I thought that for a sightseeing trip it was a bit strange. I parked the car in the underground carpark and as I came out onto the street I did what I always do. I check my camera settings and take my first couple of photos.

It was foggy that day and I could see people heading towards me. They were crying. The fog gave some lovely photos. Very atmospheric. Lkke having a smoke machine on a film set. And then I started crying. The emotion of it all? No. Tear gas.

I’d seen worse, and a very nice young lady gave me some water to rinse my eyes. You see, the president has brought the population together but maybe not in the way he hoped.

It must have been around 17h. I had to be at mass for 18h on the other side of the Cours des 50 Hotages. The only problem was the police and demonstrators had decided to play silly buggers and take the mickey out of each other. More gas. I asked one of the policeman dressed in a rather fetching black number did he think it was possible to cross the road and be in time for mass… He thought it would be possible. That bloody chicken never had any problems crossing the road.

I eventually crossed the road and started talking to a couple of Turkish guys. They said what a very well mannered and elegant demonstration it was. Well, this is France after all. But that the riot police looked pretty hardcore, which in all fairness is true! The demonstrators moved forward. As did the police. Then the police put the smoke machine back on.

I dragged myself off to mass and it was lovely until a guy, either drunk, or high, or both came in. Strangely enough I was more enraged by the fact that he hadn’t taken his hat off. I left my seat, genuflected, and gave him my arm as we walked down the aisle. It must have been a really pretty picture of the happy couple. People looked on with relief as they didn’t have to do the dirty work.

I opened the door and told him to sober up first and then it might be possible to talk and not to interrupt the people at prayer. As I came back in there was a man who said thank you, as there a four doors to the church and how he can only cover two doors at a time. He thanked me and my new friend tried to come back in. I marched him out gently again. At the end of mass I saw the gentleman who had thanked me. Apparently our friend had come in three times by different doors. Never dull in ‘Ull, or Nantes either.

Mass finished and I headed towards the pub to say hello to everyone and get a bite to eat before going home. The car was parked nearby too and that’s the only excuse you’re getting!

The photos for the day were taken with the Canon 6D Mark ii and the vintage lens Pentacon 50mm f1.8. The older lenses give you a different feel and effect. I hope you enjoy them. Feel free to comment…

Île de Saint Cado

Posted on Posted in Black and White Photography, Landscape Photography, Travel photography, Wildlife PhotographyTagged , , , , , , , 2 Comments

So you now that some of my French family lives in Brittany. Just near to where they live is the Island of Saint Cado. It’s one of those quaint places that you see on post cards. It can get a tad windy in winter, but the last time that I was there everything seemed fine.

So what you’re getting today is landscape photography and some wildlife photography. I’ve always like birds and birdwatching and I’m always on the look out. Today I saw a Spoonbill. It’s basically a big bird that wades in the water and has a beak (bill) shaped like a spoon. 10 out of 10 for originality, eh? It’s a bird that is quite rare in the UK and at 47 years old, this is the first time that I’ve ever seen one. I just stood there looking at him and snapped away. It was like being a child again.

I wanted to test some new ND filters with the 16-35 lens, and as you will see further on, I also had the 75-300 lens with me. All this on the Canon 6D Mark II.

Alignements de Kerzhero

Posted on Posted in Black and White Photography, Landscape Photography, Travel photographyTagged , , , , , , , , , , Leave a comment

My mother in law lives in Brittany. In France that conjours up a whole load of clichés; salted butter, crêpes, kouign amann, pretty houses, the sea, granite, and standing stones. My sister in law also is a fan of Photography and the last time I was up there I made damn sure she wasn’t working and we took out our cameras. That day I was using the Canon 6D Mark II, and the 16-35 F4 lens.

When I fist got these photos back I was in utter dismay at the crap that I had created. I thought I’d never be able to use them and they were doomed to be forgotten. However I didn’t want to have a photographic Waterloo (remember I’m in France) and started up Lightroom and tried to salvage something. This is the result of that salvage, and I have to admit that I was very happy that I did!