The obligatory bike shot in the streets of Nantes

To start off with this was just going to be a short preparative article before I publish my the photos from my night time article about night photography in Nantes. I was going to start off by talking the pubs opening in England and Ireland tomorrow. I wanted to show you the way that the new normal isn’t like the old normal but it’s still OK and that you can still enjoy meeting up with friends and rediscovering each other after lock down. Our bars reopened on the on the 11th of May so we’re kind of used to the whole thing. We put on our masks if we have to move around the bar. I might be half English and half Irish, but after a certain quantity of ale we all have to visit and inspect the plumbing. Just put the mask on and don’t forget to wash you hands afterwards;

So I’d finished work at 11h45, and was free for the whole afternoon. When I go to Nantes I always park in the same place. I’m a creature of habit. So, I park, and as soon as I come out of the car park I put my camera to my to check my settings. To start with I had the Helios M44-2 55mm lens on the XT2. It’s a lens famous for its swirley bokeh, but on the APS-C captor it’s more tricky to get, but it’s still a beautiful lens. I take a few shots of Bouffay. The bikes, the tramlines.

I wanted to capture the textures of the street. In black and white one can’t capture colour even if that colour information is present in my RAW files. I was looking for repetition of patterns, wanted to to get depth of field, wanted to play with the light reflecting off the street and capture people coming through the pool of light.

Strangely the pub isn’t very far away from these photos and I strangely I found myself sitting down with a Guinness in my hands… I had my mask on, and my hands have never been cleaner. It’s good to be amongst “my people” once more. I think that’s what I missed most about lock down. Having this social group of people who are good to me and make me want to be good to them. They know their names, and I love them dearly!

Well I wasn’t expecting that to go there… I’m such a sentimental old fool. I have hugged them and have made a real special effort not to break their ribs whilst hugging them.

So here are the photos of the pub where my “people” seem to congregate.

So it was already a great night, but I wasn’t there just for a good time despite rumours in certain quarters that I will always deny of course! I wanted to take even more photos. I had the Fujifilm XT2 and the 7 Artisans 35mm F1.2 lens which turns out to a be a manual focus, 50mm equivalent. I usually like to go wider, but that’s my little secret!

When I’m next in Nantes, hit me up! I’ll usually tell people on my Instagram and come up and say Hi! I might even buy you a beer. If we talk, be ready to talk about photography and this fair city of ours. If you have any questions about the photos in this article then just ask! I don’t bite.

My Mamiya C220

My Mamiya C220, aka my little baby, aka possibly my favourite camera, has just been repaired. It is a Twin Lens Reflex, or TLR for those in the know. Why is it my favourite camera? For a few reasons.

Reason 1. I can actually see what I’m doing. I look into the viewfinder and can see everything really clearly without my glasses. The perception of depth of field is amazing and it’s almost like looking at a 3D tv screen.

Reason 2. It looks so cool! When I’m out on the streets the camera becomes a conversation piece. If I’m taking photos with my Canon 6D and zoom lens, people can get slightly tetchy and think I’m up to no good. Going for the understatement of the year award. However with the Mamiya they seem to think a guy with that big a camera around his neck deserve special respect, even though size doesn’t really matter and it’s all about the moment you’re capturing on film. It starts a conversation and therfore an exchange. You tell them that it’s Medium Format and what that entails. which leads me up to Reason 3.

Reason 3. It’s a Medium Format camera. Now, all the hipsters started discovering film a short while back, and talked about how awesome it was Dude! They were there with their Canon Ae1’s feeling so “with it” because “film is just so authentic man,” and because “film photography is real photography”, and that “digital just isn’t the same man!” Well guess what, you bearded little hipster you, film is how we OG’s rolled back in the day, because that was all there was. That was with 35mm film photography with 135 film. Medium Format just blows their minds because it’ 6 x 6, which translated means each negative mesures 6 centimetres by centimetres. Yes, size does seem to count again. You’re basically getting a huge amount of information on your negative.

Reason 4. Because of the depth of field you get with that 80mm lens. Alright you can get the same depth of field with a smaller lens, but it’s not the same. I’m worried that size is becoming a theme in this article and may show lack of confidence and hidden insecurities…

Reason 5. Did I say it looked really cool? I’ve just looked further up and it appears that I have already said that. Remeber what I said in a previous article about the importance of the “film process” which takes you from buying the film, putting it in the camera, taking the photos, right through to developing, and then scanning your negs, etc. When I use digital, it’s great. I love it. It is so dependable. I press a button and the camera can do so much. It’s like driving my Renault Scénic to work every day. It does the job and does it really well, and I still enjoy it. Taking the Mamiya out for a spin is like getting that beautiful vintage MG out of the garage and driving out to the coast, and just enjoying the wind in my hair, or my memory of what that felt like. It’s a camera that gets me excited to go out and take photos.

Was it good for you too? Right. Let’s get down to the nitty and the gritty and show you some photos. I used two rolls that day. One was Fomapan 120 format ASA 100, and the other was Ilford HP5 shot at box speed. The C220 doesn’t have a light metre so I calculated exposition using “Sunny 16.”