Round stone turret on an old house under a cloudy sky, Praktica MTL3 film, Le Gâvre, Loire-Atlantique

This One Is Mine: Shooting a Praktica MTL3 Again

My son was off to forge a knife, so I dropped him at Le Gâvre with a Praktica MTL3 and a roll of RPX 400 and went looking for something to photograph. It is the camera I learnt on in 1987: same model, same shutter noise, a different decade. The plan for the rest of the day was lunch, flowers and confession.

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Crowded bathing pool at the foot of a limestone quarry with children in the water and graffiti on the rock face, Canon AE1 Program 50mm, Nantes

Jardin Extraordinaire: This Time I Actually Looked at the Map

I headed back out with the Canon AE1 Program to capture more of the Voyage à Nantes, this time at the Jardin Extraordinaire—a hidden garden carved into an abandoned quarry. With the car at 48°C, it was sweltering, but the wandering through Chantenay and an unplanned brewery visit made the day worth every frame.

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Théo Mercier's Fossil Opera — sand ammonites and half-buried cars before the Opéra Graslin colonnade, Nantes

Voyage à Nantes: Following the Green Line

It was 46°C in the car when I set off and 40°C by the time I reached Place Graslin, which is not the weather for walking a city. But Le Voyage à Nantes paints a green line through the streets and I wanted to follow it, at least as far as I could manage without melting. The AE1, a roll of HP5+ rated at 100, and whatever the evening put in front of me.

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Triumph of Cross tower from close below, cross at summit and statue on parapet, La Rabatelière Vendée, Canon AE1 Program

La Rabatelière: Month of Our Lady

May 1st: the first day of the Month of Our Lady. I loaded the Canon AE1 Program with Fomapan 100 and drove to La Rabatelière to photograph the Sanctuaire de la Salette. What I found was a burned church, an axe-marked door, a miller’s millstone, and a hillside full of statues built in defiance of the Republic. The Vendée remembers.

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A single wooden post stands in perfectly still water, its reflection extending directly below, framed on either side by low vegetation at the bank. The most minimal and considered frame on the roll — and the best argument for leaving the house with a pocket camera.

Olympus Trip 35 Review: Still Worth Shooting in 2026?

The Olympus Trip 35 is one of the most iconic film cameras ever made — compact, battery-free, and surprisingly capable. A hands-on review with sample shots from my local countryside.

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Black and white film photograph of a family cycling away along a sunlit forest track, Forêt de Grasla, Vendée.

Half Deaf in the Forêt de Grasla

A roll of 100 ASA in the Pentax ME Super, finished in the Forêt de Grasla. Frogs, toads, a wolf spider, and a stopped-down lens. Film photography in the Vendée, April 2026.

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Black and white film photograph of crowds on the quarry rock pool at the Jardin Extraordinaire, Nantes, on a sunny April afternoon.

On Est Bien Là: Back at the Jardin Extraordinaire

A warm Sunday in April, a Canon EOS 500, and a roll of AGFA APX 100 at Nantes’ Jardin Extraordinaire. Film photography, slow days, and why it’s nice to be out in it.

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Black and white photograph of laundry — possibly canoeing gear — drying on a rack in a stone-framed window recess, dramatic shadow arcs sweeping across the wall on either side.

Messing about along the river in Clisson

A 45-minute walk along the river in Clisson with a Canon EOS 500 and a roll of Agfaphoto APX 400. Castles, viaducts, calla lilies, and laundry — what film photography finds when you stop looking too hard and start looking behind you.

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Black and white film photograph of a round tower with a conical slate roof and dormer window at Château de la Preuille against a clear sky.

Capturing Time: A Photographic Journey Through Château de la Preuille

Discover Château de la Preuille through stunning black and white film photography. Explore this 11th-century Vendée estate’s vineyards, towers, and moat reflections captured on HP5 film. Learn about gîte accommodations, wine tourism, and analog photography techniques. Experience timeless French heritage where history meets hospitality in Saint-Hilaire-de-Loulay.

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Black and white photograph of a Nantes café window with the handwritten French phrase "On ne peut pas acheter le bonheur mais on peut acheter du bon vin" — you can't buy happiness but you can buy good wine.

YOU CAN’T BUY HAPPINESS, BUT…

“You can’t buy happiness, but you can buy good wine.” A philosophical photo essay exploring what Nantes, France teaches us about the good life—beauty as democracy, the right to solitude, and pleasure as infrastructure. Discover how black and white street photography reveals the architecture of everyday happiness in one of Europe’s most livable cities.

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