Cloé in front of my lens

It was last Friday, and we were only doing 36 hours this week at work, so I was free on Friday afternoon. I like to go and visit my son, and his girlfriend, as I know I’ll be allowed to have a nice cup of tea and be able to talk photography without being told how boring I am. My daughter-in-law asked if I would like to come round as she was doing a photoshoot with somebody from Instagram. There was a friend to do make up and hair, and we would take it in turns being made up and photographed. Sounds like a deal right?

I of course turned up to early as they were getting the other girl from Nantes. I was asked if I could get pizza and off I went to get pizza; It’s easier like that. I got back and everyone was there. Elise, my daughter-in-law, Maureen, to do the make up, and Cloé the girl from Instagram who was along for the ride. That morning I had piled up all my gear and put it in the boot ready for the off. I had a couple of lights and some modifiers for speedlights. It was going to be a good day. Tea, and pizza in the same phrase has to be a good omen.

Elise does a bit of YouTube and has a three light set up for her videos. Fine for video but not so good for photography. As you might have seen I have been exploring the use of artificial light in photography and seem to be on the, if not right path, then certainly a path that is taking me somewhere. So, I wasn’t a fan of these video lights and thereofre set up my own. A flash, that would flash into an umbrella and the light would come back through an translucent white diffuser giving off a nice soft light. Yes I’m a big softy! I had a new led light to act as a hairlight, and was able to turn the power down so it wasn’t too harsh.

Elise started off and it interests me immensely to see somebody else start working and see how they interact with the model. The model being Cloé already made up by Maureen. I would take the occasional “behind the scenes” for Elise. I wasn’t happy with the light, so when it was my turn I turned everything off and just allowed my lights to work their magic. i’m becoming a fan of this soft light and seem to have understood the basics of how it might work and what it might do for me.

Cloé wa already “warmed up” if you can say that, and we started talking about her complexes about the way she looks. I showed her the first photos that we were getting and she seemed happy with the way it was going. I shoot RAW and JPEG at the same time. It means that I can see my black and white image on the screen and it gives me an idea of what I will achieve later whilst editing. I will however only edit my RAW file, as each pixel contains so much more information than a JPEG file, and although less destrucive than back in the day, it is still a feature of JPEG files even though they have progressed immensely over the last 15 years.

We kept talking and caught her laughing at some of my Dad jokes that she hadn’t heard before. I would see a picture I like and then activate the shutter. The first few reminded me of Anne Frank, and what she might have looked like had she have survived the war. Now I’m feeling sad about all that suffering in the camps. What an utter waste of human life.

Anay, we kept going and the feeling of the photos changed and looked slightly more modern. It is 2021after all. I switched to the X100F which is usually for street photography but holds it’s own in a studio environment, and the 35mm equivalent lense was great for getting some full body shots. The fact that Cloé was sitting on the floor gave a very flattering angle and I think I might just have to do it more often.

Before showing you the photos I would like to say a huge thank you to the three girls forputting up with me and the very generous feed they gave me. It gives one such a boost, and at the moment it’s a wonderfull thing to have. Covid is getting right on my wick, and although I know that this situation is temporary, it feels slightly less temporary.

So the tools used for this shoot… Canon 6D Mark 2 with a 50mm F1.8 lens, a Fujifilm X100F with a converter so I could go from a 35mm equivalent to a 50mm equivalent. The fash was a GODOX TT600 speedlight with GODOX X1T triggers.

Barber shop portraits

Dear Reader,

I have neglected you and have been away for some time. I needed to get rid of the introspection and get over it. I have also tried to learn new things and have been experimenting with using speedlites and light modifiers. Now you have already seen the beginnings of this exploration, but I have managed to find new victims, I mean models and was even asked by my barber if I could take some photos for them too.

My father always taught me to be good to people. Goodness will never be wasted. If somebody throws it back in my face then it is a réélection on them and not me. As long as my motives are pure then all is good, so to speak. I have been to that barbershop since it opened and have followed their progress over the years. When I am in Nantes I seem to always have a camera around my neck, as you never know when that “shot” would come along. And whilst waiting my turn I might take a couple of photos and I would of course give them a copy of each photo.

I am more an introvert so the idea of meeting a complete stranger and building a quasi instant rapport with the person is a pretty daunting prospect. Maybe it is what is the most difficult for me. I have been given various means of getting through this scary barrier. Some say, fake it ’til you make it, but it’s not really for me. One thing I did use was get the person to pretend being in a photobooth. I’m generous and so give them 5 shots instead of four, to pull funny faces and get it out of their system. It generally works and I encourage the person in front of the lens, and show them the first images and get them more at ease… I suppose if it works, then it works.

They also see me getting all my kit ready and set up, and you can see a kind of wonderment in their eyes, as if this guy is really serious, so we’re going give it a good go.

So last week I had dropped a message to my son asking him to give me a hand and be my assistant. He was there for moral support and to help me lug my equipment from the underground car park to the actual barbershop He did it brilliantly. So we arrive and they were waiting for us. We introduced ourselves to everyone, new staff, and learnt each other’s names. It’s always nice to say Kim, instead of hey you. Cassiopée was used to being in front of the camera and was fine posing and smiling, and what was worrying me was not being able to get a “real” portrait. Paco, the poor lad was just busy cutting hair.

This of course, raises the subject of what is a “real” portrait.

Portrait photography is about capturing the essence, personality, identity and attitude of a person utilizing backgrounds, lighting and posing.

I don’t know how far I am managing to take this concept on board but I’m trying. So, Cassie was easy to photograph, but Kim was a different matter. She told me before shooting that she didn’t feel at ease being photographed, but when showing her the photographs when I took them, she began to build her confidence, and her colleague helped her too. We did single portraits, then a whole load of portraits of the two girls together. I think the extrovert side of Cassie helped Kim to be less conscious of the camera. It was there but by the time she finished she could have gone for more. Thank heavens for Cassie.

I knew that my camera settings were the right ones for the result I wanted, and my lighting set-up was the way I wanted it and I was getting consistent results which is good too, which just allows me to get on with taking the photos and concentrating on the person in front of my lens. Who doesn’t look good in a low key portrait. I think they have certain elegance that you don’t get in different portrait formats, however much I might love candid street portraits.

Photographs of the inside of the Barbershop.
Inside the barbershop

As I had been asked by the boss to take the photos I felt it was not the time or moment to experiment and decided to keep myself in the “safe” zone. I’m lucky in the way I have a daughter in law or daughter who are always up for being photographed and don’t’ care me trying something new. It had been decided that I would take some portraits of the barbers, and some of the Salon itself. Looking back I was just trying not to take up too much space and for the ambiance shots I might have been better using a wider angled lens to get a larger angle. Each “job” has its constraints I suppose.

Soooooo, the equipment contained the Canon 6D Mark 2, the
Godox TT600 Flash Speedlite, an umbrella with a diffuser, and a Manfroto stand, and a black and white reversible, collapsible backdrop. The two lenses i used wer the 16-35mm F4.0 ans the 50mm F 1.8.

Thank you also to O Barber Nantes, to Cassie, Kim, and Paco, and Bryan who just happened to be there, for being really kind to me and accepting me and letting me getting on with some photography.

Canon and the Helios 44-2 58mm

It was a Sunday after a night celebrating a friend’s birthday with a “couple” of drinks. Which meant I was a tad on the tired side. Not hungover of course. Let’s just say that I needed to move my booty and air my mind.

As those of you who know me might have guessed already that meant making sure I was fit to drive. I was fit to drive. Grabbed my Canon 6D Mark ii and stuck on the Helios 44-2 58 mm F 2,0 lens.

At 58 mm we are leaving the standard focal lengths and heading off into portrait lens territory. How bold of me! Especially as I would be using it on the streets of Nantes. It’s a M42 screw mount lens and therefore needs an adapter in order to work on my modern DSLR. Manual focussing and without focus peaking and with my bad eyes is not easy unless yon use the flippy outy screen and zoom in,which meant that even I could get some in-focus images.

The Helios is a Russian lens from the Soviet era and the build quality could be described as slightly solid. When I first bought it I had placed it on my dining room table. It fell off the table onto the tiled floor and damaged a tile… But you dear reader are sensible and don’t do that kind of sh*t so you’ll be fine.

One thing I haven’t mentioned yet is the bokeh that this lens gives out. If you like creamy bokeh goodness with a bit of a swirl then you won’t be disappointed. Try and spot it as you look through the photos. The bokeh whores amongst you will not be left wanting.

Les filles et un garçon

As I think I’ve already told you, I am in the middle of trying to learn about this portrait palaver! I had watched the videos, I had perused the books, I had bought the equipment, I just needed some willing victims. Erm, I mean models. I was going to see my perfectly dysfunctional family for the weekend in Brittany so I was going to have to charm them into sitting for me.

We were of course late and as usual it was my fault. Who else could possibly be to blame? Just remember that the previous day I had been in Paris with my 10 year old daughter. Now I’m not trying to invent excuses but I’m certainly claiming mitigating circumstances.

But it was still my fault. all my camera gear was downstairs and ready to be loaded into the car. My son was still with us and helped me. I had my backdrop, my flash, my camera, which is pretty important, my soft box, my trigger, and everything, or so I thought. Little did I know that I had forgotten the stand. I wasn’t going to go home to get it, otherwise I would never live it down and going 200km and back for a stand might seem a little unreasonable. I think reasonable is about 500 metres and I will still incur the wrath of my wife.

We made it in one piece and after a while I wasn’t being yelled at either. What I didn’t say was that I needed to fill the car with petrol and that was going to add on time. I also bought some water too. Hey, if you’re going to be late , then be late for a reason! The other reason was that there was loads of traffic on the roads too as it was the 14th July weekend. Our average speed for the 200km was 56km/h.

We settled in, and I unloaded my kit and started cursing myself for having forgotten that blasted stand, bordel de merde de mes couilles, but it’s a learning curve and I had just learnt to load everything myself so I’m sure of everything. Ah well, I was going to have to without the flash set-up and just use natural light.

The next morning my brother in law posed for me and gave me a chance to explain to everyone how the whole shebang worked. I also got a really good photo of him that won applause on his Facebook wall, which is praise indeed! We were going for the philosopher look….

my brother in law, Vincent.

Can you feel that 80mm F 1.8 bokeh creaminess? Just the right ammount to look like an understated sex symbol… Even I’m starting to get flustered!

The results had really given me a confidence boost and my sister in law was so impressed that she needed no coaxing to sit for me. It was going so well that my niece wanted in as well. My wife and daughter had obviously forgiven my short- comings and I ended up taking photos of all of them.

It was a fun moment and I think one that will be remembered for the right reasons. I couldn’t have hoped for better.

Back in Nantes for some street photography

It’s always good to back into town. I took along my daughter, a fuji XT2 and a cheap Chinese lens that was dirt cheap. I mean dirtier than my work boots after a hot summer day. But like my dirty work boots, it got the job done. You will of course see the results at the end of this article.

The lens in question is the 7 artisans 55mm F1.4 (equivalent to a 80mm full frame lens). It’s basically a portrait lens, and it was strange using it for street photography, wow, I just broke a photographic rule. Aren’t I just the ittle Rebel! Traditionally one would use a 35mm or 50mm lens. People have criticsed this lens on youtube and the jist is to say that it’s soft in the corners, and if you look at 1:1 at pixel level it’s not as good as “normal lesnes” . However this is not what i’m about. I try and capture a moment in time whilst wondering around the city. When you look through these photos will you seriously be looking at each individual pixel? Some of my film cameras don’t have lenses that do that compared to my fancy Canon DSLR lenses.

You can see where I’m going with this I think. Yes it’s cheap, but it’s also a metal build, and feels great on my camera. It gets the job done. And even though my old teacher isn’t into the soft silky focus of the bokeh, that’s alright too!

Am I seeming slightly defensive here? Possibly. I have a habit of defending the weak when I can. This lens has been getting a hammering on YouTube and the Internet in general. But it’s OK. For the price you’re not getting the very latest in lens technology that will encourage you to take out a second mortgage on your house! This one only cost me 109€. And for that price it does the job, which is what I ask it to do!

The Internet has become a place of polarisation,and people spout such codswallop about anything and everything. Be that political, racial, sexual, and the list goes on. Yes People, I bought a cheap Chinese lens , and yes I enjoyed using it! Yes I even dared to share some of the results with you!

Photography has always been expensive and even now top end gear costs a fortune. If somebody has a cheaper option then why the hell not!

I bought it as a compliment to my Fuji XT2 which is also a compliment to my Fuji X100F, which is a lovely little camera and with my Mamiya C220 is my favourite camera for street photography.

I don’t know if the following photos are streetphotography or not, people have their own ideas, but they were certainly photos taken on the streets of Nantes. I’m not going to enter into a deabte about what is or is not street photogrpahy. I was certainly happy with them otherwise I wouldn’t dare sharing them with you!

Feel free to give me your feelings about the photos and any feedback is always welcome. You already have a link to the lens for a bit more info. The group in the photos is Polka & Co and the play French Jazz and I’ve heard them a few times playing in town! The restaurant Chez Maman is one on my favourites and also has the gift of just being opposite the John McByrne Irish pub, and just happens to be Daddy’s Happy Place…!

My wife…

Not much text today. I’m just going to let the photos speak for themselves. My wife posing for me, using the Canon 6d Mark ii, 50mm F1.8 lens, and natural light coming through my bedroom window.

KISS. Keep it Simple Stupid! Slowly becoming my new ethos…