My Mamiya C220

My Mamiya C220, aka my little baby, aka possibly my favourite camera, has just been repaired. It is a Twin Lens Reflex, or TLR for those in the know. Why is it my favourite camera? For a few reasons.

Reason 1. I can actually see what I’m doing. I look into the viewfinder and can see everything really clearly without my glasses. The perception of depth of field is amazing and it’s almost like looking at a 3D tv screen.

Reason 2. It looks so cool! When I’m out on the streets the camera becomes a conversation piece. If I’m taking photos with my Canon 6D and zoom lens, people can get slightly tetchy and think I’m up to no good. Going for the understatement of the year award. However with the Mamiya they seem to think a guy with that big a camera around his neck deserve special respect, even though size doesn’t really matter and it’s all about the moment you’re capturing on film. It starts a conversation and therfore an exchange. You tell them that it’s Medium Format and what that entails. which leads me up to Reason 3.

Reason 3. It’s a Medium Format camera. Now, all the hipsters started discovering film a short while back, and talked about how awesome it was Dude! They were there with their Canon Ae1’s feeling so “with it” because “film is just so authentic man,” and because “film photography is real photography”, and that “digital just isn’t the same man!” Well guess what, you bearded little hipster you, film is how we OG’s rolled back in the day, because that was all there was. That was with 35mm film photography with 135 film. Medium Format just blows their minds because it’ 6 x 6, which translated means each negative mesures 6 centimetres by centimetres. Yes, size does seem to count again. You’re basically getting a huge amount of information on your negative.

Reason 4. Because of the depth of field you get with that 80mm lens. Alright you can get the same depth of field with a smaller lens, but it’s not the same. I’m worried that size is becoming a theme in this article and may show lack of confidence and hidden insecurities…

Reason 5. Did I say it looked really cool? I’ve just looked further up and it appears that I have already said that. Remeber what I said in a previous article about the importance of the “film process” which takes you from buying the film, putting it in the camera, taking the photos, right through to developing, and then scanning your negs, etc. When I use digital, it’s great. I love it. It is so dependable. I press a button and the camera can do so much. It’s like driving my Renault Scénic to work every day. It does the job and does it really well, and I still enjoy it. Taking the Mamiya out for a spin is like getting that beautiful vintage MG out of the garage and driving out to the coast, and just enjoying the wind in my hair, or my memory of what that felt like. It’s a camera that gets me excited to go out and take photos.

Was it good for you too? Right. Let’s get down to the nitty and the gritty and show you some photos. I used two rolls that day. One was Fomapan 120 format ASA 100, and the other was Ilford HP5 shot at box speed. The C220 doesn’t have a light metre so I calculated exposition using “Sunny 16.”

The last Saturday before Christmas

I have said it on here before, and I will say it again. I have moments of folly, where lucidity says bugger this, I’m outta here punk! And so it was the Saturday before Christmas. I had agreed to meet a friend in town and help her choose presents for her nephew and niece in Switzerland. I also thought I could get to confession and prepare my soul for the feast that is Christmas.

I was slowly getting used to the Fujifil XT2, and thought, right, I’ll go out early and try and get a space before everyone else has the same idea, and get used to it even more. I arrived at the car park and had to wait at the barrier, but was patient.

I phoned my friend to say that I had managed to park the car and felt slightly smug. I texted her and she said she was still in pyjamas and having her coffee. Ah… Well I wasn’t expecting that. But that gave me some time

Whilst learning photography back in the day when I had hair, I used a 50mm lens, and learnt how to use it through and through. It was years later that I acquired a 28mm lens for my Praktica MTL 3, and really got into it. Later I continued when I got my X100F (35mm equivalent), my Canon 6D Mark II with the 16-35mm zoom lens. So it seemed logic to get a wide angled lens for the XT2. I ended up getting a 16mm which is a 24mm equivalent. Not too much distortion but still nice and wide.

Parked in Feydeau, and just next to the Chateau des Ducs de Bretagne, or Nantes Castle, I thought why the heck not, and headed up there. I just went with no specific goals, and waited for the photos to present themselves whilst walking around. I discovered a little art gallery that I hadn’t seen before and it was a real inspiration.

I walked towards the Fnac where my freind said she wanted to meet me. She was getting a record player for her girlfriend and wanted my help to choose. We chose, and headed to Sugar Blue Café for lunch, which was one the good ideas I had that day. A vegetarian salad, and for the desert we got to cakes. One was the Christmas cake, which had red fruit, crème de marron (which is a huge favourite of mine), and covered in Marscapone icing, the other cake was a Stracciatella Cheesecake, which was sooooo naughty. That’s wrong, both were amazing, and I’ll just have to go back after they get back from their Christmas break.

I told her that I wanted to go to confession and she said she would go and try and find an Ugly Christmas Jumper for her Christmas meal. We stopped off in a shop that does paper crafts for the presents for the children. We parted, I went to church, and we met up after the rain to go to the Comptoir Irlandais to get all those Christmas goodies that you can’t get anywhere else. I needed bickies, and cake for all the tea that I would be drinking over the holidays. We finished up in the Pub, and I was able to present her to my friends there. The restaurant across the road had no tables left!!!! O disaster! I had a plan B. My plan B was the Reine Margot and although it looks like a fast food joint from the front, the menu tells a different story, and when you get past the initial corridor, you enter the restaurant. We started with snails, then duck, and I finished with a chocolate cake, then back to pub for a swift drink before heading home.

All in all a lovely day, with a lovely friend, and I was happy with the catch of photos for the day.

Happy birthday Gilet Jaunes

I’m writing this in a theatre before the tune up begins in about half an hour’s time. I was thinking back to yesterday and going out to Nantes to take a couple of photos.

I was in a foul mood on Friday; a colleague who was a nice bloke and all round good egg has just resigned and Friday was his last day. Plans have been put in place to find an “interim” solution which means more work for me and somebody else doing the forklift work. I’m not sure it will work as well. Anyway! That’s my problem and not yours, but explains why I needed to get out and do some photography.

Some of you might have heard of the Gilet Jaune movement or Yellow Vest movement in English. It was responsible for a few demonstrations that gradually became part of every day life in France. I had forgotten that yesterday was the 1st anniversary of the movement. They hadn’t, and neither had the police.

As I came into town I could see a whole load of police vans parked up in front of the castle. I thought that for a sightseeing trip it was a bit strange. I parked the car in the underground carpark and as I came out onto the street I did what I always do. I check my camera settings and take my first couple of photos.

It was foggy that day and I could see people heading towards me. They were crying. The fog gave some lovely photos. Very atmospheric. Lkke having a smoke machine on a film set. And then I started crying. The emotion of it all? No. Tear gas.

I’d seen worse, and a very nice young lady gave me some water to rinse my eyes. You see, the president has brought the population together but maybe not in the way he hoped.

It must have been around 17h. I had to be at mass for 18h on the other side of the Cours des 50 Hotages. The only problem was the police and demonstrators had decided to play silly buggers and take the mickey out of each other. More gas. I asked one of the policeman dressed in a rather fetching black number did he think it was possible to cross the road and be in time for mass… He thought it would be possible. That bloody chicken never had any problems crossing the road.

I eventually crossed the road and started talking to a couple of Turkish guys. They said what a very well mannered and elegant demonstration it was. Well, this is France after all. But that the riot police looked pretty hardcore, which in all fairness is true! The demonstrators moved forward. As did the police. Then the police put the smoke machine back on.

I dragged myself off to mass and it was lovely until a guy, either drunk, or high, or both came in. Strangely enough I was more enraged by the fact that he hadn’t taken his hat off. I left my seat, genuflected, and gave him my arm as we walked down the aisle. It must have been a really pretty picture of the happy couple. People looked on with relief as they didn’t have to do the dirty work.

I opened the door and told him to sober up first and then it might be possible to talk and not to interrupt the people at prayer. As I came back in there was a man who said thank you, as there a four doors to the church and how he can only cover two doors at a time. He thanked me and my new friend tried to come back in. I marched him out gently again. At the end of mass I saw the gentleman who had thanked me. Apparently our friend had come in three times by different doors. Never dull in ‘Ull, or Nantes either.

Mass finished and I headed towards the pub to say hello to everyone and get a bite to eat before going home. The car was parked nearby too and that’s the only excuse you’re getting!

The photos for the day were taken with the Canon 6D Mark ii and the vintage lens Pentacon 50mm f1.8. The older lenses give you a different feel and effect. I hope you enjoy them. Feel free to comment…

Île de Saint Cado

So you now that some of my French family lives in Brittany. Just near to where they live is the Island of Saint Cado. It’s one of those quaint places that you see on post cards. It can get a tad windy in winter, but the last time that I was there everything seemed fine.

So what you’re getting today is landscape photography and some wildlife photography. I’ve always like birds and birdwatching and I’m always on the look out. Today I saw a Spoonbill. It’s basically a big bird that wades in the water and has a beak (bill) shaped like a spoon. 10 out of 10 for originality, eh? It’s a bird that is quite rare in the UK and at 47 years old, this is the first time that I’ve ever seen one. I just stood there looking at him and snapped away. It was like being a child again.

I wanted to test some new ND filters with the 16-35 lens, and as you will see further on, I also had the 75-300 lens with me. All this on the Canon 6D Mark II.

Alignements de Kerzhero

My mother in law lives in Brittany. In France that conjours up a whole load of clichés; salted butter, crêpes, kouign amann, pretty houses, the sea, granite, and standing stones. My sister in law also is a fan of Photography and the last time I was up there I made damn sure she wasn’t working and we took out our cameras. That day I was using the Canon 6D Mark II, and the 16-35 F4 lens.

When I fist got these photos back I was in utter dismay at the crap that I had created. I thought I’d never be able to use them and they were doomed to be forgotten. However I didn’t want to have a photographic Waterloo (remember I’m in France) and started up Lightroom and tried to salvage something. This is the result of that salvage, and I have to admit that I was very happy that I did!