My son was off to forge a knife, so I dropped him at Le Gâvre with a Praktica MTL3 and a roll of RPX 400 and went looking for something to photograph. It is the camera I learnt on in 1987: same model, same shutter noise, a different decade. The plan for the rest of the day was lunch, flowers and confession.
Read
A couple of hundred people signed up to hear from me and I sent them almost nothing, because I could never work out what a newsletter from me was supposed to be. I think I’ve got it now. Here’s the first one, published so you can see what you’d be getting.
Read
For forty years, I have been taking photographs. Mostly on film. Mostly in the Vendée, Nantes, and the UK, with a few detours to places like China. For…
Read
I headed back out with the Canon AE1 Program to capture more of the Voyage à Nantes, this time at the Jardin Extraordinaire—a hidden garden carved into an abandoned quarry. With the car at 48°C, it was sweltering, but the wandering through Chantenay and an unplanned brewery visit made the day worth every frame.
Read
It was 46°C in the car when I set off and 40°C by the time I reached Place Graslin, which is not the weather for walking a city. But Le Voyage à Nantes paints a green line through the streets and I wanted to follow it, at least as far as I could manage without melting. The AE1, a roll of HP5+ rated at 100, and whatever the evening put in front of me.
Read
There’s a photography blog I keep coming back to, and I want to tell you about it. Monochromia is a collective — photographers from Chicago, Nuremberg, Rome, Washington D.C., and a village on the Nile, all posting one black and white image at a time with barely a word of explanation. I contribute the occasional shot from France, which makes me biased. It also makes me a better photographer.
Read
Ten years of street photography in Nantes, one book: sit down, order the coffee, let the place come to you. IJM on the Streets is here as a PDF ebook.
Read
May 1st: the first day of the Month of Our Lady. I loaded the Canon AE1 Program with Fomapan 100 and drove to La Rabatelière to photograph the Sanctuaire de la Salette. What I found was a burned church, an axe-marked door, a miller’s millstone, and a hillside full of statues built in defiance of the Republic. The Vendée remembers.
Read
The Olympus Trip 35 is one of the most iconic film cameras ever made — compact, battery-free, and surprisingly capable. A hands-on review with sample shots from my local countryside.
Read
A roll of 100 ASA in the Pentax ME Super, finished in the Forêt de Grasla. Frogs, toads, a wolf spider, and a stopped-down lens. Film photography in the Vendée, April 2026.
Read
A warm Sunday in April, a Canon EOS 500, and a roll of AGFA APX 100 at Nantes’ Jardin Extraordinaire. Film photography, slow days, and why it’s nice to be out in it.
Read
A 45-minute walk along the river in Clisson with a Canon EOS 500 and a roll of Agfaphoto APX 400. Castles, viaducts, calla lilies, and laundry — what film photography finds when you stop looking too hard and start looking behind you.
Read