Dear Reader, in my last article I said I would try and get some more photos for your delectation. On Saturday I was in a rehearsal room all afternoon playing for a new orchestra. The Symphonique des Bords de Loire, which basically means on the river Loire just south of Nantes.
The Orchestre d’Harmonie de Cholet have just just changed musical direction, and all of a sudden I was looking for a new direction (not the pop group), so I seized the opportunity to make a change and start playing some more “classical” music in a different setting. I of course wish them the best of luck with their new conductor.
So that’s where I was on Saturday afternoon and so wasn’t really busy capturing images with my new toy.
My wife has decided to get to some Spring cleaning. Who ever said you can’t do autumnal Spring cleaning? Vive la différence! My cleaning skills despite military training in the early nineties have been declared not up to my wife’s standards and methods so my apparent incompetance is your gain, and also allows me to be out taking photographs with my new toy, the 12mm TT Artisan fish-eye lens on the Fujifilm XT2. At least I’m doing something creative instead of getting shouted out for being bloody useless.
So, I am now in town taking photos at the Hangar à Bananes which is seriously lacking in bananas before going to Sunday night mass, and looking after my soul. You get a different kind of crowd on a Sunday night and it feels a little more exclusive. I will then proceed to the pub for a pint of Guninness to look after the Guinness family, and to continue to drink the pub dry one pint at a time. This is a life long quest so I can take my time instead of do it all in one session. I suspect that they might being re-supplied before I can dent their stock. I suppose it’s just a feeble excuse to go to see my friends and talk bollocks all night.
Here is the photographic evidence of the time spent this afternoon pursuing artistic endeavours!
Dear Reader, you know how in the past I have talked about how some of us love the big massive telephoto lenses? And how others like to go wider? And how we start of with the “nifty fifty” F1.8 and learn on that? That was in the days before digital photography and a world where zoom lenses came to the fore. We had them before in the days of film photography, but my memories are of using these prime lenses, and zooms seemed to be looked down on. I wanted to go wider.
I remember my first proper photography course where I learnt the basics of film photography, going from taking the photo, developing the film, and getting a print as an end result. I remember seeing a photo of a horse taken with a massive head taken with a wide-angled lens and finding it fascinating! When I said the head was massive, the lens deformed our view of this majestic beast and its body seemed smaller than its head, which is something indeed. It was then that I learnt a photograph doesn’t have to represent a visual that is faithful to the subject. We can mess around with reality and show the world completely differently.
So, as I said, I learnt photography with a 50mm lens. These 50mm seem to be closest to how the human eye sees the world. It represents reality. In 2018 I acquired the Fujifilm X100F which has a lens equivalent to a 35mm lens. Slightly wider, but still represents the reality of this world, and is considered “the” street photography lens par excellence. It has a larger angle of view and allows me to get a little more in the frame and I felt the difference with the 50mm straight away. It was still a great lens and very versatile until I tried taking a close-up portrait. All of a sudden, I discovered some distortion in my model. I’m not saying that my model is deformed, well, no more deformed than any of us.
Suddenly watching YouTube, as many of us do apparently, I discovered the 16-35mm F4 lens from Canon for my Canon 6D Mark II. It was a little more than I had ever paid for a lens, but worth every centime of euro and so satisfying. If you care to have a look in the archives of this blog on my Instagram feed, you will discover many photos taken with this lens. My desire to go wider was now a reality. Distortion of reality was now in my hands. I could create interesting images. I discovered the way a very wide-angled lens can transform the world around us. Leading lines exist all over the place, and the wide-angled lens exaggerates each line, leading or not!
But, and this is a big but. You fellas can’t deny… It is possible to go wider. I know. Exciting isn’t it! My mind is now blown! There is a lens, a very special lens, called a fish-eye lens. This type of lens can offer you even more distortion and make the world seem even weirder than it already is! Canon does one. It’s a 15-8mm zoom lens. There are two types of fish-eye lenses. One will give a rectangular view, however distorted, and one will give a round image with a black frame. It’s a wonderful piece of engineering and for over €1000 it can be yours. But for €1000 it can’t be mine simply because I can’t justify spending that much money on camera kit and might even be cause for divorce. Since it is cheaper to keep her, I would have to look elsewhere instead of buying a super duper automatic lens from Canon. So like any self-respecting poor photographer I went onto Amazon and found a manual lens for my Fujifilm XT2 (like the famous X100F except I can change lenses) for 169€ which is slightly cheaper and a slightly more reasonable purchase, and my dear wife didn’t bat an eyelid! Not batting and eyelid is a very desirable reaction!!!
I will go out this afternoon to test this new toy and get back to you with some pictures!
Sometimes you know that you’re going to get a reasonable couple of shots. The conditions just fall into place. Sometimes you have to break away from your Guinness and your parents hoping that they will understand.
We were out in the garden having a drink before eating that evening. It was a Sunday evening, and the day had been wonderful, and there was me thinking that it couldn’t get any better. It could! I had my Canon 6D Mark II with the 16-35mm lens which is a favourite of mine. The previous day’s sea mist had made a comeback. Now fog always makes for some very atmospherical photography as you can see here.
This view is what decided my parents to buy this house all those years ago when they first moved further north from Newcastle. With various winters and storms, some trees have had to come down, but that view through those trees just brings peace to any beholder.
Well, on Friday night we had the consecration of Ukraine and Russia to the Immaculate Heart of Mary. As a Catholic, and, as somebody who has actually been to Fatima, and knows what a big thing this is, it was a very moving and special moment. The majority of us wish peace for Ukraine and wish for an end to Putin’s invasion, and anyone who says it’s just a special military operation is in serious error! Since the beginning of the invasion, this is a start of hope in this grizzly war. Let’s keep praying for them! What else was Pope Francis supposed to do?
I’m sorry if Catholicism isn’t your thing, but it is mine, and I wanted to get that out there. You can hate me later.
On Saturday, I felt slightly out of it, especially after the emotion of the previous evening. I felt tired and just wanted to sleep and rest. During the week, I had started reading up on using an ultra-wide lens as a portrait lens. As it happens, I have one for my Canon 6D Mark II. The infamous 16-35mm. If you look at previous articles and on my Instagram feed, you can see the results that I have managed to get from this setup. I love the distortion that this lens gives me. It allows me to create images that although taken in real life seem to have an otherworldly feel to them. “They” say it’s all about creating images that “stand out” and I’m all for that!
So instead of just reading up on it and wishing, the best thing to do is to pull the proverbial finger out, get the kit out of the camera cupboard and use it! I’ve been using my Fuji camera systems lately and I thought it would be good to have a change. I’ve been so happy with the Canon and the 16-35mm lens in the past, and have had such great results with it, so I was feeling really geared up and positive.
Then I got out and for some reason, I just couldn’t get into the zone. I was fortunate enough to get a couple of half-decent photos, but I certainly wasn’t feeling it. I kept at it with my legendary stubbornness, but I knew it wasn’t a good day. I know you can’t have a good day every day, but I usually do better than that. Let me assure you, however, that this is only temporary, and that next Friday afternoon I will have another go. Not every photo was useless as you can see in the gallery, but you do feel a certain frustration. You’re all geared up to create and then you get performance issues. Still no idea why, but it could always be worse. I could have given the booze up for Lent and therefore not be able to have a pint of Guinness to console me. Oh, wait…
There’s a difference between knowing the theory, having practised, and being able to reproduce great results every time. That is probably the reason that I am still an amateur and not a pro.
I will not let this discourage me and next time is next time. If this ever happens to you then please don’t fret about it. Sometimes it’s just not your day. It doesn’t mean that you are a bad photographer, it just means that it’s not a good day on a given day. Be stubborn. Keep going. Don’t give up. Show the buggers what you can do!
Here are the photos. Not all of them were horrible, and one or two shine out, which is actually quite good. Tell me what you think. How should I change my approach for the next time?
It was last Friday, and we were only doing 36 hours this week at work, so I was free on Friday afternoon. I like to go and visit my son, and his girlfriend, as I know I’ll be allowed to have a nice cup of tea and be able to talk photography without being told how boring I am. My daughter-in-law asked if I would like to come round as she was doing a photoshoot with somebody from Instagram. There was a friend to do make up and hair, and we would take it in turns being made up and photographed. Sounds like a deal right?
I of course turned up to early as they were getting the other girl from Nantes. I was asked if I could get pizza and off I went to get pizza; It’s easier like that. I got back and everyone was there. Elise, my ex-daughter-in-law, Maureen, to do the make up, and Cloé the girl from Instagram who was along for the ride. That morning I had piled up all my gear and put it in the boot ready for the off. I had a couple of lights and some modifiers for speedlights. It was going to be a good day. Tea, and pizza in the same phrase has to be a good omen.
Elise does a bit of YouTube and has a three light set up for her videos. Fine for video but not so good for photography. As you might have seen I have been exploring the use of artificial light in photography and seem to be on the, if not right path, then certainly a path that is taking me somewhere. So, I wasn’t a fan of these video lights and thereofre set up my own. A flash, that would flash into an umbrella and the light would come back through an translucent white diffuser giving off a nice soft light. Yes I’m a big softy! I had a new led light to act as a hairlight, and was able to turn the power down so it wasn’t too harsh.
Elise started off and it interests me immensely to see somebody else start working and see how they interact with the model. The model being Cloé already made up by Maureen. I would take the occasional “behind the scenes” for Elise. I wasn’t happy with the light, so when it was my turn I turned everything off and just allowed my lights to work their magic. i’m becoming a fan of this soft light and seem to have understood the basics of how it might work and what it might do for me.
Cloé wa already “warmed up” if you can say that, and we started talking about her complexes about the way she looks. I showed her the first photos that we were getting and she seemed happy with the way it was going. I shoot RAW and JPEG at the same time. It means that I can see my black and white image on the screen and it gives me an idea of what I will achieve later whilst editing. I will however only edit my RAW file, as each pixel contains so much more information than a JPEG file, and although less destrucive than back in the day, it is still a feature of JPEG files even though they have progressed immensely over the last 15 years.
We kept talking and caught her laughing at some of my Dad jokes that she hadn’t heard before. I would see a picture I like and then activate the shutter. The first few reminded me of Anne Frank, and what she might have looked like had she have survived the war. Now I’m feeling sad about all that suffering in the camps. What an utter waste of human life.
Anay, we kept going and the feeling of the photos changed and looked slightly more modern. It is 2021after all. I switched to the X100F which is usually for street photography but holds it’s own in a studio environment, and the 35mm equivalent lense was great for getting some full body shots. The fact that Cloé was sitting on the floor gave a very flattering angle and I think I might just have to do it more often.
Before showing you the photos I would like to say a huge thank you to the three girls for putting up with me and the very generous feed they gave me. It gives one such a boost, and at the moment it’s a wonderfull thing to have. Covid is getting right on my wick, and although I know that this situation is temporary, it feels slightly less temporary.
So the tools used for this shoot… Canon 6D Mark 2 with a 50mm F1.8 lens, a Fujifilm X100F with a converter so I could go from a 35mm equivalent to a 50mm equivalent. The fash was a GODOX TT600 speedlight with GODOX X1T triggers.
I have neglected you and have been away for some time. I needed to get rid of the introspection and get over it. I have also tried to learn new things and have been experimenting with using speedlites and light modifiers. Now you have already seen the beginnings of this exploration, but I have managed to find new victims, I mean models and was even asked by my barber if I could take some photos for them too.
My father always taught me to be good to people. Goodness will never be wasted. If somebody throws it back in my face then it is a réélection on them and not me. As long as my motives are pure then all is good, so to speak. I have been to that barbershop since it opened and have followed their progress over the years. When I am in Nantes I seem to always have a camera around my neck, as you never know when that “shot” would come along. And whilst waiting my turn I might take a couple of photos and I would of course give them a copy of each photo.
I am more an introvert so the idea of meeting a complete stranger and building a quasi instant rapport with the person is a pretty daunting prospect. Maybe it is what is the most difficult for me. I have been given various means of getting through this scary barrier. Some say, fake it ’til you make it, but it’s not really for me. One thing I did use was get the person to pretend being in a photobooth. I’m generous and so give them 5 shots instead of four, to pull funny faces and get it out of their system. It generally works and I encourage the person in front of the lens, and show them the first images and get them more at ease… I suppose if it works, then it works.
They also see me getting all my kit ready and set up, and you can see a kind of wonderment in their eyes, as if this guy is really serious, so we’re going give it a good go.
So last week I had dropped a message to my son asking him to give me a hand and be my assistant. He was there for moral support and to help me lug my equipment from the underground car park to the actual barbershop He did it brilliantly. So we arrive and they were waiting for us. We introduced ourselves to everyone, new staff, and learnt each other’s names. It’s always nice to say Kim, instead of hey you. Cassiopée was used to being in front of the camera and was fine posing and smiling, and what was worrying me was not being able to get a “real” portrait. Paco, the poor lad was just busy cutting hair.
This of course, raises the subject of what is a “real” portrait.
Portrait photography is about capturing the essence, personality, identity and attitude of a person utilizing backgrounds, lighting and posing.
I don’t know how far I am managing to take this concept on board but I’m trying. So, Cassie was easy to photograph, but Kim was a different matter. She told me before shooting that she didn’t feel at ease being photographed, but when showing her the photographs when I took them, she began to build her confidence, and her colleague helped her too. We did single portraits, then a whole load of portraits of the two girls together. I think the extrovert side of Cassie helped Kim to be less conscious of the camera. It was there but by the time she finished she could have gone for more. Thank heavens for Cassie.
I knew that my camera settings were the right ones for the result I wanted, and my lighting set-up was the way I wanted it and I was getting consistent results which is good too, which just allows me to get on with taking the photos and concentrating on the person in front of my lens. Who doesn’t look good in a low key portrait. I think they have certain elegance that you don’t get in different portrait formats, however much I might love candid street portraits.
As I had been asked by the boss to take the photos I felt it was not the time or moment to experiment and decided to keep myself in the “safe” zone. I’m lucky in the way I have a daughter in law or daughter who are always up for being photographed and don’t’ care me trying something new. It had been decided that I would take some portraits of the barbers, and some of the Salon itself. Looking back I was just trying not to take up too much space and for the ambiance shots I might have been better using a wider angled lens to get a larger angle. Each “job” has its constraints I suppose.
Soooooo, the equipment contained the Canon 6D Mark 2, the Godox TT600 Flash Speedlite, an umbrella with a diffuser, and a Manfroto stand, and a black and white reversible, collapsible backdrop. The two lenses i used wer the 16-35mm F4.0 ans the 50mm F 1.8.
Thank you also to O Barber Nantes, to Cassie, Kim, and Paco, and Bryan who just happened to be there, for being really kind to me and accepting me and letting me getting on with some photography.