A Peaceful Stroll Through Jardin de Plantes

In the heart of Nantes, a city bustling with life and movement, lies a haven of tranquilly—the Jardin de Plantes. With my trusty Pentax ME Super in hand and a roll of Kentmere 100 film, I embarked on a photo walk with my niece, weaving together the threads of modernity and nostalgia.

As the sun cast its gentle rays on the vibrant petals and verdant foliage, my niece and I strolled through the garden, our spirits lifted by the scent of blooming flowers and the melody of chirping birds. The Pentax ME Super, a relic of a bygone era, clicked and whirred, capturing the essence of the ambiance around us.

In the heart of this botanical wonderland, a delightful surprise awaited us – artworks from the Voyage à Nantes, seamlessly integrated into the landscape. Sculptures and installations whispered tales of creativity, adding an artistic flair to the already enchanting scenery. With each click of the shutter, the Kentmere 100 film immortalised these moments, creating a bridge between the past and the present.

Amidst the garden’s serenity, the city’s rhythm seemed to fade into the background. The laughter of children echoed, the fragrance of earth danced in the air, and a sense of peace enveloped us. The bustling streets felt miles away, replaced by the gentle rustle of leaves and the soothing trickle of fountains. It was a moment to pause, to breathe, and to find solace in the embrace of nature.

As my niece marvelled at the artistic wonders and explored every nook and cranny, I couldn’t help but recall a time when the world seemed simpler, captured through the lens of vintage cameras. The Pentax ME Super, a faithful companion, clicked away, a reminder that while times change, the emotions and memories we capture remain timeless.

In the heart of the garden, as my niece’s wonder met my own nostalgia, I realised that these fleeting moments, captured on film, became whispers of timelessness. The Kentmere 100 film transformed scenes into memories, the Pentax ME Super gave them life, and the Jardin de Plantes offered its serene backdrop.

Our visit came to an end, and the laughter and footsteps of visitors began to fade, leaving behind a quietude that felt like a hidden treasure. With a final click, I knew that I had captured not just images, but fragments of serenity and beauty, framed by the lens of a camera that has witnessed decades.

The Jardin de Plantes, a breath of fresh air in the heart of a bustling city, became a canvas on which moments of joy, peace, and art intertwined. The Kentmere 100 film told their story, the Pentax ME Super etched them onto film, and I, a mere observer, was fortunate to be a part of this beautiful narrative.

In the end, it’s the ability to capture the ephemeral that gives photography its magic. It’s not just about freezing time but about encapsulating emotions that stand the test of time. As I looked at the photographs that adorned my album, I knew that every click was a brushstroke on the canvas of memory— a reminder of the day my niece and I discovered the beauty of the Jardin de Plantes and the timeless charm of classic photography.

Capturing Nantes: A Photowalk Through Urban Charms

In the heart of bustling Nantes, a city teeming with life and stories waiting to be captured, I embarked on a captivating photowalk adventure. Armed with my trusted Pentax ME Super camera and loaded with Rollei RPX 100 and then Fomapan 100 film, I set out to explore the artistic treasures and serene corners of this vibrant urban landscape, and the latest offerings of the Voyage à Nantes. Join me as I take you on a visual journey through the enchanting Place Royale, the charming Place Graslin, and the captivating sculptures that make Nantes truly unique.

Place Royale: A Fountain of Marine Delights

My journey commenced at Place Royale, where the graceful fountain stood adorned with marine sculptures straight out of a storybook. These sculptures, by the Blegian artist Maen Florin, glistened in the sunlight and droplets of falling water. The Pentax ME Super clicked away as I framed each marine figure, capturing the interplay of water and art with the delicate precision of film photography. The Rollei RPX 100 film lent an air of timeless elegance to each shot, turning the bustling square into a tranquil haven through its lens.

Place Graslin: A Meeting of History and Charm

Next on my path was the inviting Place Graslin, a captivating square that exuded elegance and history. Here, the statue of Combronne with his coffee and glass of water, the newer version by Maya Eneva and the Cellule B collectif, welcomed me outside the iconic Cigale café, where I imagined stories of bygone conversations and shared moments. As the Pentax ME Super’s shutter clicked, the Fomapan 100 film brought forth the statue’s enduring presence, immortalising the blend of past and present that this city so effortlessly portrays.

Artistic Wonders of Cours Cambronne

A stroll along Cours Cambronne revealed hidden gems in the form of statues – “homme pressé” by the English sculptor Thomas Houseago and “éloge à la transgression,” by the famous Philippe Ramette both stunning creations from the Voyage à Nantes. These sculptures spoke of bold expressions and the city’s penchant for creative exploration. The Pentax ME Super captured their intricate details, with the Fomapan 100 film adding a touch of mystery to their narrative. In the heart of the city, a feeling of tranquilly pervaded, as I marvelled at the artistic tableau that surrounded me.

Bike Shots: Capturing Urban Rhythm

No Nantes photowalk would be complete without capturing the city’s quintessential “bike shots.” Bicycles, intertwined with daily life, spoke of a rhythm unique to urban living. With each click of the Pentax ME Super, the Rollei RPX 100 film transformed these moments into frames that held a slice of the city’s pulse. It also allows people to keep fit and be very smug about not polluting…

A Spectator of Urban Theatre

As I ambled through the city’s streets, I couldn’t help but feel like a mere spectator in the grand play that Nantes puts on every day. The camera in my hand was not just an instrument but a witness to the stories woven into every corner. With the Pentax ME Super, I was able to capture these narratives, bridging time and space through the magic of film.

Conclusion: Nantes Through a Different Lens

The Pentax ME Super, armed with its classic charm, and the duo of Rollei RPX 100 and Fomapan 100 films, transformed my photowalk through Nantes into a visual tale. From the marine wonders of Place Royale to the historical elegance of Place Graslin and the artistic marvels of Cours Cambronne, each click of the camera immortalised the city’s essence. Through the lens of film photography, Nantes unveiled its soul—a blend of history, art, and an urban rhythm that beats to its own tune.

As I reflect upon the captivating frames that now grace my album, I’m reminded of the vibrant energy and artistic tapestry that Nantes weaves. Just as the city’s sculptures and streets tell their stories, the Pentax ME Super and film quietly tell mine – a narrative of a city that thrives in its own unique rhythm, an urban theatre where I played the role of an enchanted spectator.

That August Holiday Vibe

My son seems to use the word “vibe” in a lot of situations. And for once, that word encapsulates exactly how I feel at this very moment. I’m in front of my computer at my desk, typing this article. Why is this an August vibe, though? Because I’m not at work and have the freedom that comes with August to do what I want, within reason, of course. I have my Marshall headphones that have a Princess Leia “vibe”. I’m listening to Ella Fitzgerald sing her beautiful heart out on Amazon Music, and the fan on top of my desk is blowing a fresh breeze through my golden locks. Those of you who know me will understand the ridicule of that last phrase. Locks, golden or otherwise, are something I haven’t had to deal with for many years, but that cool breeze is still very refreshing on my bald scalp.

I have been out, and this will blow your minds as much as the fan is blowing my hair, with my camera taking photographs. I can hardly believe it too. The photographs at the end will not likely seem like holiday photos to you, but to me they are precious! You don’t have to be sitting roasting on a beach to feel on holiday. What I’m getting at is that freedom comes only once a year. Work is important, but rest is important too. Ironically, “Summertime” is playing. The version with Louis Armstrong and Ella together! It really does take you to another place.

And then, there’s my photography escapade. I went old-school with film this time—none of that instant digital gratification. You take the shot, develop the film, scan the negatives, and only then do you wade into the world of editing. Now, you’re probably wondering, “Why the hassle when you’ve got smartphones and digital cameras?” But let me tell you, it’s a deliberate pace that wraps you in its own magic. You deliberate on each shot, finding meaning in every click. Out of the 36 shots I took, I’ve kept 16 for this piece. Fingers crossed, they’re worth the effort.

Film photos emanate a distinct “vibe” compared to their pristine digital counterparts. There’s a soft grain, an endearing imperfection that render them timeless. Some would say they embody an eternal tranquilly, a perpetual “vibe.” In future articles, you will see more of that timeless “vibe,” and pictures from an exhibition at the HAB Gallerie, which I’ve talked about in past articles. There will be shots of various art works all over Nantes that are all part of the annual Voyage à Nantes art season. This year, it’s all about statues taking over the city. But that’s for future articles. I have to keep you coming back for more, don’t I!

Clisson

Have you ever come across the articles named “The 10 Prettiest Villages in France,” “The 10 Prettiest Villages in Yorkshire,” “The 10 Prettiest Villages in Northumberland,” or “Some Other Dream Spot in This Beautiful World?”  No? The one closest to us, is about 15 kilometres away and not in the south of France, which I believe to be completely overrated. Like most contenders for this type of little town, there is a bustling market every Friday morning (which is actually pretty wonderful, if not a touch on the pricier side), a park that hugs the river and lets you unwind while taking in the gentle sound of the water.  A castle stands watch over the entire town.  Meandering streets wonder up and down hills as do the locals.  It is in wine producing country surrounded by vineyards who would be more than happy to flog you some wine…

Yes, it is one of “those” places, Dear Reader, but it is still beautiful. Clisson is also aware of this. Of course, I’m simply jealous because I don’t live there but wish I did.

In this series of photographs, I also chose to maintain the film-like appearance of my digital photography. It appears that summer is rapidly approaching. The days are already warmer and sunnier, but are not yet unbearably hot. And such weather is simply God’s way of encouraging you to go have a refreshing pint!

Watching people watching art

Sometimes watching people watch art is half the fun. Especially modern art. It makes you question what art actually is. Sometimes you have to look twice. Sometimes you think a five-year-old could do the same thing, and maybe even better. Or, as in the case of the work “Comedian” by Maurizio Cattelan, your art gets eaten by a hungry student that skipped breakfast.

I always seem to put things off, so I’m obviously running behind schedule with this piece. Simply put, things seem to get in the way. I nevertheless believe that the idea has some merit. The exhibition itself ended on May 7th, and I’m writing about it now, 20 days later. Dear Reader, I am aware that you are understanding of your humble servant and that you are forgiving.

If I want to enjoy some art in the same manner that I have been known to enjoy a cup of tea and some cake, I think about going to the HAB Gallery in Nantes’ Hangar à Bananes. If you were in town last month, you could have seen the “Une ebauche lente à venir” show, which featured recent pieces by Léopold Rabus and Till Rabus, some of which were produced just for the event. This art helps you take a second glance and discover the fun and foolishness in art. You may see it in the images at the conclusion of this post. See if you can spot two mischievous dogs and two mischievous pigeons!

Still life and landscapes are combined and delve into the artist’s basic urge to paint. Léopold’s paintings are loaded with lovely and weird animals: cows, slugs, birds, flies, dogs, and deer in the snow; a mound of faeces; chicken coops; and fields. Till’s paintings, in baroque and extravagant compositions, are loaded with trash, people, and other consumer objects.

Léopold Rabus (born 1977) and Till Rabus (born 1975) are Swiss artists that pay close attention to the reality of the world around them, and their art is full of sarcasm and comedy, challenging preconceived notions of what is and isn’t beautiful.

This piece, however, is about those who are viewing art and absorbing it all in. Or are they simply devouring culture to appear fashionable? To be in, since who wants to be left out? The French and their elitism in culture!  Half the fun is watching those who make a concerted effort to “educate” themselves because it is trendy, a la Molière’s Bourgeois Gentilhomme, and those who take it all less seriously and enjoy watching the humour in the paintings and laughing at the absurdity of some of the pieces. I’m all for being an intellectual in intellectual settings where the study of art is academic, as opposed to the faux leftist intellectuals, yet at times art is about not being an intellectual. As Nike once tried to say, Just Do It!

The exhibition closed on the 7th of May.

Friday afternoon in Nantes

Today was a good day. I like good days.  A mixture of barbershops, photography, cake and tea, and most importantly, friends. On this sunny Friday afternoon, I had the afternoon off from work, it would be a perfect day to go to the barbershop and get this beard of mine seen too.  I knew it was sunny just by looking out the window, and thought, let’s go manual today.

There is a rule in photography called sunny 16, that says when it is sunny, and not a cloud in the sky, you can put your camera at F16, the shutter speed identical to the ISO, or film sensibility, and all your shots should come out fine or at least well exposed.  It means that all you have to do is to concentrate on the moment and press the shutter when the moment is right, and by that I mean, when you have the composition that you want from a scene.

Sean Tucker did a whole video about it and I thought, well, you’ve taken his advice in the past, so why not now.  I was a bit of a sissy, and didn’t use a film camera, but instead used the Fujifilm X100F so I could see what I as getting, but to be honest, I didn’t really need to.  I must have more self-confidence in photography, I must have more self-confidence in photography, etc.  I didn’t go F16 but stayed a little more conservative at F11.

Right, the geeky, photographer part of this article is over.  The rest of you can join in again.

So first the barber shop with a couple of photos along the way as my photographic warm-up.  This visual warm-up is as important as the muscular warm-up is for a runner or any other sportsman.  You get your settings right.  F11 because there were a couple of clouds in the sky but not enough for F8.  Remember the sunny 16 as a guide to this outing.

My goal was to go and get my flowing locks of hair shaved off, my beard to be transformed from a homeless guy into a dashing older Dude, and then get to Church, pop in to say hello to Jesus since I was too early for confession, and head off to the pub.

With less hair than before and having to battle away throngs of female admirers along the way, I eventually made it to the pub.  It was a quiet day at the pub.  Rob, or should I say the legend that is Rob, was standing outside ready to jump on any unsuspecting client that might come by and sit down on the terrasse.  He’s a good man, and we share a love of being daft and talking utter bollocks.  Our jokes are amazing, at least to us.  Others might disagree, but under torture will admit they were slightly funny despite being awful!

After a couple of pints of water to quench my thirst and some awful jokes I needed to pee.  On my way back up I fancied a little something to nibble on. 

Rob, do you fancy some Pringles and some dip?

Not really. 

Do you know what I really fancy Ian?

No Rob? 

Some shortbread… 

I wasn’t going to make it from scratch but I knew a place where I could acquire some for a reasonable price.  So off I went to the Comptoir Irlandais.  An establishment where you can find some of the world’s more comforting produce, tea, and shortbread included.  Back to the pub.

Rob who is half Scottish let me know what a great fan of Iron Bru he is.  Guess what I found at the Comptoir Irlandais?  Yes, you’re right Dear Reader!  Scotland’s number one hangover cure, not that I’m suggesting in any way at all, that the Scots would ever need a hangover cure, but if they did, this might be it.  It’s a Marmite thing.  You love it or you hate it.  Judging by Rob’s little eyes when I came back with the shortbread fingers, and that special drink, I think we can safely say he likes it!  We of course made a tonne of finger jokes, asking our Irish friend if she would like a finger.  Yes, we were at that level.  Fart jokes would have been a great leap forward.  And I think the phrase, that’s what she said, was uttered a few times too!  So all in all, yes, it was a very good day!

A Sunny February Afternoon

Sometimes you have brunch and just feel that all is well with the world. Well, that Sunday, all was definitely well with the world, or at least, well with my world, which isn’t a bad way to be on a delightful sunny February afternoon. Out in town with my camera, well-fed, and just wandering around, seeing what would turn up in front of my camera.

If I were to be honest, I know that if I go to such-and-such an area, I will get such-and-such a kind of photo, so we can’t about wandering around aimlessly, but there was a sort of randomness… Sort of.

Get ready for some technical information, which will hopefully explain the style of photos that I am presenting to you today. When converting my images to black and white, I edited as if I had a red filter on my camera and as if I were using black and white film. When using this red filter, anything that is blue comes out in a darker tone. It’s going to be easier to use an image instead of a thousand words…

Basically, anything that is a deep blue turns almost black and makes for a powerful image. Some people love it (I do), others don’t (ah well), and that’s all fine too! You get the picture!

A lot of the photos that follow will exhibit this effect as if they were case book studies. You need the sky to be a certain way or it just won’t work, but when it does, you get the kind of image that jumps out at you. That and the 16-35mm lens, you can’t really go wrong. Mind you, after that delicious brunch, not a lot could go wrong…

He’s still wider…

Dear Reader, in my last article I said I would try and get some more photos for your delectation. On Saturday I was in a rehearsal room all afternoon playing for a new orchestra. The Symphonique des Bords de Loire, which basically means on the river Loire just south of Nantes.

The Orchestre d’Harmonie de Cholet have just just changed musical direction, and all of a sudden I was looking for a new direction (not the pop group), so I seized the opportunity to make a change and start playing some more “classical” music in a different setting. I of course wish them the best of luck with their new conductor.

So that’s where I was on Saturday afternoon and so wasn’t really busy capturing images with my new toy.

My wife has decided to get to some Spring cleaning. Who ever said you can’t do autumnal Spring cleaning? Vive la différence! My cleaning skills despite military training in the early nineties have been declared not up to my wife’s standards and methods so my apparent incompetance is your gain, and also allows me to be out taking photographs with my new toy, the 12mm TT Artisan fish-eye lens on the Fujifilm XT2. At least I’m doing something creative instead of getting shouted out for being bloody useless.

So, I am now in town taking photos at the Hangar à Bananes which is seriously lacking in bananas before going to Sunday night mass, and looking after my soul. You get a different kind of crowd on a Sunday night and it feels a little more exclusive. I will then proceed to the pub for a pint of Guninness to look after the Guinness family, and to continue to drink the pub dry one pint at a time. This is a life long quest so I can take my time instead of do it all in one session. I suspect that they might being re-supplied before I can dent their stock. I suppose it’s just a feeble excuse to go to see my friends and talk bollocks all night.

Here is the photographic evidence of the time spent this afternoon pursuing artistic endeavours!

He went wider

Dear Reader, you know how in the past I have talked about how some of us love the big massive telephoto lenses?  And how others like to go wider?  And how we start of with the “nifty fifty” F1.8 and learn on that?  That was in the days before digital photography and a world where zoom lenses came to the fore.  We had them before in the days of film photography, but my memories are of using these prime lenses, and zooms seemed to be looked down on.  I wanted to go wider.

I remember my first proper photography course where I learnt the basics of film photography, going from taking the photo, developing the film, and getting a print as an end result.  I remember seeing a photo of a horse taken with a massive head taken with a wide-angled lens and finding it fascinating!  When I said the head was massive, the lens deformed our view of this majestic beast and its body seemed smaller than its head, which is something indeed.  It was then that I learnt a photograph doesn’t have to represent a visual that is faithful to the subject.  We can mess around with reality and show the world completely differently.

So, as I said, I learnt photography with a 50mm lens.  These 50mm seem to be closest to how the human eye sees the world.  It represents reality.  In 2018 I acquired the Fujifilm X100F which has a lens equivalent to a 35mm lens.  Slightly wider, but still represents the reality of this world, and is considered “the” street photography lens par excellence.  It has a larger angle of view and allows me to get a little more in the frame and I felt the difference with the 50mm straight away.  It was still a great lens and very versatile until I tried taking a close-up portrait.  All of a sudden, I discovered some distortion in my model.  I’m not saying that my model is deformed, well, no more deformed than any of us. 

Suddenly watching YouTube, as many of us do apparently, I discovered the 16-35mm F4 lens from Canon for my Canon 6D Mark II.  It was a little more than I had ever paid for a lens, but worth every centime of euro and so satisfying.  If you care to have a look in the archives of this blog on my Instagram feed, you will discover many photos taken with this lens.  My desire to go wider was now a reality.  Distortion of reality was now in my hands.  I could create interesting images.  I discovered the way a very wide-angled lens can transform the world around us.  Leading lines exist all over the place, and the wide-angled lens exaggerates each line, leading or not!

But, and this is a big but.  You fellas can’t deny… It is possible to go wider.  I know.  Exciting isn’t it!  My mind is now blown!  There is a lens, a very special lens, called a fish-eye lens.  This type of lens can offer you even more distortion and make the world seem even weirder than it already is!  Canon does one.  It’s a 15-8mm zoom lens.  There are two types of fish-eye lenses.  One will give a rectangular view, however distorted, and one will give a round image with a black frame.  It’s a wonderful piece of engineering and for over €1000 it can be yours.  But for €1000 it can’t be mine simply because I can’t justify spending that much money on camera kit and might even be cause for divorce.  Since it is cheaper to keep her, I would have to look elsewhere instead of buying a super duper automatic lens from Canon.  So like any self-respecting poor photographer I went onto Amazon and found a manual lens for my Fujifilm XT2 (like the famous X100F except I can change lenses) for 169€ which is slightly cheaper and a slightly more reasonable purchase, and my dear wife didn’t bat an eyelid!  Not batting and eyelid is a very desirable reaction!!!

I will go out this afternoon to test this new toy and get back to you with some pictures!                                          

Hepple for Photos not Gin

Hepple. Even just saying it gives me a certain sensation of pleasure. Heh-pull. It just rolls of the tongue, and the pull sound at the end is tension that is let out and offers some relief. A bit like a fart, but less smelly. Amis de la poésie, bonsoir!

Now don’t get me wrong, I love Alnmouth but I like to get out into the country when I visit my parents. You drive into Alnwick, and then through the town past the TA base going up towards Rothbury and the on to Otterburn where the Army likes to play soldiers with live ammo and you are warned not to go onto the land otherwise you might go boom. Going boom is not a nice thing to do and should he avoided at all costs unless you really do want to go out with a bang.

You go past Cragside which as a family we have visited before, in the sun and the rain. It was one Summer and it was raining all bloody week and my mother said we should go out to Cragside and have fun going through the maze on the hills around the very stately home. It was a great idea, except for the fact that it had been raining like a cow taking a piss, and the whole place was waterlogged and we were all wearing crocs (other more suitable footwear from other brands do exist) and that other footwear would have been most welcome. We arrived back at my parents house soaked and a little pissed off. Oh the joys of family holidays during the British summer.

I digress. Je diverge, et parfois je dis bite!

Anyway, you go past Cragside and you will eventually end up at Hepple. I tend to go through the village and park up on the verge after the bridge. You can’t miss it, and if you do miss it the you are on the wrong road.

I have this stupid idea in my head that if I watch enough YouTube and try and learn ever more about photography from the various videos watched, and learn to leave my comfort zone and try new things, then I might discover something new and find out something that I might not even suspect possible. Yes it was one of those kinds of days… I should have known.

I was in the car with my camera and my father for this trip out. For some reason or other, fate had thrown us together and I had missed having sandwiches for lunch at parent’s house and still can’t remember how and why my father was in my car. Well, I wasn’t going to miss the opportunity to spend some quality time with one of my favourite people. So we had driven off to Hepple. I promise I will get to the end of this story. Maybe not straight away, but maybe by the end of this article.

Parked up. Ready to shoot. Camera out. Lens on camera. And then I just jave to work the scene and try and get compositions and pictures together. Now one video suggested using a telephoto lens for landscape photography. I wasn’t sure about this but tried it anyway just in case. While I was out of the car taking photos my father would be quietly listening to car radio holding one of the lenses as I was doing my thing. Bless him. That man has the patience of a saint. Either that or he enjoyed seeing me doing my thing. It was sharing with him one of the ways I seem to spend a lot of time.

It’s moments like that, that will stick in my memory forever in a way that going to the kitchen to get salt for my wife will be forgotten once I arrive in the kitchen. Not that I don’t want to to get salt for my wife, I just seen to forget very quickly.

So I started of by using my wide-angle lens and the thought, why the hell not, I’ll get the 70-300mm out of the bag and see what I can do with it. A wide angled lens will give you a very wide angle of view and offer up some wonderful distortion. Hence the name wide angled lens. The originality of that name still blows my mind! A telephoto lens however will give you the impression that everything has been drawn in and the background seems to be just being the foreground. It compresses the view… However they still say telephoto lens and not compressor lens. Go figure.

In the photos from this outing I think you’ll be able to see which photos were taken with which pens and of you click on each photos you can see the type of lens used in the description.

It’s one of my happy places and one that I keep going back to. They must think it weird that every summer a French car pulls up and this fat dude gets out with a camera and starts taking photos then gets back into said French car and drives off with souvenirs in his head that will keep him going until he comes back. It was just brilliant being able to just take in the scenery and enjoy being there with my Dad. Definitely a keeper that memory. It was just happiness. Happiness is being out with your Dad taking pictures and just being two men in a car driving across the Northumbrian countryside. These little instances of happiness that just seem to carry you through. Thanks Dad.

Alnmouth First Day of Photography

As promised, I said I would share photos from my trip to Northumberland post by post. No novels, just photos…

I have got my need for colour out of my system. Maybe. Possibly. Well, never say never, and all that. I wanted to share some timeless black and white photography.

It was my first morning of photography where I sneaked a visit to Scott’s of Alnmouth for elevenses. There was the sea mist that you saw in my article Sea Mist. And when it cleared, it was an amazingly sunny day.

Not necessarily the best of conditions for photography, but as a photographer, I try to adapt to the day’s conditions. Lots of contrast etc. It also avoids getting up the crack of dawn. Thank you Dawn.

Does this mean that I am lazy? Possibly. Do I care? Absolutely not. When on holiday, I commence my day with a cup of tea (or maybe even more than one) and toast. It’s possibly time for a cup of tea right now. As I age graciously, I appreciate these simple pleasures of life. I also still have some Yorkshire tea! You’re jealous now, aren’t you!!

Parisian Nights. Part I. Montparnasse…

Do you know how sometimes an event in time keeps you going?  It could be getting home after work, leaving work for lunch, or even having a cup of tea and a slice of something nice from the bakery.  What kept me going was the idea of seeing friends, two friends that I had not seen since COVID.  It was Vanessa’s 50th birthday and Dominic, her husband, thought it would be a wonderful idea to take her to Paris for an entire week.  I suggested it might be an idea to meet up in Paris and that I would come with my wife.  Overnight stay so we could have an evening out and not have to worry about getting a train whilst slightly squiffy!

I haven’t been home since 2019, and this was like a bit of homecoming to see me.  I met Dom 39 years ago when I left boarding school and went back into state Catholic education in my hometown.  In between getting my head kicked in by various other pupils at the school, we became friends.  This continued through school, and we found each other on Facebook whilst doing the whole nostalgia thing.  But the friendship from our childhood still held strong.  I met up with him when we were in the UK in 2019 for a week. It was as if time had just gone out to pee, and just came back as if the intervening 35 years just didn’t happen!  I think the fundamentals of our personalities and character traits don’t change all that much, but despite life experience, these fundamentals remain constant.

So when he told me about the Paris trip I thought, well, my wife and I know a bit about Paris, and what a perfect excuse to go up to the Capital and have some fun.  Let’s just say that my wife does not share my passion for Paris.  The biggest part of it is having grown up there, and only seeing the downside.  She once went back with my son when he was little and after having spent time out in the country.  It all felt foreign to her, and the icing on the cake was almost falling for a tourist scam.  She had become a human being.  Since that encounter, she gets worked up at the idea of going to Paris.  She let slip that she felt she couldn’t come with me and that I would go alone.  Not as a slight to Vinnie and Dominic, but because she would make my life a living hell. 

So there you are.  I would go on my own.  I have a friend from Nantes called Sergio, who lives in Paris at the moment, and I added him to the group chat and he was full of ideas about where to eat and not too expensive places either.  It would be good to see friends and introduce old friends to less old friends.

I booked my train and then got emotional about the high prices of Parisian hotels.  I ended up finding one, reasonably priced, and just next to the Montparnasse train station where the high-speed trains from the West of France arrive in Paris.  In between the actual booking and getting on the train, the entire trip kept me going.  I was in a great mood.  It was like escaping from real life for the space of one weekend. 

My wife took me to the station, I found the platform, scanned my ticket on my phone, and was let through.  The booking was for 1st class not because I’m fancy, but for €10 extra, you get a quiet carriage and a larger, more comfy seat. At the very ripe age of 50, and being a slightly rotund gentleman, and I thought the €10 was worth every penny, or centime d’euro.  I told the group chat how my train had left on time and that I would be in Paris at Montparnasse at such-and-such a time.  Nothing more to do than watch YouTube on my tablet and try to find places to visit and magnificent tables to eat at. I waited an hour at Montparnasse, waiting for Dom and Vanessa to arrive.  They seem to be less good at using the metro than I am.  Then we played the game of finding the metro exit.  With modern technology, photos and smartphones, we found each other and headed off to my hotel to get rid of my bag, as my room wouldn’t be ready.  Whilst chatting and walking to a café, Vanessa spied a smoked salmon bagel.  I spied it too, and we went in a got it for her.  Dominic had a chicken curry sandwich, and I spied with my little eye a chocolate macaron.  Did I ever say that I have a weakness for cake?

We settled at the “Café Montparnasse“, sat down on the terrace, had a beer, and then judged people walking by.  So it would not be a dry weekend.  Ah well!  Somehow, with the metro, we ended up at Le Bon Marché, where I wanted to get some lovely socks.  Yes, I’m 50, slightly rotund, and like a certain brand of socks, which were in the sales.  Don’t judge me! Vanessa found some very nice perfume and treated herself.  You’re only 50 once!  We found the Grande Epicerie.  Mind you, it was just across the road, so not overly difficult to find either.  It had everything that we needed for our picnic, including bread, wine, and various goodies, that were perfect for a Parisian picnic.  They were both very impressed!  Sounds good to me.   

We visited the convent where the Miraculous Medal was revealed to Soeur Catherine Labouré.  Now I knew all about it and had visited it last time with Killian.  We got the article up on Dominic’s phone, and they were both suitably impressed.  Even if you’re not Catholic, it’s an exquisite place and well worth visiting. 

Sergio told us about the Convent gardens as a great place to picnic.  We found a seat in the shade, and out came the Opinel and corkscrew.  We opened the Bergerac 2016, and it was right up Vanessa’s wine street.  Even Dom liked it.  I’d chosen a bottle of Muscadet for him for later.  We ate, drank, and just talked the time away.  Can’t think of a better way to spend time. 

Well, actually I can.  I had been a good boy and was therefore allowed a treat.  Not too far from the convent was a bakery.  That’s not much of a surprise. We are in France, after all.  But this one was owned by celebrity Patissier Cyrille Lignac.  I had heard great things about this place and had been convinced by Sergio to give it a visit.  He knows of my weakness for cakes.   The cakes on offer were exquisite as they should be, but they seemed to have even more class!  They looked beautiful.  I’m a fan of chocolate cake and nearly had one, but the Raspberry tart was just screaming out at me.  I bought it and spent maybe too much time thinking about how it was going to be lovely to sink my teeth into.

We headed gently back to my hotel so I could check in and I changed shirts and freshened up but tried to hurry about it as Dominic and Vanessa were waiting downstairs for me.  The room was fine, not huge, and the bed seemed as if it would be comfortable, which is always good.

Our venue for dinner that night would be the Café Montparnasse, which is one of those typical Parisian Bistrots with good food and excellent drinks and where you don’t feel judged by the waiter.  I can’t remember what time it was, but it was too late for tea and not quite time for dinner.  However, the French, in their infinite wisdom, have given the world the Apéro, or pre-dinner drinks.  You get a little something to nibble on too.  We told the waiter that despite the three of us, there would be a fourth person joining us.  The gentleman led us to our table on the café terrasse.  We ordered our drinks and got back to “juger les gens et mater les culs.”   

Sergio, thanks to his parents, is Mexican and can have a slightly different idea of time from us, more northern Europeans.  The French also have this concept of having a drink to make the absent person arrive more quickly.  Again, pure genius.  By drink number three, Sergio arrived.  Vanessa and Dom were very English in greeting him, and I, of course, was very French and gave him “la bise.”  Google it.  The more time went on, and the more drinks we had, the camper Sergio got, and it was such a pleasure seeing them all getting on so well.  Dominic had Chicken and chips, but French poulet in a nice sauce, and some frites, if I remember correctly, which is not something I’m good at, I think Vanessa had something quite healthy like a salad, and Sergio and I had fish quenelles, which were just divine.  Vanessa and Sergio have a common love for “Les Liaisons Dangereuses,” and were quoting whole chunks of it, and debating the veracity of the language.  It had been decided, after our lovely meal, that we would seal our friendship by having a nightcap somewhere along the Boulevard Montparnasse.  I found my church for the mass the next morning, which thankfully was at 11am.  Vanessa let slip that she had been a majorette and took my cane to show Sergio how to twirl.  Sergio’s life goal is now to become a majorette!  We said goodbyes, and I went to my hotel to get some sleep and be ready for the next day’s activities. Dear Reader, you will have to be patient, and wait for me to write part 2!