The weather today is officially depressing and even more so because it’s a Monday. I was so annoyed with life that it now is Friday afternoon. 5 days to get to the second sentence is possibly a sign. Of what, I don’t know…
The tree that is in the photo is “my tree” that I pass every day to and from work. I’d taken photos of it on film, and in digital but hadn’t been back to see her for a while. I’ve just checked Instagram and the last photo I took dates from February 2017! It’s as if I had neglected a friend that I had not seen for ages but still pass in the street just exchanging glances and a swift hello.
It was time to remedy the situation. I had left her in black and white, and returned to her in black and white. She didn’t have much to say for herself. Being a tree might have something to do with that, but she was still there. Still covered in ivy. Still with all her branches. Still a part of my workday.
The field of maize was still there. The maize replacing the wheat harvested in Summer. By Tuesday it had been harvested and all you could see in the field were the remains of stalks not over 6 inches high, and yet the day before had been as high as a man. Time goes on and the field will be used to produce a winter crop. Such is the way in the countryside.
Some fields had be let to fallow and recover from growing our food. Nature reclaims them for herself and plants grow up the fence posts and in the ditches by the sides of the road. At least they’ve gone back to green instead of the drier washed out colours of a hot summer.
It’s now Friday afternoon and I was only at work this morning. The sun is out, I’m in a t-shirt, and it’s 19°C. The rain has done its job, and isn’t there to dampen the earth or my mood. When I was a child I imagined the rain being God having a shower. I couldn’t bring myself to think of Him having a wee on creation.
I’ve been trying to “find myself” lately as far as photography goes. Different editing techniques instead of always doing black and white. Maybe it’s time to get back to basics for at least one article. You’ve seen Honfleur in colour and at night in my last article. However, I did take my camera out during the day! Yes, that can happen sometimes.
You’ve already had the witticisms about Normandy and the like, so this article is somewhat shorter. It’s about exhibiting some black and white photography of a very pretty little town in Normandy without the distraction of colour. They were taken whilst walking from where I had parked the car, to the house that we had rented for the week. They were taken whilst meandering through the streets, getting lost, trying to see what the place looked like in daylight. They were taken whilst I just let my mind wander off and just take in the beauty of the place. Quite typical for me really, and probably the best way to photograph a town.
The photographs were taken over a period of three days using both the Canon 6D Mark II, with the 16-35mm lens, and the Fujifilm X100F.
Honfleur is one of those pretty places that you see on postcards from Normandy. It is the birthplace of Erik Satie, the musician, composer, and a slighty, ever so slightly, eccentric, which is how my mother describes me. I think it’s a nice way of calling me a wierdo!
So Honfleur… Full of Parisians and people from just outside Paris that don’t have enough money to be able to afford Deauville. But also full of art lovers thanks to the many painters that have their galleries, and those channelling Eugène Boudin (joke available in French, contact me for details) and those wanting some Monet, Monet, Monet! (the Dad joke strikes again!) And let’s not forget those messing up their cholesterol levels with Camembert and Crême Fraîche d’Isingy, and those ruining their livers on Calva, and Pommeau. Cider is available for the lightweights like me.
On our first night, Killian, my ever dutiful son, needed to get out of the house and stretch his legs, so I tagged along with him. We went out with the two cameras (X100F for me, and Canon 6D for him) to do some night time photography, and headed off to the old harbour. We vowed to keep away from all the bars and ice cream places and actually managed it! Such restraint!
Le Voyage à Nantes is an art festival that happens every year in Nantes. They give out maps with the green line that travels all the way through the city and if you don’t have a map, you can just follow the green line on the ground. Yes. I shit you not. They have painted a green line that you can follow all around the city. Did the creator have a cocaine problem but wanted to be eco-friendly? That’s not what really bothers me. What really bothers me is that the whole line is 12km long! If that’s not intense then I don’t know what is!!!
Not wanting to be selfish, and sharing is caring and all that, I decided to bring along Killian. He needs to get out more and get some vitamin D. I also needed a minder. He’s always good for that kind of thing.
We started by the most important thing of the day. Food. Luckily it was lunchtime so I felt slightly less guilty about eating in public. Right, the first stop is usually the Sugar Blue Café. I really like the food. It’s actually healthy, but not only healthy, it looks good, but not only looks good, but tastes good, but not only tastes good, but they have cheesecake. Yes. Cheesecake. I’m so weak. But it goes so well with the cup of tea…
Of course we had to walk a bit just to feel even less guilty about the Cheesecake. Did somebody say Cheesecake? I ended up at Place Graslin. Needed coffee. Kiki had a beer. It was a bit warm after all. About 36°C… I told him about the day I was there with Kate and that it was just as warm and how she ended up getting soaked to the skin in the fountain, and how I was getting all panicky because I didn’t have a towel for her or a change of clothes.
We had to decide how to follow the line. We were sitting on the terrace of Le Molière and thought we’d be intelligent. Bad idea, but we managed to get the map up on our phones. The line passes right by the café, and you can either go left, or right. We tried, rock, paper, scissors, which is generally foolproof especially when it comes down to who is going to pay for the beers. But in the end we went for the more conventional, “oh f**k it!”
So having “f**ked it,” we eplored the Cours Cambronne, named after a famous Napoleonic General, who decided that he didn’t want to surrender to the British at Waterloo… Ah well! Silly billy!!
He became major of the Imperial Guard in 1814, and accompanied Napoléon into exile to the island of Elba, where he was a military commander. He then returned with Napoléon to France on 1 March 1815 for the Hundred Days, capturing the fortress of Sisteron (5 March), and was made a Count by Napoléon when they arrived at Paris. Cambronne was seriously wounded at the Battle of Waterloo and was taken prisoner by the British.
The exact circumstances of his surrender to the British are disputed. At the battle’s conclusion, Cambronne was commanding the last of the Old Guard when General Colville called on him to surrender. According to a journalist named Rougement, Cambronne replied: “La garde meurt et ne se rend pas !” (“The Guard dies and does not surrender!”). These words were often repeated and put on the base of a statue of Cambronne in Nantes after his death.
Other sources reported that Colville insisted and ultimately Cambronne replied with one word: “Merde!” (literally, “Shit!”, figuratively, “Go to hell!”) This version of the reply became famous in its own right, becoming known as le mot de Cambronne (“the word of Cambronne”) and repeated in Victor Hugo’s account of Waterloo in his novel Les Misérables and in Edmond Rostand’s play L’Aiglon. The name Cambronne was later used as a polite euphemism (“What a load of old Cambronne!”) and sometimes even as a verb, “cambronniser“.
We said goodbye to the little girl and allowed here to get back on her pedestal. Or was she trying to get down?
We found the line again, and then saw a dotted line… Interesting… An alternative? Well, what the heck. We followed it and discovered traces of Nantes more artisanal past, traces of joiners, cobblers, plumbers, bookbinders, and industrial tribunals. I love seeing these little bits of history still fighting to leave their mark on the town. A town or city has to be in tune with its past and it’s own story. People leave their mark on a place. The question is how will leave our mark, and what will that mark be?
For the photo geeks out there. The tools today were the Canon 6D Mark II and the 16-35mm lens.
We crossed over from the Castle and headed over past the Tour Lu (sans thé) down towards the Canal St Félix, along the Loire, pas the CIC building, and back into town and we ended having coffee and tea in the Sugar Blue Café where I have this habit of going to and eating wonderful food and having a nice cup of tea… I seem to have this weakness for tea and cake…
Now and again I do some colour photography, especially with the colours you get from the X100F. Everyone goes on about it, but they really are good. A guy on Instagram wanted to get some people together of various photographic levels, some who know little, some who know a lot, some who have loads of gear, and some who have very little. This was the first outing.
We wanted to get into Nantes during Golden Hour, but somebody had the rather silly idea of making it the “morning” Golden Hour. I, of course, was late. The meeting place was Place Royale, where Kate’s favourite fountain its. Emiliano Sala had just disappeared on his flight from Nantes to Cardiff, and people had made a kind of shrine to him.
They all had DSLR’s with lenses and tripods and the whole shebang. Guys together having a competition to see who had the biggest… Camera… What else were you thinking about???? I turned up with my Fujifilm X100F. Yes mine was the smallest (camera) but I’m fine with that, and I own it!!
But I digress. I usually do black and white conversions and seem to have the process slightly sussed out. The colour film simulations are just great on this camera and I get why people wax lyrical about them.
When I got the X100F I wanted to have a digital camera that was the equal of my film cameras. I wanted something that could open up to F2 and go up to F16. I wanted something that looked good and that got the job done. It’s basically a compact camera, with a fixed prime lens, and is sold as the street photography photographer’s camera, or the travel photography photographer’s camera. Of course it it great for this, and just slips in a bag. It’s light and such an understated chic. I love it! There you are. I love my camera.
But back to Nantes who is the real star in this series. In this first part you see us going from the Place Royale, going to bakery for breakfast and a coffee (I always seem to find a place to eat wherever I am…), heading towards the Tour de Bretagne, which is Nantes’ version of the Tour Montparnasse in Paris, going across Cours des 50 Otages, towards the Castle via rue de la Marne, and having a look at some the of the streets branching off, and ending up on the rue du Château.