La Générale


La Générale refers to a French dress rehearsal before a show or concert but with no senior military officer in sight.  But why am I talking about a rehearsal?  Well, as some of you Dear Readers might know that for my many sins, I am a horn player and musician.  Both can happen simultaneously, despite our reputation! From February 2009 until July 2022, I played the horn for the Orchestre d’Harmonie de Cholet in France.  Some people had cottoned onto the fact that I dabble in this photography lark, and since they had just changed musical direction, they would like me to take some photos of the new director in front of the band.  I of course said yes, and following the lessons learnt during the American Concert, I was feeling quietly confident.

The musicians were asked to attend the Générale in concert dress, all looking very smart.  This would allow me to wander around the stage freely, not annoy the audience, and have complete freedom to try to take a couple of photos.  What a good idea!  It also meant that I had two hours to get the job done in a satisfactory manner.

I had the Canon 6D Mark II with the 85mm F1.8 Canon lens, and the trusty and also favourite, almost to the point of it being a fetish, Fuji Film X100F, with the telephoto adapter which transforms the lens into a 50mm F 2.0 lens.  I could take off that adapter and have 35mm equivalent lens.  To the uninitiated, you will think I have just spouted out a huge amount of gobbledy gook, but I it actually means something to me.  It was out of the question that I would miss 60 photos like last time.  A lesson most definitely learnt!

Sooooo…  I wandered around taking photos and trying to make sure I didn’t just photograph the horn section.  Nobody couldn’t accuse me of favouritism;  except that I had treated some images first for friends and had posted them on Facebook.  Two of those friends were, of course, in the Horn Section.  Ooooops a daisy.  Ah well.  I did, however, tell everyone that these were merely a foretaste of things to come, and I realised I had actually been quite democratic and represented most of the musicians.  Out of the 400 odd photos taken, 124 were presented to the musicians in a private Google Gallery.  Not bad for two hours of shooting.    You will see a small selection of those photos at the end of this article.

As a thank you, I was invited to the concert the next day.  After a Barber appointment to tame my overgrown beard and a visit to the pub just to say hello to the staff and friends, I headed off to Cholet for my Rendez Vous with music listening.  Keep music live etc!! 

Naturally, with the change of conductor, there will be a change of musical direction.  Each person had to get used to the novelty, and the new conductor has to make his mark on the orchestra, which is perfectly normal.  I had heard all kinds of things and wanted to make up my own mind.  The concert theme was “Heart of the Forest.”  I was determined to take it all in with no preconceived ideas.  Just enjoy the bloody music, you fool.  So I sat down and did just that.  The sound at the back of the auditorium differed completely from what I had heard the night before.  As a musician, we hear the concert from where we are on the stage.  The audience really hears that difference.  I was blown away and just sat there enjoying watching my friends create music.

With time, the orchestra and the new musical director will get to know each other, and I look forward to seeing their next concert and seeing the outcome of this new relationship in future concerts, and it goes without saying that I wish them the very best of success for the future! 

Now for the photos, and not just the horn section…

The Phenomenon that is Johan de Meij


For my many sins, I am a musician and not just a depressive dude with a camera.  I play the French horn.  Some might even say that I’m a French French horn player, without being corrected by my autocorrect.  So this music thing…  I play the horn in a Wind Band, in Cholet, in the Anjou region of France, with good food and wine.  I wonder what decided me to join them…  There are a series of concerts every year with each concert having a given theme.  This next concert’s theme is about the planets.  The programme will be The Planets, by Gustav Holst, and the third Symphony by Johan de Meij, Planet Earth.

If you want to read Wikipedia to tell you about the Planets by Holst, then you can click here.  I will now give you my version of events.  Gustav Holst, a man with Swedish, German, and Latvian origins but born in England, wrote a series of pieces that made up the Planets Suite.  His ancestors must have settled before Brexit!  This was ground-breaking stuff, akin to Stravinsky and his Rites of Spring.  However, this program is about the planets, so we’ll leave Spring to Igor, the composer and not Frankenstein’s whacky assistant.  As any trailblazer will tell, they just weren’t ready for it man, and that it was ahead of its time, which to be fair, it was.  He started writing the suite in 1914, and the first movement was “Mars, the bringer of War.”  Quite eerie when you think about what happened in 1914.  Composing finished in 1917 and the première took place at Queen’s Hall, on the 29th of September, in 1918.  There were seven movements, and when I was a child, I always wondered why the planet Pluto wasn’t included.  What did they have against Mickey Mouse’s dog???  Then I learnt Pluto was only discovered in 1930.  The poor planet was demoted in 2006 and is no longer considered a planet but is still a heavenly body…  Just like Yours Truly!

This music that first disturbed people, has, over time, and thanks to John Williams, become the music of space and the stars, wars or no wars.  Some have accused John Williams of nicking everything in the first movement, Mars the bringer of War, and using it to compose the music to Star Wars.  I’m not saying he nicked it, but… A nice American gentleman, Charles Cornell, has exposed his point of view in a YouTube video 

When you look at it like that you can get where those people are coming from.  But in a completely nonpartial way, I couldn’t give a flying fart.  Both composers’ music is wonderful, and I think one could call it more homage than pilfering. Mind you, there are certain similarities.

When you look at the Planets Suite, you notice the Earth isn’t mentioned.  One person that noticed this and who could do something about it, is a certain Johan de Meij, whose name is engraved on a plaque on our rehearsal room in the Cholet Conservatoire.  A Dutch trombonist, he moved into composition, arranging, and conducting.  In the Wind Band world, he is very well known and respected.  Nearly all of us will have played some of his music at one stage in our careers.

The third Symphony takes us from the beginning of our Lonely Planet, Planet Earth, ending with Mother Earth.  It isn’t as much a narrative, but a more auditory exposition of ideas in an abstract form.  A soundtrack with electronic sounds helps the symphony become one musical experience as opposed to the classical three separate movements.  Planet Earth really is a continuation of Holst’s Planets.

It’s a whopping significant piece and a joy to play despite a few difficulties to challenge the horn player.  We were very fortunate to have Johan come and visit us, not just to say Hallo, but to explain the piece to us, conduct us and rehearse us.  The poor lad was full of cold, but shared his wisdom and experience with us, which I’m sure will prove itself invaluable for our performance on the 14th of November in the Théâtre Saint Louis in Cholet.  We worked on aural skills listening to the chords and listening to them to adjust the tuning and seeing where we fit into those chords. It might be an insignificant detail to you, but the seats are very comfortable and the acoustics are pretty damned good too!.  Holst couldn’t make it. Must have had something else in his diary for that weekend! 

La Rentrée 2021


My Dear Reader, welcome to yet another article where I will try to find something interesting or witty to tell you.  I have neglected you over August, but as most French people do, I closed shop and was on holiday.  Since Covid and the world going base over apex, my company has decided that we only need three weeks’ holiday in August compared to the more traditional four weeks.  I am about to sing the praises of my wife, so for those of you who hate the luvvy-duvvy side of things, turn away now.  I take it you have all turned away.  

For the first ten days of my holidays, I was camping in my living room. My wife and I literally carried our bed downstairs and set up camp.  That was the less agreeable part of those first ten days.  However, my wife had decided to decorate our bedroom and change all the furniture and replace it with nice new furniture from the infamous Swedish flat-pack place that we all know.  I have a love-hate relationship with flat packs.  Firstly, they’re heavy and hardly fit into the car without all the seats down and your wife in the back of the car telling you how to drive, you bloody moron!  Secondly, they take up an awful amount of space in the garage whilst your wife gets to grips with decorating the room.  Painting the ceiling, putting up wallpaper you agreed to ages ago because it’s easier and you love avoiding conflict.  You don’t sleep well because everything feels strange in the living room and it’s hot too.  Thirdly, they have to be taken upstairs to be put together and there’s always something missing, and you know it’s going to be your fault, you useless fool!  

Anyway, with the help of friends, my son, and a mad screaming bitch, sorry, wife, we now have a haven of peace.  We not only have a haven of peace, but fitted wardrobes that took three days to put together, but look great, and I have a cabinet for all my photography gear and, most importantly, a desk.  

She is a champion, and let me assure you all, she has become human again!  It has been a life-changer.  

During the pre-let’s get this done otherwise I’ll go mad, clear out, we found some films that needed to be developed.  You do not know what might lurk on those reels of film, but you tell yourself that you must have taken them, so it shouldn’t be too bad.  I took in 9 rolls of film in.  I was told by the amiable lady that if any of them hadn’t been exposed that there would be no charge for the development.   Seems fair.

I returned to get the films and the contact sheets.  That still sweet lady told me I would be in for a surprise!  She was right.  I looked through the sheets of paper and saw images of my son, who was still a toddler, and having baths, and being dried by his mother and his godmother.  It took me right back to the end of the last century!  My beard was in colour in those days!

Encouraged by all this photographic success, I went out and took even more photos.  For those of you who follow me on Twitter, or Instagram you will have seen the stories and saw the cameras for the day: the Mamiya C220, and the Pentax ME Super, which were both gifts from a former teacher, and now a friend of mine!  Merci Mr McM!  

I do like taking photos and using cameras.  There’s something I don’t think you knew!!  It was good to be back out.  I am now double jabbed. Thank you to that lovely lady at the chemists who reassured me and said that I wasn’t the only guy in the world that has a phobia of injections.  Not only am I double jabbed, but I also have my Covid Passport, so I can go to the pub again without having part of my brain scraped out by a nurse with a long plastic thingy!  I have rejoined the general population.  

If you’re wondering what the French title of this article is doing there, let me explain.  Quickly though, I’m already at 750 words here.  The Rentrée is the re-entry into normal daily life after the summer holidays where people just weren’t there.  The children go back to school.  Those of use in employment, go back to that employment.  Our extracurricular activities start again.  Last night was my first wind band rehearsal in over a year (thank you, COVID), and it feels as if some relative normality has come back into my life.  

Back to the photos.  I shot the square photos on the Mamiya C220, using Ilford HP5+ film shot at box speed, developed in Ilfosol 3, and I took the other photos on the Pentax ME Super, using Fomapan 100 film developed in the same chemistry.  Fine grain with the Fomapan and not something I’m used to, but a change is good, right? Oh, and I took them at the Hangar à Bananes, and HAB Gallerie in Nantes.

CYSO City Youth Symphony Orchestra (Hull)


Right, this post might be a little introspective and even border on the nostalgic.  Mother, you have been warned, read on at your own peril. 

This week has been a good one.  In fact, it’s been a really good one.  Last weekend I was on holiday and it seems to have been nothing less than a Godsend!  For those of you who know nothing of me outside photography, you will now learn that I work in a factory in France that makes doors.  Yes, I work in a French Doors factory, even if that corny gag might get me shot at dawn.  Every Summer we would get four weeks holiday during August.  The whole factory just shut down for the month.  For those of you who have just got over the initial shock from that statement I will continue.  We’ll pick the others up later on.  We shut down for the month of August as do our clients, and the majority of country. Now we only get three weeks. Ah well… August is probably one of the best times to visit Paris.  They’re all on holiday and visiting their families in the provinces or following the latest holiday trend darling! 

That was the status quo and we all know it and it was good.  But, little did we know, Covid was just around the corner getting ready to bitch slap us all.  As a result of the first lockdown, the management thought, well, we need to work the first week of August “to be there for our clients” and the remaining week would be taken at a later date.  That later date was last week, for the week of the Ascension.  For those of you who aren’t Catholic or even Christian, the Ascension is when Jesus went back to heaven and said “I’ll be back,” but not “Hasta la vista Baby.”  That was somebody else.

Anyway, back to the subject in hand.  I have had my week’s holiday and it was very lovely.  Just what I needed.  This last week has been just as good.  The time at work has flown by, and yes I’m up to date on everything.  What has changed?  I have started walking my son’s dog.  1, because I can.  2.  Because I think she enjoys it, and seeing her getting all excited when she sees me putting on my shoes is a real ego boost.  We get into the car and I drive off to our local forest where we walk and take in Mother Nature.  Well kind of, because it’s a managed forest and the trees were planted mostly by man, but who cares, it gets me outside.  The dog is called Molly, and she’s a cross between a Spaniel and a Teckel, which means she loves sniffing everything and following trails. 

I used to identify uniquely as a “cat person” and today I am deciding to do my “coming out” as bi-petual.  I like both cats and dogs.  Yes another horrifying shock for my poor parents.  I’m really getting into this dog walking thing.  We have a few circuits that we enjoy.  The Forêt de Grasla, the Mare aux Canards, which, when I first heard my daughter talking about going first sounded like to my deaf ears Maracena, which I always thought was in Brazil, and behind the village in the vines.

The number of paces that I do a day has gone up from 7000 to a peak of 16000 yesterday.  Could this be a sneaky way of that dog telling me that I’m fat, that I shouldn’t eat as much, that I should give her some of my food instead, and move my booty?  Who cares?  It seems to be doing me good!

Where was I?  Ah yes.  Those of you who have eagle eyes, and who read the titles of my articles will be wondering what do France, dogs, holidays, and fat people have to do with a Youth Orchestra, or Hull even?  And you’d be right.  You might argue that the title was nothing more than pure click bait, and you will want to assassinate me on Twitter.  I’m not on Twitter, so unlucky you! 

So music…  Some of you who only know me with a camera in my hand and do not read all my posts, might not know that I lead a double life.  I dabble a bit in music.  Another contender for Understatement of the Year 2021.  I’ll try and go through as quickly as I can prepare the terrain for the main bit of this article and not the waffle at the beginning and my mind wandering and wondering.

When I was 6 years old I saw the guards parading on Horseguards Parade in London, and declared that one day I would do that.  I was in awe of the music, and I was hooked.  I started learning the horn at boarding school, and when boarding school was no longer the best place for me, I came home to Hull (the last word in the title).  You see, I’m getting there…

Well just a couple of days ago I was added to a Facebook Group by an old teacher of mine.  The Group is called “City of Hull Youth Symphony Orchestra (CYSO) Memories” which is for those of us fortunate enough to have played in the orchestra or one the City Youth Ensembles, and who went through the musical education system in Hull.  You end up seeing some familiar names spring up as do the flowers in the hedgerows on the way to work.  Recollections of concerts, and above all the hard work that went into them.  The work that non-musicians don’t get too see.  People talking about the well known character, GHS.  Geoffrey Heald Smith who managed to achieve legend status in many ways, not all good, but for music he was amazing.  He had this passion for music that he was able to “distil” in us.  The individual instrument teachers would come into your school and give you lesson whilst you were at school.   I have heard him described as a bully, an amazing musician, a legend, a source of fear, a drunk, a teacher, a conductor, an inspiration, a man of his time.  Take your pick, he was all of the above and more, and had a great impact on a whole generation of musicians in my home city.  He made an orchestra out of the teachers and would visit the schools to play for the pupils and try and get us interested in music.  These were like a breath of fresh air for me, but depending on his sobriety of lack thereof, things could be “difficult”.

When I was 11 I was in a new school in Hull after three years of boarding school.  My main preoccupations were, avoiding getting my head kicked in, avoiding being bullied, being accepted, and living through the general shitstorm that was going on around me.  1984.  Crap year for the miners, but not just the miners.  I was fed up of everything and let’s say that my early tutorage from my new horn teacher wasn’t going the way I wanted it to go.  Luckily, that changed.  I was about to give up, and my mother was distraught.  She called in GHS to speak some sense into me and to convince me to carry on.  He came to the school and we sat down and talked.  I seem to remember him telling me that sure, I could give up, and another child would take my instrument and my place, or I could continue and be part of something bigger than myself. Those 15 minutes changed my life, and I will be forever grateful to the man.

I would continue with my teacher, and I would like to thank Mr Oglesby for his patience, and his dedication to turning me into a horn player.  I joined the system and as I learnt my craft, I moved from training orchestra, to junior orchestra, and the junior wind band.   I passed my Grade V and became eligible to try and audition for the City Youth Orchestra.  It was a very good school for me as a musician and helped install a discipline that I carry with me to this day.  Practice, practice, practice.  No passengers allowed, somebody can always take your place.  Of course, egos were made and broken.  I remember one concert where the principal trumpet was replaced by a pro, as he hadn’t turned up for enough rehearsals.  It was no nonsense, and you learned not to talk or fidget during rehearsals.  The City youth Concerts took place in the City Hall, which was one of those Concert halls from the beginning of the century, built in 1909, and as a child was very awe-inspiring.  It was massive to me, and I remember being told to sell tickets for each concert, as we had to fill the place. It has a capacity of 1200 seats!

During my days in the orchestra, symphony orchestra, which became the concert orchestra, the symphonic wind band, and the Swing band, in the late 80’s I would be in the music centre about 5 days a week, be it for Aural and music theory training, orchestra or ensemble rehearsals.  There was so much talent in those orchestras that as an unsure and awkward teenager trying to deal with my childhood, I felt so inadequate.  There were people that would go on to become professional teachers, musicians, orchestrators, who all just seemed to ooze talent.  I was probably that weird kid who played the horn, that meant well, but was on the periphery.  Sure, I had mates that I would talk with but was by no means as talented as some. They are, however, whom I think of when I think about my musical youth.

I remember concerts, tours, getting up to no good in Switzerland but managing to be OK despite my turbulent youth.  There were rites of passage, which contributed to make me the musician I am today.  I no longer live in Hull, as all the French photography may indicate, and I now live over here in France and have done since 1994.  That’ll teach me!  I remember my first rehearsals in the local orchestra in Noisy Le Sec, and the professional horn players who would teach us and guide us, said they knew that I was English in the way that I approached music.  I did it without an ego, and knew my role in the section and was a section member and not and frustrated soloist.  I knew that I was there to serve the music, and not for the music to serve me.  I was also a lot more disciplined that my French counterparts, who are always talking, fidgeting etc, but are not as bad as the Italians are.  Even my present musical director seems to see me as the pillar on which the horn section can rely on.  I’m still not a fan of being principal horn and generally play second horn.  My favourite position will always be 4th horn which is the bass of the section, the motor, and gives a base on which to carry the other three.

So…. Off to Paris tomorrow with my son for an epic Ian and Killian day. I might even take a camera along and get some photos.