Choosing the Right Film Format: 35mm vs. Medium Format Photography

Posted on Feb 9, 2024Feb 4, 2024 Posted in Film Photography, photography tutorialsTagged 35mm, 6x6 format, 6x7 format, 6x9 format, analog art, analog film, analog nostalgia, analog photography, art of film, Artistic Vision, aspect ratio, camera choice, camera examples, camera selection, classic cameras, Creative photography, depth of field, film camera, film development, film enthusiasts, film equipment, film formats, film formats guide, film negatives, Film Photography, film photography exploration, film vs. digital, fine art photography, France, Ian Myers, iconic photography, ijm photography, ijmphotography, image detail, image quality, image resolution, Landscape Photography, medium format, medium format advantages, medium format benefits, medium format cameras, medium format models, medium format photography, Nantes, photographer, photographic journey, photographic techniques, photography, photography comparison, photography styles, portrait photography, retro photography, street photography, TLR cameras, Vintage aesthetics, vintage cameras, Visual Storytelling, Vivian MaierLeave a comment

Introduction In the world of film photography, the choice of film format can significantly impact the results you achieve. Whether you’re an aspiring street photographer or simply an enthusiast looking to explore the world of analog photography, the decision between 35mm and medium format can be crucial. This article explores the major differences between these two formats, helping you along on your photographic journey. As we dive into this discussion, it’s essential to understand how the choice of format can influence your work.

1. Understanding the Basics Let’s start by establishing a foundation. 35mm photography is the more common format, known for its accessibility, ease of use, and widespread availability. It is the standard format of film. However, medium format photography offers distinct advantages worth exploring.

2. The Key Differences

Image Quality and Resolution: The most noticeable difference between medium format and 35mm photography lies in image quality and resolution. Medium format film, with its significantly larger negative size, captures an significant level of detail and clarity. The larger negatives provide ample room for precise rendering of textures, fine lines, and intricate patterns. This translates to stunningly sharp and highly detailed images, ideal for both professional work and fine art photography. If you’re aiming for prints that capture every nuance, medium format is the way to go.

Aspect Ratio: Another significant difference is the aspect ratio. 35mm film typically yields images with a 3:2 aspect ratio, while medium format cameras typically offer a square 1:1 aspect ratio. The square format can be a creative boon, pushing photographers to rethink composition. It forces a balance between the vertical and horizontal aspects of your subject, a characteristic reminiscent of the iconic street photographer Vivian Maier, who frequently used a TLR camera. The square format encourages unique framing and adds an artistic challenge to your photography.

Depth of Field: Medium format allows for a shallower depth of field compared to 35mm. This means that it’s easier to achieve that sought-after background blur or bokeh, perfect for portrait and street photography. With a well-executed composition, your subject can pop against a beautifully blurred backdrop, making them the focal point of the image.

Size and Weight of Equipment: In terms of portability, 35mm cameras have the upper hand. They are compact, lightweight, and ideal for street photography where you need to be quick on your feet. Medium format cameras, on the other hand, tend to be bulkier and heavier due to the larger film format and the associated optics. This makes them better suited for planned shoots where image quality takes precedence over convenience.

Cost of Film and Development: While 35mm film and development are more budget-friendly, medium format film comes at a higher cost. When using the 6×6 format you will only have 12 images per roll of film. This of course makes every shot count. If you are stressed out about messing up a shot on 35mm film then your anxiety will shoot up to lunar levels with only 12 shots. But remember what I have said earlier, no shot is wasted and every shot is a learning experience. The enhanced image quality, detail, and artistic potential make medium format film worth the investment for those who prioritize the final result over the upfront cost. If you’re planning to produce gallery-worthy prints or pursue a professional career, the expense can be justified.

Flexibility and Convenience: 35mm cameras are known for their flexibility and convenience, making them well-suited for capturing quick shots or candid moments. They’re also readily available, and film processing is more accessible. In contrast, medium format cameras require a more methodical approach, ideal for planned and deliberate photography. The process is slower, encouraging you to carefully consider each shot and compose it meticulously. This added effort can lead to more thoughtful and deliberate photographs.

3. Street Photography with the Pentax ME Super and TLR Influence Vivian Maier, a renowned street photographer, serves as an inspiring example of how camera choice can shape your photographic style. Maier favored the TLR camera, a medium format model known for its distinctive qualities. Her use of the square format and unique perspective have left an indelible mark on street photography.

I want you to think about the fact that a TLR is hanging around your neck at tummy level or even waist level, so the way of looking at your subject will automatically affected too.

If you’re looking to explore street photography with a Pentax ME Super, remember that the compact 35mm format offers its advantages for candid, on-the-go shots. However, Maier’s work reminds us that the choice of equipment is a personal one, and there’s no one-size-fits-all answer.

4. The Mamiya C220 Review: A Medium Format Marvel As we venture further into the world of medium format, the Mamiya C220 beckons. Just as Vivian Maier chose a TLR for her street photography, other photographers have found success with medium format cameras like the Mamiya C220. In my upcoming review, I’ll explore the features, benefits, and considerations of this remarkable medium format camera, guiding you towards your next photography adventure.

The Induction to a Higher Level of Photography When you make the transition from 35mm to medium format, you’re stepping into a higher echelon of photography. If you think that 35mm film is great, you’ll be enthralled when you see your images taken by a medium format camera. The level of detail and depth of field that medium format offers is simply unmatched. It’s like upgrading from a standard screen to 4K resolution for your photography. Every detail comes to life, and the depth of field adds a whole new dimension to your work. It’s a revelation that will leave you wondering why you didn’t make the leap sooner.

The 35mm format photo captured on the Pentax MS Super. The “standard” format of film photography. The one we all know.

The square format common to much medium format photography with a 6×6 format. I’ll let you look at the differences for yourself.

The lenses for each shot was a 50mm lens for the 35mm format film photo, and the 80mm mm lens for the medium format photo. However, both lenses are equivalents.

Conclusion In closing, remember that there’s no definitive answer to the question of 35mm vs. medium format. It’s a matter of personal preference and artistic vision. Both formats have their merits, and your choice should align with your goals and the style of photography you wish to pursue.

Stay tuned for the Mamiya C220 review, where I’ll delve deeper into the world of medium format photography, and consider the impact of the TLR on your creative journey.

The journey of film photography is full of exciting choices, from your film format to your camera model. Vivian Maier’s legacy reminds us that every camera has its unique personality and that your creative vision should be the driving force behind your choices. Whether you decide on 35mm or medium format, your camera is your artistic tool, and the world of film photography is yours to explore.

My friend Hervé

Posted on Jun 10, 2022Jul 14, 2022 Posted in Black and White Photography, Music, portrait, UncategorizedTagged Band, baton, beer, black and white, Black and White Photography, Canon 6, Canon 6d Mark II, cathedral, catholic, catholicism, church, conductor, dog, drinking, faith, France, French, French horn, friend, friends, friendship, Hervé Dubois, holiday, Ian James Myers, Ian Myers, ijm photography, ijmphotography, John Mc Byrne, labrador, mass, medium format, musician, musicians, Nantes, ohc, ohc49, orchestra, orchestre d'harmonie Cholet, photo shoot, photographe, photographer, photography, photoshoot, portrait, portrait photography, Portraits, pub, religion, story time, teacher, tuba2 Comments

I was at Mass, in Nantes, on a Sunday evening, and being appropriately prayerful, knees bent praying to prepare my mind for the sacrifice of the mass wondering if I was going to be able to stand up again. Despite my gammy knee, it wasn’t a problem. Mass started, and they were off. During the entrance hymn, my director of music at my Wind band, but most importantly, my friend, Hervé, accompanied by his wife, and daughter, walk in and sit just in front of me. We gestured hello, but you don’t interrupt the Word of God, and we saved niceties for after Mass.

It was a genuine pleasure to see him there and not just because we share the same faith, but just nice to see a frightfully nice chap, but also an all-around good egg! We exchanged conversation and I said how wouldn’t it be nice if we could go to the pub for a pint. They’d had a long day, but to his utter disbelief, Veronica, acquiesced and we were given her blessing. I suggested they park in the same place as I usually did and that we meet up. We both knew where the pub (John Mc Byrne) was and headed off to claim our reward for obvious good behaviour.

They were already at the pub by the time I parked and so I walked up to join them. Strangely my nose just seems to lead the way! I saw him standing outside waiting for me and I showed him the best seats in the house, or for me, nearly a home (it’s where I see my friends). I introduced him to Simon who knows nearly everything about sport, whiskey, and good places to eat in the vicinity, the Rob, whose jokes are almost as cringe-worthy as my own, and lastly to Gavin who is half and half… Half Scottish and half French. His parents are obviously to blame.

We commented on how the establishment wasn’t a bar but was a proper pub, and how nice his pint of Irish IPA was. I persuaded him to taste a pint of O Hara’s Nitro, which is the nearest thing that I found to Yorkshire bitter over here. We both seem to have similar tastes in beer, which helps in a friendship. It’s unbearable when one likes lager and the other friend, beer…. It tuned out that he had some homemade Bitter that he wanted my opinion on. Ah well, there goes a perfect reason to meet up again! Fortunately, I was going to be on holiday during that week, so we set the date and time said goodnight to each other and headed home.

I asked if I could bring along my portable photography studio to take his portrait and he very kindly agreed. At the appointed time, on the appointed day, I turned up with my studio and dog. Molly wasn’t very sure about hanging out with a big very friendly, almost too friendly for her, beautiful chocolate Labrador, who was coming out of puppyhood and entering doggyhood.

I said she could stay in the car and left the windows slightly open so she would be fine and said that I would come back and check on her now and again. Smaug, the Labrador, was put on one side of the house, and Molly decided she could stay by my side and still be OK. We tasted the beer and were unanimous in our praise of this wonderful concoction. Then the photoshoot. Hervé already knew that I dabble in photography, as do you Dear Reader, and was most impressed when I set up the studio. I was quite impressed by it too because it was only that afternoon that I had back to revise how to operate my speedlights and trigger. The first shots were more to break the ice, not just for Hervé but also for me, and already we were getting some good shots. He played me a recording of a new project launched by the Brass Quintet with whom he plays and has my old horn teacher as the horn player. It was amazing. They were playing in church with a massive organ played by the organist from the Nantes Cathedral. Wow, that is all…

We then go the instruments out. First the E flat tuba. I thought, let’s just break him in gently. Then I went back out to the car to get my horn and make him look like a proper musician with the most beautiful instrument from the orchestra in his hands. We would suggest to the horn teacher that Hervé had finally seen the light and wanted to convert. Then we messed it up by getting out his conductor’s baton. All in all, we were having a laugh, talking, just as friends will be want to do.

I ate with them and by the time I left that evening the two dogs had even sniffed each other and were even respecting their own private space. That Smaug is one lovely dog and not at all dragonlike as his name suggests. He’s a big softy. A bit like myself Dear Reader…

September

Posted on Sep 24, 2021Sep 24, 2021 Posted in Black and White Photography, Film Photography, France, Landscape PhotographyTagged analog, analogue, autumn, birthday, black and white, Black and White Photography, country, countryside, daughter, dog, fall, fields, film, film development, Film Photography, France, french countryside, holiday, holidays, Ian James Myers, Ian Myers, ijm photography, ijmphotography, ilford, ilford hp5, Landscape, levoyageanantes, mamiya, mamiya c220, medium format, medium format photography, nature, photographer, photography, rural, Saint Hilaire de Loulay, summer, tree, Trees, Vendee, village, Voyage à nantes2 Comments

Hello Dear Reader. I’m not talking about the song by Earth Wind and Fire, but the month. At least it’s being an ear worm and I can hear you hear you singing it in your heads. I’m talking about September, the month, the return. We have accomplished our re-entry into our everyday lives, and the routine that was missing in August is back. The days are slightly cooler and have become more agreeable. Instead of 33°C, we are back down to 23°C. The nights are slightly cooler too and we no longer need our fans on all night like we did in August. When it’s hot, some people are in their element. I, however, am not one of those people. When you’re cold, you can always put a jumper on, and have a cup of tea and go inside. But as contradictory as I am, as one friend recently pointed out to me, I do enjoy sitting outside on a Summer’s eve having a beer or three…

I love the holidays that August is famous for, but the obligation to enjoy yourself every day during these days of relative freedom is a pain in the arse. I don’t want to be melancholic, but this forced enjoyment of a good time is too much for me. Club Med would be a nightmare! I like my routine back. Back at work and happy to be there. We still have our weekends and can still enjoy them. The jumpers are still in storage, but you hear the word “mi-saison” as the announcer of a more bearable climate. The French news has gone the rentrée clips to showing how our Dear President has not been as good at selling submarines as other countries that can offer different and possibly more desirable options… The Voyages à Nantes is over, and we will look for those works of art that have become permanent. You can see grapes in the supermarkets, and other more autumnal products. Soon we’ll be talking about the wine harvest… In the UK it will be words like “chilly” making their return to everyday usage. The merits of a “nice cup of tea” which will warm you up will become an object of conversation once more. Biscuits or cake?

My daughter was born in September and this week is her birthday. She will be twelve going on thirty. I think she should run for President, as she seems to know everything already. Let her fix the country. If people go on strike, she could always sulk in her room and go on her phone… That’ll show them! At least she takes the dog out for walks around the village. As any doting gather, I think she’s brilliant and can be hilarious and despite hating and eye rolling at my dad jokes, she still seems to enjoy them. She can also turn into a she-devil at any instant and I’m trying to work out whether this is traumatic for me or just making life a little more interesting than it once was.

Molly, I think I’ve introduced her to you, is now a deb at the grand old age of 10, and has made her grand entrance in the pub, where I can be found from time to time, enjoying a pint of overpriced Guinness. Me, that is, not the dog. That dog of ours is one clean living dog, or a total abstainer! She attended a Saturday night at the pub, and was noticed and loved by everyone. She received strokes galore, was made a fuss of, and even had a couple of chips as a treat from the chip shop down the road. My major concern was that I would lose her, but my hand stayed firmly on the lead, and the only trouble was her getting tangled in chairs. I was amazed by the reaction to her, and she might be allowed to come out with me more often. She’ll keep her canine eye on me, making sure I don’t get into any trouble. It’s amazing how that mutt has worked her way into my heart and is a real doggie dog, and always seems happy to see me. To be honest, she’s happy to see everyone, but she knows how to make you feel special, in a way that only a dog can. Unfortunately she can, with time, and dirt on her, become a little stinky-poohs, and on Tuesday I came home and gave her her cuddle, discovered a dog that had been to doggie hairdressers and was now as soft as you wish, trimmed up, and smelling lovely. Maybe not as pleasant as finding a banknote hidden away in your wallet, but not half bad anyway!

This is supposed to be a photography blog, or at least from time to time, so let me tell about where I am on the photographic plain. I’m still there. Last weekend was the Journées du Patrimoine. I could have gone into Nantes with my camera, and visit all those places not usually open to the public and get some more “exclusive” photos, but went to Clisson instead. I never got there. I had the Mamiya and a couple of rolls of film with me. Exploring some of the local villages near where I live, I even managed to go to the Château de la Preuille, a local castle that has been a favourite of mine since arriving in St Hilaire in 2001. With Medium format film, you get 12 images with each film when shooting with the Mamiya C220, and the amount of detail that is captured on the negative is amazing. The project was to take pictures locally and see what I could get, and the restriction of 24 shots was interesting too. It obliges you to make that little extra effort when composing your images, as you don’t want to waste that special film. If this article has photos, then it means that I have developed my film before Friday at 17h. Otherwise, they’ll have to be added later on. UPDATE: It appears that you will have to wait for the photos of Château de la Preuille but they will be put on here. For the moment, you get a bit of Saint Hilaire.

I shall continue to revel in this comparatively cooler weather, with the sunshine, and not much rain forecast for the next ten days. I look forward to seeing you in my next article. Until then, be good, and if you can’t be good, then be careful!

La Rentrée 2021

Posted on Sep 5, 2021Sep 5, 2021 Posted in Architecture, Art, Black and White Photography, Film Photography, Nantes Photography, street photographyTagged 50mm, analog, analogue, Anneaux de Buren, architechture, Art, art gallery, art installation, back to work, Bicycle, bicycles, bike, bikes, black and white, Black and White Photography, covid 19, covid19, development, film development, Film Photography, Fomapan, France, French, furniture, Galerie HAB, grue titan, HAB Gallerie, hangar à bananes, hp5, Ian James Myers, Ian Myers, ijm photography, ijmphotography, ile de nantes, ilford, ilford hp5, la Rentrée, Loire, mamiya, mamiya c220, medium format, medium format photography, Nantes, passe sanitaire, pentax, Pentax ME SUper, pentax mesuper, pentaxmesuper, photo reportage, photo walk, photogeapher, photographe, photogrpahy, street photography, streetphotography, summer, technology, wife, wind band, windband3 Comments

My Dear Reader, welcome to yet another article where I will try to find something interesting or witty to tell you. I have neglected you over August, but as most French people do, I closed shop and was on holiday. Since Covid and the world going base over apex, my company has decided that we only need three weeks’ holiday in August compared to the more traditional four weeks. I am about to sing the praises of my wife, so for those of you who hate the luvvy-duvvy side of things, turn away now. I take it you have all turned away.

For the first ten days of my holidays, I was camping in my living room. My wife and I literally carried our bed downstairs and set up camp. That was the less agreeable part of those first ten days. However, my wife had decided to decorate our bedroom and change all the furniture and replace it with nice new furniture from the infamous Swedish flat-pack place that we all know. I have a love-hate relationship with flat packs. Firstly, they’re heavy and hardly fit into the car without all the seats down and your wife in the back of the car telling you how to drive, you bloody moron! Secondly, they take up an awful amount of space in the garage whilst your wife gets to grips with decorating the room. Painting the ceiling, putting up wallpaper you agreed to ages ago because it’s easier and you love avoiding conflict. You don’t sleep well because everything feels strange in the living room and it’s hot too. Thirdly, they have to be taken upstairs to be put together and there’s always something missing, and you know it’s going to be your fault, you useless fool!

Anyway, with the help of friends, my son, and a mad screaming bitch, sorry, wife, we now have a haven of peace. We not only have a haven of peace, but fitted wardrobes that took three days to put together, but look great, and I have a cabinet for all my photography gear and, most importantly, a desk.

She is a champion, and let me assure you all, she has become human again! It has been a life-changer.

During the pre-let’s get this done otherwise I’ll go mad, clear out, we found some films that needed to be developed. You do not know what might lurk on those reels of film, but you tell yourself that you must have taken them, so it shouldn’t be too bad. I took in 9 rolls of film in. I was told by the amiable lady that if any of them hadn’t been exposed that there would be no charge for the development. Seems fair.

I returned to get the films and the contact sheets. That still sweet lady told me I would be in for a surprise! She was right. I looked through the sheets of paper and saw images of my son, who was still a toddler, and having baths, and being dried by his mother and his godmother. It took me right back to the end of the last century! My beard was in colour in those days!

Encouraged by all this photographic success, I went out and took even more photos. For those of you who follow me on Twitter, or Instagram you will have seen the stories and saw the cameras for the day: the Mamiya C220, and the Pentax ME Super, which were both gifts from a former teacher, and now a friend of mine! Merci Mr McM!

I do like taking photos and using cameras. There’s something I don’t think you knew!! It was good to be back out. I am now double jabbed. Thank you to that lovely lady at the chemists who reassured me and said that I wasn’t the only guy in the world that has a phobia of injections. Not only am I double jabbed, but I also have my Covid Passport, so I can go to the pub again without having part of my brain scraped out by a nurse with a long plastic thingy! I have rejoined the general population.

If you’re wondering what the French title of this article is doing there, let me explain. Quickly though, I’m already at 750 words here. The Rentrée is the re-entry into normal daily life after the summer holidays where people just weren’t there. The children go back to school. Those of use in employment, go back to that employment. Our extracurricular activities start again. Last night was my first wind band rehearsal in over a year (thank you, COVID), and it feels as if some relative normality has come back into my life.

Back to the photos. I shot the square photos on the Mamiya C220, using Ilford HP5+ film shot at box speed, developed in Ilfosol 3, and I took the other photos on the Pentax ME Super, using Fomapan 100 film developed in the same chemistry. Fine grain with the Fomapan and not something I’m used to, but a change is good, right? Oh, and I took them at the Hangar à Bananes, and HAB Gallerie in Nantes.

My Mamiya C220

Posted on Jun 1, 2020Jun 1, 2020 Posted in Black and White Photography, Film Photography, Nantes Photography, street photographyTagged analog, analogue, architechture, black and white, Black and White Photography, blog, Bouffay, Bretagne, britanny, eglise, film, Fomapan, France, French, Galleries Lafayette, hp5, Ian Myers, ijmphotography, ilford, ilford hp5, mamiya, mamiya c220, medium format, medium format photography, nantais, Nantes, photo walk, photographer, photography, quartier, sainte croix, street, street photography4 Comments

My Mamiya C220, aka my little baby, aka possibly my favourite camera, has just been repaired. It is a Twin Lens Reflex, or TLR for those in the know. Why is it my favourite camera? For a few reasons.

Reason 1. I can actually see what I’m doing. I look into the viewfinder and can see everything really clearly without my glasses. The perception of depth of field is amazing and it’s almost like looking at a 3D tv screen.

Reason 2. It looks so cool! When I’m out on the streets the camera becomes a conversation piece. If I’m taking photos with my Canon 6D and zoom lens, people can get slightly tetchy and think I’m up to no good. Going for the understatement of the year award. However with the Mamiya they seem to think a guy with that big a camera around his neck deserve special respect, even though size doesn’t really matter and it’s all about the moment you’re capturing on film. It starts a conversation and therfore an exchange. You tell them that it’s Medium Format and what that entails. which leads me up to Reason 3.

Reason 3. It’s a Medium Format camera. Now, all the hipsters started discovering film a short while back, and talked about how awesome it was Dude! They were there with their Canon Ae1’s feeling so “with it” because “film is just so authentic man,” and because “film photography is real photography”, and that “digital just isn’t the same man!” Well guess what, you bearded little hipster you, film is how we OG’s rolled back in the day, because that was all there was. That was with 35mm film photography with 135 film. Medium Format just blows their minds because it’ 6 x 6, which translated means each negative mesures 6 centimetres by centimetres. Yes, size does seem to count again. You’re basically getting a huge amount of information on your negative.

Reason 4. Because of the depth of field you get with that 80mm lens. Alright you can get the same depth of field with a smaller lens, but it’s not the same. I’m worried that size is becoming a theme in this article and may show lack of confidence and hidden insecurities…

Reason 5. Did I say it looked really cool? I’ve just looked further up and it appears that I have already said that. Remeber what I said in a previous article about the importance of the “film process” which takes you from buying the film, putting it in the camera, taking the photos, right through to developing, and then scanning your negs, etc. When I use digital, it’s great. I love it. It is so dependable. I press a button and the camera can do so much. It’s like driving my Renault Scénic to work every day. It does the job and does it really well, and I still enjoy it. Taking the Mamiya out for a spin is like getting that beautiful vintage MG out of the garage and driving out to the coast, and just enjoying the wind in my hair, or my memory of what that felt like. It’s a camera that gets me excited to go out and take photos.

Was it good for you too? Right. Let’s get down to the nitty and the gritty and show you some photos. I used two rolls that day. One was Fomapan 120 format ASA 100, and the other was Ilford HP5 shot at box speed. The C220 doesn’t have a light metre so I calculated exposition using “Sunny 16.”