Saint Cado

Hi everyone. There’s going to be some of you who will be in shock at the end of this article. I’m presenting some colour photographs to you today!!! I know. You’re already scrolling down to check and see if it’s true, and yes it is. I have to keep all of you on your toes after all!

By rights, i should have been in Hull this weekend but because of Covid it just wasn’t going to be happening. I did however, go to Paris as you saw previously and spent some time in Nantes admiring modern architecture. On the Saturday I was being yelled at by my wife because if we were late leaving the house to see my mother in law it was of course my fault for not having been arsed to collect and prepare all my gear.

I had a few things planned you see. I wanted to use my in laws as willing victims for some portraiture so I needed my studio kit, and I wanted to walk along the beaches and coast so I wanted something light and wide that would allow me to do that too.

For the photos in this series I was using my Canon 6D Mark ii and the 16-35mm lens, which I think is my official favourite lens. I have a 24mm equivalent for my xt2, but it’s not the same. I also have a 77mm thread CPL filter (which I lost whilst shooting and now hate myself) and you’ll see why I wanted it with me.

It was 10h30 and I was to be back for lunch at 12h. That’s generally enough for a walk and to get a couple of shots.

I had decided to do all the Brittany Clichés that I could think of. Small boots, sea, and lobster pots. I’m on the coast, what else did you expect?

And this is why I wanted to use the CPL filter. Get the blues slightly richer, but most importantly to minimise the reflections on the sea so you too can see how clear the water was. And boy was it clear!

One of the first shots was of the trees and the light coming through and the great shadows. Probably a left over from my architecture photography a couple of days earlier. I also wanted the lens because it has image stabilisation, which I needed for inside the church as I couldn’t be bothered to hoy around my tripod.

I’m all for getting the right shot, but with a little effort as possible and taking advantage of what my gear will allow me to get away with.

So what do “they” say about wide angle photography? “They” say you have to have a foreground element that leads the eye to the background element. Because if you don’t it just looks boring. “They” say that you have to do this and do that…. I was just spending a bit of “me” time to get away from “them” so I did what the blooming heck “i” wanted to do.

I walked around the island of St Cado and saw how the view developed in front of me. I popped down to the reservoir where people would go to be blessed. I went into the chapel, and then back over to the mainland , to the car, and to lunch. I seem to have forgotten my phone in the car too. Oh deary dear. My bleeding heart. Best decision I made that day, I think. That and getting out to take some photographs.

My Mamiya C220

My Mamiya C220, aka my little baby, aka possibly my favourite camera, has just been repaired. It is a Twin Lens Reflex, or TLR for those in the know. Why is it my favourite camera? For a few reasons.

Reason 1. I can actually see what I’m doing. I look into the viewfinder and can see everything really clearly without my glasses. The perception of depth of field is amazing and it’s almost like looking at a 3D tv screen.

Reason 2. It looks so cool! When I’m out on the streets the camera becomes a conversation piece. If I’m taking photos with my Canon 6D and zoom lens, people can get slightly tetchy and think I’m up to no good. Going for the understatement of the year award. However with the Mamiya they seem to think a guy with that big a camera around his neck deserve special respect, even though size doesn’t really matter and it’s all about the moment you’re capturing on film. It starts a conversation and therfore an exchange. You tell them that it’s Medium Format and what that entails. which leads me up to Reason 3.

Reason 3. It’s a Medium Format camera. Now, all the hipsters started discovering film a short while back, and talked about how awesome it was Dude! They were there with their Canon Ae1’s feeling so “with it” because “film is just so authentic man,” and because “film photography is real photography”, and that “digital just isn’t the same man!” Well guess what, you bearded little hipster you, film is how we OG’s rolled back in the day, because that was all there was. That was with 35mm film photography with 135 film. Medium Format just blows their minds because it’ 6 x 6, which translated means each negative mesures 6 centimetres by centimetres. Yes, size does seem to count again. You’re basically getting a huge amount of information on your negative.

Reason 4. Because of the depth of field you get with that 80mm lens. Alright you can get the same depth of field with a smaller lens, but it’s not the same. I’m worried that size is becoming a theme in this article and may show lack of confidence and hidden insecurities…

Reason 5. Did I say it looked really cool? I’ve just looked further up and it appears that I have already said that. Remeber what I said in a previous article about the importance of the “film process” which takes you from buying the film, putting it in the camera, taking the photos, right through to developing, and then scanning your negs, etc. When I use digital, it’s great. I love it. It is so dependable. I press a button and the camera can do so much. It’s like driving my Renault Scénic to work every day. It does the job and does it really well, and I still enjoy it. Taking the Mamiya out for a spin is like getting that beautiful vintage MG out of the garage and driving out to the coast, and just enjoying the wind in my hair, or my memory of what that felt like. It’s a camera that gets me excited to go out and take photos.

Was it good for you too? Right. Let’s get down to the nitty and the gritty and show you some photos. I used two rolls that day. One was Fomapan 120 format ASA 100, and the other was Ilford HP5 shot at box speed. The C220 doesn’t have a light metre so I calculated exposition using “Sunny 16.”

The last Saturday before Christmas

I have said it on here before, and I will say it again. I have moments of folly, where lucidity says bugger this, I’m outta here punk! And so it was the Saturday before Christmas. I had agreed to meet a friend in town and help her choose presents for her nephew and niece in Switzerland. I also thought I could get to confession and prepare my soul for the feast that is Christmas.

I was slowly getting used to the Fujifil XT2, and thought, right, I’ll go out early and try and get a space before everyone else has the same idea, and get used to it even more. I arrived at the car park and had to wait at the barrier, but was patient.

I phoned my friend to say that I had managed to park the car and felt slightly smug. I texted her and she said she was still in pyjamas and having her coffee. Ah… Well I wasn’t expecting that. But that gave me some time

Whilst learning photography back in the day when I had hair, I used a 50mm lens, and learnt how to use it through and through. It was years later that I acquired a 28mm lens for my Praktica MTL 3, and really got into it. Later I continued when I got my X100F (35mm equivalent), my Canon 6D Mark II with the 16-35mm zoom lens. So it seemed logic to get a wide angled lens for the XT2. I ended up getting a 16mm which is a 24mm equivalent. Not too much distortion but still nice and wide.

Parked in Feydeau, and just next to the Chateau des Ducs de Bretagne, or Nantes Castle, I thought why the heck not, and headed up there. I just went with no specific goals, and waited for the photos to present themselves whilst walking around. I discovered a little art gallery that I hadn’t seen before and it was a real inspiration.

I walked towards the Fnac where my freind said she wanted to meet me. She was getting a record player for her girlfriend and wanted my help to choose. We chose, and headed to Sugar Blue Café for lunch, which was one the good ideas I had that day. A vegetarian salad, and for the desert we got to cakes. One was the Christmas cake, which had red fruit, crème de marron (which is a huge favourite of mine), and covered in Marscapone icing, the other cake was a Stracciatella Cheesecake, which was sooooo naughty. That’s wrong, both were amazing, and I’ll just have to go back after they get back from their Christmas break.

I told her that I wanted to go to confession and she said she would go and try and find an Ugly Christmas Jumper for her Christmas meal. We stopped off in a shop that does paper crafts for the presents for the children. We parted, I went to church, and we met up after the rain to go to the Comptoir Irlandais to get all those Christmas goodies that you can’t get anywhere else. I needed bickies, and cake for all the tea that I would be drinking over the holidays. We finished up in the Pub, and I was able to present her to my friends there. The restaurant across the road had no tables left!!!! O disaster! I had a plan B. My plan B was the Reine Margot and although it looks like a fast food joint from the front, the menu tells a different story, and when you get past the initial corridor, you enter the restaurant. We started with snails, then duck, and I finished with a chocolate cake, then back to pub for a swift drink before heading home.

All in all a lovely day, with a lovely friend, and I was happy with the catch of photos for the day.

Walkabout in Nantes with the lads from Instagram – Part II

So we’re still out taking photos and learning from each other. We all know Nantes and it’s good to see how other people might see the place. Photography is one of those things that actually lets me show you a moment in time through my eyes. It’s especially so when you have a camera and are looking through the viewfinder. I see something in a moment of time that will never come back, because as soon as I presse the shutter release it’s already happened, and is already in the past. I can’t take that moment back. But I have a snapshot. In life you can’t look with my eyes in the same way that I can look with your eyes. However, photography allows this. It’s maybe one of things that makes it so amazing. It’s surreal.

We managed to find the Château des Ducs de Bretagne. Still with the X100F…