The Opening of the Film Archives – On the way to work

Sometimes we can have a tendency to ignore our habitual surroundings as photographers.  In this series of photos from the film archive, I’m going to show you part of the route I use to go to work.  What is ordinary to one person might be an pastoral idyl to somebody else.  It only goes to show that there is beauty everywhere in this world and one of our roles as photographers is to document it for future generations.

My wife, bless her, has always said that my black and white photos have a timeless feel to them, be they in the city or out here in the country.  I think that using film, especially this grainy HP5 Plus, even shot at box speed, adds to that sentiment.  The fact that I used Rodinal as my developer might have accentuated the grain too.  Also don’t forget that this is the beginning of my return to film development so I might have been a little vigorous in my “agitations” whilst developing the film.  I now use mostly Ilfosil 3 and lower grain film, and have brought a little more “calm” to my “agitations.”

The camera that day was the FED 5 rangefinder camera from Ukraine.  I’ve talked about it before, and although I mainly use SLRs, I still feel guilty about not using it more.  It’s a beautiful camera and I don’t want it to feel neglected.  I might just have to correct that soon.

I lived just outside Paris for 7 years before moving out to the country in 2001.  The change in ambiance was startling.  I went from blocks of flats to village life in the French countryside.  I went from riding the metro, and suburban Parisian trains, to learning to drive though this beautiful landscape.  Driving through this scenery still gets me every time I get into the car.  I wonder what I’ll see.  I see the changes in the fields and countryside through the seasons.

I want you to promise me, Dear Reader, that you will take a closer look at your route to work, and maybe I can convince you to record it too for prosperity.  Don’t worry about film or camera, even just using your phone will do the trick.

Canon AE-1 Program: Sample Photos & Long-Term Review

I picked up a Canon AE-1 Program a while back, mostly out of curiosity. It came out in 1981, it’s a 35mm SLR, and it’s probably the most common “serious” film camera you’ll find in a charity shop or on a French brocante table for silly money. Mine’s been through a lot of rolls since, and I still reach for it more than I expected to.

The thing that sold me was how it handles exposure. In Program mode it sets shutter speed and aperture itself, so if I just want to point it at something and not think, I can. That’s handy on days when I’ve got my hands full and don’t want to fuss with settings. But it’s not just an automatic box: switch it over and you get full manual control, plus shutter priority and a bulb mode for long exposures. I’ve used the bulb mode for a couple of night shots and it did exactly what I needed, nothing more complicated than holding the shutter open and counting.

Build-wise, it’s a metal body, and it feels like it. Solid, a bit heavy, no creak in the hinges. There’s something about handling an old metal camera after a run of plastic ones that just feels right, even if that’s pure nostalgia talking. The viewfinder is bright and clear with a split-image prism in the middle, so focusing manually is quick once you know what you’re looking for. There’s a hot shoe if you want to bolt on a flash, and a self-timer, which I mostly use for the odd self-portrait when there’s nobody around to hand the camera to.

For the record, here’s what you’re working with:

  • 35mm SLR film camera
  • Program, shutter priority, and manual modes
  • Metal body
  • Split-image prism viewfinder
  • Hot shoe for flash
  • Self-timer
  • ISO 12 to 1600
  • Shutter speeds from 1/1000 down to 30 seconds
  • Aperture range f/1.2 to f/16, depending on the lens

Only real gripe: because it’s so well known and well liked, prices have crept up over the years. It’s not the bargain it once was. That’s the price of being a favourite, I suppose.

Would I recommend it? Yes, easily, whether you’re starting out with film or you’ve been shooting for years and want something you can trust without thinking too hard about it. I’ve had mine for a good while now and it hasn’t let me down once. The way it moves between automatic and manual without any fuss means I can shoot however the moment demands, and that’s really all I want from a camera.

Here’s a straight scan next to a version with a few basic tweaks in Lightroom, nothing heavy. Curious what you make of the difference.

The idea here is to give you a raw image from the film scans and show you what you can get with a minimum of fuss in Lightroom with some very basic edits. What do you think?

And below is a small selection from the last roll I developed, shot in 2022 on the streets of Nantes. More to come, I’m sure, now that I’m back into film properly.