Instagram’s Double-Edged Legacy: A Photographer’s Perspective

In October 2010, Kevin Systrom and Mike Krieger launched Instagram. With its filters and simple interface, it changed how people shared photos and opened up mobile photography to everyone. It’s been a different story lately.

In the early days, the chronological feed and the filters turned casual snapshots into something people were proud to share, and a real photography community grew up around it. That changed when the algorithm did. Instagram now prioritises whatever gets the most likes, comments and shares, which rewards trends and viral content over anything more considered. Photos increasingly lose out to Reels and short-form video, so photographers get buried regardless of the quality of the work.

Then there’s the influencer problem. Fame on Instagram now has more to do with follower counts than with talent, and that culture of self-promotion and brand deals pushes genuine artistic work further down the feed. It also feeds a fairly unhealthy cycle of comparison for anyone still trying to make honest work.

None of this means photographers are out of options. VERO runs a chronological, ad-free feed built with visual artists in mind. 500px is still a proper home for photography, contests included. Glass is a newer app built specifically around long-form visual storytelling. Ello has always positioned itself as artist-first, without the algorithm or the ads.

Instagram isn’t really a photography platform any more. It’s a video and influencer platform that photography happens to live on. If you want your work seen for what it is rather than how it performs, it might be worth spending more time on one of the alternatives instead.

The Photographer Behind the Lens

Embarking on a photography outing is filled with anticipation, decision-making, and a blend of personal passion and professional discipline. Anything can go wrong, but maybe that’s not the right way to put it. Perhaps I should rather say, expect the unexpected and be ready to adapt. As I prepare for each little jaunt, I face a range of choices that shape the outcome of my photographic endeavours.

Selecting the Right Gear:

The first step in my preparation involves choosing the right camera for the occasion. Factors such as, “Does it still work?” for my film cameras, or “have I charged enough batteries?” for my digital cameras, enter into consideration. My energy levels and the allure of film versus digital play a crucial role in this decision-making process. For example, “Do I have the energy to develop and scan my negatives, or can I face hours of photo editing?” For me at least, it’s not just about the gear, but about the experience it brings. Those of you who have used film will know exactly what I mean. It is a totally different experience to using digital cameras. The words “faffing” and “about” spring to mind. What is my goal in going out today? Is it just to see what happens, or do I “have” to get results?

Navigating Weather and Mental Health:

Weather forecasts and mental well-being become significant considerations as I plan my outing. I, like most people, have an aversion to being rained upon. Even though I might not melt, I don’t want rain getting into the electronics in modern cameras. The allure of capturing the perfect shot often outweighs the discomfort. Yet, there are moments when self-care takes precedence, telling me to just stay in. Sometimes, staying in and getting my ironing done provides as much satisfaction as going out, allowing me to look so dapper on my next outing. The joy of unlimited cups of tea might just make staying in on a rainy day all the more appealing.

Packing the Essentials:

A well-equipped photography bag is essential for any outing. From spare batteries to a flask of tea for comfort, each item serves a purpose in ensuring a successful day of shooting. The contents of my bag reflect not only my photographic needs but also my personal preferences and creature comforts. However, the weight of the equipment is a crucial consideration, especially for street photography where mobility is key. As a more rotund gentleman of 52 years, this has become more and more important. Basically, you can take it with you, but you have to carry it. The X100F and a couple of spare batteries weigh next to nothing, but a Mamiya, or DSLR with a couple of nice zoom lenses suddenly makes you feel less young and daring. Don’t get me started on tripods. Yes, you might need one (in fact, you do) if you want to be doing long exposure photography, but imagine lugging one up a mountain. Okay, don’t. It’s not worth it. So ask yourself what do you really need, and will one of your children carry it for you? And how much will it cost you to make it worth their while?

The Lens Palette:

Crafting Perspectives: Different lenses allow me to achieve different results. If I use my 16-35 lens, I will get wide vistas in town and have a certain level of “artistic distortion.” If I use the 24-70, I have quite a good range of focal lengths, and also a macro feature on the lens. If I use my fisheye lens, I can get all “arty farty.” With a 35mm lens, I am perfect for street photography, and it’s the lens I use the most. The nifty fifty allows me to have a more human-eye view of the world.

The Digital Dilemma:

When it comes to the choice between film and digital photography, authenticity often clashes with practicality. While the allure of film photography appeals to my desire for authenticity, and it does look exceptionally cool, and you can enter “smug mode” knowing that you are arguably better than those who only know about digital photography (yes, snob value does exist!), the energy and time required for development and scanning can be daunting. On the other hand, digital photography offers convenience, allowing for instant image transfer and easy post-processing in software like Lightroom. The decision ultimately hinges on the balance between artistic vision and practical considerations, and can I really be bothered? I know, you have just lost respect for me as an artist, but the struggle is real.

Professionalism Meets Passion:

For professional assignments, meticulous preparation is paramount. From checking equipment to selecting the perfect lenses for the job, every detail contributes to achieving the desired outcome. I noticed this during my musical studies when the goal is to get a paying gig and deserving the pay. You have to get results and your reputation depends on those results. But, even in the midst of professional obligations, the passion for photography remains at the heart of every endeavor. Top tip of the the day. Always have a back-up plan. No planning survives initial contact with the enemy. You’re on your own and have to improvise. What can go wrong, will go wrong, so prepare for this.

Mapping Out the Journey:

Finally, planning the route to my destination adds an element of anticipation to the journey. Do I have to drive for miles, and will there be a loo somewhere on the way? How will I be able to acquire snacks? Are there any small producers that might need a client? I mean I don’t always think about food, but when you live in a country known for the quality of its produce, and where it is almost a duty to consume on the good stuff, it kind of is… Anyway, make sure you look at where you’re going on a map. And if you’re visiting a historic site or attraction then check the opening times. It has happened before. You turn up to a place and it’s closed, so I went a saw my plan B… The path ahead is filled with possibilities and opportunities for creative exploration.

In conclusion

The art of preparation is an integral part of the photographer’s journey. Balancing personal passion with professional commitment, each outing offers a chance to immerse yourself in the beauty of the world through the lens of a camera, whether it’s under the open sky or amidst the comforting hum of domesticity.

Easter 2023

This weekend is the Easter weekend, and for Catholics, this is quite a big deal. We’ve been through forty days of Lent, and the ultimate week of Holy Week, with the sacrifices we offer up for our sins. “They,” say that you can acquire a habit in 21 days, so imagine what can happen in 40 days. Did I manage to keep up all my Lenten pledges to my God? No. But I am mindful of the efforts I made since I no longer have to make them. You see, my faith is built on the fact that God suffered His Passion for my sins, and through His immense love, how He accepted His Passion freely through love for us and bent His will to the will of the Father, and through doing this He conquered death by rising from the dead, and this to save me from my sins. It is this sacrifice that we celebrate at each mass, the sacrifice of Jesus on the cross.

I am far from being a perfect Catholic and didn’t do all the services during Holy Week, but I was at Church last night for the Easter Vigil mass that I talked at length about last year, so, if you’re keen you can click the link and have a look. The main thing I had tried for Lent and managed was giving up the drink.

After mass, I went to the pub for my Easter pint of Guinness, which was lovely, but the second one was just “nice,” which is a word that one should never use, and it felt like an anti-climax. I mean I had become accustomed to being a teetotaler and going to the pub just to see and talk with my friends. It is possible to put the world to rights without alcohol.

Each year I always seem to have the same feeling of, well kid, what next? Am I pleased that Jesus has risen? Of course, I am! But it’s as if Lent has left me wanting a little more discipline. I miss it already. I’m not into beating myself up, but the little extra effort has done my soul good, and I want that to continue for the rest of the year. Lent has brought me just that little closer to Jesus, and I want that part of it to continue.

Maybe my lenten journey has changed me more than I could imagine. Is it a rejection of what could be called the old me? Could it be that Lent has helped me concentrate more on what is essential and what is superfluous? Did fasting and abstinence affect me in ways that have changed my perspective? Is God pushing me in a certain direction? Maybe I should do it more often.

Don’t worry mother, I haven’t turned into a total abstainer, but it feels good being able to say no if I want. Am I the only Catholic that this happens to?