The obligatory bike shot in the streets of Nantes

To start off with this was just going to be a short preparative article before I publish my the photos from my night time article about night photography in Nantes. I was going to start off by talking the pubs opening in England and Ireland tomorrow. I wanted to show you the way that the new normal isn’t like the old normal but it’s still OK and that you can still enjoy meeting up with friends and rediscovering each other after lock down. Our bars reopened on the on the 11th of May so we’re kind of used to the whole thing. We put on our masks if we have to move around the bar. I might be half English and half Irish, but after a certain quantity of ale we all have to visit and inspect the plumbing. Just put the mask on and don’t forget to wash you hands afterwards;

So I’d finished work at 11h45, and was free for the whole afternoon. When I go to Nantes I always park in the same place. I’m a creature of habit. So, I park, and as soon as I come out of the car park I put my camera to my to check my settings. To start with I had the Helios M44-2 55mm lens on the XT2. It’s a lens famous for its swirley bokeh, but on the APS-C captor it’s more tricky to get, but it’s still a beautiful lens. I take a few shots of Bouffay. The bikes, the tramlines.

I wanted to capture the textures of the street. In black and white one can’t capture colour even if that colour information is present in my RAW files. I was looking for repetition of patterns, wanted to to get depth of field, wanted to play with the light reflecting off the street and capture people coming through the pool of light.

Strangely the pub isn’t very far away from these photos and I strangely I found myself sitting down with a Guinness in my hands… I had my mask on, and my hands have never been cleaner. It’s good to be amongst “my people” once more. I think that’s what I missed most about lock down. Having this social group of people who are good to me and make me want to be good to them. They know their names, and I love them dearly!

Well I wasn’t expecting that to go there… I’m such a sentimental old fool. I have hugged them and have made a real special effort not to break their ribs whilst hugging them.

So here are the photos of the pub where my “people” seem to congregate.

So it was already a great night, but I wasn’t there just for a good time despite rumours in certain quarters that I will always deny of course! I wanted to take even more photos. I had the Fujifilm XT2 and the 7 Artisans 35mm F1.2 lens which turns out to a be a manual focus, 50mm equivalent. I usually like to go wider, but that’s my little secret!

When I’m next in Nantes, hit me up! I’ll usually tell people on my Instagram and come up and say Hi! I might even buy you a beer. If we talk, be ready to talk about photography and this fair city of ours. If you have any questions about the photos in this article then just ask! I don’t bite.

Back in Nantes for some street photography

It’s always good to back into town. I took along my daughter, a fuji XT2 and a cheap Chinese lens that was dirt cheap. I mean dirtier than my work boots after a hot summer day. But like my dirty work boots, it got the job done. You will of course see the results at the end of this article.

The lens in question is the 7 artisans 55mm F1.4 (equivalent to a 80mm full frame lens). It’s basically a portrait lens, and it was strange using it for street photography, wow, I just broke a photographic rule. Aren’t I just the ittle Rebel! Traditionally one would use a 35mm or 50mm lens. People have criticsed this lens on youtube and the jist is to say that it’s soft in the corners, and if you look at 1:1 at pixel level it’s not as good as “normal lesnes” . However this is not what i’m about. I try and capture a moment in time whilst wondering around the city. When you look through these photos will you seriously be looking at each individual pixel? Some of my film cameras don’t have lenses that do that compared to my fancy Canon DSLR lenses.

You can see where I’m going with this I think. Yes it’s cheap, but it’s also a metal build, and feels great on my camera. It gets the job done. And even though my old teacher isn’t into the soft silky focus of the bokeh, that’s alright too!

Am I seeming slightly defensive here? Possibly. I have a habit of defending the weak when I can. This lens has been getting a hammering on YouTube and the Internet in general. But it’s OK. For the price you’re not getting the very latest in lens technology that will encourage you to take out a second mortgage on your house! This one only cost me 109€. And for that price it does the job, which is what I ask it to do!

The Internet has become a place of polarisation,and people spout such codswallop about anything and everything. Be that political, racial, sexual, and the list goes on. Yes People, I bought a cheap Chinese lens , and yes I enjoyed using it! Yes I even dared to share some of the results with you!

Photography has always been expensive and even now top end gear costs a fortune. If somebody has a cheaper option then why the hell not!

I bought it as a compliment to my Fuji XT2 which is also a compliment to my Fuji X100F, which is a lovely little camera and with my Mamiya C220 is my favourite camera for street photography.

I don’t know if the following photos are streetphotography or not, people have their own ideas, but they were certainly photos taken on the streets of Nantes. I’m not going to enter into a deabte about what is or is not street photogrpahy. I was certainly happy with them otherwise I wouldn’t dare sharing them with you!

Feel free to give me your feelings about the photos and any feedback is always welcome. You already have a link to the lens for a bit more info. The group in the photos is Polka & Co and the play French Jazz and I’ve heard them a few times playing in town! The restaurant Chez Maman is one on my favourites and also has the gift of just being opposite the John McByrne Irish pub, and just happens to be Daddy’s Happy Place…!