Watching people watching art


Sometimes watching people watch art is half the fun. Especially modern art. It makes you question what art actually is. Sometimes you have to look twice. Sometimes you think a five-year-old could do the same thing, and maybe even better. Or, as in the case of the work “Comedian” by Maurizio Cattelan, your art gets eaten by a hungry student that skipped breakfast.

I always seem to put things off, so I’m obviously running behind schedule with this piece. Simply put, things seem to get in the way. I nevertheless believe that the idea has some merit. The exhibition itself ended on May 7th, and I’m writing about it now, 20 days later. Dear Reader, I am aware that you are understanding of your humble servant and that you are forgiving.

If I want to enjoy some art in the same manner that I have been known to enjoy a cup of tea and some cake, I think about going to the HAB Gallery in Nantes’ Hangar à Bananes. If you were in town last month, you could have seen the “Une ebauche lente à venir” show, which featured recent pieces by Léopold Rabus and Till Rabus, some of which were produced just for the event. This art helps you take a second glance and discover the fun and foolishness in art. You may see it in the images at the conclusion of this post. See if you can spot two mischievous dogs and two mischievous pigeons!

Still life and landscapes are combined and delve into the artist’s basic urge to paint. Léopold’s paintings are loaded with lovely and weird animals: cows, slugs, birds, flies, dogs, and deer in the snow; a mound of faeces; chicken coops; and fields. Till’s paintings, in baroque and extravagant compositions, are loaded with trash, people, and other consumer objects.

Léopold Rabus (born 1977) and Till Rabus (born 1975) are Swiss artists that pay close attention to the reality of the world around them, and their art is full of sarcasm and comedy, challenging preconceived notions of what is and isn’t beautiful.

This piece, however, is about those who are viewing art and absorbing it all in. Or are they simply devouring culture to appear fashionable? To be in, since who wants to be left out? The French and their elitism in culture!  Half the fun is watching those who make a concerted effort to “educate” themselves because it is trendy, a la Molière’s Bourgeois Gentilhomme, and those who take it all less seriously and enjoy watching the humour in the paintings and laughing at the absurdity of some of the pieces. I’m all for being an intellectual in intellectual settings where the study of art is academic, as opposed to the faux leftist intellectuals, yet at times art is about not being an intellectual. As Nike once tried to say, Just Do It!

The exhibition closed on the 7th of May.

The Lockdown Diaries Part 2


If you’re still here then it means that you’re still alive and not dead from Covid 19, or the light beer virus for those in the know, which is a good thing after all. Soooo…

Lockdown is officially over but it doesn’t really feel like it. People are still covering their faces with masks, which would have been a motive to arrest people during the Gilets Jaunes demonstrations. Strange how things change so quickly.

I have a tendency towards social anxiety that can be treated with beer, but not the light variety. I tend to withdraw into my room and not come out. For the others it must be like living in a Victorian Mansion where you don’t go onto the East Wing despite the ominous noises that come out from there. Or me being a legend like the depressive yeti, where it was once seen near the fridge but then vanished. I think I mentioned that my son’s girlfriend was living with us during lockdown, and then one day there was a knock on my door, and she told me she was going home to her mother’s. That came a bit out of the blue, and I went into anxiety overdrive, like why is she leaving, what had my son done, what had any of us done, I’m sure I always flushed the toilet, didn’t I buy her her favourite jam for breakfast etc. Apparently it had been planned all along. She was just there for the duration…

It’s strange how you can get used to a situation and then all of a sudden everything changes and you don’t know what world you are living in anymore. It’s like entering the Twilight Zone, nah nah nah nah, nah nah nah nah….

Things are open here like shops, Mac Donald’s, schools and the like, but it’s not the same. The omnipresent fear of the dreaded virus is strong. No touching people, no being close to people, changes at work…. I hate it. Sometimes I’d rather be dead. Human kindness seems to have packed up ship and buggered off. Human warmth doesn’t exist. There is just this fear. People being short tempered and distant, and complaining about everything. Not just suspicious minds, but suspicious everything. The authorities say one thing one day, and then it changes. When we need strong leadership we realise that they are as shit scared as the rest of us and don’t know much more than we do. And yet life goes on, but I hate this life.

So what can I do about it? Not a lot. When I get to work I have to go through a checkpoint managed by my workshop bosses. They take my temperature, and put a small amount of gel into my hands. Nobody shakes hands anymore and you just go to your work station. The coffee machine has been shut off, and I really feel isolated in my stores. People used to come in and have a chat, but that’s gone. And I’m the lucky one. I have Alexa with me who plays me BBC Radio 2. The presenters do a great job, and it makes me feel less alone, but it’s not the same.

I know I shouldn’t complain and just keep calm and carry on, take it on the chin, and stiff upper lip and all that, but this situation is without precedent in my lifetime, and is slowly wearing me down. Thank God I still have my photography. It really is my only therapy and gets me out of the house and doing something constructive.

Talking about photography, let’s please, move onto something les anxiety inducing. The following photos are of the pond and prairie that I talked about in my last article. There is a mixture of digital and film photos. I have been exploring the notion of pushing film. This not involve putting a film canister in the table and nudging it forward gently, but not exposing it at box speed.

Let me explain. I buy Ilford HP5 Plus black and white negative film. Normally it is to be exposed at 400 ASA. However, by under exposing and extending the developing time you can get a little more contrast on the negative. Other consequences are that with less light, I can still have smaller apertures and get more in focus. I will get more grain but that’s fine. It adds to the analogue photo I think. You’ll see what I mean when you see the photos. There will be three galleries, one showing digital images, one showing the images from the film exposed at 800 ASA, and the last gallery showing images exposed at 1600 ASA. How does that sound?

This first gallery was taken with the Canon 6D Mark II and the 16-35 mm F4 lens.

This second gallery was taken on the Pentax ME Super with a 50mm F1.7 lens with Ilford HP5 but pushed to 800 ASA

This last gallery was taken on the Canon AE1 Program with a 50mm F1.8 lens on Ilford HP5 but pushed to 1600 ASA

Zoo de la Palmyre


Over the Summer I did my best to not be anti-social and spend some time with my family instead of disappearing to go and take photos, and maybe eat cake and have a cup of tea. Hmmm, cake…

So, as a father I have to take everyone into account. We’d done a few visits to zoos in the past but had never been to the Palmyre. Well, why the heck not. Ok it’s about 2 hours away, but we can do that without wanting to kill each other. I let Virginie do the driving. Always best.

Many people have various opinions on zoos, ranging from how can you put animals in prison, to how great they are because of breeding programs etc. For me it’s about letting my family, and especially my children get to see animals up close, in a way that they could only see otherwise by travelling vast distances, or see in photos or on TV.

Even when passing from enclosure to enclosure, we take the time to see each animal, to see what it is doing, to see how it interacts with the other animals around it. We see where the animal would live in the wild, what it might eat, and through that information and observation we can maybe understand more about each animal. We also get to form a kind of relationship with the animal too. Even more so when it is fury and cute. But we see how strong they can be. Just look at the muscles on the chimpanzee. Some of the animals can be fed pop corn, which is conveniently on sale at the entrance to the zoo, and at various outlets within… We build a connection, even if it is by proxy. You can ask your child, “Well, which was your favourite animal?” And more importantly, “Why….?” The child will think about everything it has seen, and how those TV images have become more tangible.

For those of you interested in the purely photographical, the photos were taken on the Canon 6D Mark II, with the 75-300mm F4/5.6 zoom. I had no idea how to take photos of animals in a zoo, so treated the thing as a portrait shoot with various models, and not just fury cute ones…

Garden birds


I have always loved watching the birds in the garden and since I was a small boy we have always put out food for them. For my last birthday, my wife and children bought me a couple of feeders and they have been well used. It may sound silly, but it brings me such happiness and pleasure. The cats seem to agree.

I was using the Canon 6D Mark II with a 75-300mm F4 lens and the editing was done in Lightroom. I’ve tried to give another feel to these photos and keep them slightly unnatural, but it seems to work. I hope you think so too.

The river Erdre in Nantes and some birds…


It was Ascension Thursday which is a public holiday in France, and as usual I headed out to Nantes with my camera. The Canon had been getting jealous of the Fuji so I acquiesced.

Killian, my son, and favourite travelling companion (have a look at the photos from Edinburgh) came with me. We ate at the Suppli Factory, which was a lovely change, and also happened to be open!

We went round the St Nicolas Basilica (photos of which will be in an other article), and then walked up towards the Île de Versailles, which is an oriental garden themed park on an artificial island on the River Erdre in Nantes.

I had previously promised him a trip out in a small boat (you can hire small electric boats that you don’t need a permit for) and it was time to honour that promise.

The following photos were taken on that boat. It was a brilliant idea and the man that had it is obviously a genius. There was just the two of us. Sometimes joking. Sometimes talking. Sometimes saying nothing but just enjoying the father son moment.

I took out the 70-300mm zoom lens, just in case we spotted some birds that wanted their photographs taken. And it turned out to be yet another genius idea.