Wooden crate of courges on a Clisson market stall, black and white film, Nikon FE with Kodak Tri-X 400

A Fan Letter to Monochromia

There’s a photography blog I keep coming back to, and I want to tell you about it. Monochromia is a collective — photographers from Chicago, Nuremberg, Rome, Washington D.C., and a village on the Nile, all posting one black and white image at a time with barely a word of explanation. I contribute the occasional shot from France, which makes me biased. It also makes me a better photographer.

Read
Black and white film photograph of a round tower with a conical slate roof and dormer window at Château de la Preuille against a clear sky.

Capturing Time: A Photographic Journey Through Château de la Preuille

Discover Château de la Preuille through stunning black and white film photography. Explore this 11th-century Vendée estate’s vineyards, towers, and moat reflections captured on HP5 film. Learn about gîte accommodations, wine tourism, and analog photography techniques. Experience timeless French heritage where history meets hospitality in Saint-Hilaire-de-Loulay.

Read
Black and white film photograph of a person lying on a granite ledge at the water's edge in the Jardin Extraordinaire Nantes, trees and an urban building in the distance, shot on Ilford Pan 100 with a Nikon FE

Birdsong in Black & White: A Morning at the Jardin Extraordinaire

First visit to Nantes’ Jardin Extraordinaire meets first roll of Ilford Pan 100. Shot on a Nikon FE, developed at home in Ifosol 3, scanned on Opticfilm 8100. A slower pace, a Panama hat, and the Grue Titan in the distance. Why analogue photography still matters in 2026, and how film helps me be more authentic.

Read
Landscape format black and white photograph on a Nikon FE with Ilford HP5 Plus at 100 ASA, pull processed, scanned on an Opticfilm 8100

The HP5 Plus 100 ASA Experiment: A Happy Accident?

“Accidentally shot HP5 Plus 400 at ISO 100? Discover how this film photography mistake became a happy accident. Learn pull processing techniques, shadow detail retention, and highlight control using Ilfosil 3. See stunning black and white results from a Nikon FE. Your guide to film latitude and overexposure experiments.

Read
Black and white film photograph of the Maine valley from the Le Porte-Vue belvedere, the river and weir winding through the wooded gorge, Château-Thébaud.

Making the Ordinary Less Ordinary: Rollei RPX 400 at Pont Caffino

After 40 years behind the lens, still learning. Explore Rollei RPX 400 shot handheld in flat light at Pont Caffino, France. A honest look at dodging, burning, and making ordinary prints less ordinary in Lightroom.

Read
The high altar of the Cathédrale Saint-Pierre-et-Saint-Paul in Nantes, photographed on a Nikon FE with Ilford HP5 Plus 400, black and white 35mm film

Waiting for the Light: Reclaiming the Cathedral with Ilford HP5+

Ian’s contemplative journey through Nantes’ Saint-Pierre Cathedral, captured on Ilford HP5 Plus film with a Nikon FE. This black and white photography essay explores reclaiming sacred space from municipal spectacle, celebrating grain, silence, and winter light. A meditation on film photography as spiritual practice and architectural reverence in France’s historic cathedrals.

Read

Nikon FE Review: Features and User Experience

My Nikon FE—bought from my HR director—has accompanied me from Nantes’ cobbled streets to Lourdes and the Pyrénées mountains. This 1978 aperture-priority SLR rewards deliberate, unhurried photography. With its tactile dials, viewfinder aperture display, and M90 battery-free mode, it’s the perfect companion for film shooters who value feel over function.

Read
Black and white film photograph of children walking to the Grotto in Lourdes, Pentax ME Super with Kentmere 100, July 2025

Summer 2025 Part IV.  What I Gave Them at the Grotto.

A father reflects on one final family trip to Lourdes in What I Gave Them at the Grotto, a heartfelt essay about faith, fatherhood, and the quiet moments that shape a child’s soul. As his children grow older, he grapples with what it means to pass on belief—not through preaching, but through presence. Set against the sacred landscape of southern France, this personal narrative weaves Mass, memory, and a grainy film photograph into a meditation on legacy, letting go, and the imperfect love that lasts a lifetime.

Read