Tag: ohc49

December

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As a musician, even one as not as implicated as me, December can be a busy time and has proven itself to live up to its reputation of loads of concerts to finish the year, and carolling. For the moment, I have 3 out of 5 weekends taken up with playing the horn in one form or another. 

At the end of the Season in the summer of 2022, I decided not to follow the new direction taken by the Orchestre d’Harmonie de Cholet.  Not just out of loyalty to the outgoing conductor who, since 2009, become a close friend, but sometimes you just need a change of scene.  I first thought of just having a complete break from music, which is a rash decision but one I have taken in the past.  Friends were worried that I would stop music altogether, which would not only be a shame but also a waste of talent or work that I have put into learning the horn over the years.  I had lost the love of performing, and rehearsals had become more a way of spending time on something I knew how to do but with less and less pleasure.

I was therefore on the lookout for a new ensemble that needed a horn player.  When I was in the Cholet Conservatoire Symphony orchestra, I made friends who talked about this relatively new orchestra based just South of Nantes.  You go to Facebook and see their page and try to make a choice.  I made a choice.  I am now the fourth horn in the Symphonique des Bords de Loire. 

So what does this have to do with being busy in December?  I’ll tell you.  With concerts and rehearsals, I have been playing every weekend since the 26th of November.  I am now 50, have taken up napping in a big way, and sleeping, or at least trying to sleep as a secondary calling.  All this music is creating an enormous conflict of interest between music and my new vocation, napping.  I have tried automatic pilot, but people seem to cotton on and even dare come up to me and try to talk to me when my body is still on, but the brain is experiencing a temporary outage.  The sheer audacity of it all!   

Last weekend, I did a paid gig for the Brass Quintet Arabesque, replacing my old horn teacher, the Grand, the mother Great, and all-around good egg, Jerome Percher who teaches the horn in the Conservatoire In Angers!  He is also a massive football fan and maybe the evening match between our two splendid countries was just too much for him.  Little did we know that Harry Kane would be less fortunate than us. 

The idea was to have a brass band style quintet with two cornets, one tenor horn, one euphonium, and one tuba.  Similar to what you might see the Salvation Army playing when they’re out around this time.  We would play three sets of Christmas carols to add some ambience to the Christmas Market in La Roche Sur Yon, which is the administrative capital of the Vendée.  It was a beautifully sunny day, but a tad cold.  Yes, brass monkey weather!

Now I don’t technically play the tenor horn, but had studied the fingerings to know how to approach the instrument and not look too silly.  It’s also much lighter than the more common, yet beautiful instrument, which is the French Horn.

Everything that morning seemed to go wrong.  I was already nervous as I didn’t want to let the lads down and my heart was going like the clappers.  Then slightly late getting out of the house, having to get the windscreen de-iced, as it was -5°C, which is chilly.  Then the car pretended to not want to start.  Ha ha ha, it was the car just trying to play a trick on me.  The roads had been salted so fine, and I was headed down to La Roche. I had misread the text message with the meeting times and thought I was late.  As it turned out, I wasn’t, and our lady answered my prayer for a parking space not too far from the meeting point.  I, of course, couldn’t find my colleagues when I arrived in the square and then suddenly I saw Hervé and felt a lot less anxious!

We played our three sets, and the only upset was whilst playing I saw three ships.  I think we all managed to sink them! 

The organisers had prepared us some hot pretzels and some mulled wine, which just hit the spot and told us where the restaurant was, where we were to have lunch.  The five of us needed feeding!  Starters and main, or main and dessert, with drinks.  I could get used to this.  We ate, joked, finished our beer, and said see you later at Hervé’s house for the Soirée to celebrate Jean Michel’s birthday in a French and very fitting way!

I just had to get to Nantes, for confession, to get a little something for my evening’s host, wife, and daughter.  Just enough time left over to pick up my wife, and get ourselves to our evening.

Jean Michel has a bit of a reputation as an epicurean, and not only a lover of fine cuisine, but a very accomplished chef!  Upon arrival, we went to say hello to everyone, and were told to leave the kitchen, which is exactly what we did!  The aforementioned legend that is Monsieur Percher was there with his lovely wife, and it was such a pleasure introducing each other to our respective spouses.  The pre-meal beers were served and then out of nowhere appeared a magnum of very nice champagne, which was the first of quite a few exquisite bottles, which complemented Jean Michel’s cooking so well.  We’re now in happy as a pig in shit territory. 

It was a lovely evening and with the wine, I was beginning to feel a little tired, which is better than being a little tiring.  It was time for little Ian to go beddy byes…  My new vocation in life.  Fortunately, my wife is a professional driver, stone-cold sober, and able to drive us home. 

The next day was spent gently getting out of bed, and trying not to let on that I might be a little tired.  By Sunday evening I was ready to go to mass, and who would I see, but Hervé and his family.  It’s nice not being at mass on your own and was just the surprise I need to finish the evening off on a high point.  That and going to the pub afterwards.

Next Saturday, I will play the tenor horn with the Tuba Class with Hervé as their teacher.  The weekend after will be a lot quieter.  Then three days in the factory before breaking up for two weeks holiday for Christmas, which, Dear Reader, will be a completely different story. 

Until then, I wish each and every one of you a very happy, peaceful, and above all drama-free Christmas!

My friend Hervé

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I was at Mass, in Nantes, on a Sunday evening, and being appropriately prayerful, knees bent praying to prepare my mind for the sacrifice of the mass wondering if I was going to be able to stand up again. Despite my gammy knee, it wasn’t a problem. Mass started, and they were off.  During the entrance hymn, my director of music at my Wind band, but most importantly, my friend, Hervé, accompanied by his wife, and daughter, walk in and sit just in front of me.  We gestured hello, but you don’t interrupt the Word of God, and we saved niceties for after Mass.

It was a genuine pleasure to see him there and not just because we share the same faith, but just nice to see a frightfully nice chap, but also an all-around good egg!  We exchanged conversation and I said how wouldn’t it be nice if we could go to the pub for a pint.  They’d had a long day, but to his utter disbelief, Veronica, acquiesced and we were given her blessing.  I suggested they park in the same place as I usually did and that we meet up.  We both knew where the pub (John Mc Byrne) was and headed off to claim our reward for obvious good behaviour.

They were already at the pub by the time I parked and so I walked up to join them.  Strangely my nose just seems to lead the way!  I saw him standing outside waiting for me and I showed him the best seats in the house, or for me, nearly a home (it’s where I see my friends).  I introduced him to Simon who knows nearly everything about sport, whiskey, and good places to eat in the vicinity, the Rob, whose jokes are almost as cringe-worthy as my own, and lastly to Gavin who is half and half…  Half Scottish and half French.  His parents are obviously to blame.

We commented on how the establishment wasn’t a bar but was a proper pub, and how nice his pint of Irish IPA was.  I persuaded him to taste a pint of O Hara’s Nitro, which is the nearest thing that I found to Yorkshire bitter over here.  We both seem to have similar tastes in beer, which helps in a friendship.  It’s unbearable when one likes lager and the other friend, beer….  It tuned out that he had some homemade Bitter that he wanted my opinion on.  Ah well, there goes a perfect reason to meet up again!  Fortunately, I was going to be on holiday during that week, so we set the date and time said goodnight to each other and headed home.

I asked if I could bring along my portable photography studio to take his portrait and he very kindly agreed.  At the appointed time, on the appointed day, I turned up with my studio and dog.  Molly wasn’t very sure about hanging out with a big very friendly, almost too friendly for her, beautiful chocolate Labrador, who was coming out of puppyhood and entering doggyhood.

I said she could stay in the car and left the windows slightly open so she would be fine and said that I would come back and check on her now and again.  Smaug, the Labrador, was put on one side of the house, and Molly decided she could stay by my side and still be OK.  We tasted the beer and were unanimous in our praise of this wonderful concoction.  Then the photoshoot.  Hervé already knew that I dabble in photography, as do you Dear Reader, and was most impressed when I set up the studio.  I was quite impressed by it too because it was only that afternoon that I had back to revise how to operate my speedlights and trigger.  The first shots were more to break the ice, not just for Hervé but also for me, and already we were getting some good shots.  He played me a recording of a new project launched by the Brass Quintet with whom he plays and has my old horn teacher as the horn player.  It was amazing.  They were playing in church with a massive organ played by the organist from the Nantes Cathedral.  Wow, that is all…

We then go the instruments out.  First the E flat tuba.  I thought, let’s just break him in gently.  Then I went back out to the car to get my horn and make him look like a proper musician with the most beautiful instrument from the orchestra in his hands.  We would suggest to the horn teacher that Hervé had finally seen the light and wanted to convert.  Then we messed it up by getting out his conductor’s baton.  All in all, we were having a laugh, talking, just as friends will be want to do.

I ate with them and by the time I left that evening the two dogs had even sniffed each other and were even respecting their own private space.  That Smaug is one lovely dog and not at all dragonlike as his name suggests.  He’s a big softy.  A bit like myself Dear Reader…

Le Concert

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As I said a couple of articles ago, for my many sins, I am a musician.  In 15 minutes I will be on stage playing in a concert.   It’s almost an other-worldly experience.  Random thoughts wondering through my mind.  I know I turned off the iron, because I did my ironing yesterday.  But on the 45 drive minute drive to the theatre I was just taking in the landscape and the colours of Autumn, telling myself that “that” would make a nice photo. Capturing the autmnal colours of the trees, seeing those that were in all their warm coloured glory.  Wondering if I should use a 50 or the 16-35mm zoom.  Well in that very instant the answer wasn’t a problem.  I was driving and not taking photos.  Michael Ball was on Radio 2 talking about Children in Need and giving praise to those fund raisers that keep the UK going.  I was there and yet so far away in my mind. 

I was sat down on stage at the correct time, secretly hating all those who were there before me making me seem late. 8 minutes to show time.  Thoughts in my mind telling not to screw up such amd such a passage.  And thinking that in Mars I start the concert with a bass horn solo.  So no pressure then.  Once it’s  over I’ll be in the action and not thinking anymore.  Looking forward to the horn section solo in Jupiter.  No need to play too loud, but on the contrary, just be present with a large sound and enjoy the shit out of it!

Time to go and I’ll  finish after the concert or maybe at half time.  I don’t  know yet…  You’ll just have to see.  It’ll be a surprise. 

Well that could have been worse.    I mean it wasn’t disastrous, but little details could have made it better.  Lack of concentration maybe.  It’s  a long hard slog after all. 

I’m not saying that I feel like death, but….  I tried to die quietly which is all anyone can ask of you.  The cold seems to have to descended onto my chest, so thankfully no sneezes but quite a few coughs.  Each one on a down beat of course…

Next up is the de Meij Symphony.  Let’s  hope we give proper tribute to the composer that introduced us to the inner workings of his composition.  After that home time, and if I have the energy I might develop some film.   I have a backlog of films to get through. Just arrived in the car and the choise seems to be pub, or home…. Decisions, decisions

It ended up being home. See you next time for an other enthralling episode…..

The Phenomenon that is Johan de Meij

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For my many sins, I am a musician and not just a depressive dude with a camera.  I play the French horn.  Some might even say that I’m a French French horn player, without being corrected by my autocorrect.  So this music thing…  I play the horn in a Wind Band, in Cholet, in the Anjou region of France, with good food and wine.  I wonder what decided me to join them…  There are a series of concerts every year with each concert having a given theme.  This next concert’s theme is about the planets.  The programme will be The Planets, by Gustav Holst, and the third Symphony by Johan de Meij, Planet Earth.

If you want to read Wikipedia to tell you about the Planets by Holst, then you can click here.  I will now give you my version of events.  Gustav Holst, a man with Swedish, German, and Latvian origins but born in England, wrote a series of pieces that made up the Planets Suite.  His ancestors must have settled before Brexit!  This was ground-breaking stuff, akin to Stravinsky and his Rites of Spring.  However, this program is about the planets, so we’ll leave Spring to Igor, the composer and not Frankenstein’s whacky assistant.  As any trailblazer will tell, they just weren’t ready for it man, and that it was ahead of its time, which to be fair, it was.  He started writing the suite in 1914, and the first movement was “Mars, the bringer of War.”  Quite eerie when you think about what happened in 1914.  Composing finished in 1917 and the première took place at Queen’s Hall, on the 29th of September, in 1918.  There were seven movements, and when I was a child, I always wondered why the planet Pluto wasn’t included.  What did they have against Mickey Mouse’s dog???  Then I learnt Pluto was only discovered in 1930.  The poor planet was demoted in 2006 and is no longer considered a planet but is still a heavenly body…  Just like Yours Truly!

This music that first disturbed people, has, over time, and thanks to John Williams, become the music of space and the stars, wars or no wars.  Some have accused John Williams of nicking everything in the first movement, Mars the bringer of War, and using it to compose the music to Star Wars.  I’m not saying he nicked it, but… A nice American gentleman, Charles Cornell, has exposed his point of view in a YouTube video 

When you look at it like that you can get where those people are coming from.  But in a completely nonpartial way, I couldn’t give a flying fart.  Both composers’ music is wonderful, and I think one could call it more homage than pilfering. Mind you, there are certain similarities.

When you look at the Planets Suite, you notice the Earth isn’t mentioned.  One person that noticed this and who could do something about it, is a certain Johan de Meij, whose name is engraved on a plaque on our rehearsal room in the Cholet Conservatoire.  A Dutch trombonist, he moved into composition, arranging, and conducting.  In the Wind Band world, he is very well known and respected.  Nearly all of us will have played some of his music at one stage in our careers.

The third Symphony takes us from the beginning of our Lonely Planet, Planet Earth, ending with Mother Earth.  It isn’t as much a narrative, but a more auditory exposition of ideas in an abstract form.  A soundtrack with electronic sounds helps the symphony become one musical experience as opposed to the classical three separate movements.  Planet Earth really is a continuation of Holst’s Planets.

It’s a whopping significant piece and a joy to play despite a few difficulties to challenge the horn player.  We were very fortunate to have Johan come and visit us, not just to say Hallo, but to explain the piece to us, conduct us and rehearse us.  The poor lad was full of cold, but shared his wisdom and experience with us, which I’m sure will prove itself invaluable for our performance on the 14th of November in the Théâtre Saint Louis in Cholet.  We worked on aural skills listening to the chords and listening to them to adjust the tuning and seeing where we fit into those chords. It might be an insignificant detail to you, but the seats are very comfortable and the acoustics are pretty damned good too!.  Holst couldn’t make it. Must have had something else in his diary for that weekend!