Le Concert

As I said a couple of articles ago, for my many sins, I am a musician.  In 15 minutes I will be on stage playing in a concert.   It’s almost an other-worldly experience.  Random thoughts wondering through my mind.  I know I turned off the iron, because I did my ironing yesterday.  But on the 45 drive minute drive to the theatre I was just taking in the landscape and the colours of Autumn, telling myself that “that” would make a nice photo. Capturing the autmnal colours of the trees, seeing those that were in all their warm coloured glory.  Wondering if I should use a 50 or the 16-35mm zoom.  Well in that very instant the answer wasn’t a problem.  I was driving and not taking photos.  Michael Ball was on Radio 2 talking about Children in Need and giving praise to those fund raisers that keep the UK going.  I was there and yet so far away in my mind. 

I was sat down on stage at the correct time, secretly hating all those who were there before me making me seem late. 8 minutes to show time.  Thoughts in my mind telling not to screw up such amd such a passage.  And thinking that in Mars I start the concert with a bass horn solo.  So no pressure then.  Once it’s  over I’ll be in the action and not thinking anymore.  Looking forward to the horn section solo in Jupiter.  No need to play too loud, but on the contrary, just be present with a large sound and enjoy the shit out of it!

Time to go and I’ll  finish after the concert or maybe at half time.  I don’t  know yet…  You’ll just have to see.  It’ll be a surprise. 

Well that could have been worse.    I mean it wasn’t disastrous, but little details could have made it better.  Lack of concentration maybe.  It’s  a long hard slog after all. 

I’m not saying that I feel like death, but….  I tried to die quietly which is all anyone can ask of you.  The cold seems to have to descended onto my chest, so thankfully no sneezes but quite a few coughs.  Each one on a down beat of course…

Next up is the de Meij Symphony.  Let’s  hope we give proper tribute to the composer that introduced us to the inner workings of his composition.  After that home time, and if I have the energy I might develop some film.   I have a backlog of films to get through. Just arrived in the car and the choise seems to be pub, or home…. Decisions, decisions

It ended up being home. See you next time for an other enthralling episode…..

The Phenomenon that is Johan de Meij

For my many sins, I am a musician and not just a depressive dude with a camera.  I play the French horn.  Some might even say that I’m a French French horn player, without being corrected by my autocorrect.  So this music thing…  I play the horn in a Wind Band, in Cholet, in the Anjou region of France, with good food and wine.  I wonder what decided me to join them…  There are a series of concerts every year with each concert having a given theme.  This next concert’s theme is about the planets.  The programme will be The Planets, by Gustav Holst, and the third Symphony by Johan de Meij, Planet Earth.

If you want to read Wikipedia to tell you about the Planets by Holst, then you can click here.  I will now give you my version of events.  Gustav Holst, a man with Swedish, German, and Latvian origins but born in England, wrote a series of pieces that made up the Planets Suite.  His ancestors must have settled before Brexit!  This was ground-breaking stuff, akin to Stravinsky and his Rites of Spring.  However, this program is about the planets, so we’ll leave Spring to Igor, the composer and not Frankenstein’s whacky assistant.  As any trailblazer will tell, they just weren’t ready for it man, and that it was ahead of its time, which to be fair, it was.  He started writing the suite in 1914, and the first movement was “Mars, the bringer of War.”  Quite eerie when you think about what happened in 1914.  Composing finished in 1917 and the première took place at Queen’s Hall, on the 29th of September, in 1918.  There were seven movements, and when I was a child, I always wondered why the planet Pluto wasn’t included.  What did they have against Mickey Mouse’s dog???  Then I learnt Pluto was only discovered in 1930.  The poor planet was demoted in 2006 and is no longer considered a planet but is still a heavenly body…  Just like Yours Truly!

This music that first disturbed people, has, over time, and thanks to John Williams, become the music of space and the stars, wars or no wars.  Some have accused John Williams of nicking everything in the first movement, Mars the bringer of War, and using it to compose the music to Star Wars.  I’m not saying he nicked it, but… A nice American gentleman, Charles Cornell, has exposed his point of view in a YouTube video 

When you look at it like that you can get where those people are coming from.  But in a completely nonpartial way, I couldn’t give a flying fart.  Both composers’ music is wonderful, and I think one could call it more homage than pilfering. Mind you, there are certain similarities.

When you look at the Planets Suite, you notice the Earth isn’t mentioned.  One person that noticed this and who could do something about it, is a certain Johan de Meij, whose name is engraved on a plaque on our rehearsal room in the Cholet Conservatoire.  A Dutch trombonist, he moved into composition, arranging, and conducting.  In the Wind Band world, he is very well known and respected.  Nearly all of us will have played some of his music at one stage in our careers.

The third Symphony takes us from the beginning of our Lonely Planet, Planet Earth, ending with Mother Earth.  It isn’t as much a narrative, but a more auditory exposition of ideas in an abstract form.  A soundtrack with electronic sounds helps the symphony become one musical experience as opposed to the classical three separate movements.  Planet Earth really is a continuation of Holst’s Planets.

It’s a whopping significant piece and a joy to play despite a few difficulties to challenge the horn player.  We were very fortunate to have Johan come and visit us, not just to say Hallo, but to explain the piece to us, conduct us and rehearse us.  The poor lad was full of cold, but shared his wisdom and experience with us, which I’m sure will prove itself invaluable for our performance on the 14th of November in the Théâtre Saint Louis in Cholet.  We worked on aural skills listening to the chords and listening to them to adjust the tuning and seeing where we fit into those chords. It might be an insignificant detail to you, but the seats are very comfortable and the acoustics are pretty damned good too!.  Holst couldn’t make it. Must have had something else in his diary for that weekend!