The Opening of the Film Archives – Saint Cado, Belz, Morbihan


Welcome back to the film archives, and welcome back to Brittany, that gorgeous corner of France where my in-laws live. I think I might have let it be known that my French family love camping. Yes, they’re so in tents… I’ll just let that joke sink in for a couple of seconds. In 2016 I had begun “collecting” cameras. The photos from this Breton outing in Saint Cado were taken with the Kodak Retinette 1B, a little gem of a camera from the 1960s, and HP5 Plus film.

We’ll start with Saint Cado. It’s one of those picture-perfect postcard places. It’s not easy to take a bad photo of the place. It’s photogenic. It’s quaint. It has all the clichés of a small Brittany island in the Ria d’Etel, which is an inland sea connected to the Atlantic at the Barre d’Etel… I’m thinking lobster pots, oyster beds, black and white houses with slate roofs, a local Saint, a chapel to this local saint, who was actually from Wales of all places, and a miraculous fountain that fills up with every incoming tide. Yes, it’s one of those places… Did I mention that the bridge that links the island to the mainland is a Devil’s bridge? It is said that the devil demanded the soul of the first creature to cross it. The story relates that Saint-Cado, who was a shrewd fellow, put a cat on it! It is just gorgeous!

Let’s talk about the Kodak Retinette 1B. As I said in the introduction, it is a camera from the 1960s that uses zone focusing, and the 1B as opposed to the 1A has a selenium light meter that works a treat. Zone focusing is where you focus by zones. Mind-blowing, right? If I look at my lens, I will see a distance measurement that I will use as a guesstimate. I will move my aperture dial and let’s say I’m at F8, well everything from one F8 to the other F8 will be in focus. A lot of cameras from this period used this system, and it works. If you want to open right up to F2.8, then there are little rangefinders that you can put on the hot shoe mount and there you will be able to get an exact reading for the distance from your subject. Up to you…

Why use a camera that is over 60 years old?  First of all, why not?  It works.  It’s simple to use.  It doesn’t need a battery.  You load your film and Bob’s your Uncle!  Off you go to shoot your 36 exposures.  It also looks pretty damned sexy hanging around your neck too…  It actually looks so sexy that my son nicked mine, and I had to go and get another one.  At the time of purchase I must have paid no more than £15, and even now it will cost you less than £50.  

So there you have it – a charming little island, a vintage camera, and a roll of trusty HP5 Plus. This trip to Saint Cado was a reminder that sometimes, the best photos come from the simplest tools and the most unexpected places. And who knows, maybe those old film cameras aren’t just gathering dust in the attic – they might just be waiting to capture your next adventure. (But if you happen to see my son with a Kodak Retinette slung around his neck, please tell him to bring it back!)

That August Holiday Vibe


My son seems to use the word “vibe” in a lot of situations. And for once, that word encapsulates exactly how I feel at this very moment. I’m in front of my computer at my desk, typing this article. Why is this an August vibe, though? Because I’m not at work and have the freedom that comes with August to do what I want, within reason, of course. I have my Marshall headphones that have a Princess Leia “vibe”. I’m listening to Ella Fitzgerald sing her beautiful heart out on Amazon Music, and the fan on top of my desk is blowing a fresh breeze through my golden locks. Those of you who know me will understand the ridicule of that last phrase. Locks, golden or otherwise, are something I haven’t had to deal with for many years, but that cool breeze is still very refreshing on my bald scalp.

I have been out, and this will blow your minds as much as the fan is blowing my hair, with my camera taking photographs. I can hardly believe it too. The photographs at the end will not likely seem like holiday photos to you, but to me they are precious! You don’t have to be sitting roasting on a beach to feel on holiday. What I’m getting at is that freedom comes only once a year. Work is important, but rest is important too. Ironically, “Summertime” is playing. The version with Louis Armstrong and Ella together! It really does take you to another place.

And then, there’s my photography escapade. I went old-school with film this time—none of that instant digital gratification. You take the shot, develop the film, scan the negatives, and only then do you wade into the world of editing. Now, you’re probably wondering, “Why the hassle when you’ve got smartphones and digital cameras?” But let me tell you, it’s a deliberate pace that wraps you in its own magic. You deliberate on each shot, finding meaning in every click. Out of the 36 shots I took, I’ve kept 16 for this piece. Fingers crossed, they’re worth the effort.

Film photos emanate a distinct “vibe” compared to their pristine digital counterparts. There’s a soft grain, an endearing imperfection that render them timeless. Some would say they embody an eternal tranquilly, a perpetual “vibe.” In future articles, you will see more of that timeless “vibe,” and pictures from an exhibition at the HAB Gallerie, which I’ve talked about in past articles. There will be shots of various art works all over Nantes that are all part of the annual Voyage à Nantes art season. This year, it’s all about statues taking over the city. But that’s for future articles. I have to keep you coming back for more, don’t I!

The Ship Cemetery


I can’t help but think about the men who sailed on these old ships that have been abandoned. Most likely, fisherman heading out to sea to bring back fish to sell at Ettel, a Breton port. They must be grateful not to be shipwrecks like their former vessels. And yet, when we contemplate them, we are filled with awe, realising that these fishing boats were the only defence these men had against the elements and the mighty waves.

Some of them are so decomposed that we can only just make out their skeletons and speculate about their previous states. Others have been turned into supports for street art. Maybe a more fitting tribute.

This maritime cemetery is just upstream of the Barre d’Etel, a most treacherous stretch of water with currents that will drag you out to sea, and sandbanks that will stop you entering the Ria D’Etel.

Bretagne – a story of sea and stones


It has been a quiet week in Saint Hilaire… But it was a pleasant weekend in Brittany.  Some may accuse the Bretons of being way too preoccupied with being Bretons, similar to the Cornish in Cornwall, or the Welsh in Wales, when they can manage to forget about getting cuddly with sheep.  In that previous paragraph, I just irritated 6.9 million people.  That’s not bad for a single paragraph.

Say what you will about the Breton people, they do do a great line in standing stones, or standing lines of standing stones, especially near Carnac.  This gets me topq where my in-laws live, which is not far from Carnac.  It was the first afternoon of our stay, and I didn’t want to irritate my mother-in-law by just existing, breathing, and so on.  I seized the chance to go out with my camera and shoot some photos.  It’s one of the reasons I look forward to these visits.  It’s truly about getting away from everything and simply soaking in the scenery.

These stones have been standing for around 7000 years, so they must be getting exhausted.  Some have just given up on life and collapsed, or have they had too many parties and consumed too much alcohol?  Anyway, when I was travelling around the grounds of these lines of standing stones, or stones standing in lines, I observed a lady with dowsing rods sitting on one of the stones.  There’s nowt as funny as folk, as my father once stated…  Then the first lady’s companion came up and tried to hug the rocks.  Now, I’ve seen some unusual things in my life, as has the majority of Hull’s population, since it’s never dull in ‘Ull.

But this not only took the biscuit, but it almost took the tea as well!  They said that the Druids had placed the stones there to make the soil more fertile, and that each stone had its unique set of qualities.  I tried not to laugh as I thought about how fertile their imagination was.  After all, they were completely serious.  I know nothing about old stones, whether standing or not, but I patiently listened to them.

I explained how we had once been to Stonehenge and how there was something about the place that was less than ordinary, and how we had seen people kissing the ground and having moments.  They told me that of course this was because of the energy.  You must ask the stone for permission to use its qualities first then sit on it.  And were I to do this I would feel something.  The only thing I felt was a sore bottom!

Wait a minute! He mentioned the Sea, not simply stones. We want to see the marine pics!!! If you’re good and well behaved I might include them in an upcoming post. I can assure you that they are ready. I’ll be highlighting Ettel’s Boat Cemetery. Be patient already!

Canon and the Helios 44-2 58mm


The Sunday morning sun was shining, and I was in need of some fresh air after a fun-filled birthday celebration with friends. Armed with my trusty Canon 6D Mark II, I decided to push my photography boundaries by attaching the Helios 44-2 58mm f/2.0 lens to my camera.

Stepping into the realm of portrait lens territory with a 58mm focal length, I knew I was taking a bold move, especially for street photography in Nantes. The Helios 44-2 is a Russian lens from the Soviet era, boasting a sturdy M42 screw mount. To use it on my modern DSLR, I needed an adapter, and the manual focusing without focus peaking presented a challenge for my not-so-great eyes. Thankfully, I discovered the trick of using the flippy-outy screen and zooming in, which helped me achieve some surprisingly sharp images.

While the build quality of this lens might be described as slightly solid (as proven by a regrettable incident where it fell from my dining room table and chipped a tile), it can undoubtedly withstand everyday use.

However, let’s talk about the true highlight of the Helios 44-2—the bokeh it produces. If you’re a fan of creamy bokeh goodness with a touch of artistic swirl, this lens will not disappoint. As you browse through the photos taken with it, keep an eye out for the captivating bokeh effect that enhances the overall visual appeal of the images. For those with an affinity for bokeh, the Helios 44-2 delivers in spades.

In conclusion, pairing my Canon DSLR with the Helios 44-2 58mm lens was a delightful adventure. While it demanded some manual effort in terms of focusing, the resulting images made it all worthwhile. If you’re up for experimenting with a vintage lens, the Helios 44-2 might be just the ticket for adding a touch of nostalgia and artistic flair to your photography. Just remember to handle it with care, unlike my unfortunate dining table incident, and you’ll be rewarded with stunning bokeh and a unique photography experience. Happy shooting!

Les filles et un garçon


As I think I’ve already told you, I am in the middle of trying to learn about this portrait palaver! I had watched the videos, I had perused the books, I had bought the equipment, I just needed some willing victims. Erm, I mean models. I was going to see my perfectly dysfunctional family for the weekend in Brittany so I was going to have to charm them into sitting for me.

We were of course late and as usual it was my fault. Who else could possibly be to blame? Just remember that the previous day I had been in Paris with my 10 year old daughter. Now I’m not trying to invent excuses but I’m certainly claiming mitigating circumstances.

But it was still my fault. all my camera gear was downstairs and ready to be loaded into the car. My son was still with us and helped me. I had my backdrop, my flash, my camera, which is pretty important, my soft box, my trigger, and everything, or so I thought. Little did I know that I had forgotten the stand. I wasn’t going to go home to get it, otherwise I would never live it down and going 200km and back for a stand might seem a little unreasonable. I think reasonable is about 500 metres and I will still incur the wrath of my wife.

We made it in one piece and after a while I wasn’t being yelled at either. What I didn’t say was that I needed to fill the car with petrol and that was going to add on time. I also bought some water too. Hey, if you’re going to be late , then be late for a reason! The other reason was that there was loads of traffic on the roads too as it was the 14th July weekend. Our average speed for the 200km was 56km/h.

We settled in, and I unloaded my kit and started cursing myself for having forgotten that blasted stand, bordel de merde de mes couilles, but it’s a learning curve and I had just learnt to load everything myself so I’m sure of everything. Ah well, I was going to have to without the flash set-up and just use natural light.

The next morning my brother in law posed for me and gave me a chance to explain to everyone how the whole shebang worked. I also got a really good photo of him that won applause on his Facebook wall, which is praise indeed! We were going for the philosopher look….

my brother in law, Vincent.

Can you feel that 80mm F 1.8 bokeh creaminess? Just the right ammount to look like an understated sex symbol… Even I’m starting to get flustered!

The results had really given me a confidence boost and my sister in law was so impressed that she needed no coaxing to sit for me. It was going so well that my niece wanted in as well. My wife and daughter had obviously forgiven my short- comings and I ended up taking photos of all of them.

It was a fun moment and I think one that will be remembered for the right reasons. I couldn’t have hoped for better.