That August Holiday Vibe


My son seems to use the word “vibe” in a lot of situations. And for once, that word encapsulates exactly how I feel at this very moment. I’m in front of my computer at my desk, typing this article. Why is this an August vibe, though? Because I’m not at work and have the freedom that comes with August to do what I want, within reason, of course. I have my Marshall headphones that have a Princess Leia “vibe”. I’m listening to Ella Fitzgerald sing her beautiful heart out on Amazon Music, and the fan on top of my desk is blowing a fresh breeze through my golden locks. Those of you who know me will understand the ridicule of that last phrase. Locks, golden or otherwise, are something I haven’t had to deal with for many years, but that cool breeze is still very refreshing on my bald scalp.

I have been out, and this will blow your minds as much as the fan is blowing my hair, with my camera taking photographs. I can hardly believe it too. The photographs at the end will not likely seem like holiday photos to you, but to me they are precious! You don’t have to be sitting roasting on a beach to feel on holiday. What I’m getting at is that freedom comes only once a year. Work is important, but rest is important too. Ironically, “Summertime” is playing. The version with Louis Armstrong and Ella together! It really does take you to another place.

And then, there’s my photography escapade. I went old-school with film this time—none of that instant digital gratification. You take the shot, develop the film, scan the negatives, and only then do you wade into the world of editing. Now, you’re probably wondering, “Why the hassle when you’ve got smartphones and digital cameras?” But let me tell you, it’s a deliberate pace that wraps you in its own magic. You deliberate on each shot, finding meaning in every click. Out of the 36 shots I took, I’ve kept 16 for this piece. Fingers crossed, they’re worth the effort.

Film photos emanate a distinct “vibe” compared to their pristine digital counterparts. There’s a soft grain, an endearing imperfection that render them timeless. Some would say they embody an eternal tranquilly, a perpetual “vibe.” In future articles, you will see more of that timeless “vibe,” and pictures from an exhibition at the HAB Gallerie, which I’ve talked about in past articles. There will be shots of various art works all over Nantes that are all part of the annual Voyage à Nantes art season. This year, it’s all about statues taking over the city. But that’s for future articles. I have to keep you coming back for more, don’t I!

Why the Pentax ME Super Is the Perfect First Film Camera (Even in 2025)


Dear Reader, if you’ve read my last post, you will understand my current state of photographic helplessness after my X100F was taken out of service. Before we proceed, I want to take a moment to reassure my dear mother that I’m doing fine, being a big brave boy during this challenging time, and not losing my mind. I’m still getting my photographic fix, and I thank you, Dear Reader, for your understanding.

Now, let’s dive into today’s topic. The Pentax ME Super, a camera gifted to me by a fellow musician and dear friend, Robert McMillan, holds a special place in my heart. Using it brings back fond memories, and I’m forever grateful for the thoughtful present.

Introduced in 1979, the Pentax ME Super is a 35mm SLR camera that offers reliability and ease of use, making it perfect for those seeking excellent image quality. However, it requires proper focus and composition to make the most of its capabilities. When I use it, I approach photography in a similar manner to how I would with my beloved X100F, albeit with a slight adjustment due to the 50mm lens, which changes from the 35mm lens on the Fuji.

Technical Specs:

  • Shutter speed range: 4 seconds to 1/2000 second, plus Bulb – allowing wide apertures and excellent depth of field.
  • ISO speed range: 12 to 1600
  • Exposure control: Aperture priority
  • Viewfinder: 0.9x magnification, 95% coverage
  • Other features: include a self-timer, a cable release socket, and exposure compensation.

Handling and Ergonomics:

The ME Super is a well-made and compact camera, making it easy to carry around; it is almost the same size and weight as the X100F. The controls are user-friendly and well-positioned. The large, bright viewfinder helps, especially for those of us with less-than-perfect vision.

While it may not surpass the joy I find in using the X100F, the ME Super is steadily gaining ground, and its satisfying shutter noise is a small comfort during this time of longing. Loading and unloading film is a breeze, and the shutter release is smooth and responsive. Additionally, the camera’s reliability is reassuring, offering solace in the absence of the X100F.

Image Quality:

The Pentax ME Super consistently delivers excellent image quality. Composing shots is a breeze with the sharp and bright viewfinder, and the aperture priority exposure control ensures proper exposure. For someone like me who cherishes depth of field, the 1/2000 of a second shutter speed is a delightful feature.

Moreover, the ME Super is compatible with a wide range of Pentax K-mount lenses, providing versatile options for image-making. With my collection of 24mm wide-angle, 50mm F1.7, and 24-80mm zoom lenses, I’m well-equipped for various shooting scenarios, and there is even a 15mm wide angle lens, but I nearly peed myself when I saw the price!

The Verdict:

In conclusion, the Pentax ME Super is an exceptional 35mm SLR camera. Its well-made design, ease of use, and ability to produce outstanding image quality make it an appealing choice. If you’re searching for a reliable and versatile camera that brings years of photographic enjoyment, the Pentax ME Super won’t disappoint.

Pros:

  • Excellent build quality
  • Sharp and bright viewfinder
  • Simple and straightforward operation
  • Wide range of compatible lenses
  • Capable of producing excellent image quality
  • Built-in exposure compensation
  • Self-timer
  • Cable release socket

Cons:

  • Flash sync limitations at faster shutter speeds (i.e., more than 1/125)
  • Not an X100F

Overall:

The Pentax ME Super is an excellent 35mm SLR camera, offering great build quality, ease of use, and superb image quality. It’s a dependable choice for any photography enthusiast seeking a delightful film shooting experience.

Additional Information:

The ME Super remains popular among collectors for its exceptional build and image quality. If you’re interested in acquiring one, you can explore used cameras online or at camera shops. Additionally, you’ll find manuals and other valuable information about the camera on the internet.

I hope this review proves helpful. If you have any questions, please feel free to ask in the comment section.

But, most importantly, let me stop talking and allow you to enjoy some photos taken with the Pentax ME Super, capturing moments in Clisson and Nantes.

Post Scriptum

If the Pentax ME Super has caught your attention, I’d recommend checking out my other posts on classic film cameras like the Olympus Pen EE S (Aug 9, 2023) or my reflections on the lasting appeal of film photography in In Defense of Film (Aug 23, 2023). For a more in-depth look at the Pentax in action, mark your calendars for Capturing the Essence of Nantes: A Street Photography Journey with the Pentax ME Super and Kentmere 100 Film (coming Nov 17, 2023). And for those curious about the Fujifilm X100F, you can preview how it compares in Seeing the World Through 35mm: Street Photography with the Fujifilm X100F (Jun 21, 2023). A more detailed comparison between these two cameras is also coming this November!

Hello Summer!


Hello Dear Reader. It’s been a funny old time lately. Something is not quite right. I can’t quite put my finger on it. It could be depression, or lowering of my mood, not too horrible, but not nice either. On the way to mass last Sunday I had a moment and cried. It could be because of work. New job, a transition from my old job that has been poorly managed, and has left me homeless in the factory. It could be because of good old-fashioned tiredness despite my super-duper sleep apnoea machine, and the holidays just being a week away. It could be lack of self-discipline; I have films to scan, and am having trouble getting the required results from my scanner, and therefore lacking motivation.

Hey, even with everything going on, I’ve managed to sneak out with my camera a couple of times and snap some awesome shots. I’ve got pictures of Nantes, the super cool Voyage à Nantes, a fun evening with friends, and even my buddy the barber doing his thing – cutting hair and beards like a pro. So, it hasn’t been all bad, you know? There are still moments of fun and excitement to be found out there!

It seems as though we are in a state of limbo. Killian and I have been doing a heroic job of holding down the fort while my wife and daughter have been away attending a wedding on our behalf and will be gone until Sunday. There have been no mishaps around the home and all the animals have been fed and watered. The dog and the two cats appear to be healthy as well!

Yes, a funny couple of weeks.  On the news, or at least the BBC website, all we hear about is Ukraine, and how climate change is sizzling all of Europe, how fires are burning all over the place, and how it’s all due to climate change and how we must continue to worship at the altar of Greta, buy new and expensive electric cars to save the planet.  The Vendée seems not have got the memo…

The photo was taken on my phone and edited in Snapseed.

As far as the photography is concerned, the photos were taken on the Canon 6D Mark II and the Fujifilm X100F.

Bastille Day 2023


It’s of course Bastille Day here in France so you have to imagine the pace of life in a 2CV, in first gear, driving along a farm track, at not a rapid rate of knots. One could even go as far as too say, slitgly more sedate than usual, pumped up on black French coffee.

This morning was very sedate. My alarm went off as if it were normal working Friday, and the pleasure I had turning the multiple alarms of and not going to work was almost obscene.

My shower wasn’t hurried and as I did my skin care routine (thank you Horace) I felt glowing, nearly as much as the sun trying to come through the shutters.

My cup of tea this morning was a pint of Darjeeling tea. I must have still had the glow-up as I actually filled the dishwasher before being yelled at to do by that woman who said yes 25 years ago so now has to put up with me full-time. I even made us all lunch.

My wife has an aversion to prawns so guess what I prepared for lunch. But I cooked them in olive oil and deglazed with lemon juice. So off to a good start. Sauce – half mayo, half Greek yoghurt, lemon juice, sweet paprika, and with the prawns, some chopped up four hard boiled eggs, one cucumber, and one red onion. All that served up on French “pain” as opposed to baguette, with baby spinach.

It was delicious and i now have to wash my t-shirt which has sauce on it. I also did all my dishes so I dont want to hear any nagging from a particular lady.

My original plan for the day was and still is do develop some films that have been waiting around and I have no idea what is on them, and some films that I must have started over a year ago but never got around to finishing. The idea is to have a fresh start and get back into doing some analogue photography.

We’re out at a friend’s house for dinner tonight amd admire the fireworks from afar. I think the word I’m looking for is delightful!

It would appear that I can still produce half decent negatives…

Friday afternoon in Nantes


Today was a good day. I like good days.  A mixture of barbershops, photography, cake and tea, and most importantly, friends. On this sunny Friday afternoon, I had the afternoon off from work, it would be a perfect day to go to the barbershop and get this beard of mine seen too.  I knew it was sunny just by looking out the window, and thought, let’s go manual today.

There is a rule in photography called sunny 16, that says when it is sunny, and not a cloud in the sky, you can put your camera at F16, the shutter speed identical to the ISO, or film sensibility, and all your shots should come out fine or at least well exposed.  It means that all you have to do is to concentrate on the moment and press the shutter when the moment is right, and by that I mean, when you have the composition that you want from a scene.

Sean Tucker did a whole video about it and I thought, well, you’ve taken his advice in the past, so why not now.  I was a bit of a sissy, and didn’t use a film camera, but instead used the Fujifilm X100F so I could see what I as getting, but to be honest, I didn’t really need to.  I must have more self-confidence in photography, I must have more self-confidence in photography, etc.  I didn’t go F16 but stayed a little more conservative at F11.

Right, the geeky, photographer part of this article is over.  The rest of you can join in again.

So first the barber shop with a couple of photos along the way as my photographic warm-up.  This visual warm-up is as important as the muscular warm-up is for a runner or any other sportsman.  You get your settings right.  F11 because there were a couple of clouds in the sky but not enough for F8.  Remember the sunny 16 as a guide to this outing.

My goal was to go and get my flowing locks of hair shaved off, my beard to be transformed from a homeless guy into a dashing older Dude, and then get to Church, pop in to say hello to Jesus since I was too early for confession, and head off to the pub.

With less hair than before and having to battle away throngs of female admirers along the way, I eventually made it to the pub.  It was a quiet day at the pub.  Rob, or should I say the legend that is Rob, was standing outside ready to jump on any unsuspecting client that might come by and sit down on the terrasse.  He’s a good man, and we share a love of being daft and talking utter bollocks.  Our jokes are amazing, at least to us.  Others might disagree, but under torture will admit they were slightly funny despite being awful!

After a couple of pints of water to quench my thirst and some awful jokes I needed to pee.  On my way back up I fancied a little something to nibble on. 

Rob, do you fancy some Pringles and some dip?

Not really. 

Do you know what I really fancy Ian?

No Rob? 

Some shortbread… 

I wasn’t going to make it from scratch but I knew a place where I could acquire some for a reasonable price.  So off I went to the Comptoir Irlandais.  An establishment where you can find some of the world’s more comforting produce, tea, and shortbread included.  Back to the pub.

Rob who is half Scottish let me know what a great fan of Iron Bru he is.  Guess what I found at the Comptoir Irlandais?  Yes, you’re right Dear Reader!  Scotland’s number one hangover cure, not that I’m suggesting in any way at all, that the Scots would ever need a hangover cure, but if they did, this might be it.  It’s a Marmite thing.  You love it or you hate it.  Judging by Rob’s little eyes when I came back with the shortbread fingers, and that special drink, I think we can safely say he likes it!  We of course made a tonne of finger jokes, asking our Irish friend if she would like a finger.  Yes, we were at that level.  Fart jokes would have been a great leap forward.  And I think the phrase, that’s what she said, was uttered a few times too!  So all in all, yes, it was a very good day!

A Sunny February Afternoon


Sometimes you have brunch and just feel that all is well with the world. Well, that Sunday, all was definitely well with the world, or at least, well with my world, which isn’t a bad way to be on a delightful sunny February afternoon. Out in town with my camera, well-fed, and just wandering around, seeing what would turn up in front of my camera.

If I were to be honest, I know that if I go to such-and-such an area, I will get such-and-such a kind of photo, so we can’t about wandering around aimlessly, but there was a sort of randomness… Sort of.

Get ready for some technical information, which will hopefully explain the style of photos that I am presenting to you today. When converting my images to black and white, I edited as if I had a red filter on my camera and as if I were using black and white film. When using this red filter, anything that is blue comes out in a darker tone. It’s going to be easier to use an image instead of a thousand words…

Basically, anything that is a deep blue turns almost black and makes for a powerful image. Some people love it (I do), others don’t (ah well), and that’s all fine too! You get the picture!

A lot of the photos that follow will exhibit this effect as if they were case book studies. You need the sky to be a certain way or it just won’t work, but when it does, you get the kind of image that jumps out at you. That and the 16-35mm lens, you can’t really go wrong. Mind you, after that delicious brunch, not a lot could go wrong…