Why the Pentax ME Super Is the Perfect First Film Camera (Even in 2025)


Dear Reader, if you’ve read my last post, you will understand my current state of photographic helplessness after my X100F was taken out of service. Before we proceed, I want to take a moment to reassure my dear mother that I’m doing fine, being a big brave boy during this challenging time, and not losing my mind. I’m still getting my photographic fix, and I thank you, Dear Reader, for your understanding.

Now, let’s dive into today’s topic. The Pentax ME Super, a camera gifted to me by a fellow musician and dear friend, Robert McMillan, holds a special place in my heart. Using it brings back fond memories, and I’m forever grateful for the thoughtful present.

Introduced in 1979, the Pentax ME Super is a 35mm SLR camera that offers reliability and ease of use, making it perfect for those seeking excellent image quality. However, it requires proper focus and composition to make the most of its capabilities. When I use it, I approach photography in a similar manner to how I would with my beloved X100F, albeit with a slight adjustment due to the 50mm lens, which changes from the 35mm lens on the Fuji.

Technical Specs:

  • Shutter speed range: 4 seconds to 1/2000 second, plus Bulb – allowing wide apertures and excellent depth of field.
  • ISO speed range: 12 to 1600
  • Exposure control: Aperture priority
  • Viewfinder: 0.9x magnification, 95% coverage
  • Other features: include a self-timer, a cable release socket, and exposure compensation.

Handling and Ergonomics:

The ME Super is a well-made and compact camera, making it easy to carry around; it is almost the same size and weight as the X100F. The controls are user-friendly and well-positioned. The large, bright viewfinder helps, especially for those of us with less-than-perfect vision.

While it may not surpass the joy I find in using the X100F, the ME Super is steadily gaining ground, and its satisfying shutter noise is a small comfort during this time of longing. Loading and unloading film is a breeze, and the shutter release is smooth and responsive. Additionally, the camera’s reliability is reassuring, offering solace in the absence of the X100F.

Image Quality:

The Pentax ME Super consistently delivers excellent image quality. Composing shots is a breeze with the sharp and bright viewfinder, and the aperture priority exposure control ensures proper exposure. For someone like me who cherishes depth of field, the 1/2000 of a second shutter speed is a delightful feature.

Moreover, the ME Super is compatible with a wide range of Pentax K-mount lenses, providing versatile options for image-making. With my collection of 24mm wide-angle, 50mm F1.7, and 24-80mm zoom lenses, I’m well-equipped for various shooting scenarios, and there is even a 15mm wide angle lens, but I nearly peed myself when I saw the price!

The Verdict:

In conclusion, the Pentax ME Super is an exceptional 35mm SLR camera. Its well-made design, ease of use, and ability to produce outstanding image quality make it an appealing choice. If you’re searching for a reliable and versatile camera that brings years of photographic enjoyment, the Pentax ME Super won’t disappoint.

Pros:

  • Excellent build quality
  • Sharp and bright viewfinder
  • Simple and straightforward operation
  • Wide range of compatible lenses
  • Capable of producing excellent image quality
  • Built-in exposure compensation
  • Self-timer
  • Cable release socket

Cons:

  • Flash sync limitations at faster shutter speeds (i.e., more than 1/125)
  • Not an X100F

Overall:

The Pentax ME Super is an excellent 35mm SLR camera, offering great build quality, ease of use, and superb image quality. It’s a dependable choice for any photography enthusiast seeking a delightful film shooting experience.

Additional Information:

The ME Super remains popular among collectors for its exceptional build and image quality. If you’re interested in acquiring one, you can explore used cameras online or at camera shops. Additionally, you’ll find manuals and other valuable information about the camera on the internet.

I hope this review proves helpful. If you have any questions, please feel free to ask in the comment section.

But, most importantly, let me stop talking and allow you to enjoy some photos taken with the Pentax ME Super, capturing moments in Clisson and Nantes.

Post Scriptum

If the Pentax ME Super has caught your attention, I’d recommend checking out my other posts on classic film cameras like the Olympus Pen EE S (Aug 9, 2023) or my reflections on the lasting appeal of film photography in In Defense of Film (Aug 23, 2023). For a more in-depth look at the Pentax in action, mark your calendars for Capturing the Essence of Nantes: A Street Photography Journey with the Pentax ME Super and Kentmere 100 Film (coming Nov 17, 2023). And for those curious about the Fujifilm X100F, you can preview how it compares in Seeing the World Through 35mm: Street Photography with the Fujifilm X100F (Jun 21, 2023). A more detailed comparison between these two cameras is also coming this November!

Watching people watching art


Sometimes watching people watch art is half the fun. Especially modern art. It makes you question what art actually is. Sometimes you have to look twice. Sometimes you think a five-year-old could do the same thing, and maybe even better. Or, as in the case of the work “Comedian” by Maurizio Cattelan, your art gets eaten by a hungry student that skipped breakfast.

I always seem to put things off, so I’m obviously running behind schedule with this piece. Simply put, things seem to get in the way. I nevertheless believe that the idea has some merit. The exhibition itself ended on May 7th, and I’m writing about it now, 20 days later. Dear Reader, I am aware that you are understanding of your humble servant and that you are forgiving.

If I want to enjoy some art in the same manner that I have been known to enjoy a cup of tea and some cake, I think about going to the HAB Gallery in Nantes’ Hangar à Bananes. If you were in town last month, you could have seen the “Une ebauche lente à venir” show, which featured recent pieces by Léopold Rabus and Till Rabus, some of which were produced just for the event. This art helps you take a second glance and discover the fun and foolishness in art. You may see it in the images at the conclusion of this post. See if you can spot two mischievous dogs and two mischievous pigeons!

Still life and landscapes are combined and delve into the artist’s basic urge to paint. Léopold’s paintings are loaded with lovely and weird animals: cows, slugs, birds, flies, dogs, and deer in the snow; a mound of faeces; chicken coops; and fields. Till’s paintings, in baroque and extravagant compositions, are loaded with trash, people, and other consumer objects.

Léopold Rabus (born 1977) and Till Rabus (born 1975) are Swiss artists that pay close attention to the reality of the world around them, and their art is full of sarcasm and comedy, challenging preconceived notions of what is and isn’t beautiful.

This piece, however, is about those who are viewing art and absorbing it all in. Or are they simply devouring culture to appear fashionable? To be in, since who wants to be left out? The French and their elitism in culture!  Half the fun is watching those who make a concerted effort to “educate” themselves because it is trendy, a la Molière’s Bourgeois Gentilhomme, and those who take it all less seriously and enjoy watching the humour in the paintings and laughing at the absurdity of some of the pieces. I’m all for being an intellectual in intellectual settings where the study of art is academic, as opposed to the faux leftist intellectuals, yet at times art is about not being an intellectual. As Nike once tried to say, Just Do It!

The exhibition closed on the 7th of May.

A Breath of Fresh Air


It’s 15h31 on a Monday afternoon, and I’m laying in my bed writing this whilst listening to Bach played on the guitar. Molly is sleeping (and snoring) next to my bed and has just had a belly rub. I was out this morning with the Fuji X100F, driving around the countryside. Why wasn’t I at work, I hear you say, Dear Reader. Because I’m on holiday for the week. The weather has been dismal and verging on English! But today, the sun was, and is still, out. It was lovely just being in the countryside, just soaking up the sun and being at peace with the world. Even if I wished to I can’t handle drama or conflict at the moment, so it’s a self-preservation thing.

If you follow me on Instagram could be forgiven for thinking that I only deal in Black and White Photography, which appears to be my natural niche, but over here I have the freedom missing from the ‘Gram, and don’t have to worry about staying on brand or faffing about thinking about the infamous algorithm, which is the “baddie” that everyone loves to hate. A little like our French Président!

I’m not watching as much YouTube as I used to and am thinking about going back to it, for instruction, inspiration, and as a resource for a way of advancing along my photographic journey. I’ve been getting back into using the X100F in a big way too. Lightweight, and gets the job done, and continues to be slightly less conspicuous when on the street. But I think I’m becoming guilty of rehashing the famous review of the camera that I wrote last year.

One of the reasons for getting the X100F was the film simulations. At the time, I was moving from film back to digital and remember loving the results people were able to achieve. Those desaturated colours, warm tones, and a feeling of timelessness. I think I have mentioned Fuji X Weekly, and their recipes that one can use to get a feeling of various film stocks. You can tell me what you think looking at the photos below.

Friday afternoon in Nantes


Today was a good day. I like good days.  A mixture of barbershops, photography, cake and tea, and most importantly, friends. On this sunny Friday afternoon, I had the afternoon off from work, it would be a perfect day to go to the barbershop and get this beard of mine seen too.  I knew it was sunny just by looking out the window, and thought, let’s go manual today.

There is a rule in photography called sunny 16, that says when it is sunny, and not a cloud in the sky, you can put your camera at F16, the shutter speed identical to the ISO, or film sensibility, and all your shots should come out fine or at least well exposed.  It means that all you have to do is to concentrate on the moment and press the shutter when the moment is right, and by that I mean, when you have the composition that you want from a scene.

Sean Tucker did a whole video about it and I thought, well, you’ve taken his advice in the past, so why not now.  I was a bit of a sissy, and didn’t use a film camera, but instead used the Fujifilm X100F so I could see what I as getting, but to be honest, I didn’t really need to.  I must have more self-confidence in photography, I must have more self-confidence in photography, etc.  I didn’t go F16 but stayed a little more conservative at F11.

Right, the geeky, photographer part of this article is over.  The rest of you can join in again.

So first the barber shop with a couple of photos along the way as my photographic warm-up.  This visual warm-up is as important as the muscular warm-up is for a runner or any other sportsman.  You get your settings right.  F11 because there were a couple of clouds in the sky but not enough for F8.  Remember the sunny 16 as a guide to this outing.

My goal was to go and get my flowing locks of hair shaved off, my beard to be transformed from a homeless guy into a dashing older Dude, and then get to Church, pop in to say hello to Jesus since I was too early for confession, and head off to the pub.

With less hair than before and having to battle away throngs of female admirers along the way, I eventually made it to the pub.  It was a quiet day at the pub.  Rob, or should I say the legend that is Rob, was standing outside ready to jump on any unsuspecting client that might come by and sit down on the terrasse.  He’s a good man, and we share a love of being daft and talking utter bollocks.  Our jokes are amazing, at least to us.  Others might disagree, but under torture will admit they were slightly funny despite being awful!

After a couple of pints of water to quench my thirst and some awful jokes I needed to pee.  On my way back up I fancied a little something to nibble on. 

Rob, do you fancy some Pringles and some dip?

Not really. 

Do you know what I really fancy Ian?

No Rob? 

Some shortbread… 

I wasn’t going to make it from scratch but I knew a place where I could acquire some for a reasonable price.  So off I went to the Comptoir Irlandais.  An establishment where you can find some of the world’s more comforting produce, tea, and shortbread included.  Back to the pub.

Rob who is half Scottish let me know what a great fan of Iron Bru he is.  Guess what I found at the Comptoir Irlandais?  Yes, you’re right Dear Reader!  Scotland’s number one hangover cure, not that I’m suggesting in any way at all, that the Scots would ever need a hangover cure, but if they did, this might be it.  It’s a Marmite thing.  You love it or you hate it.  Judging by Rob’s little eyes when I came back with the shortbread fingers, and that special drink, I think we can safely say he likes it!  We of course made a tonne of finger jokes, asking our Irish friend if she would like a finger.  Yes, we were at that level.  Fart jokes would have been a great leap forward.  And I think the phrase, that’s what she said, was uttered a few times too!  So all in all, yes, it was a very good day!

Gone fishing


There are as many approaches to photography as there are photographers.  Some are top of the chain hunters with all the gear, going up mountains to get that special image.  Some are machine gunners, shooting everything in sight, hoping to at least hit the target once.  Some are scavengers, going out to know where people have already taken great shots, and just hope they can get something too.  Others are fishermen. 

And, of course, I identify as a fisherman.  Now, in a time, long, long ago, before I tried to reboot a semblance of a musical career, I used to go fishing.  I wasn’t a serious fisherman and didn’t have all the kit, but I had a couple of rods and knew what I could get put of them despite being a complete beginner.  I wasn’t really bothered about getting a fish from the river, to out of the river, and onto a dinner plate.  Even though it was an obvious bonus.  It was about being outside.  It was  hearing the sound of the river as it  was, about hearing the birdsong and about sharing something with my son.   It was like a sort of mediation.  You become so aware of every  sensation, and it brought me so much peace.   

I was far from being an expert, and getting up at the crack of dawn to go to a specofic spot just wasn’t going to happen. I didn’t chuck in a grenade to get everything out of the river.  Maybe I was a scavenger, without having the vain hope that they seem to have. I think it was my patience and gratitude for every fish that did it fr me. No instant gratification…

Could this apply to my photography?  Possibly.  Am I that hunter that will climb mountains to get that one shot?  Well it has happened, but only because there was a funicular.  Or because I was in Paris  and knew that I was bound to get something on film.  Or even in Nantes.

I have a  certain amount of gear and a certain number of cameras. I know how each piece of kit works and what I can get out of them. But the most important thing is being out of the house.  It’s  about being to detatch oneself from the scene and becoming an observer who is conscious of what is going on around you.  If you get that prize-winning photo, then great, and if you don’t, then great too.  Just having a pit stop to have cake, and a nice cup of tea makes everything worthwhile.

When I used to suffer from anxiety, that fact of being able to detatch from a scene and become a mere observer did me the world of good.  I was no longer in constant flight or fight mode.  With my 40 years of this photo lark, I have managed to take one some of the basics and still manage to get a not too shabby hit rate.   It’s about doing and not thinking.  Yes, of course you think about your composition and your settings, but just taking everything in is far more important.

Some people have sport.  Some have painting.  Some have a multitude of creative pursuits that allow them to express themselves.  It would appear that mine is exploring the world around me with a camera.   Sometimes you win, and sometimes you don’t.  The mere act of being out there exploring and letting the images present themselves to you can be enough. 

And they say that prayers don’t work!


As some of you may know, I am a Catholic. I pray. Not perfectly, but I try. Sometimes you feel spiritual darkness, where you think what the heck am I doing this for because it’s not working, but, with faith, you keep going. Because you believe. Because you’re not a child waiting for an immediate response, and you know that sometimes, you can’t feel God around, but then, suddenly, you get an answer and you know He was listening to you all along and that your faith in Him was being tested.

My son was the object of many Rosaries and prayers, asking God to help him through a breakup. He took it really hard, and of course, as a father, you worry. Especially me! You pray for healing in his life journey, and then this weekend happened. Firstly, on Friday I was allowed to leave work at Friday lunchtime as I was completely up to date, and I managed to get an appointment to get my beard seen to at the barbers. I was starting to look as if I was getting familiar with my vagrant side. The girl who looked after me was obviously very skilled and when I came out, I looked way better, almost like a regular member of society, and a little less like Karl Marx or Victor Hugo.

Don’t ask me why, but I was motivated to get into my kitchen on Saturday and start creating. I have, like many of you, Dear Reader, been infected by TikTok. Various styles of TikTok exist or rather various styles of videos that people gravitate towards. For me, all those filters are just a waste of space, and not really my thing, but what is, is the Italian American Nonnas, that share their food and cooking secrets. A lot seems to be pretty basic and uses few ingredients, but as one Italian chef refers to it, it is the “sound of love” as he swishes around the food in the pan. And he’s right, of course. Cooking for somebody is a labour of love! So, I cooked. I prepared food for my wife and daughter. It was simple and uncomplicated, but it was flavoursome. And flavoursome is a word that I have a great deal of affection for.

Killian came in to see what I was doing and to taste what I was doing. He approved of my decision. We agreed that we would cook later that day together for the evening feast and that we had to empty the freezer. We also agreed that the next morning that we would go to the shops to get some celery, so I could make some more sauces. But just celery, mind you… I humoured him and agreed. That night, we made the evening meal together. Alexa was on, and we were just two guys chilling in the kitchen making food. It was wonderful A real father/son moment. All was well with the world. He prepared the fish, and the mashed potato, and I was to prepare the French beans. We prepared our ingredients, chopped finely, or just seasoned ready to go into the oven. And put everything together for our meal. We even found some cheese to put on top of the fish pie to make it crispy.

The next day came along, and we were still on high from the previous evening. I saw my son with his hands in a bowl making something that looked awfully like bread! He was actually making Cheese filled Nan bread, which is like Nonna Bread, just less Italian… After two cups of tea, finding some clean socks, and getting dressed, we headed out to get our celery. I told him to get a couple of bags, knowing full well that we wouldn’t “just” get some celery. Yeah, but Dad, I don’t want to do the weekly shopping. Don’t worry, son, we won’t. Instead of getting a trolley, we just used one of the plastic baskets to limit my spending frenzy. I could see that he was starting to get worried about the amount of food entering the basket, and told him it would be alright. I don’t know about you, but when I’m in a food shop I don’t see produce, I see parts of recipes. I see what I can do with each bit of food and how it becomes an ingredient. With this, I can do that, etc. The total came up to €42 which is pretty good since without some discipline, and self-control, I could have filled up a whole trolley. It has happened in the past. Hence today’s helpful tip. Don’t go food shopping when you’re hungry!

Bouyed up on the day’s food, and fatherly son moments, it was with inner peace that I arrived at Mass that evening. Only very slightly late because of Nantes traffic, I didn’t feel too horrible! All of a sudden I looked up and saw this strange man. Except it wasn’t a strange man, but Jean Guillaume my old friend that I didn’t recognise at first because he shaved his beard. He had been through relationship troubles but was happy to present his new companion. I was so happy to be able to see him again after so much time. He left before Mass had finished, and when mass was over I messaged him to say to meet up the next Sunday and that we would go and get something to eat together and he could bring me up to date.

Lent is a time when we prepare ourselves for Easter by doing pennance and recognising our many sins. Back in the day, one would give up something, and then the bsihops started telling us to do something extra. After the success of last year, I’m giving up the drink, and as I’m already doing a daily rosary, I asked my wife to join me in praying it. It’s not always easy as she complains about the old fashioned way I say the prayers in French calling God Vous instead of the more modern Tu. I’m more familiar with the credo in French as I learnt it when Killian was a boy. but we still manage to do it though and find a common understanding, much like in our married lives. I started gently by doing on decade with her, but we’re gradually moving up a notch and by Easter I would hope for us to be able to do a full rosary together. I don’t know what effect it might have on us both, but one has to trust in God’s paln for us, and no prayer is ever wasted and sometimes are even answered when you least expect it…