Frame It Right: The Art of Composition in Photography Part IV


In my previous articles, we’ve embarked on a journey to understand the basics in photography. I have talked about exposure, set out some of the “rules” of composition, and even delved into the world of colour theory. Today, I’d like to introduce you to the rule of odds and the rules of space, two fundamental elements that will take your photography to the next level.

Before we talk about these new concepts, let me reiterate the importance of building a solid foundation. Just as we did with framing, negative space, and colour theory, it’s crucial to master each concept before moving on to the next. Take your time to learn and apply these principles in your photography journey. The other four articles will stay up, and you can read them at your leisure.

The Rule of Odds in Photography

The rule of odds is a composition guideline that suggests using an odd number of subjects or elements in your frame, typically three or five, rather than even numbers. Why? Because odd numbers tend to create a more balanced and visually pleasing composition.

When you use the rule of odds, you create a natural focal point within your photograph. Our eyes are drawn to the centre subject, and the uneven arrangement adds a sense of harmony and intrigue to the image. The result? A more captivating and dynamic photo that engages your viewers. It’s all about balance.


Rules of Space: Balance and Direction

Now, let’s look at the rules of space. This concept involves how you position elements and subjects within your frame to achieve balance and direct the viewer’s gaze. It leaves space for the subject and can be used in multiple ways as a storytelling tool. It can also be used in conjunction with the other composition techniques that I have talked about in my previous articles.

Tips

Think outside the frame. What is going on outside the frame becomes as important as what is oing on inside the frame. Let’ take the picture of the guitarist. Who is he looking at? What’s going on outside the frame? Is there an audience? Where is the audience? Using rules of space the viewer will more curious and be more engaged in the photo.

Conclusion

One can talk about composition and the effect it has on photography till the cow come home. People will always bring up “composition” and will always tell you how “they” would have done it differently. In these four articles you will now know what they are talking about and be able to decide for yourself. In absolute terms, “your” photographs are about what “you” saw, and only “you” can see that. But keep the rules that we have discussed in the back of your mind, and take your photograph with purpose and being conscious about what you are doing. Mindfulness is the key.

My next article will talk about the differences between 35mm film photography and medium format photography. For film enthusiasts or anyone else who is curious you will be entering into a new world. There are, of course, trade offs between each format, and we will discover them. Maybe you’ll be bitten by the Medium Format bug too… As always Dear Reader, I appreciate your enthusiasm, and I look forward to our next exploration together. Until then, happy shooting!

Zoo de la Palmyre


Over the Summer I did my best to not be anti-social and spend some time with my family instead of disappearing to go and take photos, and maybe eat cake and have a cup of tea. Hmmm, cake…

So, as a father I have to take everyone into account. We’d done a few visits to zoos in the past but had never been to the Palmyre. Well, why the heck not. Ok it’s about 2 hours away, but we can do that without wanting to kill each other. I let Virginie do the driving. Always best.

Many people have various opinions on zoos, ranging from how can you put animals in prison, to how great they are because of breeding programs etc. For me it’s about letting my family, and especially my children get to see animals up close, in a way that they could only see otherwise by travelling vast distances, or see in photos or on TV.

Even when passing from enclosure to enclosure, we take the time to see each animal, to see what it is doing, to see how it interacts with the other animals around it. We see where the animal would live in the wild, what it might eat, and through that information and observation we can maybe understand more about each animal. We also get to form a kind of relationship with the animal too. Even more so when it is fury and cute. But we see how strong they can be. Just look at the muscles on the chimpanzee. Some of the animals can be fed pop corn, which is conveniently on sale at the entrance to the zoo, and at various outlets within… We build a connection, even if it is by proxy. You can ask your child, “Well, which was your favourite animal?” And more importantly, “Why….?” The child will think about everything it has seen, and how those TV images have become more tangible.

For those of you interested in the purely photographical, the photos were taken on the Canon 6D Mark II, with the 75-300mm F4/5.6 zoom. I had no idea how to take photos of animals in a zoo, so treated the thing as a portrait shoot with various models, and not just fury cute ones…

Garden birds


I have always loved watching the birds in the garden and since I was a small boy we have always put out food for them. For my last birthday, my wife and children bought me a couple of feeders and they have been well used. It may sound silly, but it brings me such happiness and pleasure. The cats seem to agree.

I was using the Canon 6D Mark II with a 75-300mm F4 lens and the editing was done in Lightroom. I’ve tried to give another feel to these photos and keep them slightly unnatural, but it seems to work. I hope you think so too.

The river Erdre in Nantes and some birds…


It was Ascension Thursday which is a public holiday in France, and as usual I headed out to Nantes with my camera. The Canon had been getting jealous of the Fuji so I acquiesced.

Killian, my son, and favourite travelling companion (have a look at the photos from Edinburgh) came with me. We ate at the Suppli Factory, which was a lovely change, and also happened to be open!

We went round the St Nicolas Basilica (photos of which will be in an other article), and then walked up towards the Île de Versailles, which is an oriental garden themed park on an artificial island on the River Erdre in Nantes.

I had previously promised him a trip out in a small boat (you can hire small electric boats that you don’t need a permit for) and it was time to honour that promise.

The following photos were taken on that boat. It was a brilliant idea and the man that had it is obviously a genius. There was just the two of us. Sometimes joking. Sometimes talking. Sometimes saying nothing but just enjoying the father son moment.

I took out the 70-300mm zoom lens, just in case we spotted some birds that wanted their photographs taken. And it turned out to be yet another genius idea.

Île de Saint Cado


So you now that some of my French family lives in Brittany. Just near to where they live is the Island of Saint Cado. It’s one of those quaint places that you see on post cards. It can get a tad windy in winter, but the last time that I was there everything seemed fine.

So what you’re getting today is landscape photography and some wildlife photography. I’ve always like birds and birdwatching and I’m always on the look out. Today I saw a Spoonbill. It’s basically a big bird that wades in the water and has a beak (bill) shaped like a spoon. 10 out of 10 for originality, eh? It’s a bird that is quite rare in the UK and at 47 years old, this is the first time that I’ve ever seen one. I just stood there looking at him and snapped away. It was like being a child again.

I wanted to test some new ND filters with the 16-35 lens, and as you will see further on, I also had the 75-300 lens with me. All this on the Canon 6D Mark II.