September


Hello Dear Reader.  I’m not talking about the song by Earth Wind and Fire, but the month.  At least it’s being an ear worm and I can hear you hear you singing it in your heads.  I’m talking about September, the month, the return.  We have accomplished our re-entry into our everyday lives, and the routine that was missing in August is back.  The days are slightly cooler and have become more agreeable.  Instead of 33°C, we are back down to 23°C.  The nights are slightly cooler too and we no longer need our fans on all night like we did in August. When it’s hot, some people are in their element.  I, however, am not one of those people.  When you’re cold, you can always put a jumper on, and have a cup of tea and go inside.  But as contradictory as I am, as one friend recently pointed out to me, I do enjoy sitting outside on a Summer’s eve having a beer or three…

I love the holidays that August is famous for, but the obligation to enjoy yourself every day during these days of relative freedom is a pain in the arse. I don’t want to be melancholic, but this forced enjoyment of a good time is too much for me.  Club Med would be a nightmare!  I like my routine back.  Back at work and happy to be there.  We still have our weekends and can still enjoy them.  The jumpers are still in storage, but you hear the word “mi-saison” as the announcer of a more bearable climate.  The French news has gone the rentrée clips to showing how our Dear President has not been as good at selling submarines as other countries that can offer different and possibly more desirable options…  The Voyages à Nantes is over, and we will look for those works of art that have become permanent.  You can see grapes in the supermarkets, and other more autumnal products.  Soon we’ll be talking about the wine harvest…  In the UK it will be words like “chilly” making their return to everyday usage.  The merits of a “nice cup of tea” which will warm you up will become an object of conversation once more.  Biscuits or cake?

My daughter was born in September and this week is her birthday.  She will be twelve going on thirty.  I think she should run for President, as she seems to know everything already.  Let her fix the country.  If people go on strike, she could always sulk in her room and go on her phone…  That’ll show them!  At least she takes the dog out for walks around the village.  As any doting gather, I think she’s brilliant and can be hilarious and despite hating and eye rolling at my dad jokes, she still seems to enjoy them.  She can also turn into a she-devil at any instant and I’m trying to work out whether this is traumatic for me or just making life a little more interesting than it once was.

Molly, I think I’ve introduced her to you, is now a deb at the grand old age of 10, and has made her grand entrance in the pub, where I can be found from time to time, enjoying a pint of overpriced Guinness.  Me, that is, not the dog.  That dog of ours is one clean living dog, or a total abstainer!  She attended a Saturday night at the pub, and was noticed and loved by everyone.  She received strokes galore, was made a fuss of, and even had a couple of chips as a treat from the chip shop down the road.  My major concern was that I would lose her, but my hand stayed firmly on the lead, and the only trouble was her getting tangled in chairs.  I was amazed by the reaction to her, and she might be allowed to come out with me more often.  She’ll keep her canine eye on me, making sure I don’t get into any trouble. It’s amazing how that mutt has worked her way into my heart and is a real doggie dog, and always seems happy to see me.  To be honest, she’s happy to see everyone, but she knows how to make you feel special, in a way that only a dog can.  Unfortunately she can, with time, and dirt on her, become a little stinky-poohs, and on Tuesday I came home and gave her her cuddle, discovered a dog that had been to doggie hairdressers and was now as soft as you wish, trimmed up, and smelling lovely.  Maybe not as pleasant as finding a banknote hidden away in your wallet, but not half bad anyway!

This is supposed to be a photography blog, or at least from time to time, so let me tell about where I am on the photographic plain.  I’m still there.  Last weekend was the Journées du Patrimoine.  I could have gone into Nantes with my camera, and visit all those places not usually open to the public and get some more “exclusive” photos, but went to Clisson instead.  I never got there.  I had the Mamiya and a couple of rolls of film with me.  Exploring some of the local villages near where I live, I even managed to go to the Château de la Preuille, a local castle that has been a favourite of mine since arriving in St Hilaire in 2001.  With Medium format film, you get 12 images with each film when shooting with the Mamiya C220, and the amount of detail that is captured on the negative is amazing.  The project was to take pictures locally and see what I could get, and the restriction of 24 shots was interesting too.  It obliges you to make that little extra effort when composing your images, as you don’t want to waste that special film.  If this article has photos, then it means that I have developed my film before Friday at 17h.  Otherwise, they’ll have to be added later on. UPDATE: It appears that you will have to wait for the photos of Château de la Preuille but they will be put on here. For the moment, you get a bit of Saint Hilaire.

I shall continue to revel in this comparatively cooler weather, with the sunshine, and not much rain forecast for the next ten days.  I look forward to seeing you in my next article.  Until then, be good, and if you can’t be good, then be careful!

La Rentrée 2021


My Dear Reader, welcome to yet another article where I will try to find something interesting or witty to tell you.  I have neglected you over August, but as most French people do, I closed shop and was on holiday.  Since Covid and the world going base over apex, my company has decided that we only need three weeks’ holiday in August compared to the more traditional four weeks.  I am about to sing the praises of my wife, so for those of you who hate the luvvy-duvvy side of things, turn away now.  I take it you have all turned away.  

For the first ten days of my holidays, I was camping in my living room. My wife and I literally carried our bed downstairs and set up camp.  That was the less agreeable part of those first ten days.  However, my wife had decided to decorate our bedroom and change all the furniture and replace it with nice new furniture from the infamous Swedish flat-pack place that we all know.  I have a love-hate relationship with flat packs.  Firstly, they’re heavy and hardly fit into the car without all the seats down and your wife in the back of the car telling you how to drive, you bloody moron!  Secondly, they take up an awful amount of space in the garage whilst your wife gets to grips with decorating the room.  Painting the ceiling, putting up wallpaper you agreed to ages ago because it’s easier and you love avoiding conflict.  You don’t sleep well because everything feels strange in the living room and it’s hot too.  Thirdly, they have to be taken upstairs to be put together and there’s always something missing, and you know it’s going to be your fault, you useless fool!  

Anyway, with the help of friends, my son, and a mad screaming bitch, sorry, wife, we now have a haven of peace.  We not only have a haven of peace, but fitted wardrobes that took three days to put together, but look great, and I have a cabinet for all my photography gear and, most importantly, a desk.  

She is a champion, and let me assure you all, she has become human again!  It has been a life-changer.  

During the pre-let’s get this done otherwise I’ll go mad, clear out, we found some films that needed to be developed.  You do not know what might lurk on those reels of film, but you tell yourself that you must have taken them, so it shouldn’t be too bad.  I took in 9 rolls of film in.  I was told by the amiable lady that if any of them hadn’t been exposed that there would be no charge for the development.   Seems fair.

I returned to get the films and the contact sheets.  That still sweet lady told me I would be in for a surprise!  She was right.  I looked through the sheets of paper and saw images of my son, who was still a toddler, and having baths, and being dried by his mother and his godmother.  It took me right back to the end of the last century!  My beard was in colour in those days!

Encouraged by all this photographic success, I went out and took even more photos.  For those of you who follow me on Twitter, or Instagram you will have seen the stories and saw the cameras for the day: the Mamiya C220, and the Pentax ME Super, which were both gifts from a former teacher, and now a friend of mine!  Merci Mr McM!  

I do like taking photos and using cameras.  There’s something I don’t think you knew!!  It was good to be back out.  I am now double jabbed. Thank you to that lovely lady at the chemists who reassured me and said that I wasn’t the only guy in the world that has a phobia of injections.  Not only am I double jabbed, but I also have my Covid Passport, so I can go to the pub again without having part of my brain scraped out by a nurse with a long plastic thingy!  I have rejoined the general population.  

If you’re wondering what the French title of this article is doing there, let me explain.  Quickly though, I’m already at 750 words here.  The Rentrée is the re-entry into normal daily life after the summer holidays where people just weren’t there.  The children go back to school.  Those of use in employment, go back to that employment.  Our extracurricular activities start again.  Last night was my first wind band rehearsal in over a year (thank you, COVID), and it feels as if some relative normality has come back into my life.  

Back to the photos.  I shot the square photos on the Mamiya C220, using Ilford HP5+ film shot at box speed, developed in Ilfosol 3, and I took the other photos on the Pentax ME Super, using Fomapan 100 film developed in the same chemistry.  Fine grain with the Fomapan and not something I’m used to, but a change is good, right? Oh, and I took them at the Hangar à Bananes, and HAB Gallerie in Nantes.

The Olympus Trip 35


After the success of my review of the Fuji Film X100F, I am excited to introduce you to another fantastic camera. If you’re not a tech-savvy person, don’t worry, this camera is a breeze to use. In fact, even my seven-year-old daughter had no trouble operating it! Let’s delve into the world of film photography with the Olympus Trip 35.

The Olympus Trip, as the name suggests, was designed for travel photography and gained popularity in the 1960s and 1970s (production ceased in 1988). This point-and-shoot camera comes without any gimmicks, and while this may not be a style or fashion blog, the Olympus Trip 35 is a beautiful object that exudes undeniable sex appeal. Trust me; you’ll have people complimenting you on how gorgeous your camera looks. To add to its allure, I replaced the original wrist strap with a more comfortable and chunky version from Amazon.

One of the camera’s limitations is that you can’t change lenses. However, the 40mm Zuiko F 2.8 lens covers most situations you’ll encounter during your photographic journey and delivers stunning results, especially with modern emulsions! Just take a look at the X100F photos, and it becomes evident. While the Olympus Trip lacks the modern conveniences of a DSLR or mirrorless camera, it compensates with the absence of battery worries as it relies on a selenium cell for metering. You will need to get film for it, and it takes ISO (or ASA) 25 to 400, which works well for your travel needs.

Loading film is incredibly simple, even a seven-year-old can do it, just like my daughter did with ease. Once the film is loaded, you’re all set to explore the world through your lens. Let me explain how to focus the camera. The Olympus Trip uses zone focusing. As you turn the lens, you’ll see markings for different distances, such as a face, a couple, a group of people, and a mountain for infinity and beyond. It’s photography, not a film about Ants or Seven Samurai, so rest assured it’s easy to grasp.

Regarding shutter speeds, the camera offers two options: 1/200th of a second and 1/40th. The camera will automatically choose the appropriate shutter speed. With a 40mm lens, camera shake shouldn’t be a concern at 1/40th of a second. This versatility allows you to capture images at F22 with 1/200th of a second to F2.8 at 1/40th of a second. Keep an eye on the F-stop dial in the viewfinder for a seamless shooting experience. Set the camera to A (automatic) when not using a flash. If there’s insufficient light, a little red flag will pop up in the viewfinder, indicating that the camera shutter won’t fire. Rest assured; it’s idiot-proof!

To make it easier to understand how to load film, her is a helpful video from YouTube.

So, get out there and start taking some amazing photos! Embark on street photography adventures and capture the essence of your trips. The Olympus Trip 35 is here to be your trusty companion. Have fun and feel free to share your photos with the world! Mine are from a memorable trip to Portugal and the Canary Islands in 2016, shot on Ilford HP5 Plus film. Make of them what you will, and let the camera take you on a delightful photographic journey!

My Mamiya C220


My Mamiya C220, aka my little baby, aka possibly my favourite camera, has just been repaired. It is a Twin Lens Reflex, or TLR for those in the know. Why is it my favourite camera? For a few reasons.

Reason 1. I can actually see what I’m doing. I look into the viewfinder and can see everything really clearly without my glasses. The perception of depth of field is amazing and it’s almost like looking at a 3D tv screen.

Reason 2. It looks so cool! When I’m out on the streets the camera becomes a conversation piece. If I’m taking photos with my Canon 6D and zoom lens, people can get slightly tetchy and think I’m up to no good. Going for the understatement of the year award. However with the Mamiya they seem to think a guy with that big a camera around his neck deserve special respect, even though size doesn’t really matter and it’s all about the moment you’re capturing on film. It starts a conversation and therfore an exchange. You tell them that it’s Medium Format and what that entails. which leads me up to Reason 3.

Reason 3. It’s a Medium Format camera. Now, all the hipsters started discovering film a short while back, and talked about how awesome it was Dude! They were there with their Canon Ae1’s feeling so “with it” because “film is just so authentic man,” and because “film photography is real photography”, and that “digital just isn’t the same man!” Well guess what, you bearded little hipster you, film is how we OG’s rolled back in the day, because that was all there was. That was with 35mm film photography with 135 film. Medium Format just blows their minds because it’ 6 x 6, which translated means each negative mesures 6 centimetres by centimetres. Yes, size does seem to count again. You’re basically getting a huge amount of information on your negative.

Reason 4. Because of the depth of field you get with that 80mm lens. Alright you can get the same depth of field with a smaller lens, but it’s not the same. I’m worried that size is becoming a theme in this article and may show lack of confidence and hidden insecurities…

Reason 5. Did I say it looked really cool? I’ve just looked further up and it appears that I have already said that. Remeber what I said in a previous article about the importance of the “film process” which takes you from buying the film, putting it in the camera, taking the photos, right through to developing, and then scanning your negs, etc. When I use digital, it’s great. I love it. It is so dependable. I press a button and the camera can do so much. It’s like driving my Renault Scénic to work every day. It does the job and does it really well, and I still enjoy it. Taking the Mamiya out for a spin is like getting that beautiful vintage MG out of the garage and driving out to the coast, and just enjoying the wind in my hair, or my memory of what that felt like. It’s a camera that gets me excited to go out and take photos.

Was it good for you too? Right. Let’s get down to the nitty and the gritty and show you some photos. I used two rolls that day. One was Fomapan 120 format ASA 100, and the other was Ilford HP5 shot at box speed. The C220 doesn’t have a light metre so I calculated exposition using “Sunny 16.”

The Lockdown Diaries Part 2


If you’re still here then it means that you’re still alive and not dead from Covid 19, or the light beer virus for those in the know, which is a good thing after all. Soooo…

Lockdown is officially over but it doesn’t really feel like it. People are still covering their faces with masks, which would have been a motive to arrest people during the Gilets Jaunes demonstrations. Strange how things change so quickly.

I have a tendency towards social anxiety that can be treated with beer, but not the light variety. I tend to withdraw into my room and not come out. For the others it must be like living in a Victorian Mansion where you don’t go onto the East Wing despite the ominous noises that come out from there. Or me being a legend like the depressive yeti, where it was once seen near the fridge but then vanished. I think I mentioned that my son’s girlfriend was living with us during lockdown, and then one day there was a knock on my door, and she told me she was going home to her mother’s. That came a bit out of the blue, and I went into anxiety overdrive, like why is she leaving, what had my son done, what had any of us done, I’m sure I always flushed the toilet, didn’t I buy her her favourite jam for breakfast etc. Apparently it had been planned all along. She was just there for the duration…

It’s strange how you can get used to a situation and then all of a sudden everything changes and you don’t know what world you are living in anymore. It’s like entering the Twilight Zone, nah nah nah nah, nah nah nah nah….

Things are open here like shops, Mac Donald’s, schools and the like, but it’s not the same. The omnipresent fear of the dreaded virus is strong. No touching people, no being close to people, changes at work…. I hate it. Sometimes I’d rather be dead. Human kindness seems to have packed up ship and buggered off. Human warmth doesn’t exist. There is just this fear. People being short tempered and distant, and complaining about everything. Not just suspicious minds, but suspicious everything. The authorities say one thing one day, and then it changes. When we need strong leadership we realise that they are as shit scared as the rest of us and don’t know much more than we do. And yet life goes on, but I hate this life.

So what can I do about it? Not a lot. When I get to work I have to go through a checkpoint managed by my workshop bosses. They take my temperature, and put a small amount of gel into my hands. Nobody shakes hands anymore and you just go to your work station. The coffee machine has been shut off, and I really feel isolated in my stores. People used to come in and have a chat, but that’s gone. And I’m the lucky one. I have Alexa with me who plays me BBC Radio 2. The presenters do a great job, and it makes me feel less alone, but it’s not the same.

I know I shouldn’t complain and just keep calm and carry on, take it on the chin, and stiff upper lip and all that, but this situation is without precedent in my lifetime, and is slowly wearing me down. Thank God I still have my photography. It really is my only therapy and gets me out of the house and doing something constructive.

Talking about photography, let’s please, move onto something les anxiety inducing. The following photos are of the pond and prairie that I talked about in my last article. There is a mixture of digital and film photos. I have been exploring the notion of pushing film. This not involve putting a film canister in the table and nudging it forward gently, but not exposing it at box speed.

Let me explain. I buy Ilford HP5 Plus black and white negative film. Normally it is to be exposed at 400 ASA. However, by under exposing and extending the developing time you can get a little more contrast on the negative. Other consequences are that with less light, I can still have smaller apertures and get more in focus. I will get more grain but that’s fine. It adds to the analogue photo I think. You’ll see what I mean when you see the photos. There will be three galleries, one showing digital images, one showing the images from the film exposed at 800 ASA, and the last gallery showing images exposed at 1600 ASA. How does that sound?

This first gallery was taken with the Canon 6D Mark II and the 16-35 mm F4 lens.

This second gallery was taken on the Pentax ME Super with a 50mm F1.7 lens with Ilford HP5 but pushed to 800 ASA

This last gallery was taken on the Canon AE1 Program with a 50mm F1.8 lens on Ilford HP5 but pushed to 1600 ASA