The Opening of the Film Archives – Trentemoult October 2016

This was another Ian and Kate day.  Similar in concept to the Ian and Killian day, but a day where I can dedicate myself solely to Kate.  She’s fifteen now of course, but I should spend more time with her.  If she’ll let me of course.  At the time she was only seven—simpler times where I could make her happy with just a nice tea, a boat trip across the river, and just wandering around exploring the intricate streets of an old fishing village on the “bords de Loire.”  There are no cars in the narrow streets, and the children can run wild.  

This day was one spent in Trentemoult, that rather colourful village that you can see here. The colours are intense and provide a great backdrop for portrait photography. So of course I went in with a film camera and black and white film.  Which only goes to show that when you photograph a location, however colourful, and take away the distraction of that colour, you have to really concentrate on composition, texture, and forms.  I couldn’t rely on colour for my photos today.  But I was sure that I could reveal some good photos despite that.

So what do you do?  You just try and capture some moments of your daughter messing around and being a perfectly normal seven year old.  I tried to capture her exploring the streets and being absorbed by the whole ambiance of the place.  She became part of the scenery, and blended in perfectly.

I was just there purely to observe and record the day on film, with one eye in my camera and the other on Kate.  It was a good day.  

Looking back at those moments reminds me of how quickly time seems to slip by without me realising that I am getting older.  She of course is slightly older, and possibly slightly less “insouciante” or carefree, but my love for that girl is still as strong as ever.


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Ian James Myers: A Candid Exploration of Life, Humor, and Cultural Observations

I did something daft the other week. I fed ChatGPT a stack of my own blog posts and asked it to tell me who I am. Not in a therapy sense, more out of curiosity: what does a machine make of a couple of years of rambling about cameras, French bureaucracy and my own bad moods. What came back was three paragraphs of the kind of praise you’d get from a wedding speech written by someone who’s never actually met the groom.

Apparently I’m “a unique blend of wit, introspection, and cultural curiosity.” Apparently my writing “invites readers into my world” and “reflects the complexities of my mind.” It called my grouchiness “self-professed” and said my life has been “anything but conventional.” All true enough, in the way a horoscope is true enough. None of it sounded like me. It read like someone had skimmed a summary of a man and never sat in a room with him.

So here’s the real version, since you lot deserve better than a chatbot’s book report.

I’m 52. I grew up in the UK and I’ve lived in the Vendée since 2019, before that near Nantes, so I’ve had a good long stretch of being the Englishman who doesn’t quite get it, and the Englishman who gets it a bit too well. French bureaucracy still makes me want to put my head through a wall. French bread has ruined every other bread on earth for me. Both things are true at once, and that’s more or less what living here has taught me.

I moan about birthdays. I moan about getting older, my knees, and the French obsession with paperwork in triplicate. I’ve written about mental health here more than once, not because I’ve got it figured out but because pretending I have would be a worse lie than just admitting I don’t. If a post of mine has ever made you feel less alone in whatever you’re carrying, that matters more to me than any of it sounding polished.

I’m grouchy. I’ll own that one, no “self-professed” required. But I’m also genuinely grateful for the people who turn up here, comment, tell me I’m wrong about something, or just read quietly and never say a word. Thousands of you have clicked through over the years and I still don’t fully understand why, but I’m glad you do.

What the AI got right, in its clumsy way, is that I don’t hide much. The bad days, the arguments with myself over whether a photo’s any good, the culture-shock gripes, they’re all here on the blog because that’s more interesting to me than a highlight reel would be. What it got wrong is the tone. I’m not a beacon of anything. I’m a bloke with a camera and a horn and a house in the Vendée, still working out what I think about most things, still willing to say so out loud.

Was it eye-opening, having a machine mark my homework? Not really. Was it funny? Yes, in places. Am I letting ChatGPT write about me again? Probably not, or at least not without editing out every third adjective first. If you know me, or you’ve been reading a while, tell me in the comments whether any of it sounded like me. Be honest, that’s what the comments are there for.