Tag: 16-35mm

Sea Mist

Posted on Posted in Alnmouth, Café Culture, Reportage, Travel photography, United KingdomTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 3 Comments

Right, I’m going to be completely honest with you Dear Reader, and tell you that the next few articles will be about my Summer (sorry 12 days in Summer) whilst in the UK. No novels, just photos. I might tell you a little about the context of the photos, how they happened, and under which circumstances they happened. So basically it’s my holiday snaps and not creative writing. Just thought it fair to warn you in case. You never know.

I mean, I say holiday snaps, but I have tried to keep a certain standard and make the photos look good! I wouldn’t dare do otherwise!

So, let’s get some context. The last time I was in Alnmouth I didn’t have my Canon 6D Mark II with me and I didn’t have my 16-35mm lens. As you might know by now, this is my other favourite set-up and rivals the Fujifilm X100F. Yes, I like to go a little wider when I can!

Now the following conditions were something that I had never seen before here but really knocked me for six. It was suddenly that the beach disappeared. This fog just came from the sea and ate up the entire village, like me, with a piece of cake. Gobbled it up as if it were the last cake on the plate. The whole place became quite eerie and when on the beach, I couldn’t even see the sea. I could only just make out some people sitting on the beach being very English and bloody-minded. Well, we got here. It’s foggy, but we’re still going to have a good time on the beach. It was almost French… Almost…

It was my first morning in the village and I had slipped out saying that I was off to take some photos. I was, of course, but said nothing about going to Scott’s of Alnmouth, which is a rather gorgeous deli, and coffee shop. It used to be the village Grocers, and I love what they’ve done to the place. It looks magnificent, and I also follow the owner on Instagram and was so happy to get there after so much time. I was welcomed as an old friend which always makes me feel special. The coffee was the best coffee that I had ever had in the UK, which is saying something. British people are good at tea. The French are excellent at coffee. The French have traumatised me with what they think of as a cup of tea. Warm tepid water with not enough tea, no milk, and a crappy little biscuit to say sorry. British coffee inspires the same disgust in me. Killian and I, famously, once tried Costa coffee, and said never again! And when I say never, I really mean never. However Scotts of Alnmouth destroyed the myth that the Brits know nothing about coffee, and I was very agreeably surprised. The generous slice of Tiffin that I had with it had nothing to do with my state of happiness. Well, it did, of course, but the coffee was superb!

Happy Birthday Wife!

Posted on Posted in Architecture, Black and White Photography, France, Street Photography, Travel photographyTagged , , , , , , , , , , , , , , , , , , , , , Leave a comment

Today is the 13th of May 2022 and is my wife’s birthday. It is also Friday the 13th, so I don’t know how I should be feeling, happy for my wife but slightly preoccupied by lady luck deciding to have fun at my expense. Strangely, in France, Friday the 13th is considered lucky. What a peculiar country!

But what a strange coincidence though? But little did I know that 30 years ago, almost to the day that we first met how many coincidences there actually were…

She is born on the 13th, and me on the 26th. 26 being the double of 13. As a Catholic, yes, it happens, I have have always felt close to the Virgin Mary. My mother is Anne, the mother of Mary, and my beloved Grandma was called Mary. My wife is called Virginie… But you could argue that a lot of Catholic women were called Mary or Anne. We also live in the Vendée which has the number 85 – 8+5=13.

Today is also the feast of Our Lady of Fatima who appeared to three children in Fatima in Portugal in 1917.

Can you see a pattern developing here?

Anyway, it doesn’t, in any form, detract from the fact that it is my wife’s birthday today. I used to be great at thinking of presents for everyone, be it Christmas or birthdays. I just knew exactly what to look for and where to find it. Now, as in a lot of things, I now know nothing. What do you get for the person who has everything, including Yours Truly? My dream solution, my daughter seems to have stolen my talent and also seems to be very good at spending my money, but this time it is for a good cause.

Tomorrow, we will celebrate in a dignified manner with friends and have a barbecue, with salads, meats, and sausagy things that have been drawn up on the famous shopping list. It is a long shopping list and in a sudden and surprisingly rare instant of genius, I dared to add, don’t forget the charcoal Darling. The charcoal had been forgotten? I had’t saved the day, but I think I scored at least one brownie point.

So now you know what awaits le this weekend. Last weekend was a little more musical. When I first arrived in Vendée just over 20 years ago I played the horn for the local wind band in Montaigu. It was local and it got me out of the house and introduced me to local people who would eventually become friends. After a certain amount of time I got bored and didn’t feel challenged which is not a good thing to happen. You find that resentment can build and boredom never helps. I eventually stopped playing the horn and felt I had had enough, and then in 2009 a friend from the band said that’s had started playing with the windband in Cholet and I played with them from then on, even getting to the point of trying to get my French teaching diploma, but with burnout, and a change of horn teachers, that idea fell by the wayside. I cut music right back to the basics.

Durning Covid, the old conductor from Montaigu died, and within the year his wife died too. At least they’re together now. The band in MOntaigu had wanted to have a concert to remember them by, and last Satudray, after a lot of work by the band committee, they managed it. As an old player, I was invited to join in, and it was a lovely experience.

During the rehearsals, I received news that my boss in Cholet was resigning at the end of the year. Certainly unexpected, but I think I know some of the reasons why. All of a sudden, choices opened up to me. The band in Montaigu found out, and I was told that if I wanted, they would be happy to have an extra horn player. Not an easy decision to make, and I will certainly think about it. It would certainly mean less driving, and with the price of petrol, that is one huge argument. I feel a certain loylaty for the boss at Cholet even more so than for the band itself. not only is he my musical director but has over the years, become a friend. I’ll keep you posted.

Sunday was going to be about rest and relaxation. I felt I couldn’t face Nantes, and would be going to mass there anyway later on. So I went to Clisson instead. We all have those pretty towns just near us. In Hull, it was Beverley, in Noisy le Sec, it was Paris, and in Saint Hilaire it’s Clisson. I’m not denigrating the places that I have lived, but they were also slightly cheaper places to live, but that’s by the by…

I seem to be getting back into using my Canon DSLR and loving it too. It’s the 16-35mm lens that does it. And as you can see in the photographs from that day, Clisson is very photogenic, almost more than Nantes, but let’s not tell everyone, or they’ll all want to go there…

Palm Sunday Photography

Posted on Posted in Black and White Photography, Nantes Photography, Street PhotographyTagged , , , , , , , , , , , , , , , , , , , , , , 2 Comments

Last week I wrote about Palm Sunday and the importance that it has in the liturgical calendar.  Today I would like to talk more about photography.  In my article about the Canon 6D Mark II and the 16-35mm lens, I talked about how it seemed to be a less productive day, and it was indeed, and that next time would be possibly different.  New day, and different light, by definition.  Well, it was.

Spring has sprung, we have changed hours on the clock, and the weather seems to be a little less despicable with some nice sunlight, whilst still having some lovely light fluffy clouds to be amazed by.  Whenever that happens, I know how I want my camera.  I want it, firstly, with me, otherwise, photography becomes a more laborious pursuit.  Secondly, when doing my editing, I want to reproduce the effect of putting a red filter on my lens as if I were doing black and white film photography.  The blue skies become darker and the fluffiness of the clouds just seems to pop out.  Add a little contrast, and bob’s your Aunty, or Uncle depending on his or her pronouns…

It might seem slightly old fashioned to you, but I find very this type of image very pleasing, and it gives off a certain old-timer vibe, and as an old-timer, at least compared to the young timers, I’m more than happy.  Everything is relative anyway.  Maybe I am of the age where I no longer care about impressing people and just want to do things my way.  I’m not saying I don’t love a compliment either.  All men do.  Ladies, never underestimate the power of a compliment to a gentleman.  We may seem cool on the outside, but on the inside, this compliment will boost us for ages.  Try it.  I dare you!

I parked the car at the Feydeau underground car park, and just walked along towards the castle, and for me as an introvert, actually dared to ask somebody if I could take their picture, at least a picture of their shoes.  The young lady was most obliging and said yes.  Thank you.  One of my favourite photos of the day and in “colour!”  Then the famous Miroir d’eau, which is more subtle than Bordeaux’s water mirror, but in Nantes, you get the reflection of an enormous castle, which is where I went next.  Don’t worry, you won’t have to follow each and every pace.  You can do that by looking at the photos at the end of the article.

I parked the car at the Feydeau underground car park, and just walked along towards the castle, and surprisingly for me as an introvert, actually dared to ask somebody if I could take their picture, at least a picture of their shoes.  The young lady was most obliging and said yes.  Thank you.  One of my favourite photos of the day and in “colour!”  Then the famous Miroir d’eau, which is more subtle than Bordeaux’s water mirror, but in Nantes, you get the reflection of a huge castle, which is where I went next.  Don’t worry, you won’t have to follow each and every pace.  You can do that by looking at the photos at the end of the article.

To sum up, a very fruitful outing, with a break at the pub, so, even more reason to describe the day so worthwhile.  Thank you for following and feel free to share your impressions.  I promise not to bite!

How was your weekend?

Posted on Posted in Black and White Photography, Nantes Photography, Street PhotographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 3 Comments

Well, on Friday night we had the consecration of Ukraine and Russia to the Immaculate Heart of Mary.  As a Catholic, and, as somebody who has actually been to Fatima, and knows what a big thing this is, it was a very moving and special moment.  The majority of us wish peace for Ukraine and wish for an end to Putin’s invasion, and anyone who says it’s just a special military operation is in serious error!  Since the beginning of the invasion, this is a start of hope in this grizzly war.  Let’s keep praying for them!  What else was Pope Francis supposed to do?

I’m sorry if Catholicism isn’t your thing, but it is mine, and I wanted to get that out there.  You can hate me later.

On Saturday, I felt slightly out of it, especially after the emotion of the previous evening.  I felt tired and just wanted to sleep and rest.  During the week, I had started reading up on using an ultra-wide lens as a portrait lens.  As it happens, I have one for my Canon 6D Mark II.  The infamous 16-35mm.  If you look at previous articles and on my Instagram feed, you can see the results that I have managed to get from this setup.  I love the distortion that this lens gives me.  It allows me to create images that although taken in real life seem to have an otherworldly feel to them.  “They” say it’s all about creating images that “stand out” and I’m all for that! 

So instead of just reading up on it and wishing, the best thing to do is to pull the proverbial finger out, get the kit out of the camera cupboard and use it!  I’ve been using my Fuji camera systems lately and I thought it would be good to have a change.  I’ve been so happy with the Canon and the 16-35mm lens in the past, and have had such great results with it, so I was feeling really geared up and positive. 

Then I got out and for some reason, I just couldn’t get into the zone.  I was fortunate enough to get a couple of half-decent photos, but I certainly wasn’t feeling it.  I kept at it with my legendary stubbornness, but I knew it wasn’t a good day.  I know you can’t have a good day every day, but I usually do better than that.  Let me assure you, however, that this is only temporary, and that next Friday afternoon I will have another go. Not every photo was useless as you can see in the gallery, but you do feel a certain frustration.  You’re all geared up to create and then you get performance issues. Still no idea why, but it could always be worse. I could have given the booze up for Lent and therefore not be able to have a pint of Guinness to console me. Oh, wait…

There’s a difference between knowing the theory, having practised, and being able to reproduce great results every time.  That is probably the reason that I am still an amateur and not a pro.

I will not let this discourage me and next time is next time.  If this ever happens to you then please don’t fret about it.  Sometimes it’s just not your day.  It doesn’t mean that you are a bad photographer, it just means that it’s not a good day on a given day.  Be stubborn.  Keep going.  Don’t give up.  Show the buggers what you can do!

Here are the photos.  Not all of them were horrible, and one or two shine out, which is actually quite good. Tell me what you think.  How should I change my approach for the next time?

curved football pitch Nantes
tree sculpture
Flowers
trees, sun, shade, nantes
street in Nantes
Chateau de Ducs de Bretagne, or Nantes Castle
Rays of light in the streets of Nantes
Eloge du pas d'à côté de Philippe Ramette (pas de papier)
People int eh streets of nantes on a Saturday afternoon
Starbucks in Nantes with some nice shadows

Why do I bother taking photos?

Posted on Posted in Architecture, Nantes Photography, Street PhotographyTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , 2 Comments

Sometimes you read an article, or watch a YouTube video that makes you sit up and think, yeah, that person’s right about that. Why do I even bother? Is it about self-validation through the Gram? Is it the process? Is it to provide a document?

Watch the video first and then we’ll come back and have a chat. OK?

So why do I bother taking photos? Well? Have I slipped into the “selling myself” on the Gram, and also trying to find a social acceptation and validation through my photography? Quite possibly, but not solely, but I would be lying if I said I didn’t give a damn about the likes. I love it, but despite that I would still continue. This past week I have been on holiday. I have been looking at the weather to see what kind of light I could get, but more importantly to see if I would get rained on! Sgt Gilbert once told me dinnae worry Petal, your skin’s waterproof. And he was, of course, right. But I do prefer being dry, the way I like my Martini.

So why do I do I bother? I could go on about my fascination with cameras that started at an early age and developed as time went on. You can read about all that on my About Me page. I still get off when I go into a camera store, but strangely more when I go into a film camera store and see all the historical models and stuff from another era, que les moins de vingt ans, pourraient jamais connaître, as Aznavour said in one of his songs. But it’s not just the kit, despite having spent a certain amount of money collecting. I have to justify each thing I buy and it has to allow me to progress. Sure I’d love a Leica, and maybe one day I might acquire one, but I don’t need one to progress. But above all, I love the process. I love the process of going somewhere, getting my camera out, and just taking a photo. It’s amazing. My OCD loves doing film photography, because there are more steps to getting the photo and you have to go through more hoops to get there. Choosing the film you’re going to use, putting it into the camera which will shape the photographs you will take, and winding on the film after each shot. I also love the sound that the camera makes. The click and hearing the mirror going up and smacking back down telling you that you have just created and image. I don’t get that with digital cameras, but I still love Digital. It really is getting out, and just seeing what you’ll get. If I want more control over the outcome, then I’ll be in my studio where I can control everything. But isn’t leaving it to chance so much more exciting?

So does this still mean that I’m an amateur photographer? Can I still take photographs just for me? Yes, but I do like sharing them with you. But as I’m not selling my photography as a professional, I have this freedom to take photographs on my own terms. I can choose to go where I want to go. I can choose what is important to me especially when I’m out. This is what I did in that first outing of my holidays. Showing them here is like my Latrigue albums. Sure, I share the hell out my articles, but it’s not like putting everything on the gram, and I know well that not a tremendous amount of people will see them. Here people generally look just at the album at the end of each article. And you know what, that’s great!

Social Media will change, and so will Instagram. Some would say it has changed hugely from its inception. Facebook, has morphed into this enormous monster too. But they are only temporary. Art, if I can be as bold to call what I do, art, has been around for centuries. Photography is starting to get established after 150 years. People did it before Instagram, and will still do it when Instagram no longer exists. Will I still be doing it? Possibly. I have this need to create images. I have this desire to record the world around me. If people didn’t see them, would it stop me? Probably not. Is it part of leaving a legacy for my children’s children, sharing events and places from my relatively short time on God’s earth? Definitely. A picture can tell a thousand words. I can see one of my photos, and remember what was going through my wind when I took it. It brings me right back to that instant.

The question raised in this video for me was about the process of photography, and would I still do it if nobody was to see any pf my photographs? Yes I definitely would. This photography lark has provided me with a kind of therapy which allows me to stand back from the world and observe it. I am no longer an actor, but merely an observer and I can press record if I want to. It gets me out of the house and outside trying to find new places and visit old places too. It has given me an opportunity to learn new techniques and offer myself different options to allow my creativity to manifest itself. There is still something so magical about creating an image that excites, and enthrals me. Yes I will keep going.

Thank you for perusing moments that no longer exist. Just as an afterthought, I should probably tell you where these photos were taken. Trentemoult, just opposite Nantes, on the south bank of the Loire river. And taken on my Canon 6D Mark II, with the 16-35mm lens.

Barber shop portraits

Posted on Posted in Nantes Photography, PortraitTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 2 Comments

Dear Reader,

I have neglected you and have been away for some time. I needed to get rid of the introspection and get over it. I have also tried to learn new things and have been experimenting with using speedlites and light modifiers. Now you have already seen the beginnings of this exploration, but I have managed to find new victims, I mean models and was even asked by my barber if I could take some photos for them too.

My father always taught me to be good to people. Goodness will never be wasted. If somebody throws it back in my face then it is a réélection on them and not me. As long as my motives are pure then all is good, so to speak. I have been to that barbershop since it opened and have followed their progress over the years. When I am in Nantes I seem to always have a camera around my neck, as you never know when that “shot” would come along. And whilst waiting my turn I might take a couple of photos and I would of course give them a copy of each photo.

I am more an introvert so the idea of meeting a complete stranger and building a quasi instant rapport with the person is a pretty daunting prospect. Maybe it is what is the most difficult for me. I have been given various means of getting through this scary barrier. Some say, fake it ’til you make it, but it’s not really for me. One thing I did use was get the person to pretend being in a photobooth. I’m generous and so give them 5 shots instead of four, to pull funny faces and get it out of their system. It generally works and I encourage the person in front of the lens, and show them the first images and get them more at ease… I suppose if it works, then it works.

They also see me getting all my kit ready and set up, and you can see a kind of wonderment in their eyes, as if this guy is really serious, so we’re going give it a good go.

So last week I had dropped a message to my son asking him to give me a hand and be my assistant. He was there for moral support and to help me lug my equipment from the underground car park to the actual barbershop He did it brilliantly. So we arrive and they were waiting for us. We introduced ourselves to everyone, new staff, and learnt each other’s names. It’s always nice to say Kim, instead of hey you. Cassiopée was used to being in front of the camera and was fine posing and smiling, and what was worrying me was not being able to get a “real” portrait. Paco, the poor lad was just busy cutting hair.

This of course, raises the subject of what is a “real” portrait.

Portrait photography is about capturing the essence, personality, identity and attitude of a person utilizing backgrounds, lighting and posing.

I don’t know how far I am managing to take this concept on board but I’m trying. So, Cassie was easy to photograph, but Kim was a different matter. She told me before shooting that she didn’t feel at ease being photographed, but when showing her the photographs when I took them, she began to build her confidence, and her colleague helped her too. We did single portraits, then a whole load of portraits of the two girls together. I think the extrovert side of Cassie helped Kim to be less conscious of the camera. It was there but by the time she finished she could have gone for more. Thank heavens for Cassie.

I knew that my camera settings were the right ones for the result I wanted, and my lighting set-up was the way I wanted it and I was getting consistent results which is good too, which just allows me to get on with taking the photos and concentrating on the person in front of my lens. Who doesn’t look good in a low key portrait. I think they have certain elegance that you don’t get in different portrait formats, however much I might love candid street portraits.

Photographs of the inside of the Barbershop.
Inside the barbershop

As I had been asked by the boss to take the photos I felt it was not the time or moment to experiment and decided to keep myself in the “safe” zone. I’m lucky in the way I have a daughter in law or daughter who are always up for being photographed and don’t’ care me trying something new. It had been decided that I would take some portraits of the barbers, and some of the Salon itself. Looking back I was just trying not to take up too much space and for the ambiance shots I might have been better using a wider angled lens to get a larger angle. Each “job” has its constraints I suppose.

Soooooo, the equipment contained the Canon 6D Mark 2, the
Godox TT600 Flash Speedlite, an umbrella with a diffuser, and a Manfroto stand, and a black and white reversible, collapsible backdrop. The two lenses i used wer the 16-35mm F4.0 ans the 50mm F 1.8.

Thank you also to O Barber Nantes, to Cassie, Kim, and Paco, and Bryan who just happened to be there, for being really kind to me and accepting me and letting me getting on with some photography.