A Sunny February Afternoon


Sometimes you have brunch and just feel that all is well with the world. Well, that Sunday, all was definitely well with the world, or at least, well with my world, which isn’t a bad way to be on a delightful sunny February afternoon. Out in town with my camera, well-fed, and just wandering around, seeing what would turn up in front of my camera.

If I were to be honest, I know that if I go to such-and-such an area, I will get such-and-such a kind of photo, so we can’t about wandering around aimlessly, but there was a sort of randomness… Sort of.

Get ready for some technical information, which will hopefully explain the style of photos that I am presenting to you today. When converting my images to black and white, I edited as if I had a red filter on my camera and as if I were using black and white film. When using this red filter, anything that is blue comes out in a darker tone. It’s going to be easier to use an image instead of a thousand words…

Basically, anything that is a deep blue turns almost black and makes for a powerful image. Some people love it (I do), others don’t (ah well), and that’s all fine too! You get the picture!

A lot of the photos that follow will exhibit this effect as if they were case book studies. You need the sky to be a certain way or it just won’t work, but when it does, you get the kind of image that jumps out at you. That and the 16-35mm lens, you can’t really go wrong. Mind you, after that delicious brunch, not a lot could go wrong…

He’s still wider…


Dear Reader, in my last article I said I would try and get some more photos for your delectation. On Saturday I was in a rehearsal room all afternoon playing for a new orchestra. The Symphonique des Bords de Loire, which basically means on the river Loire just south of Nantes.

The Orchestre d’Harmonie de Cholet have just just changed musical direction, and all of a sudden I was looking for a new direction (not the pop group), so I seized the opportunity to make a change and start playing some more “classical” music in a different setting. I of course wish them the best of luck with their new conductor.

So that’s where I was on Saturday afternoon and so wasn’t really busy capturing images with my new toy.

My wife has decided to get to some Spring cleaning. Who ever said you can’t do autumnal Spring cleaning? Vive la différence! My cleaning skills despite military training in the early nineties have been declared not up to my wife’s standards and methods so my apparent incompetance is your gain, and also allows me to be out taking photographs with my new toy, the 12mm TT Artisan fish-eye lens on the Fujifilm XT2. At least I’m doing something creative instead of getting shouted out for being bloody useless.

So, I am now in town taking photos at the Hangar à Bananes which is seriously lacking in bananas before going to Sunday night mass, and looking after my soul. You get a different kind of crowd on a Sunday night and it feels a little more exclusive. I will then proceed to the pub for a pint of Guninness to look after the Guinness family, and to continue to drink the pub dry one pint at a time. This is a life long quest so I can take my time instead of do it all in one session. I suspect that they might being re-supplied before I can dent their stock. I suppose it’s just a feeble excuse to go to see my friends and talk bollocks all night.

Here is the photographic evidence of the time spent this afternoon pursuing artistic endeavours!

He went wider


Dear Reader, you know how in the past I have talked about how some of us love the big massive telephoto lenses?  And how others like to go wider?  And how we start of with the “nifty fifty” F1.8 and learn on that?  That was in the days before digital photography and a world where zoom lenses came to the fore.  We had them before in the days of film photography, but my memories are of using these prime lenses, and zooms seemed to be looked down on.  I wanted to go wider.

I remember my first proper photography course where I learnt the basics of film photography, going from taking the photo, developing the film, and getting a print as an end result.  I remember seeing a photo of a horse taken with a massive head taken with a wide-angled lens and finding it fascinating!  When I said the head was massive, the lens deformed our view of this majestic beast and its body seemed smaller than its head, which is something indeed.  It was then that I learnt a photograph doesn’t have to represent a visual that is faithful to the subject.  We can mess around with reality and show the world completely differently.

So, as I said, I learnt photography with a 50mm lens.  These 50mm seem to be closest to how the human eye sees the world.  It represents reality.  In 2018 I acquired the Fujifilm X100F which has a lens equivalent to a 35mm lens.  Slightly wider, but still represents the reality of this world, and is considered “the” street photography lens par excellence.  It has a larger angle of view and allows me to get a little more in the frame and I felt the difference with the 50mm straight away.  It was still a great lens and very versatile until I tried taking a close-up portrait.  All of a sudden, I discovered some distortion in my model.  I’m not saying that my model is deformed, well, no more deformed than any of us. 

Suddenly watching YouTube, as many of us do apparently, I discovered the 16-35mm F4 lens from Canon for my Canon 6D Mark II.  It was a little more than I had ever paid for a lens, but worth every centime of euro and so satisfying.  If you care to have a look in the archives of this blog on my Instagram feed, you will discover many photos taken with this lens.  My desire to go wider was now a reality.  Distortion of reality was now in my hands.  I could create interesting images.  I discovered the way a very wide-angled lens can transform the world around us.  Leading lines exist all over the place, and the wide-angled lens exaggerates each line, leading or not!

But, and this is a big but.  You fellas can’t deny… It is possible to go wider.  I know.  Exciting isn’t it!  My mind is now blown!  There is a lens, a very special lens, called a fish-eye lens.  This type of lens can offer you even more distortion and make the world seem even weirder than it already is!  Canon does one.  It’s a 15-8mm zoom lens.  There are two types of fish-eye lenses.  One will give a rectangular view, however distorted, and one will give a round image with a black frame.  It’s a wonderful piece of engineering and for over €1000 it can be yours.  But for €1000 it can’t be mine simply because I can’t justify spending that much money on camera kit and might even be cause for divorce.  Since it is cheaper to keep her, I would have to look elsewhere instead of buying a super duper automatic lens from Canon.  So like any self-respecting poor photographer I went onto Amazon and found a manual lens for my Fujifilm XT2 (like the famous X100F except I can change lenses) for 169€ which is slightly cheaper and a slightly more reasonable purchase, and my dear wife didn’t bat an eyelid!  Not batting and eyelid is a very desirable reaction!!!

I will go out this afternoon to test this new toy and get back to you with some pictures!                                          

A View from the Garden


Sometimes you know that you’re going to get a reasonable couple of shots. The conditions just fall into place. Sometimes you have to break away from your Guinness and your parents hoping that they will understand.

We were out in the garden having a drink before eating that evening. It was a Sunday evening, and the day had been wonderful, and there was me thinking that it couldn’t get any better. It could! I had my Canon 6D Mark II with the 16-35mm lens which is a favourite of mine. The previous day’s sea mist had made a comeback. Now fog always makes for some very atmospherical photography as you can see here.

This view is what decided my parents to buy this house all those years ago when they first moved further north from Newcastle. With various winters and storms, some trees have had to come down, but that view through those trees just brings peace to any beholder.

Enjoy and find your peace…

How was your weekend?


Well, on Friday night we had the consecration of Ukraine and Russia to the Immaculate Heart of Mary.  As a Catholic, and, as somebody who has actually been to Fatima, and knows what a big thing this is, it was a very moving and special moment.  The majority of us wish peace for Ukraine and wish for an end to Putin’s invasion, and anyone who says it’s just a special military operation is in serious error!  Since the beginning of the invasion, this is a start of hope in this grizzly war.  Let’s keep praying for them!  What else was Pope Francis supposed to do?

I’m sorry if Catholicism isn’t your thing, but it is mine, and I wanted to get that out there.  You can hate me later.

On Saturday, I felt slightly out of it, especially after the emotion of the previous evening.  I felt tired and just wanted to sleep and rest.  During the week, I had started reading up on using an ultra-wide lens as a portrait lens.  As it happens, I have one for my Canon 6D Mark II.  The infamous 16-35mm.  If you look at previous articles and on my Instagram feed, you can see the results that I have managed to get from this setup.  I love the distortion that this lens gives me.  It allows me to create images that although taken in real life seem to have an otherworldly feel to them.  “They” say it’s all about creating images that “stand out” and I’m all for that! 

So instead of just reading up on it and wishing, the best thing to do is to pull the proverbial finger out, get the kit out of the camera cupboard and use it!  I’ve been using my Fuji camera systems lately and I thought it would be good to have a change.  I’ve been so happy with the Canon and the 16-35mm lens in the past, and have had such great results with it, so I was feeling really geared up and positive. 

Then I got out and for some reason, I just couldn’t get into the zone.  I was fortunate enough to get a couple of half-decent photos, but I certainly wasn’t feeling it.  I kept at it with my legendary stubbornness, but I knew it wasn’t a good day.  I know you can’t have a good day every day, but I usually do better than that.  Let me assure you, however, that this is only temporary, and that next Friday afternoon I will have another go. Not every photo was useless as you can see in the gallery, but you do feel a certain frustration.  You’re all geared up to create and then you get performance issues. Still no idea why, but it could always be worse. I could have given the booze up for Lent and therefore not be able to have a pint of Guinness to console me. Oh, wait…

There’s a difference between knowing the theory, having practised, and being able to reproduce great results every time.  That is probably the reason that I am still an amateur and not a pro.

I will not let this discourage me and next time is next time.  If this ever happens to you then please don’t fret about it.  Sometimes it’s just not your day.  It doesn’t mean that you are a bad photographer, it just means that it’s not a good day on a given day.  Be stubborn.  Keep going.  Don’t give up.  Show the buggers what you can do!

Here are the photos.  Not all of them were horrible, and one or two shine out, which is actually quite good. Tell me what you think.  How should I change my approach for the next time?

Cloé in front of my lens


It was last Friday, and we were only doing 36 hours this week at work, so I was free on Friday afternoon. I like to go and visit my son, and his girlfriend, as I know I’ll be allowed to have a nice cup of tea and be able to talk photography without being told how boring I am. My daughter-in-law asked if I would like to come round as she was doing a photoshoot with somebody from Instagram. There was a friend to do make up and hair, and we would take it in turns being made up and photographed. Sounds like a deal right?

I of course turned up to early as they were getting the other girl from Nantes. I was asked if I could get pizza and off I went to get pizza; It’s easier like that. I got back and everyone was there. Elise, my ex-daughter-in-law, Maureen, to do the make up, and Cloé the girl from Instagram who was along for the ride. That morning I had piled up all my gear and put it in the boot ready for the off. I had a couple of lights and some modifiers for speedlights. It was going to be a good day. Tea, and pizza in the same phrase has to be a good omen.

Elise does a bit of YouTube and has a three light set up for her videos. Fine for video but not so good for photography. As you might have seen I have been exploring the use of artificial light in photography and seem to be on the, if not right path, then certainly a path that is taking me somewhere. So, I wasn’t a fan of these video lights and thereofre set up my own. A flash, that would flash into an umbrella and the light would come back through an translucent white diffuser giving off a nice soft light. Yes I’m a big softy! I had a new led light to act as a hairlight, and was able to turn the power down so it wasn’t too harsh.

Elise started off and it interests me immensely to see somebody else start working and see how they interact with the model. The model being Cloé already made up by Maureen. I would take the occasional “behind the scenes” for Elise. I wasn’t happy with the light, so when it was my turn I turned everything off and just allowed my lights to work their magic. i’m becoming a fan of this soft light and seem to have understood the basics of how it might work and what it might do for me.

Cloé wa already “warmed up” if you can say that, and we started talking about her complexes about the way she looks. I showed her the first photos that we were getting and she seemed happy with the way it was going. I shoot RAW and JPEG at the same time. It means that I can see my black and white image on the screen and it gives me an idea of what I will achieve later whilst editing. I will however only edit my RAW file, as each pixel contains so much more information than a JPEG file, and although less destrucive than back in the day, it is still a feature of JPEG files even though they have progressed immensely over the last 15 years.

We kept talking and caught her laughing at some of my Dad jokes that she hadn’t heard before. I would see a picture I like and then activate the shutter. The first few reminded me of Anne Frank, and what she might have looked like had she have survived the war. Now I’m feeling sad about all that suffering in the camps. What an utter waste of human life.

Anay, we kept going and the feeling of the photos changed and looked slightly more modern. It is 2021after all. I switched to the X100F which is usually for street photography but holds it’s own in a studio environment, and the 35mm equivalent lense was great for getting some full body shots. The fact that Cloé was sitting on the floor gave a very flattering angle and I think I might just have to do it more often.

Before showing you the photos I would like to say a huge thank you to the three girls for putting up with me and the very generous feed they gave me. It gives one such a boost, and at the moment it’s a wonderfull thing to have. Covid is getting right on my wick, and although I know that this situation is temporary, it feels slightly less temporary.

So the tools used for this shoot… Canon 6D Mark 2 with a 50mm F1.8 lens, a Fujifilm X100F with a converter so I could go from a 35mm equivalent to a 50mm equivalent. The fash was a GODOX TT600 speedlight with GODOX X1T triggers.