The Opening of the Film Archives – Le Hangar à Bananes July 2016


Continuing our journey through the film archives, we find ourselves on the Île de Nantes, home to the iconic Hangar à Bananes. Let’s rewind to July 2016, when I captured this vibrant scene with my then favourite Canon AE1. Once a shipbuilding powerhouse, Nantes had cleverly repurposed its abandoned infrastructure into a bustling hub. The area is now home to the fantastical Machines de l’Île, the historic Chantiers Navals, the towering Grue Jaune, and of course, the Hangar à Bananes itself. Back then, the Hangar was a hive of activity, buzzing with picnics, impromptu barbecues, and lazy afternoons under the summer sun.

My goal was to capture that unmistakable “Summer Vibe.” As always, I started with the architecture, drawn to its striking modern lines, a refreshing departure from the stark brutalism of the 1970s. The clever use of texture and the innovative design of the apartment buildings particularly caught my eye.

That summer, the Voyage à Nantes festival had a brilliant idea: communal barbecues for everyone. Genius, right? You simply brought your food, and they provided the grills, charcoal, tables, and chairs. It might not be Texas, but the French know their way around a barbecue, and being the food lovers they are, they go beyond the usual sausages and burgers. It was a true testament to what a public space should be – a place for everyone to gather, share, and simply enjoy themselves.

Then there was the dancer. He was just filming himself with a GoPro, but the way the sunlight caught his movements and the glistening sweat on his skin was mesmerising. It was a fleeting moment, the first and only time I’ve ever photographed a dancer, but it left a lasting impression. There’s something undeniably captivating about the human body in motion.

My wanderings continued to the edge of the island, where the mighty Grue Jaune – now a “monument historique” and a symbol of Nantes – stands tall. Walking past and through this enormous yellow crane was an awe-inspiring experience.

Along the riverfront, the Anneaux de Buren, a series of massive rings, stretched out in a mesmerizing pattern. At night, they transform into a dazzling display of vibrant reds, blues, and greens – a photographer’s dream, offering endless possibilities for capturing leading lines, geometric shapes, and unique framings of the cityscape.

And of course, no photo series of mine would be complete without the obligatory bike shot. It’s a bit of a tradition for me.

Even now, in 2024, the Hangar à Bananes still exudes that same “Summer Vibe.” It remains a popular spot for after-work drinks with friends and colleagues, boasting a variety of restaurants, bars, the HAB Gallery, and the infamous “Warehouse.” While the area can get a bit dicey later at night, it’s perfectly safe and enjoyable for a daytime visit or an early evening soirée.

Why the Pentax ME Super Is the Perfect First Film Camera (Even in 2025)


Dear Reader, if you’ve read my last post, you will understand my current state of photographic helplessness after my X100F was taken out of service. Before we proceed, I want to take a moment to reassure my dear mother that I’m doing fine, being a big brave boy during this challenging time, and not losing my mind. I’m still getting my photographic fix, and I thank you, Dear Reader, for your understanding.

Now, let’s dive into today’s topic. The Pentax ME Super, a camera gifted to me by a fellow musician and dear friend, Robert McMillan, holds a special place in my heart. Using it brings back fond memories, and I’m forever grateful for the thoughtful present.

Introduced in 1979, the Pentax ME Super is a 35mm SLR camera that offers reliability and ease of use, making it perfect for those seeking excellent image quality. However, it requires proper focus and composition to make the most of its capabilities. When I use it, I approach photography in a similar manner to how I would with my beloved X100F, albeit with a slight adjustment due to the 50mm lens, which changes from the 35mm lens on the Fuji.

Technical Specs:

  • Shutter speed range: 4 seconds to 1/2000 second, plus Bulb – allowing wide apertures and excellent depth of field.
  • ISO speed range: 12 to 1600
  • Exposure control: Aperture priority
  • Viewfinder: 0.9x magnification, 95% coverage
  • Other features: include a self-timer, a cable release socket, and exposure compensation.

Handling and Ergonomics:

The ME Super is a well-made and compact camera, making it easy to carry around; it is almost the same size and weight as the X100F. The controls are user-friendly and well-positioned. The large, bright viewfinder helps, especially for those of us with less-than-perfect vision.

While it may not surpass the joy I find in using the X100F, the ME Super is steadily gaining ground, and its satisfying shutter noise is a small comfort during this time of longing. Loading and unloading film is a breeze, and the shutter release is smooth and responsive. Additionally, the camera’s reliability is reassuring, offering solace in the absence of the X100F.

Image Quality:

The Pentax ME Super consistently delivers excellent image quality. Composing shots is a breeze with the sharp and bright viewfinder, and the aperture priority exposure control ensures proper exposure. For someone like me who cherishes depth of field, the 1/2000 of a second shutter speed is a delightful feature.

Moreover, the ME Super is compatible with a wide range of Pentax K-mount lenses, providing versatile options for image-making. With my collection of 24mm wide-angle, 50mm F1.7, and 24-80mm zoom lenses, I’m well-equipped for various shooting scenarios, and there is even a 15mm wide angle lens, but I nearly peed myself when I saw the price!

The Verdict:

In conclusion, the Pentax ME Super is an exceptional 35mm SLR camera. Its well-made design, ease of use, and ability to produce outstanding image quality make it an appealing choice. If you’re searching for a reliable and versatile camera that brings years of photographic enjoyment, the Pentax ME Super won’t disappoint.

Pros:

  • Excellent build quality
  • Sharp and bright viewfinder
  • Simple and straightforward operation
  • Wide range of compatible lenses
  • Capable of producing excellent image quality
  • Built-in exposure compensation
  • Self-timer
  • Cable release socket

Cons:

  • Flash sync limitations at faster shutter speeds (i.e., more than 1/125)
  • Not an X100F

Overall:

The Pentax ME Super is an excellent 35mm SLR camera, offering great build quality, ease of use, and superb image quality. It’s a dependable choice for any photography enthusiast seeking a delightful film shooting experience.

Additional Information:

The ME Super remains popular among collectors for its exceptional build and image quality. If you’re interested in acquiring one, you can explore used cameras online or at camera shops. Additionally, you’ll find manuals and other valuable information about the camera on the internet.

I hope this review proves helpful. If you have any questions, please feel free to ask in the comment section.

But, most importantly, let me stop talking and allow you to enjoy some photos taken with the Pentax ME Super, capturing moments in Clisson and Nantes.

Post Scriptum

If the Pentax ME Super has caught your attention, I’d recommend checking out my other posts on classic film cameras like the Olympus Pen EE S (Aug 9, 2023) or my reflections on the lasting appeal of film photography in In Defense of Film (Aug 23, 2023). For a more in-depth look at the Pentax in action, mark your calendars for Capturing the Essence of Nantes: A Street Photography Journey with the Pentax ME Super and Kentmere 100 Film (coming Nov 17, 2023). And for those curious about the Fujifilm X100F, you can preview how it compares in Seeing the World Through 35mm: Street Photography with the Fujifilm X100F (Jun 21, 2023). A more detailed comparison between these two cameras is also coming this November!

February Continued…


In my last article Dear Reader, I promised you some colour photography and in this article, you’re going to get it.  The sun was still warming my back and it felt good to be alive again!  I talked about missing out on the Jaune in the Grue Jaune, but not this time.  Shorter article maybe but some great colour for you.  When I bought the Fujifilm X100f one of the things that had was the Classic Chrome film simulation, which was supposed to emulate Kodachrome which of course died in 2009 and can no longer be processed.    The X100f of course has other film simulations, which you can look up on the web, but that Classic Chrome look just got me.  A slightly more subdued colour range with a certain warmness and something that you just can’t quite put your finger on, which reminded you of an age gone by in photography.

I mean the whole camera seems to have a certain vintage vibe to it despite all the technology hidden away inside.  The little knobs and buttons everywhere just remind you of a film camera.  How was I supposed to resist?  As you can see in various articles and various photo galleries, I didn’t resist and I’m still OK with that!  I even went on to acquire an XT2 with interchangeable lenses, which offer me more variety in the kinds of shots I can take, as well as keeping the same feel to my shots. 

Everyone says to shoot in RAW.  I can hear them even now saying, “Shoot in RAW you fool!”  Well I do, but I also shoot jpegs to have those images already colour edited to fit that Chrome feeling.  It’s consistent and I still have my RAW files to fall back on if needed.  The Fuji Jpegs are amazing and it helps me to cut down on the amount of editing that I have to do.  I’m basically lazy, so if I can avoid doing something and yet get a perfectly satisfactory result, then I’m going with the path of least resistance. 

On this outing, I was using the 18mm (24mm equivalent) lens with the XT2.  Again, I’ve talked before how I decided to go wider instead of longer, and if any of you are laughing at this point, get your minds out of the gutter!  I’m talking photography!!

So without much further ado, let me present you with some colour photography taken on the XT2 in Nantes.  

P.S.  I think I found the banana….

Hello February


I hate you January.  What a month for depression, for shitty and pissy weather!  Christmas is a souvenir and we have all recovered from the hangovers from New Year’s Eve.  Why can’t the year start in mid-February or even in March?  You bring darkness and cold with you, and with Covid we’re not out all the time huddled together enjoying ourselves even if we have had three shots!

IJM Photography

February, on the other hand, sees days getting longer and slightly brighter, but with January’s rain still lingering like a hard to treat MST that you just can’t get rid of.  But the sun is starting to make an effort and poke its head through the clouds.  Sometimes it even manages it!  You can see daffodils growing and want to flower.  The hedgerows are green, but only with evergreen plants.  The blossoms have yet to come but won’t be long.  First is the blackthorn, which ironically has white blossom.  Nature seems to get its backside in gear during March.  But even now we have milder weather…

The French government, in its infinite wisdom, with only the very slightest whiff of irony, has decreed that from the 2nd of February, face coverings no longer need to be worn outside.  The French government, again, in its infinite wisdom, with only the very slightest whiff of irony, has also decreed that from the 16th of February we can stand at the bar to get drunk and no longer have to sit.  We can also go to nightclubs. Although not my scene at all, I could go if I so wished.  COVID isn’t over but it would appear that party time is starting once again.  A little later than in number 10, but starting anyway.  That there is an election in May and the fact that the governing party doesn’t want to look like party poopers has nothing to do with it.  Boris didn’t let it impede his partying.  Boris is also a self-righteous buffoon.  Don’t be like Boris.  I remember when Boris used to be a rather rotund Russian chap, fond of promoting vodka and heart surgery…  Those days are long gone…  But he certainly seems to have had more fun than Vladimir, which is not surprising when you’re not at all planning on invading Ukraine like you did in 2014… Keeping the peace? More like taking the peace!!

But let’s get back to France, Nantes, and photography, or rather me I, France, Nantes, and photography.  Since the beginning of the year, we have been granted our Friday afternoons off by the company I work for.  This allows me time to get off my rather large backside and go out and take some photographs.  Sometimes, I have my daughter with me, and sometimes I’m just on my own.  Like that, she doesn’t eat my cake!  SO, I walk around in the sunshine and feel alive again.  Don’t be jealous, this last week has been very rainy and depressing, but it should be fine tomorrow and next week looks OK.

I usually hang out in the centre of town but for the last couple of weekends, where it has been sunny, I walked along the river Loire in the infamous Hangar à Bananes which is lovely during the day, but not so much at 2am when the bars throw people out.  I’m not saying that it’s a magnet for crime, but I would say that during the day and early evening, it’s lovely!  Take from that what you will.  Far be it from me to infer insecurity where the city council says there isn’t any and we’ll fight it with culture.  You can lead a horse to culture, but you can’t make it drink unless it’s an Irish horse, which would make things easier.  And you don’t have to get a seat for your horse now.  It can drink at the bar without being judged. Wonderful isn’t it!

Right.  Time for the photo bit of the article.  You’ve been very patient and now you will be rewarded!  The photos are a mixture of the two weekends, and a mixture of colour and black and white photography.  It would be a shame to miss out on seeing the Jaune in the Grue Jaune.  And although you can get some beautiful images in the rain and even difficult light, it is so much more agreeable to not have to deal with it! The photos are taken on the Fuji X100f with its 35mm equivalent F2.0 lens, and the Fuji XT2 with its 16mm F2.8 lens.  I’ll let you have a look at the photos now.  Thanks for reading this far! I’ll leave the colour photos for another post. Let’s not get mixed up now… won’t be long. I’ll soon get it sorted.