China – from Changsha to Yongzhou

Good morning, Dear Reader. Now, I know from the photos below you will find it hard to believe that it was actually Christmas Day! I didn’t believe it either. But it was! We were about to get to know the routine of our tour. Let’s get down to the nitty-gritty: Get up, skip breakfast, get on the bus, stop off at a service station along the way, buy snacks and water, get to the next city, get to the hotel, drop off luggage, go to a restaurant for lunch, hand over our passports, get the keys to our room, inspect our rooms, get a quick shower, get into concert attire, get to the venue, rehearse, and get used to the acoustics of the venue. Then, get back to the hotel, eat, go to bed, and repeat. This was to be my life for the next two weeks. Oh, and get some photographs to show you, my Dear Reader.

We had been warned that the seats on the bus had been decided and there would definitely be no changes. Final. End of story. Out of the question! Don’t even think about it! So, of course, my roommate Corentin decided to raise a massive hoo-ha about the whole situation and at our December concerts, started dropping slightly unsubtle hints, which were to continue in the SBL China WhatsApp group.

Christmas Day came around, and on our bus was Corentin. The little bugger had succeeded and worn down Madame le Président. So not only was he to be my roommate for the tour, but also my bus mate. He was happy! As was I. He’s an amiable boy and also good company. He looked after Uncle Ian very well during the tour. His enthusiasm, albeit sometimes tiring, was infectious.

As the Boy Scout I once was many, many moons ago, I had learned the importance of “being prepared.” For our first service station stop, I knew they don’t use cards as we do. Apple Pay etc., are not used either. But it wasn’t a problem as I had Alipay. I knew there was something about scanning a code or being scanned, and that payments could be done this way. I was ready. I had done everything correctly. But, as in most military campaigns, no plan survives first contact. The bloody thing wasn’t working. I had had my daily happy pills, so I didn’t feel the need to panic, even though my heart was racing. I created another account, and it worked from there on in. I was still furious, though. Those snacks looked amazing. Although the chicken feet might have been a bit of a challenge—not your first idea of a tasty snack… Ah well. The youngsters at the back took pity on Uncle Ian and let him taste some of their snacks. Certainly different, slightly more spicy, and not like what you might find in a French service station, with their legendary overpriced sandwiches…

We eventually arrived at Yongzhou, and we were shepherded into our hotel. We dropped off our bags and crossed the road to the restaurant. On the way over, one of our bassoon players had a funny turn and ended up visiting a Chinese hospital ER. Not what we were hoping for, but we saw him later that day, and everything was a lot better, though he was still being watched over. We were all very worried about him, but all we could do was pray, hope, and not worry. He was in good hands.

The restaurant was in a shopping centre. Lunch? When I say lunch, I mean banquet. We were seated at enormous round tables, though I thought that taking on the role of Arthur might be overdoing it a tad. In the middle of this huge round table was a circular glass tray, where, as if by magic, dishes laden with Chinese food would appear. The drink served with the meal was jasmine tea, which was very nice too and felt so very refined. Then somebody said the magic word: Beer! Surprisingly, smiles appeared on our faces too! I’ll tell you a little more about that later on…

The food, of course, was amazing, and I started feeling that I could get used to this—and of course, I did… At the end of the meal, the Corentin love machine went into action, and he was covered with Chinese ladies of all ages vying to get a selfie with him. It was then that I dubbed him Sir Fanny Magnet! He was very happy with his new name and fame. So that’s what it’s like taking one for the team! Bless his cotton socks.

Then it was my turn. Walking to the restaurant, I had noticed a shop selling goat’s milk products, and the ladies inside seemed overjoyed to see us passing by. They were even more buoyed up when we passed by them again! They asked me if they could take a photo of me with a small bottle in hand. I, of course, acquiesced as one must, and I have the feeling that my Chinese modelling career was just about to take off. It was also most amusing, and certainly flattering. I felt amazing. The Corentin for the more mature and discerning Chinese lady… The others laughed as they passed by, taking photos and giggling. But why on earth not? You have to get into the swing of things!

The lady responsible for my bourgoning China top modelling career…

Back at the hotel, I got showered and changed into my concert suit and looked rather dashing, if I don’t say so myself. After the success of my photoshoot post-lunch, I was still on a high! Off we went to the concert venue for the evening’s performance. It was all very impressive, as was the welcome by the theatre staff. The actual stage was huge, and for the afternoon rehearsal, everything was ready for us. We just had to walk on stage and play. I could definitely get used to this. I even managed to get a few photos, including a short series of the boss playing Gabriel’s Oboe from the soundtrack of the film “Mission.” Not the impossible one, I hasten to add.

It was during this rehearsal that I got to know our soloist, Jennifer Councier, a little more. That girl’s voice is amazing and fills up the whole amphitheatre. She’s an absolutely wonderful singer.

The concert went very well, and the audience was on grand form. When Jennifer sang the Chinese song, we had only played the first two bars when the audience joined in. Can you get any better than spontaneous audience participation? Probably not. Apparently, the Chinese love a Viennese waltz by Strauss. They were also tickled pink when Corentin and Catherine, one of the first violins, and another couple of dancers went into the audience to waltz around. That poor boy got far too much attention. But he seemed to love every minute of it, judging by the grin on his face when he came back to join us on stage. The audience lapped up each piece of music, and their reception of our music was something I’m not going to forget for a long while. After our “Christmas” concert, we got back on the bus to go back to the hotel and eat. I know, more delicious food.

We were to eat at a different restaurant that evening. The food was amazing, and the place had a feeling of being a place for the locals too. Not just that, but they had beer too. Alipay had decided to work. Uncle Ian was about to have a “sesh.” Our colleagues drifted back to the hotel for a well-earned sleep. Uncle Ian was having a grand time of it. Uncle Ian was very happy about Alipay working, and the bonhomie was infectious, so much so that a table of Chinese lads offered me a beer and wished me a Happy Christmas. It certainly was turning out to be a very Happy Christmas. Now, these lads had a box of beer by their table and quite a few bottles on their table. They were having a great night. After our French colleagues left us, we invited them over to share some merriment. I wouldn’t describe myself as a drinker, but I will say that I have a knack for downing a beer at a rapid rate of knots. By the end of the night, our new friends for life, and of course, bosom buddies, were starting to feel a little wobbly on their legs. Corentin made me promise that I would just have one last beer. So one last beer it would be. He seemed a little terrified of the way the soirée was heading. He’s such a lovely boy for worrying about Uncle Ian… He managed to drag me away from our new friends and got me back to the hotel. Was he saving me from our new friends for life, or was he saving them from me. Only time will tell. I think the key phrase to the evening was “as happy as a pig in shit.”

Our new friends for life. Thank you Corentin for allowing me to use these images! The poor buggers didn’t know what hit them…

Beer, you see, has a special kind of magic to it. There’s something about it, something fundamental, that bridges gaps and makes two men from opposite corners of the world feel like old friends. Wine might carry elegance, and liquor can be quicker, but beer? Beer is no-nonsense. It’s a drink that demands little more than appreciation for its simplicity.

There’s a quiet dignity in a cold bottle, clinking against a glass, that says, “We’re here, we’re sharing this moment.” In a way, it carries a sense of noblesse, a kind of unwritten rule of hospitality: come, sit, have a drink, and let’s talk without pretense. There’s no rush, no grandiosity—just two people connecting. In the unlikeliest of places, beer brings people together, like a bridge that spans cultures and backgrounds.

I don’t mean to sound too lofty about it, but there’s something wonderfully egalitarian about beer. No matter where you’re from—be it France, or far-flung places like China—a beer is always the same. And, like some sort of unspoken contract, it helps dissolve differences.

Of course, there are jokes about beer that always float to the surface in these moments. Take, for instance, the old Irish joke about the “Irish queer”—and by this, I mean someone who prefers women to beer! It’s a bit cheeky, a bit irreverent, but in those rare moments when the last sip of beer is shared, it feels just right. Nothing can quite compare to the camaraderie that forms over a few cold ones, whether you’re bonding with a colleague or making a new friend halfway around the world. It’s this pure, unspoken connection that beer uniquely brings, and in that, it’s a drink that transcends.

And on these very wise words, I will leave you until the next installment


Also in this series: Introduction  ·  Changsha  ·  Yongzhou  ·  Foshan  ·  Shenzhen Day 2  ·  Shenzhen Nights  ·  Shenzhen Day 3  ·  Shenzhen Day 4  ·  Hangzhou  ·  Shao Xing I  ·  Shao Xing II  ·  Xian Ju  ·  Homeward Bound  ·  Transformation  ·  Uncle  ·  The Final Frame

China: An Introduction from Nantes to Changsha

This marks the beginning of a journey I’m eager to share—a series about my recent orchestral tour to China with the Symphonique des Bords de Loire (or SBL for those special people who know). Before leaving, China was a distant, almost abstract concept to me: a country whose language I couldn’t speak, whose script I couldn’t read, and whose cuisine I knew little about—aside from my clumsy attempts at wielding chopsticks.

Fast forward to today, and although I’ve only just returned—less than 48 hours ago—China feels much less foreign. I’ve wandered its streets, performed in its theatres, and shared meals with people who reminded me just how much we all have in common, no matter where we’re from.

Through this series, I’ll invite you into the world of an orchestra on tour, from long-haul flights and pre-concert rehearsals to quiet, reflective moments exploring unfamiliar cities. Expect stories of camaraderie, cultural discovery, and the universal language of music. And, of course, I’ll share the photographs—nearly 500—capturing the essence of the places we visited and the people we met.

Our first stop is the journey itself, from Nantes to Changsha, where it all began. Along the way, I’ll recount how we celebrated Christmas and New Year far from home, the magic of our performances, and the unexpected connections made along the way.

Are you sitting comfortably? Then we shall begin…

Like most people, I had a certain reticence about the unknown. I was basically terrified! But, as one must, I thought the best place to begin was the beginning. I knew it would be a long trip, but this was possibly the longest for me. We had our itinerary and knew where we were going. We had all installed the app Alipay on our phones to pay for things. There’s also a translator on the app, so we should be fine.

My wife and daughter dropped me, my suitcase, and my instrument off at the rendezvous point in Nantes at 1:30 am, giving us enough time for the 2:00 am departure by coach to get us all to CDG Roissy airport. We stopped off in Angers to pick up the last of the orchestra members and headed off to the airport.

We were split into two groups: us and them. We would be flying with Air China later that day, and the other group would fly almost immediately with Xiamen Airlines. There weren’t enough seats on the plane for us to travel together. As a result, we had the pleasure of spending all day in our terminal at CDG. This felt like the longest part of the whole trip.

We split up again—one group to Starbucks, the other to the bakery Paul. We felt a little more exclusive in our little group, made up of a horn player (yours truly), two violinists, Eléonore and Marie, and Nicolas, a percussionist.

What does one do for eight hours while waiting for a flight? Well, you go to the loo, eat, chat, become bosom buddies with your fellow travellers. You talk about your jobs, share photos, realise the adapter you bought won’t work in China, so you buy another one, have lunch, share jokes, and then realise too late that the small children around you can actually understand those jokes, so you dial it down a bit. You wander around, one person looking after the luggage, making sure it doesn’t get blown up by security. Excitement, excitement, excitement!!

Tired of remaining exclusive, we joined the hoi polloi of the Starbucks group and headed to security together. Passport control, however, was a different matter altogether. You may have guessed that I am not French, so I had the privilege of going through a different line to be let out of the country. I was scanned, as was my passport, and then made my way through to the other side. We had to go through security again.

My hand luggage was my instrument, and I felt very pleased with myself and my choice of clothing. It’s amazing how much “stuff” you can stuff into the pockets of a sports jacket and still look relatively good. You take off the jacket and pop it into the bins along with the horn, camera, phone, wallet, etc. It all felt like being in a queue at Disneyland…

I had nothing else planned, so I took it all in my stride. Going through Duty-Free was an interesting experience. Gone are the days of cheap booze and perfume. Now it’s all about luxury brands, and definitely not cheap. I’d have to wait until I got home to restock my perfume.

The departure lounge had a public piano, and of course, the colleagues had to let rip. And let rip they did. A productive way to get through the tediousness of waiting. I was reminded of the British Army philosophy of “hurry up and wait.” Take it in your stride, lad, take it in your stride.

The first flight was Air China from CDG to Beijing. When they talk about long haul, they forget to tell you how long long haul really is. We weren’t in business or first class but in economy, where long haul takes on a completely different dimension. The flight, though long, was very pleasant, and between meals (served with forks), it went smoothly. As part of my research for this trip, TripAdvisor had become a reference, and my experience was obviously much better than that of certain reviewers. The food was great, although it was the first time I had rice and fish for breakfast in a long while. I sat next to Fran, one of the English members of the orchestra, and we chatted about everything and nothing. It helped pass the time and allowed us to get to know each other in ways you can’t when just playing concerts and rehearsing in France.

We arrived in Beijing, descended, and started looking for the loo—the first of many visits to the loo during this trip. I had heard about Chinese loos being a little different from those back home, but in the airport at least, everything was fine.

We went through the airport to the domestic transfers, filled in the form with the information we had provided on our Visa application form, and went through immigration. Now, we were all on a level playing field, much to my satisfaction! We made it to the other side and headed to our gate, where we would board flight number two to our final destination for the day: Changsha. Changsha is one of those places that will amaze you with the colour of its lights around the buildings—one of the many cities that do this. It was resolutely modern and vibrant. To be honest, I didn’t know what to expect before arriving, so I just decided to take it all in.

At the hotel, we were greeted by colleagues who had arrived earlier. My roommate was still out in town, but thanks to WhatsApp, he was told we had arrived and it would be nice of him to come back to the hotel and let me into our room with our shared key. He returned with a huge smile on his face—not only happy to see me but excited to tell me about the girl who had stopped him in the street to take a selfie with him. This would be the first of many such occasions for my friend Correntin to satisfy his ever-growing fan club. Poor lad! Not easy being girl-bait every day! He would get used to it.

The man in action. What more can I say!!! Tank you Corentin for letting me use your photo…

The room was posh, and I thought, “I could get used to living like this.” And indeed, I did. Those pillows were huge, soft, and when your head landed on them, you just seemed to float off into another world. Eventually, I had to leave my pillow and get ready for the evening Christmas meal and Secret Santa exchange.

Now, I had presents for Eléonore, Mathilde, and Titaua—whom I met while dabbling a little more in music in Cholet, and who convinced me to join this orchestra. I’m very glad they did because here I was, offering them their Christmas presents in China! Secret Santa is where you’re assigned someone in the orchestra to buy a small gift for. My person had messaged me to ask for an orange, but I couldn’t just give them an orange. I made the effort to find a Terry’s Chocolate Orange for him. My Secret Santa, Barbara, presented me with a mini-tote bag from the Paris Olympics. It’s just the right size for the car! The meal was somewhat less French than the Olympics, but it was the first of many discoveries in this new country. Well, one must show willing…


Also in this series: Introduction  ·  Changsha  ·  Yongzhou  ·  Foshan  ·  Shenzhen Day 2  ·  Shenzhen Nights  ·  Shenzhen Day 3  ·  Shenzhen Day 4  ·  Hangzhou  ·  Shao Xing I  ·  Shao Xing II  ·  Xian Ju  ·  Homeward Bound  ·  Transformation  ·  Uncle  ·  The Final Frame

Happy New Year

My Dear Reader, I  have neglected you for too long.  For the last two weeks, I have been on tour in China of all places. 

Therefore, you have only been able to read the Photography Philosophy series, and whilst being in China, I may have taken the odd photo both in colour and black and white.  I look forward to sharing them with you and telling you some tall tales and giving you a glimpse of life on tour. 

I will take the opportunity to wish each and every one of you, a very Happy New Year.

I will leave you with a small taste of things to come with this image…

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Classic Chrome Meets Portra 160: Evaluating the Pentax ME Super and Fujifilm X100F

Let’s talk about two of my favorite cameras—the Fujifilm X100F and the Pentax ME Super. While these cameras belong to entirely different eras of photography, they share a surprising similarity in size and portability. I’ve used both extensively, and today, I want to compare their unique qualities without turning it into a clichéd “film vs. digital” debate.

Photography enthusiasts often find themselves in one of two camps: those who champion the convenience and immediacy of digital, and the purists who swear by the timelessness of film. But if you’ve followed this blog for a while, you’ll know I don’t see things that way. Instead, I value what each format brings to the table, and more importantly, how both contribute to the experience of photography.

A Tale of Two Cameras

For me, photography is more than just the final image—it’s about the journey of capturing it. Any Lomography fan will agree: the process is as important as the outcome. When I shoot with the Fujifilm X100F, I appreciate the immediate feedback of seeing the image on the screen and knowing right away what I’ve captured. But with the Pentax ME Super, it’s a different experience. I have a rough idea of what the film will deliver, but the magic isn’t fully revealed until the film is developed. That anticipation is part of the charm.

For this comparison, I’ve chosen photographs from Northumberland. Its moody, windswept landscapes—places like Alnmouth and the Northumbrian moors—present the perfect canvas for both film and digital. The X100F’s Classic Chrome simulation delivers a retro, muted look, while Kodak Portra 160 film, shot through the Pentax, brings warmth and richness to the tones.

The Fujifilm X100F

he X100F has often been called a bridge between the analogue and digital worlds, and I tend to agree. It’s packed with modern features like autofocus and an electronic viewfinder (EVF), but the controls are refreshingly tactile, with dedicated dials for aperture, shutter speed, and ISO. For anyone with a background in film photography, this setup feels familiar and intuitive.

What sets the X100F apart for me, though, is its Classic Chrome film simulation. It offers a subdued color palette that echoes old film stock, perfect when I want a slightly desaturated, vintage aesthetic. Unlike some over-the-top digital filters, Classic Chrome feels organic and subtle—bringing out details in the shadows without overwhelming the shot with contrast.

The X100F Photos

The Pentax ME Super

On the other hand, the Pentax ME Super is all about slowing down. There’s no EVF, no digital screen, and definitely no autofocus. Instead, you rely on a split-prism focusing system and aperture-priority mode. It forces you to be deliberate with each shot, a process that I find incredibly satisfying.

You’ll often hear film photographers talk about being more “in the moment” when shooting on film, and that’s exactly how I feel with the ME Super. The process of carefully composing each shot, setting exposure manually, and waiting for the film to be developed encourages patience and thoughtfulness.

For this outing, I paired the ME Super with Kodak Portra 160, a film that’s become known for its natural skin tones and soft, warm colors. Paired with the 50mm f/1.7 lens, this combination creates images with that unmistakable film character—shallow depth of field, soft highlights, and rich colors.

Lenses and Sensor Size

One of the most noticeable technical differences between these two cameras is their lenses and sensor sizes. The X100F features a 35mm equivalent f/2.0 fixed lens, while I usually use the 50mm f/1.7 on the Pentax. On the sensor front, the X100F has an APS-C crop sensor, giving it a narrower field of view compared to the full-frame 35mm film in the Pentax.

This technical difference goes beyond field of view. The Pentax ME Super has fixed ISO based on the film I choose, so I need to plan ahead for the lighting conditions I’ll be working in. In contrast, the X100F allows me to adjust ISO on the fly, providing flexibility in rapidly changing environments. This is something digital photographers have come to rely on, and it’s undeniably convenient when shooting in variable light.

The Pentax ME Super photos

Comparing the Images

Now, the big question: which is better, the Pentax ME Super or the Fujifilm X100F? Honestly, neither. They’re different tools for different purposes. Whether you’re drawn to the organic feel of film or the convenience of digital, both formats offer something unique. And that’s the beauty of photography—there’s no one-size-fits-all approach.

The sideshow feature shots from both cameras. As you look at them, you might favour one look over the other. The film shots have a warmth and texture that digital sometimes struggles to replicate, while the digital photos are sharp, detailed, and offer instant gratification. But ultimately, this comes down to personal preference, not a matter of one being objectively better.

Final Thoughts

At the end of the day, a camera is just a tool for capturing a scene in a particular way. As long as the final image is pleasing to the eye, I’d say the job is done. So don’t limit yourself to just one format—if you haven’t tried shooting film, give it a go. If you’re a film photographer who’s hesitant to try digital, maybe the X100F will ease that transition with its analogue-like feel.

More than anything, I encourage you to enjoy the process, whether it’s with film, digital, or both. Get out there, take your time, and remember that photography isn’t just about the images you capture—it’s about the experience.


If you’d like to go deeper on the Pentax ME Super specifically, I’ve written a full dedicated review: Why the Pentax ME Super Is the Perfect First Film Camera (Even in 2026).

Post Scriptum:
For those of you new to my blog, welcome! I cover everything from camera reviews to photography tips and techniques. Whether you’re a seasoned photographer or just starting out, there’s something here for you. Feel free to leave your thoughts or questions in the comments below—I’d love to hear from you!

Fujifilm X-T2 Review (2026): Still Worth Buying?

The Fujifilm X-T2 is nearly 10 years old — but it’s still a capable, beautiful camera that holds its own against much newer options. Here’s an honest 2026 assessment from a photographer who’s used it alongside film cameras in everyday life, based in Nantes.

My Love Affair with the X100F (and a Cuppa Tea)

It’s no secret to the regular readers of IJM Photography that I have a great fondness, deep affection, nearing on obsession with my Fujifilm X100F. It’s a great little camera that gets me excited whenever I take it out of my camera bag. But, Dear Reader, what does this have to do with the Fujifilm X-T2? Well, they’re both manufactured by Fuji, they both have an “X” in their name, and I have a deep affection for a nice cup of tea. Not the same T? Ah well…

Similarities and Differences: A Tale of Two X’s

I’ll talk about the differences and similarities between the two cameras and why I thought the X-T2 was a useful and complementary acquisition. We’ll look at not just the specs but also the rather similar way both cameras handle.

  • Sensor and Image Quality: Both use the same 24-megapixel sensor with an anti-aliasing filter, and offer an ISO range from 200 to 128000.
  • Screen and Viewfinder: The X100F has a fixed screen, while the X-T2 boasts a tilting one. Both share the same excellent viewfinder.
  • Performance: The X100F shoots at 8 fps while the X-T2 goes up to 14 fps. For video, the X100F is limited to Full HD, while the X-T2 offers 4K and can shoot at 120 fps.
  • Connectivity: Both cameras have built-in wireless capabilities.
  • Weight: The X100F is lighter at 469g, while the X-T2 is slightly heavier at 507g.
The Lens Factor (and Weather Sealing, Too!)

The main difference? The lens. The X100F has a fixed 23mm (35mm equivalent) f/2.0 lens, while the X-T2 can take the entire range of X-mount lenses. Quite a big difference, indeed. The X-T2 also has the added bonus of weather sealing!

Why Buy a 4-Year-Old Camera in 2020?

Because at the time, I could. It was the logical acquisition and complement to my X100F. Did I mention it also uses the same batteries? I still have the same, beloved-by-many film simulations, and while not as numerous as later models, they are more than enough for me!

My first lens purchase was the 16mm (24mm equivalent) f/2.8 Fuji lens, the perfect complement to the 35mm equivalent on the X100F. I later discovered TTArtisan and 7 Artisans, Chinese firms that make affordable manual focus lenses for the X-mount. I now have the 35mm (50mm equivalent) f/1.2 and 58mm (85mm equivalent) f/1.4, and the fish eye 7mm F2.8 lenses from both companies, both costing a fraction of the autofocus Fuji lenses. The only concession I made to Fuji was later purchasing the 18-55mm (24-70mm equivalent) f/2.8 autofocus kit lens.

Value for Money: The X-T2’s Sweet Spot in 2024

The fact that I bought it second-hand was also a contributing factor. Does it have as many megapixels as the more modern X-T5? No. But does it have enough? Yes! Does it have the same specs as the X-T5? No. But does it have enough? Yes. Can you see a pattern developing here?

For the amount of money spent, I think I have enough cameras for my buck. And that is the crux of the argument for acquiring a now 8-year-old camera in 2024. Is it the very best money can buy? No. But if you’re an amateur like myself, you generally don’t need the specs that manufacturers and those nice men in camera shops will try to tell you you need. 24 megapixels is more than enough for printing even 20″ by 30″ (500mm x 760mm) sized images.

I have just looked at mpb.com for you and have found XT2 bodies from 487€ to 729€ depending on the condition. An X-mount lens will cost you anything from 104€ for a 35mm (50mm equivalent) F1.2 from 7 artisans to 279€ to 340€ for the 16mm (24mm equivalent) F2.8 fuji lens. So as you can see, it’s certainly cheaper than buying the latest models…

Conclusion: A Timeless Tool for the Passionate Photographer

In 2024, the Fujifilm X-T2 remains a compelling option for photographers seeking excellent image quality, classic handling, and a wealth of creative possibilities. Its compact size, weather sealing, and extensive lens selection make it a versatile companion for various genres, from street photography to landscapes.

While newer models may boast more advanced features, the X-T2’s enduring appeal lies in its combination of performance, affordability, and the unique charm of Fujifilm’s X-Trans sensor and film simulations. For photographers who prioritise the essentials of image-making and value for money, the X-T2 continues to be a worthy contender in the ever-evolving world of digital cameras.

If you’re looking for a camera that delivers exceptional results without breaking the bank, the used market might just hold the perfect X-T2 for you. And who knows, you might even discover a newfound appreciation for a slightly older camera that still has plenty to offer in 2024 and beyond.

Post Scriptum

This camera is also capable of 4K video. And I’m using it at work for making videos for training new staff. It is certainly lighter than my Canon 6D Mark II, and I seem to be able to obtain a picture style that I like. It doesn’t have in-built image stabilisation. However, I use it on a tripod so that’s not an issue. And if ever I do decide to use the 18-55mm kit lens, I have image stabilisation in the lens.

I’ll see if I can’t find you an excerpt of the latest video…

And here it is…

The UK Chronicles Part VIII: From Chesters, to Rothbury, to Lesbury

Thank you for following this series of UK Chronicles, and I would just like to say that this is the last one. It had been a long day, but a good day, despite the disappointment in Otterburn. You overcome and adapt. Killian was still sad not to have some Roman armour though.

So, despite not rocking the Roman look, we still had to get back to Lesbury because that evening we would be eating with my parents in a pub in Boulmer, which was just down the road from Lesbury and on the coast. Boulmer is one of those little fishing villages that still has a small fleet of fishing boats that would have caught the fish and chips that we would be eating that night.

To get back home, I could take the more direct route, or I could go via the scenic route. Luckily for you, Dear Reader, we had enough time to take the scenic route. My driving was leisurely, or even slow, as we meandered through the bendy country roads. Again, just taking in the rural views and loving every minute of it. We wanted to go back to Rothbury to get another of those yummy sandwiches in the breadcakes that you only seem to be able to get in the UK.

We found the same parking spot as we did that very morning and crossed the road to go back to that morning’s bakery. It had just shut! Please don’t worry for us though; our lives still had some meaning. We visited the ironmongers that hadn’t yet opened that morning. It was one of those places that had everything that one could need, from bird feeders to butter dishes. Killian decided that I needed a new walking stick. He had seen me leaning with my old one, which, in his mind, was too small for me. I think he really had his eye on a shepherd’s crook, but we settled on a nice wooden walking stick that is just a tiny bit taller than my French ones, and it’s propped up against my desk as I write—a little reminder of home.

Killian suggested we walk to a particular shop and then return, now with my new walking stick in hand. Leisurely was definitely the word of the day and summed up our attitude to it so well. We strolled down to the RSPCA charity shop. I thought I might just be able to get Killian a jacket to help smarten him up a bit, but failed. Ah well. We walked past the toy shop, which you could tell was for rural folk. The amount of toy tractors and all the farming machinery was awe-inspiring. Somebody somewhere had obviously been frustrated as a child…

We passed the Queen’s Head pub, and surprise surprise, we went in. I ordered the drinks and the crisps, made sure Killian had a place to sit, and went to the loo. The bar was full of locals, I presume farmers, judging by the size and musculature of the men. It would appear that their Friday evening sesh was just beginning. There was a couple of walkers with their dog, and a water bowl had been provided, and the dog was enjoying some of the treats from the complimentary dog treat jar. While some find the Northumbrian accent incomprehensible, to me, it’s music to my ears. I get every word of it. Killian, although fully bilingual in English, was struggling, praying that nobody would come up to him and try talking to him. Poor lad. And that was despite a pint of creamy, silky John Smith’s Bitter!

We left Rothbury behind us, feeling as if all were good in this world. Leisurely and peaceful, which felt amazing. We would head back towards Alnwick and have another look at the scenery in a new light compared with that morning. I have taken this route a few times and in the valley have always noticed a castle, and this time I thought, you know what? I’m going to have a look at that place. We saw the sign to the village of Edlingham and its 14th-century castle and turned left. You park just in front of the church, and you can go and see the ruins. We went into the church and saw somebody taking photographs with an old film camera. This guy had a vintage Nikon, and it looked beautiful. As photographers will do, we started talking shop. We talked about the films we used and how my X100F, although not a film camera, was the nearest thing I had found to a film camera in its feel and use. The photographer mentioned that the castle ruins were propped up with large iron beams, which seemed to detract from their historical charm. So, we decided to skip the visit. We parted ways and left the church after having managed to capture a couple of photos. Killian came running back in to ask the guy if he had a Nissan. He did. Well, in that case, it was his car that had just smashed into the church gate. Killian lifted the damaged gate to put it against the wall, and the driver was convinced that he had put his handbrake on. The gentleman called the number on the church notice board to try and tell the vicar about what had happened, but there was no answer. We never did find out if the driver managed to reach the vicar, but it was an unexpected end to our day of exploration.


Also in this series: Preface  ·  Lesbury  ·  Alnmouth  ·  Bamburgh  ·  Alnwick  ·  Rothbury  ·  Hepple  ·  Chesters  ·  Return  ·  B&W Footnote  ·  Summer I  ·  Summer II  ·  Summer III  ·  Summer IV

The UK Chronicles Part VII: Chesters Roman Fort

Welcome, Dear Reader, to the very edge of the Roman Empire, and by implication, civilisation. You might be wondering why there’s a carving of a phallus as the cover photo for this article. Well, don’t forget that soldiers will be soldiers, even when they’re part of a Spanish Cavalry regiment stationed here. Some things never change—except these soldiers were caught by archaeologists centuries later!

Chesters Roman Fort was constructed along Hadrian’s Wall to keep out the “uncivilised” Picts and Scots. This impressive wall stretches across the country from East to West, ending at Wallsend in Tyneside. It was a massive undertaking, and I’m still amazed by this feat of engineering.

Killian, my dear son and heir, whom you might recall from the previous article about his misadventures at Otterburn, was slightly less impressed. “Ce n’est pas le Mur d’Hadrian, mais le muret d’Hadiran,” he quipped—translating to, “Not Hadrian’s wall, but Hadrian’s little tiny miniature wall.” Some people are just impossible to please!

Despite his initial skepticism, Killian was genuinely impressed by the quality of the stonemasonry, even after nearly 2,000 years. With his background in plumbing, he quickly noticed the Roman plumbing and underfloor heating, which makes you realise how little we’ve actually invented since then.

When we visited the cavalry lines and saw where the horses were kept, he was astonished to learn that three men and three horses lived in the same building, with the horses at one end and the soldiers at the other.

Even though he was flippant at the start of the visit, he took a keen interest in everything and enjoyed explaining each building to me. Maybe he’s a closet intellectual after all…

As we continued our tour, my knee was giving me trouble, and Killian showed his concern, asking if I really wanted to go down to the river to see where the bridge once stood. I insisted we go, so we made our way slowly towards the river and the soldiers’ baths. And by baths, I mean a fully-fledged hammam complete with sauna and dry heat—the very latest technology to provide the frontier soldiers with some home comforts. If those baths were still operational, they might have been perfect for soothing my arthritic knee!

We walked slowly towards the west gate and could only imagine the civilian buildings buried beneath the fields in front of us. This site wasn’t just a series of building outlines but a thriving Roman community on the very edge of civilisation.

Speaking of civilisation, I felt it might just be time for a cup of tea. As we strolled through the site towards the car, we spotted a tea shop. A cup of tea and a slice of cake were just what I needed—I was in heaven! Good old National Trust! No wonder they’re an institution. Our conversation shifted to the gift shop, where I was trying to convince Killian that, despite how cool owning a replica Roman helmet and armour might be, it could be a tad impractical and he might not have many occasions to wear such Roman regalia. Mind you he would be very dashing!

If you want to, you can even play a game of “Where’s Waldo” or “Where’s Wally,” for the British readers. Note I didn’t say “Where’s the Wally…” Keep an eye out for the photos of Killian…


Also in this series: Preface  ·  Lesbury  ·  Alnmouth  ·  Bamburgh  ·  Alnwick  ·  Rothbury  ·  Hepple  ·  Chesters  ·  Return  ·  B&W Footnote  ·  Summer I  ·  Summer II  ·  Summer III  ·  Summer IV

The UK Chronicles Part VI: Hepple to Otterburn

Otterburn was the original destination of this little outing into the Northumbrian countryside. As a younger boy, I had been with Killian to the Mill in Otterburn that used to make beautiful rugs from the wool of the local sheep. That mill stopped producing them a few years ago, but Killian had this memory in his mind.

But we weren’t there yet… The drive from Hepple to Otterburn takes us through yet more landscape. We passed by Cragside, the first house in England to have electricity, powered by a waterfall. Green before green was no longer just a colour. We had visited the huge house when Killian was about 13 and hadn’t been back since. But this story isn’t about Cragside. Not this time. It wasn’t open as we drove by, so that was that.

As in the previous sections of our father-son drive, there were plenty of places to park along the side of the road to take in the scenery. And that we did. I remembered that time two years ago when I was there connecting with my father. And here I was, connecting with my son.

Otterburn means different things to different people. It is not just an area of outstanding natural beauty, but also a training area and live firing range for the Infantry of the British Army. I remember playing for an Officer’s mess night once when I used to wear green for a living. Although you can still wander around when the Infantry isn’t training, you’re constantly reminded not to touch any military debris—it might explode and help you become an integral part of the landscape.

The landscape shifted from the wild moorlands of Hepple to more farming country. Think sheep, hemmed in by century-old dry stone walls. Signs warned you to keep dogs on leads and informed you that any dog found attacking—or even just worrying—sheep would be shot on sight. A sobering thought. I jokingly warned Killian not to do the same, just in case.

At the top of the hill, I parked up and surveyed the patchwork landscape, scissored by those dry stone walls. Killian pushed on one and you could feel it giving way. I told the feckin’ eejit to stop right now. These walls were old and not to be messed with. His French side came out—he wasn’t impressed by this stalwart of the British countryside. I told him these walls had stood for years and it wasn’t going to be a bloody Frenchman that was going to change that.

But this story is about Otterburn. I’d warned Killian that Otterburn wasn’t as he remembered. He had this dream of buying a rug, but I wasn’t even sure they still sold them. My latest recollection of the place was that it had become more of a “country style retail outlet.” The signs still said the rugs were made in the UK, but the magic was gone.

It was the low point of the day. Killian stood there, staring at the overpriced rugs, his expression shifting from excitement to quiet disappointment. “This wasn’t how I remembered it,” he muttered. I could see the years of imagined nostalgia fading in real-time. We looked at what was on offer, checked the prices, and it just wasn’t worth it. The small café had a sort of mini-museum feel, but all we bought was a double espresso, a sausage roll, and a small cake. Killian ate; I didn’t touch it.

As we sat there, the conversation drifted to how Killian could see himself living in the area. I had to let him down gently. “We’re on holiday, son. Living here isn’t the same.” I knew what I was talking about, especially after living in France for over thirty years. The economic decline in the area was as stark as the difference between summer and winter in Northumberland. Both beautiful in their own way, but I know I have a penchant for summers. Winters are dark, rainy, snowy, cold, and thoroughly depressing. Beautiful—but still depressing.

It was all such an anti-climax. This had been one of the places Killian had been dreaming about for years.

I was at a loss for what to do. Then, out of nowhere, I had one of those genius ideas we only dream about. I wanted the day to end on a high note. “You know, son, we’re not too far from Hadrian’s Wall. Do you fancy it?”

His eyes lit up. He did fancy it, so off we went, a certain spring in our step.


Also in this series: Preface  ·  Lesbury  ·  Alnmouth  ·  Bamburgh  ·  Alnwick  ·  Rothbury  ·  Hepple  ·  Chesters  ·  Return  ·  B&W Footnote  ·  Summer I  ·  Summer II  ·  Summer III  ·  Summer IV

The Opening of the Film Archives—Clisson, September 2016

Welcome back, Dear Reader, to the film archives, still with the Canon AE1 and HP5 Plus from Ilford, but in Clisson this time.  You will remember Clisson from previous articles and will have seen the pictures, so it shouldn’t be a stranger to you.  Who knows, it could even feel like revisiting an old friend.  It certainly is for me. 

But why Clisson I hear you say.  Well, it’s not very far away from where I live.  It’s also one of those market towns that is renowned for the beauty of its architecture with an Italian slant.  It has the massive castle that towers above the river.  It has me taking photographs of it.  

Clisson, like most things, has options.  On a Friday the main option is the huge market, and wandering around the 14th-century Halles, which can keep you out of the sun, the rain, the heat or the cold, depending on the time of year.  I either go down to the river and wander along the river banks in the Garenne and Lemot park, or park at the top of town and stroll around the Halles and surrounding streets.  In the series of photos at the end, you will see some stone steps that join the two options, but I have dodgy knees, and those steps are like leg day at the gym.  You can avoid those steps by just following the road that wraps itself around the church, and going under the tree that just got tired and decided to rest on the house opposite.  

But this time I decided to break out of my habits and visit the Quartier St Jacques with its decommissioned chapel, and garden.  It’s yet another pretty place in a pretty town, and when I was sitting there in the sun, I felt that I didn’t have a care in the world.  Serenity flooded my mind and all was well with the world…

The UK Chronicles, Part V: Rothbury to Hepple

Do you have a place, be it real or imaginary, that just haunts your mind?  You think of it, and you are transported there instantly.  The smells of the grass, the sounds of the river, and the odd car driving past you wondering what the heck you are doing?  Hepple is my special place.  It is a place where I feel at peace and that all is right with the world.

I’m thinking back to an article I wrote a couple of years ago called Hepple for Photos, Not Gin. I was with my father and had my Canon 6D Mark II with the 16-35mm F4.0 lens and the 70-300mm zoom lens. This year, however, I had my X100F with just the 35mm f2.0 equivalent lens, and I was with Killian, who, surprisingly, was a little tired and decided to curl up on the back seat for a snooze. His loss…

This is the place, this stretch of road, that I have been looking forward to for 2 years. The weather was clement, and I can assure you that the place is still as beautiful as ever. I wasn’t going to have the choice of lenses this time; I would have to see the scene in 35mm and make do with it. No zooming, no switching lenses—just a little constraint. And you know what? I was fine with that!

The lack of zooming and my sleeping son allowed me to walk around the area a little more, exploring under the tree at the end of the road and at the bottom of the hill.  These were views that I had not seen before.  It only goes to show that we might think we know a place, even in our memories, but it still has so much more to offer us.

I parked just before the bridge, as I usually do. Everything was still in place: the stiles, the trees, the river—just as I had pictured it in my mind. It’s when looking at the countryside like this that I am convinced there is a creator behind all this creation. The beauty of it didn’t just happen by chance.

The noises were made by the flowing of the river and the breeze in the trees.  I had this feeling of calm.  I could take photos of that place every day and not get tired of it all.  I might even go so far as to say I could have died here and died a happy death.  I had found my peace.

Killian had found his peace too and was still asleep in the car.  A micro sieste, he said.  He might be 25, but he reminded me of the small boy who was once my son. 

I can’t be the only person on this earth to feel this?


Also in this series: Preface  ·  Lesbury  ·  Alnmouth  ·  Bamburgh  ·  Alnwick  ·  Rothbury  ·  Hepple  ·  Chesters  ·  Return  ·  B&W Footnote  ·  Summer I  ·  Summer II  ·  Summer III  ·  Summer IV

The Opening of the Film Archives—Le Château des Ducs de Bretagne, August 2016

Welcome back to the Film Archive of IJM Photography! This time, we find ourselves in the beautiful city of Nantes, in the heart of the Cité des Ducs. Our adventure takes us through the majestic Château des Ducs de Bretagne, a site rich in history and culture.

As we explore the castle, I’m armed with another one of my favorite cameras from the golden days of film photography—the Canon AE1. This was before the surge of interest from the YouTube hipster crowd, who quickly snatched up every classic camera they could find, driving up prices and making these gems harder to come by.

The Canon AE1 is justifiably sought after, and for good reason. It’s a camera that offers both simplicity and elegance, paired with the beautiful FD 50mm F1.8 lens. This lens, in particular, has a way of capturing light that enhances every shot, allowing me, the photographer, to create images that feel alive. You can see the results in the photos here—every frame is a testament to the quality and craftsmanship of this camera.

It feels solid in the hand, and focusing with the split prism is a breeze. The camera is “shutter priority,” and it adapts the f-stop to the speed at which you’re shooting. As a street photographer, I don’t need to shoot at 1/1000th of a second for all my shots, so I have a wider range of options than someone taking pictures of sports. It still provides me with the necessary depth of field.

On this particular day, I was motivated and thought I could walk up the steps to the battlements to get some more interesting shots from a raised standpoint. I captured the urban landscape that spans from the 13th to the 21st century, and in one of the shots, you can see the ever-present figure of the Tour de Bretagne. It once represented the modernity of the 20th century and is now closed for asbestos removal. My feet, however, were firmly rooted much earlier in the castle.

Exploring the Château des Ducs de Bretagne with the Canon AE1 was a journey through both time and photography. The castle’s ancient walls and rich history provided a stunning backdrop for capturing moments that feel timeless. With every click of the shutter, I was reminded of the magic of film photography—the anticipation, the artistry, and the satisfaction of seeing the world through a vintage lens. As I descended from the battlements, I couldn’t help but feel grateful for the simple joy of capturing life on film, in a place where history and modernity blend seamlessly. Until next time, keep exploring and shooting. There’s always more to discover.

The UK Chronicles, Part IV: Alnwick to Rothbury

The Scenic Drive: A Journey Through the Northumberland Moors

The road from Alnwick to Rothbury takes you over the Northumberland moors and through steep valleys, giving you real taste of the British countryside.  It is not only magnificent in the early morning light, but it has this way of taking your breath away at each bend in the road.

You might just have gathered by now that I was in the UK this summer, visiting my Parents in Northumberland.  You may also have gathered that I wasn’t having the best of sleeps and was thus up a little earlier than most.  You may also have gathered that I decided to go light on photography equipment this trip compared to last year, only taking my X100F with me to take photos.  You may also have gathered that this trip was not just about photography but spending some quality time with the children, especially my son, who hadn’t been to the UK for a while.  You may also have gathered that my son joined me on a couple of these photography jaunts. Right!  I think we may have set the scene.

Photography on the Go: Minimalist Gear and Techniques

We were both in the car by 6am, having breakfasted and taken our collagen in yorkshire tea to make it at least a little palatable.  This is an epic drive that I try to do at least once when I’m over.  When you see the photographs, you’ll understand why.  Like Bamburgh, I had to meter for the highlights knowing that I would be able to get back details in the shadows back home in Lightroom.  The 35mm F2.0 equivalent lens of the X100F was fine to capture enough of the scene, and if I wanted to zoom, then it would mean zooming with my feet. 

Capturing the Landscape: Heather in Bloom and Morning Light

Fortunately, there are plenty of places to stop by the side of the road on this route, which is a good job because at each turn everything changes.  The sun was coming up on our left and filling the valley with light, and the top of the hill cast a shadow that I would have to compensate for later.

The road continues with views of the heather, which was in bloom and the pink added a wonderful contrast to the warm colours of the morning reflected on the landscape.  It certainly felt a real privilege to be there and take it all in.  We passed Cragside but decided to continue on to Rothbury.

A Taste of Rothbury: Discovering the Local Flavours

We managed to find a space to park in Rothbury, and out of the corner of our eye, we saw a bakery.  An English bakery, but a proper bakery.  No pain au chocolat or croissants, but sausage rolls, meat pies, even a haggis pie.  We settled on sandwiches in proper bread cakes and millionaire’s shortbread as a sweet treat.  Next, we just had to find a bench to sit on and eat our picnic.  There’s just something about eating a sandwich in an English village in the sun.   I daren’t imagine what the winters are like!  Possibly a bit nippy…

Looking Ahead: Plans for Otterburn and Beyond

But there we sat, the two of us, munching away, deciding to go to Otterburn for more photos and possibly a rug, but that, Dear Reader, is a story for another day…


Also in this series: Preface  ·  Lesbury  ·  Alnmouth  ·  Bamburgh  ·  Alnwick  ·  Rothbury  ·  Hepple  ·  Chesters  ·  Return  ·  B&W Footnote  ·  Summer I  ·  Summer II  ·  Summer III  ·  Summer IV