Wooden crate of courges on a Clisson market stall, black and white film, Nikon FE with Kodak Tri-X 400

A Fan Letter to Monochromia

There’s a photography blog I keep coming back to, and I want to tell you about it. Monochromia is a collective — photographers from Chicago, Nuremberg, Rome, Washington D.C., and a village on the Nile, all posting one black and white image at a time with barely a word of explanation. I contribute the occasional shot from France, which makes me biased. It also makes me a better photographer.

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The high altar of the Cathédrale Saint-Pierre-et-Saint-Paul in Nantes, photographed on a Nikon FE with Ilford HP5 Plus 400, black and white 35mm film

Waiting for the Light: Reclaiming the Cathedral with Ilford HP5+

Ian’s contemplative journey through Nantes’ Saint-Pierre Cathedral, captured on Ilford HP5 Plus film with a Nikon FE. This black and white photography essay explores reclaiming sacred space from municipal spectacle, celebrating grain, silence, and winter light. A meditation on film photography as spiritual practice and architectural reverence in France’s historic cathedrals.

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The Opening of the Film Archives—Clisson, September 2016

In this latest film archives installment, we return to Clisson with the familiar Canon AE1 and HP5 Plus from Ilford. Clisson, a town renowned for its Italian-influenced architecture and market, offers picturesque options for exploration. The writer shares a departure from routine, finding serenity and contentment in the charming Quartier St Jacques.

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The Opening of the Film Archives—the Hangar à Bananes August 2016

This is the second part of a special day with the author’s daughter. They visited Jardin des Plantes, then went to Altercafé at the Hangar à Bananes. The daughter’s strong-willed nature is highlighted, and the author reflects on her as a model. The day concludes with the recognition that even a top model needs rest.

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The Opening of the Film Archives—Jardin des Plantes August 2016

The writer reminisces about a time when his daughter was younger and more eager to spend time with him. He describes a visit to the Jardin des Plantes in Nantes, recalling how his daughter subtly led the photography outing. The images captured hold nostalgic value, representing a specific moment in time from 2016.

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