Seeing the World Through 35mm: Street Photography with the Fujifilm X100F

Posted on Jun 21, 2024Jun 25, 2024 Posted in Architecture, Bikes, Black and White Photography, Camera reviews, Nantes Photography, Photography Tutorials, Street PhotographyTagged 23mm lens, 35mm lens, 50mm lens, aperture, be aware of surroundings, bokeh, busy scene, camera cost, Candid Photography, close-up portraits, composition, depth of field, distortion, don't overthink, DSLR, environmental portraits, f/2.0, focal length, Fujifilm fanboy, Fujifilm X100 series, Fujifilm X100f, Fujifilm X100T, Fujifilm X100VI, full frame sensor, human eye perspective, image quality, inconspicuous camera, intuitive camera, ISO, lightweight camera, low light photography, mirrorless camera, photography 101, photography basics, Photography tutorial, practical tips, prime lens, self confidence, sensor size, shutter speed, silent shutter, Street Photography, Street photography 101, street photography basics, street photography gear, street photography tips, teleconverter, versatility10 Comments

Introduction

I have been writing for this blog for a while now and everytime I get a comment it feels wonderful. Especially when I get a thought provoking comment. LIke this one from my friend Joe:

Excellent post Ian I admire your willingness to stay neutral on the merits of which focal length lens is better for street photography. I personally find the 23mm 2.0 Fuji lens fairly close to what my eyes are seeing before I take the image. Of course we are talking about lenses designed for the APS-C sized Fuji sensor so 35mm would be the equivalent field of view for my 23mm lens (23mm x 1.5 = 34.5mm). Undoubtedly some people will say the nifty fifty is a closer field of view to what the human eye sees but in my opinion I will leave that up to other people that may care to argue that point….
Sorry for my long winded response but I enjoy your articles so much I cannot resist replying even though once I get started you can’t shut me up

I am grateful for Joe’s thoughtful comment and I am still going to stay neutral, and just explain why I use the 35mm (equivalent) on my X100F, for street photography, and environmental portraits, despite having the teleconverter to convert that lens into a 50mm (equivalent) lens. As a special bonus I will present my latest street photography from Nantes, which just goes to show the sun can shine on us…

The Appeal of the 35mm Lens

The 35mm offers a world view which is very similar to that of the human eye albeit with a very slight distortion that disappears at 50mm. So, when on the street, we know that our image will have much the same view as what “we” see. When I get really close for a close up of a subject, the possible distortion remains manageable and doesn’t distract from the subject.

My Journey with the Fujifilm X100F

I have fanboyed and waxed lyrical about this camera in previous articles and will not do that here. However, I have had mine since 2018 and still use it on a very regular basis, which tells you an awful lot. I use it during travel and when doing street photography because it is light, takes up next to no space, and is subtle, unlike the huge DSLRs and their massive lenses. Moreover, I have enough self-confidence to not need to compensate for anything. It’s also a very sexy little camera, and over the years that we have been together, I have learned how to use it to its full capacity. I can use it intuitively without having to think, which is always a relief. According to camera manufacturers, six years is a long time to be with just one camera, but the costs of replacing it with the latest version are prohibitive, and not enough of them are being produced. The old argument about one in the hand still holds true.

The Versatility of the 35mm Lens on the X100F

The versatility of the lens, as with any lens, depends on the person “behind” the camera. I use it for documenting a scene. It’s just wide enough to get a good view, but not to distort or have too “busy” a scene, as can happen with the 28mm. It’s great for portraits. Dear Reader, I know I have previously talked about the distortion when close up, but what it is great for is a portrait of a person in his environment. It gives us more context about the person and tells more about him, as we can see his surroundings. Because of the silent shutter, I can also get nearer to my subject without making a flapping mirror sound when I press the shutter button. At F2.0, I can either get massive depth of field or shoot in relatively low light. My basic setup is ISO 3200 and F2.0. But on a day like today, I will put it into ISO 400, and if things get really bright, then I can use the inbuilt ND filter.

Comparisons with Other Focal Lengths

I have already touched upon the differences between the 28mm, the 35mm, and the 50mm focal lengths, but let’s get real for a second. The 28mm is great, but too much distortion and makes the image very busy because of the wider field of view. This is fine when used with intent, but you have to be so much more careful with your composition. The 50mm is the lens that I grew up, but after having used the slightly wider 35mm, I find myself backing up to get the same field of view, which leads to banging into things and apologising profusely to the bin that I have just reversed into. It has happened!

Practical Tips for Street Photography with the 35mm

Just use it, go back and use it again, and if you have any doubts then just go out and use it once more to be sure. Don’t overthink it. Don’t worry about the distortion I have mentioned. It only really happens when you get right up to your subject. If you have only used the nifty fifty then you shouldn’t notice a huge difference, but physically you will. You’ll be moving closer to things, but it’s just “one step up.” It will seamlessly “grow” on you.

Be the man in grey, or whatever colour you fancy, but know the environment in which you’ll be shooting. You might want to avoid fuchsia if you’re going to be in the woods shooting, or in that beautifully tailored three piece suit if you’re going to be in the stands at a football match. Think sore thumb and being out standing in a field.

Conclusion

If you so wish, you now have the arguments for and against the 35mm lens. I don’t think that arguing about ti will get you anywhere though… The lens, as the camera, is a tool at your disposal to create an image. Just getting a new lens won’t change your life despite what the guy in the shop might tell you. You “can” use a 50mm for street photography, and some even use the 85mm to go for more details, and more candid shots. Use what you have already. I have just talked about my experience since using the 35mm (equivalent) on the X100F. The information is purely subjective. If you want an X100, then by all means go out and buy one. Maybe go for an older model like the X100F or even the X100T for the price difference. Or if you can get your hands on one, the X100VI is wonderful. At the moment however, I cannot justify buying a more expensive camera to my wife!

I’ll leave you the comments section to debate the various merits of each piece of kit. And you can use the hashtag “#ijmphotography” to share your images with me on the gram. Look forward to hearing from you. Until next time…

Hello Dear Reader

Posted on Jul 30, 2021Aug 24, 2021 Posted in Architecture, Art, Bikes, Café Culture, France, Landscape Photography, Nantes Photography, Street PhotographyTagged beach, Bretagne, britanny, Café Culture, Cafe, cheesecake, Chinesse Communist Party, covid, Emmanuel Macron, France, French, gouter, Ian Myers, ijm photography, ijmphotography, levoyageanantes, liberte egalite fraternite, lvan, Nantes, neptune, passe sanitaire, photographer, photography, president, President of France, Street Photography, streetphotography, summer, tea, town, vaccinationsLeave a comment

It has been a quiet three weeks over here in France. I went to see my wife’s family in Brittany, and strangely enough I could go out, take some pretty photographs, and not get any grief from my mother-in-law. Yes, miracles can happen.

England and football had definitely come home just before buggering off to Rome. Those three poor lads who missed penalties and got so much flack for it. Disgusting. I listened to the match on the radio in the car on the way home, but got home before the penalties, which would have been too horrible to listen to. At least we got further than France, and beat Germany. Small mercies, people, small mercies!

My eejit son got back with his ex-girlfriend, but apparently with “different rules,” and “different bases,” and asked me to accept everything wholeheartedly. Very optimistic, that boy! There are more red flags in that relationship than in the last Congress of the Chinese Communist Party… And to quote the genius that is Forrest Gump, “and that is all I have to say about that…” I’ve been forbidden from saying anything else. It happens, I suppose…

They have jabbed once me. I think there is definitely a conspiracy about the COVID vaccinations. Why don’t the injections hurt like hell, the way they used to when I was a child??? What is this utter madness? As of the 21st July, the “passe sanitaire” has been imposed, firstly on theme parks, cinemas, and libraries, where more than 50 people can gather. As of the 1st August, you cannot go to restaurants, cafés, shopping centres, and basically anywhere where everyday French life happens. The President sounds like a scratched record, vaccinnez vous, vaccinnez vous! Strangely enough, people are starting to feel a little iffy about the whole situation.

There are now huge demonstrations against this “passe sanitaire” and people are comparing it to the “Ausweis” that people had to carry about during the Occupation. Has Macron committed political suicide? Many are hoping so. I’m for people being vaccinated but want it to remain a choice. Aren’t we free to refuse a medical act? Have Liberté, Égalité, et Fraternité, just disappeared from France? Many think so.

A friend had his 26th birthday, so the weekend before, I took him up to Nantes to buy him his present. As we are still allowed to frequent cafés etc, we enjoyed ourselves and only had two teas, and one visit to the pub. Such restraint! I was amazed. I could have taken him to at least another two places. He dared to tell as we were ordering tea number two, that he was no longer hungry! I quipped, you don’t need to be hungry to eat this… These youngsters!

I am still allowed to wander the streets of France, and might keep doing it and my goal, this week, is to take some photos of the Voyage à Nantes Art festival! I might not be able to sit down and have a pint, but I’ll be a brave boy about it! Yipeeeeee!

The obligatory bike shot in the streets of Nantes

Posted on Jul 4, 2020Jul 4, 2020 Posted in Bikes, Black and White Photography, Café Culture, France, Nantes Photography, Street PhotographyTagged 50mm, 7 artisans, bar, bars, Bicycle, bicycles, bike, black and white, Black and White Photography, bokeh, bokeh whore, Bouffay, Café Culture, Cafe, cafes, City, Confinement, covid 19, covid19, family, France, French, friend, friends, fuji, Fujifilm, Fujifilm X Series, fujifilm xt2, going out, helios M44-2, Ian Myers, ijm photography, ijmphotography, Irish Pub, John Mc Byrne, kindness, love, nantais, Nantes, night time photography, obligatory bike shot, photo walk, photographer, photography, pub, pubs, Social distancing, Street Photography, streetphotography4 Comments

To start off with this was just going to be a short preparative article before I publish my the photos from my night time article about night photography in Nantes. I was going to start off by talking the pubs opening in England and Ireland tomorrow. I wanted to show you the way that the new normal isn’t like the old normal but it’s still OK and that you can still enjoy meeting up with friends and rediscovering each other after lock down. Our bars reopened on the on the 11th of May so we’re kind of used to the whole thing. We put on our masks if we have to move around the bar. I might be half English and half Irish, but after a certain quantity of ale we all have to visit and inspect the plumbing. Just put the mask on and don’t forget to wash you hands afterwards;

So I’d finished work at 11h45, and was free for the whole afternoon. When I go to Nantes I always park in the same place. I’m a creature of habit. So, I park, and as soon as I come out of the car park I put my camera to my to check my settings. To start with I had the Helios M44-2 55mm lens on the XT2. It’s a lens famous for its swirley bokeh, but on the APS-C captor it’s more tricky to get, but it’s still a beautiful lens. I take a few shots of Bouffay. The bikes, the tramlines.

I wanted to capture the textures of the street. In black and white one can’t capture colour even if that colour information is present in my RAW files. I was looking for repetition of patterns, wanted to to get depth of field, wanted to play with the light reflecting off the street and capture people coming through the pool of light.

Strangely the pub isn’t very far away from these photos and I strangely I found myself sitting down with a Guinness in my hands… I had my mask on, and my hands have never been cleaner. It’s good to be amongst “my people” once more. I think that’s what I missed most about lock down. Having this social group of people who are good to me and make me want to be good to them. They know their names, and I love them dearly!

Well I wasn’t expecting that to go there… I’m such a sentimental old fool. I have hugged them and have made a real special effort not to break their ribs whilst hugging them.

So here are the photos of the pub where my “people” seem to congregate.

So it was already a great night, but I wasn’t there just for a good time despite rumours in certain quarters that I will always deny of course! I wanted to take even more photos. I had the Fujifilm XT2 and the 7 Artisans 35mm F1.2 lens which turns out to a be a manual focus, 50mm equivalent. I usually like to go wider, but that’s my little secret!

When I’m next in Nantes, hit me up! I’ll usually tell people on my Instagram and come up and say Hi! I might even buy you a beer. If we talk, be ready to talk about photography and this fair city of ours. If you have any questions about the photos in this article then just ask! I don’t bite.

The last Saturday before Christmas

Posted on Dec 31, 2019Jan 18, 2020 Posted in Architecture, Bikes, Black and White Photography, Café Culture, France, Nantes Photography, Street PhotographyTagged Architecture, atmosphere, Bicycle, bicycles, bike, black and white, Black and White Photography, blog, Bouffay, Bretagne, britanny, Café Culture, Cafe, cafes, cake, Castle, Catholic, chateau, chateau des ducs de bretagne, cheesecake, Christmas, christmas shopping, church, confession, France, French, friend, fuji, Fujifilm, Fujifilm X Series, fujifilm xt2, Ian Myers, ijm photography, ijmphotography, John Mc Byrne, la Reine Margot, Nantes, photographer, photography, pub, pubs, restaurant, Street Photography, Sugar Blue Cafe2 Comments

I have said it on here before, and I will say it again. I have moments of folly, where lucidity says bugger this, I’m outta here punk! And so it was the Saturday before Christmas. I had agreed to meet a friend in town and help her choose presents for her nephew and niece in Switzerland. I also thought I could get to confession and prepare my soul for the feast that is Christmas.

I was slowly getting used to the Fujifil XT2, and thought, right, I’ll go out early and try and get a space before everyone else has the same idea, and get used to it even more. I arrived at the car park and had to wait at the barrier, but was patient.

I phoned my friend to say that I had managed to park the car and felt slightly smug. I texted her and she said she was still in pyjamas and having her coffee. Ah… Well I wasn’t expecting that. But that gave me some time

Whilst learning photography back in the day when I had hair, I used a 50mm lens, and learnt how to use it through and through. It was years later that I acquired a 28mm lens for my Praktica MTL 3, and really got into it. Later I continued when I got my X100F (35mm equivalent), my Canon 6D Mark II with the 16-35mm zoom lens. So it seemed logic to get a wide angled lens for the XT2. I ended up getting a 16mm which is a 24mm equivalent. Not too much distortion but still nice and wide.

Parked in Feydeau, and just next to the Chateau des Ducs de Bretagne, or Nantes Castle, I thought why the heck not, and headed up there. I just went with no specific goals, and waited for the photos to present themselves whilst walking around. I discovered a little art gallery that I hadn’t seen before and it was a real inspiration.

I walked towards the Fnac where my freind said she wanted to meet me. She was getting a record player for her girlfriend and wanted my help to choose. We chose, and headed to Sugar Blue Café for lunch, which was one the good ideas I had that day. A vegetarian salad, and for the desert we got to cakes. One was the Christmas cake, which had red fruit, crème de marron (which is a huge favourite of mine), and covered in Marscapone icing, the other cake was a Stracciatella Cheesecake, which was sooooo naughty. That’s wrong, both were amazing, and I’ll just have to go back after they get back from their Christmas break.

I told her that I wanted to go to confession and she said she would go and try and find an Ugly Christmas Jumper for her Christmas meal. We stopped off in a shop that does paper crafts for the presents for the children. We parted, I went to church, and we met up after the rain to go to the Comptoir Irlandais to get all those Christmas goodies that you can’t get anywhere else. I needed bickies, and cake for all the tea that I would be drinking over the holidays. We finished up in the Pub, and I was able to present her to my friends there. The restaurant across the road had no tables left!!!! O disaster! I had a plan B. My plan B was the Reine Margot and although it looks like a fast food joint from the front, the menu tells a different story, and when you get past the initial corridor, you enter the restaurant. We started with snails, then duck, and I finished with a chocolate cake, then back to pub for a swift drink before heading home.

All in all a lovely day, with a lovely friend, and I was happy with the catch of photos for the day.

Nantes, the Green Line!

Posted on Jul 10, 2019Jul 10, 2019 Posted in Architecture, Art, Bikes, Nantes PhotographyTagged Cafe, Cambronne, Canon 6d Mark II, cheesecake, France, green line, History, Ian Myers, ijmphotography, la vie est belle, le voyage à Nantes, lvan, Nantes, photo walk, photography, Pierre Ramette, statue, Sugar Blue Cafe, summer2 Comments

Le Voyage à Nantes is an art festival that happens every year in Nantes. They give out maps with the green line that travels all the way through the city and if you don’t have a map, you can just follow the green line on the ground. Yes. I shit you not. They have painted a green line that you can follow all around the city. Did the creator have a cocaine problem but wanted to be eco-friendly? That’s not what really bothers me. What really bothers me is that the whole line is 12km long! If that’s not intense then I don’t know what is!!!

Not wanting to be selfish, and sharing is caring and all that, I decided to bring along Killian. He needs to get out more and get some vitamin D. I also needed a minder. He’s always good for that kind of thing.

We started by the most important thing of the day. Food. Luckily it was lunchtime so I felt slightly less guilty about eating in public. Right, the first stop is usually the Sugar Blue Café. I really like the food. It’s actually healthy, but not only healthy, it looks good, but not only looks good, but tastes good, but not only tastes good, but they have cheesecake. Yes. Cheesecake. I’m so weak. But it goes so well with the cup of tea…

Of course we had to walk a bit just to feel even less guilty about the Cheesecake. Did somebody say Cheesecake? I ended up at Place Graslin. Needed coffee. Kiki had a beer. It was a bit warm after all. About 36°C… I told him about the day I was there with Kate and that it was just as warm and how she ended up getting soaked to the skin in the fountain, and how I was getting all panicky because I didn’t have a towel for her or a change of clothes.

We had to decide how to follow the line. We were sitting on the terrace of Le Molière and thought we’d be intelligent. Bad idea, but we managed to get the map up on our phones. The line passes right by the café, and you can either go left, or right. We tried, rock, paper, scissors, which is generally foolproof especially when it comes down to who is going to pay for the beers. But in the end we went for the more conventional, “oh f**k it!”

So having “f**ked it,” we eplored the Cours Cambronne, named after a famous Napoleonic General, who decided that he didn’t want to surrender to the British at Waterloo… Ah well! Silly billy!!

He became major of the Imperial Guard in 1814, and accompanied Napoléon into exile to the island of Elba, where he was a military commander. He then returned with Napoléon to France on 1 March 1815 for the Hundred Days, capturing the fortress of Sisteron (5 March), and was made a Count by Napoléon when they arrived at Paris. Cambronne was seriously wounded at the Battle of Waterloo and was taken prisoner by the British.
The exact circumstances of his surrender to the British are disputed. At the battle’s conclusion, Cambronne was commanding the last of the Old Guard when General Colville called on him to surrender. According to a journalist named Rougement, Cambronne replied: “La garde meurt et ne se rend pas !” (“The Guard dies and does not surrender!”). These words were often repeated and put on the base of a statue of Cambronne in Nantes after his death.
Other sources reported that Colville insisted and ultimately Cambronne replied with one word: “Merde!” (literally, “Shit!”, figuratively, “Go to hell!”) This version of the reply became famous in its own right, becoming known as le mot de Cambronne (“the word of Cambronne”) and repeated in Victor Hugo’s account of Waterloo in his novel Les Misérables and in Edmond Rostand’s play L’Aiglon. The name Cambronne was later used as a polite euphemism (“What a load of old Cambronne!”) and sometimes even as a verb, “cambronniser“.
https://en.wikipedia.org/wiki/Pierre_Cambronne

We said goodbye to the little girl and allowed here to get back on her pedestal. Or was she trying to get down?

We found the line again, and then saw a dotted line… Interesting… An alternative? Well, what the heck. We followed it and discovered traces of Nantes more artisanal past, traces of joiners, cobblers, plumbers, bookbinders, and industrial tribunals. I love seeing these little bits of history still fighting to leave their mark on the town. A town or city has to be in tune with its past and it’s own story. People leave their mark on a place. The question is how will leave our mark, and what will that mark be?

For the photo geeks out there. The tools today were the Canon 6D Mark II and the 16-35mm lens.

Credit must also go to Magalie and her article about the Voyage à Nantes who inspired me to write this article, and get off my fat arse and try and get myself some culture!

In the streets of Nantes on Ascension Thursday 2019

Posted on Jun 9, 2019Jun 10, 2019 Posted in Architecture, Bikes, Black and White Photography, France, Nantes Photography, Street PhotographyTagged bicycles, black and white, Cafe, Canon 6d Mark II, church, Nantes2 Comments

Same day as the last article, but this series is about the streets on Nantes, with some obligatory bike shots, some lovely knockers, shops, churches, and other buildings. This seems to represent part of my universe when I’m in Nantes. Or more the way I see this little area of Nantes.

I usually park in the Feydeau car park, and head through Bouffay, towards Place Royale where I’ll eat in either the Sugar Blue Café (really nice and one of my favourites) and when it’s not open I have to cross the road and eat at the Suppli Factory which is like Italian street food, but not on the street, but still really good food!

After the food, which was delicious we headed off towards the St Nicolas Basilica (photos of which will be the subject of another article) and up past the Cathedral towards the river Erdre (yet another article). Spoiler alert!!!