I am a father. I am the father of a son, and have been for the last 25 years. I am a father. I am the father of a daughter, and have been for the last 14 years. I am a father. More traditional than modern, but definitely a doting and loving father of both children. I am a photographer. Both children have had multiple photos taken of them over the years. However, the subject of bedtimes has always been contentious. They say you have to be rigid and follow an established routine. They say that for the good of the children you have to respect this routine to the letter. They are obviously not parents. They are obviously completely disconnected from reality. They obviously have their heads buried so far up where the sun don’t shine.
As a father, I’ve learned the importance of picking your battles, especially when it comes to bedtime routines. This particular night, with my 7-year-old daughter wide awake, a fight wasn’t the answer. So, I grabbed my Praktica MTL3, loaded some HP5 pushed to 1600, and turned a potential meltdown into an improvised photoshoot. We ended up in the bathroom – because teeth brushing was still non-negotiable – but the resulting photos captured a moment of pure magic.
Let’s talk about technical details: the Praktica MTL3 is the model that I learnt my craft on. It’s solid. It’s fully manual, and gets the job done admirably. The lens is an F1.8 Pentacon 50mm, with a lovely depth of field. I pushed the HP5 to 1600 to be able to take advantage of all the available light.
Kate posed for me and thoroughly enjoyed herself. Teeth brushing. Calling somebody very important on the Fisher Price telephone. And pulling a face to tell me off. Some things just don’t change…
Photography is not the technique or the camera, or worse still, the settings used. It’s about capturing that “Kodak moment” albeit with Ilford HP5. It’s about the shared memories. It’s about the nostalgia of looking back on family life that can never be recaptured. It might seem mundane to you, but to me it’s priceless. And looking back at these family photos, it just reminds me how much I love both my children, and am fortunate enough to have captured these fleeting instants.
Sometimes you just want to try something out. Be it a new feature for the website or even a new way of editing your portraits, after having watched some YouTube from Sean Tucker. The idea here was to have a portrait that had been edited without the edits being too obvious and keeping everything looking relatively natural… What do you think?
Sometimes it’s good to be good to people. I mean it’s always good to try and be a good person, as subconsciously, I would like to think that we are all called to goodness and to be decent people, despite the example given to us by the Conservative party over the last three years. Maybe there is hope and they will put past delinquency behind them.
Anyway, I’m not here to bash Boris, however pleasurable this might be. I’m here to talk to you about how I once took some photographs for somebody who was very kind about my work. It was for a guy called Elvis, who, despite the song, was not seen down the chip shop, but at a barber shop. You can see the original photos here and I have to admit that I was pretty happy with them.
Elvis was the owner of the barbershop. But he was above all involved behind the scenes in professional football, but the poor lad was going through long covid and not in a good way. Later on, whilst in training and getting thinner, he discovered a lump. It’s not the thing you want to hear when you’re about to have a new addition to your family. Thankfully, God has this way of looking after us and it was discovered and treated, and he now has a young daughter as well as his other children.
His elder daughter wanted to confect a “book” to present to various modelling agencies etc. Elvis thought of me. I of course agreed because it’s good to be good, and even better when that person is a friend. Then I went and caught COVID. Yes, I was one of those optimists who thought that with his three vaccines, he might have just escaped the dreaded lurgy! Oh silly me! Anyway, we managed to get a date together that was good for the both of us, and where good weather would be slightly more likely. I suggested taking my portable studio after the success with Hervé, so we wouldn’t have to worry about inclement weather, but we agreed on shooting on location.
We eventually decided to go to Trentemoult where the coloured houses would provide some colourful backdrops. And despite the harsh sunlight, we found lots of spots in the shade. Yes, you can have too much light. The rendez vous point was given and when they arrived we went to a café for a brief and to tell Noia how things were going to happen. Elvis, bless him, was wonderful carrying my reflector for me.
We wandered around, ooohing and ahhhing, agreeing on how pretty it was and how colourful it was, and how it was probably a good idea not to check out the house prices.
The shoot was done, we went to another café, had a beer, chatted and put the world right.
For this shoot I used the Canon 6D Mark II, with the 85mm F2.8 lens and the 50mm F1.8 lens. I would also like to thank Sean Tucker, for his expertise and tutorials for his editing techniques that I used here as I wanted to try something different and get back into Photoshop.
I was at Mass, in Nantes, on a Sunday evening, and being appropriately prayerful, knees bent praying to prepare my mind for the sacrifice of the mass wondering if I was going to be able to stand up again. Despite my gammy knee, it wasn’t a problem. Mass started, and they were off. During the entrance hymn, my director of music at my Wind band, but most importantly, my friend, Hervé, accompanied by his wife, and daughter, walk in and sit just in front of me. We gestured hello, but you don’t interrupt the Word of God, and we saved niceties for after Mass.
It was a genuine pleasure to see him there and not just because we share the same faith, but just nice to see a frightfully nice chap, but also an all-around good egg! We exchanged conversation and I said how wouldn’t it be nice if we could go to the pub for a pint. They’d had a long day, but to his utter disbelief, Veronica, acquiesced and we were given her blessing. I suggested they park in the same place as I usually did and that we meet up. We both knew where the pub (John Mc Byrne) was and headed off to claim our reward for obvious good behaviour.
They were already at the pub by the time I parked and so I walked up to join them. Strangely my nose just seems to lead the way! I saw him standing outside waiting for me and I showed him the best seats in the house, or for me, nearly a home (it’s where I see my friends). I introduced him to Simon who knows nearly everything about sport, whiskey, and good places to eat in the vicinity, the Rob, whose jokes are almost as cringe-worthy as my own, and lastly to Gavin who is half and half… Half Scottish and half French. His parents are obviously to blame.
We commented on how the establishment wasn’t a bar but was a proper pub, and how nice his pint of Irish IPA was. I persuaded him to taste a pint of O Hara’s Nitro, which is the nearest thing that I found to Yorkshire bitter over here. We both seem to have similar tastes in beer, which helps in a friendship. It’s unbearable when one likes lager and the other friend, beer…. It tuned out that he had some homemade Bitter that he wanted my opinion on. Ah well, there goes a perfect reason to meet up again! Fortunately, I was going to be on holiday during that week, so we set the date and time said goodnight to each other and headed home.
I asked if I could bring along my portable photography studio to take his portrait and he very kindly agreed. At the appointed time, on the appointed day, I turned up with my studio and dog. Molly wasn’t very sure about hanging out with a big very friendly, almost too friendly for her, beautiful chocolate Labrador, who was coming out of puppyhood and entering doggyhood.
I said she could stay in the car and left the windows slightly open so she would be fine and said that I would come back and check on her now and again. Smaug, the Labrador, was put on one side of the house, and Molly decided she could stay by my side and still be OK. We tasted the beer and were unanimous in our praise of this wonderful concoction. Then the photoshoot. Hervé already knew that I dabble in photography, as do you Dear Reader, and was most impressed when I set up the studio. I was quite impressed by it too because it was only that afternoon that I had back to revise how to operate my speedlights and trigger. The first shots were more to break the ice, not just for Hervé but also for me, and already we were getting some good shots. He played me a recording of a new project launched by the Brass Quintet with whom he plays and has my old horn teacher as the horn player. It was amazing. They were playing in church with a massive organ played by the organist from the Nantes Cathedral. Wow, that is all…
We then go the instruments out. First the E flat tuba. I thought, let’s just break him in gently. Then I went back out to the car to get my horn and make him look like a proper musician with the most beautiful instrument from the orchestra in his hands. We would suggest to the horn teacher that Hervé had finally seen the light and wanted to convert. Then we messed it up by getting out his conductor’s baton. All in all, we were having a laugh, talking, just as friends will be want to do.
I ate with them and by the time I left that evening the two dogs had even sniffed each other and were even respecting their own private space. That Smaug is one lovely dog and not at all dragonlike as his name suggests. He’s a big softy. A bit like myself Dear Reader…
Last week I wrote about Palm Sunday and the importance that it has in the liturgical calendar. Today I would like to talk more about photography. In my article about the Canon 6D Mark II and the 16-35mm lens, I talked about how it seemed to be a less productive day, and it was indeed, and that next time would be possibly different. New day, and different light, by definition. Well, it was.
Spring has sprung, we have changed hours on the clock, and the weather seems to be a little less despicable with some nice sunlight, whilst still having some lovely light fluffy clouds to be amazed by. Whenever that happens, I know how I want my camera. I want it, firstly, with me, otherwise, photography becomes a more laborious pursuit. Secondly, when doing my editing, I want to reproduce the effect of putting a red filter on my lens as if I were doing black and white film photography. The blue skies become darker and the fluffiness of the clouds just seems to pop out. Add a little contrast, and bob’s your Aunty, or Uncle depending on his or her pronouns…
It might seem slightly old fashioned to you, but I find very this type of image very pleasing, and it gives off a certain old-timer vibe, and as an old-timer, at least compared to the young timers, I’m more than happy. Everything is relative anyway. Maybe I am of the age where I no longer care about impressing people and just want to do things my way. I’m not saying I don’t love a compliment either. All men do. Ladies, never underestimate the power of a compliment to a gentleman. We may seem cool on the outside, but on the inside, this compliment will boost us for ages. Try it. I dare you!
I parked the car at the Feydeau underground car park, and just walked along towards the castle, and for me as an introvert, actually dared to ask somebody if I could take their picture, at least a picture of their shoes. The young lady was most obliging and said yes. Thank you. One of my favourite photos of the day and in “colour!” Then the famous Miroir d’eau, which is more subtle than Bordeaux’s water mirror, but in Nantes, you get the reflection of an enormous castle, which is where I went next. Don’t worry, you won’t have to follow each and every pace. You can do that by looking at the photos at the end of the article.
I parked the car at the Feydeau underground car park, and just walked along towards the castle, and surprisingly for me as an introvert, actually dared to ask somebody if I could take their picture, at least a picture of their shoes. The young lady was most obliging and said yes. Thank you. One of my favourite photos of the day and in “colour!” Then the famous Miroir d’eau, which is more subtle than Bordeaux’s water mirror, but in Nantes, you get the reflection of a huge castle, which is where I went next. Don’t worry, you won’t have to follow each and every pace. You can do that by looking at the photos at the end of the article.
To sum up, a very fruitful outing, with a break at the pub, so, even more reason to describe the day so worthwhile. Thank you for following and feel free to share your impressions. I promise not to bite!
Back in 2009 I had a camera that died on me. It might only be a camera to you but to me it was everything. It was my first camera. I was heartbroken. To those of you mocking me, just think back to your first car and to your first accident in that car. Alright, you may not be shedding a tear you unemotive bastard, but you might just have the smallest of inklings about my loss. It was my fist camera that had taught me the basics of photography, and since 1987 had been a relatively constant companion, and part of me. My son now has it on a shelf looking pretty damn cool on one of his shelves.
It was at that time that I had come back to film from digital. Why bother using filters that would emulate film photography when you could get the same thing straight out of camera without going through the rigmaroles of messing around in Photoshop to get that result? At that time, although digital gave me a lot, there was something missing. Like most of us I was looking for something authentic.
I went to the camera shop to see if anything could be done to repair my camera and bring it back to life. With hope I entered the shop that would become a familiar haunt, and had to face the brutal truth. My Praktica MTL3 was dead. It had passed on, this camera was no more. It had ceased to be. It had expired and gone to meet its maker. It was a stiff. Bereft of photographic life. It was resting in peace. It was pushing up daisies. Its metabolic processes were now history. It was off the twig. It had kicked the bucket. It had shuffled off its mortal coil, run down the curtain and joined the bloody choir invisible. IT WAS AN EX Praktica MTL 3! Any similarity to a Norwegian Blue parrot pining for the Fjords is a mere coincidence! So I asked him if I could buy the one in the display cabinet and he said of course I could and that yes it was a little expensive, it came with a 6 month guarantee, and here was a film for it, and no mention of Bolton or Ipswitch. Although not exactly the same it was a purchase that set me off on a series of events that lead me to “collecting” a certain quantity of cameras. It was either that or becoming a lumberjack.
Through YouTube, articles on the net, and my own research, I learnt about some of the iconic cameras that I never had, and at that stage, the hipsters hadn’t bought up everything on EBay and you could still get something very decent for un £50, which now of course might set you back between £150 to £200! So I was very fortunate to start collecting when I did.
On the famous YouTube, and its infamous photography videos that I still seem to watch on a regular basis, I went down the rabbit hole of specialising in film cameras. There was one guy, called Matt Day, who waxed lyrical about his Leica M6, and how much he loved using it to take images from his everyday life. I started thinking, could this be my next acquisition. And then I started looking at the prices that these things cost. Megabucks, which is something that I don’t have and even if I did, such a purchase would be grounds for divorce. It’s cheaper to keep her, as the classic Rhythm and Blues (before it became R’nB) so wisely reminded us.
Therefore, what is the difference between my new old Praktica MTL3 and a Leica M6 I hear you say. Well, both are German. One is a classic camera from a West German manufacturer, and was the gold standard of 35mm cameras from pre war times right up to the modern day, and was a rangefinder, the other one being a relatively cheap and yet very solid SLR from the old East Germany.
So both were made by the Boche, one further to the left that the other. They say a picture is worth a thousand words, so a video must be worth two thousand words! Earlier I talked about a certain Matt Day, well here is a video of his from last year talking about the differences. I’ll let you watch it, and then we will be both on the same page! I can tell you’re impressed.
Soooooo, I wanted to learn about a rangefinder and see how they worked out in real life. But, as I said earlier it’s cheaper to keep her, so I was going to have to find another way of doing things. As many photographers on a budget but wanting to get some half decent materiel, I looked East, towards Mother Russia. Communism is messed up, but it did leave some rather solid cameras, and to the rangefinder aficionados, the names Zorky, and FED will be familiar. The Zorky looks very vintage, rather sexy and exclusive with its Cyrillic writing on the top of the body, but I was not comfortable about using a camera without a light meter. The Sunny 16 rule should be easy enough to follow, and with the latitude that black and white film photography gives you, you shouldn’t go too far wrong, but I was being stubborn, which is so out of character for me.
I moved on to looking at the FED 5, especially since I had found one for only 15€ imported directly from the Ukraine, which at the time was not at war or hadn’t been annexed either by Mother Russia. Oh you naughty boy Vladimir!!
Let’s get the boring stuff out of the way first. The FED 5 was produced in the Ukrainian city of Kharkov from 1977 until 1990. It is a 35mm format rangefinder camera, with interchangeable lenses with a Leica M39 screw thread, (mine has a 35mm f2.8 lens, which is great for street photography). It has a focal plane shutter, shutter speeds of 1 second to 1/500th of a second, bulb mode, and the flash sync speed is 1/30th of a second. What more could you ask for. The film loading is similar to the Leica where you remove the base of the camera, load your film etc. and then put that base back on. Because you know that it’s about the bass, ‘bout that bass no treble…
To do the metering you have to put your faith in the selenium cell light meter, on the top right of the front of the camera. This will give you a reading on an EV meter on top of the camera next to the “calculation wheel”. One dial is for the speed of you your film. Now don’t go looking for Din, ISO, or ASA, but look for GOCT, or GOST. 90 GOST is 100ASA, 180 being 200ASA etc. For 400ASA I just turn the little dot to the S in GOCT. It’s one of those Soviet things that is just a quirk of this camera. This will give me a reading on the outer dial with my shutter speeds and F Stops combinations to nail that exposure!
As with other Soviet-era rangefinders, the shutter-speed selector rotates when the shutter is released, and this should not be changed “until after” the shutter has been cocked. If you change the shutter speed before you cock the shutter first, the setting pin can be broken when you advance the film and cock the shutter! Don’t even bother trying. I never have, and it still works today!
Focussing is easy which is always something that catches my eye, no zone focussing, and it’s slightly different to the SLR. As you saw in the video, there is a ghost image in the middle of the viewfinder and as soon as that ghost image disappears, it means that you have focussed successfully.
Anyway, I paid my 15 Euros and a Ukrainian camera arrived two weeks later in an original box which is still in a display cabinet in my hallway. The leather case still smells of leather! So I tried the damn thing out. Worked out how to load the film which as completely foreign to me but still doable and not too demanding even for me. It is supposed to be the street photography camera par excellence for a few reasons. Firstly it looks pretty sexy around my neck and the leather is top notch without necessarily having a leather fetish, but each to his own! You can use zone focussing with the lens as you can see at such and such an F-stop, the part of your photo which will be in focus is shown on the lens. There is no mirror that slaps up, and the camera is relatively silent, and can be used to close to your subject and get that trendy and yet timeless street portrait. Shooting from the hip.
I can hear you saying, well thank you Ian for all this information. Really great, and almost useful. But pray tell, is it any good? What’s it like to shoot with? Is it worth me looking into? Can I buy you a Leica M6 for your birthday?
Well Dear Reader, let me address your interrogations. Firstly is it any good? It is definitely slightly sexy and certainly looks the part! I wasn’t used to the focussing of a rangefinder but found the focussing to be spot on. I’ll let you have a look at the photos and let you judge! What’s it like to shoot with? Once you get used to the way a Soviet camera functions it’s actually pretty neat! What I do like is being able to get my exposition without having to look through the viewfinder. You know that you’re going to be spot on, and indeed I was. That’s half the battle won, which is what we’re all about. It works mate, it works! You need to be able to get that sot that you want and I think that’s pretty simple to do. Is it worth me looking into? All depends on what you’re looking for. If you can get one for a relatively cheap price then get one just to try out; you can always sell on. I certainly have no regrets and it’s still in my collection which just goes to show you! Can I buy you a Leica M6 for your birthday? Who am I to refuse such generosity?
The photos in this article were taken in Montaigu, Vendée in 2016 and feature my daughter. The film is Illford XP, which is a black and white film that is developed with colour film chemicals and processes. C41 for those in the know. It’s always strange seeing photos from nearly 6 years ago and I remember that outing with my daughter as if it were yesterday. It was one of the ways I used to cope with my depression. I might not know what day it was but I remember taking each photo. We all cope in our own individual ways I suppose…
IJM Photography 