Friday afternoon in Nantes


Today was a good day. I like good days.  A mixture of barbershops, photography, cake and tea, and most importantly, friends. On this sunny Friday afternoon, I had the afternoon off from work, it would be a perfect day to go to the barbershop and get this beard of mine seen too.  I knew it was sunny just by looking out the window, and thought, let’s go manual today.

There is a rule in photography called sunny 16, that says when it is sunny, and not a cloud in the sky, you can put your camera at F16, the shutter speed identical to the ISO, or film sensibility, and all your shots should come out fine or at least well exposed.  It means that all you have to do is to concentrate on the moment and press the shutter when the moment is right, and by that I mean, when you have the composition that you want from a scene.

Sean Tucker did a whole video about it and I thought, well, you’ve taken his advice in the past, so why not now.  I was a bit of a sissy, and didn’t use a film camera, but instead used the Fujifilm X100F so I could see what I as getting, but to be honest, I didn’t really need to.  I must have more self-confidence in photography, I must have more self-confidence in photography, etc.  I didn’t go F16 but stayed a little more conservative at F11.

Right, the geeky, photographer part of this article is over.  The rest of you can join in again.

So first the barber shop with a couple of photos along the way as my photographic warm-up.  This visual warm-up is as important as the muscular warm-up is for a runner or any other sportsman.  You get your settings right.  F11 because there were a couple of clouds in the sky but not enough for F8.  Remember the sunny 16 as a guide to this outing.

My goal was to go and get my flowing locks of hair shaved off, my beard to be transformed from a homeless guy into a dashing older Dude, and then get to Church, pop in to say hello to Jesus since I was too early for confession, and head off to the pub.

With less hair than before and having to battle away throngs of female admirers along the way, I eventually made it to the pub.  It was a quiet day at the pub.  Rob, or should I say the legend that is Rob, was standing outside ready to jump on any unsuspecting client that might come by and sit down on the terrasse.  He’s a good man, and we share a love of being daft and talking utter bollocks.  Our jokes are amazing, at least to us.  Others might disagree, but under torture will admit they were slightly funny despite being awful!

After a couple of pints of water to quench my thirst and some awful jokes I needed to pee.  On my way back up I fancied a little something to nibble on. 

Rob, do you fancy some Pringles and some dip?

Not really. 

Do you know what I really fancy Ian?

No Rob? 

Some shortbread… 

I wasn’t going to make it from scratch but I knew a place where I could acquire some for a reasonable price.  So off I went to the Comptoir Irlandais.  An establishment where you can find some of the world’s more comforting produce, tea, and shortbread included.  Back to the pub.

Rob who is half Scottish let me know what a great fan of Iron Bru he is.  Guess what I found at the Comptoir Irlandais?  Yes, you’re right Dear Reader!  Scotland’s number one hangover cure, not that I’m suggesting in any way at all, that the Scots would ever need a hangover cure, but if they did, this might be it.  It’s a Marmite thing.  You love it or you hate it.  Judging by Rob’s little eyes when I came back with the shortbread fingers, and that special drink, I think we can safely say he likes it!  We of course made a tonne of finger jokes, asking our Irish friend if she would like a finger.  Yes, we were at that level.  Fart jokes would have been a great leap forward.  And I think the phrase, that’s what she said, was uttered a few times too!  So all in all, yes, it was a very good day!

A Sunny February Afternoon


Sometimes you have brunch and just feel that all is well with the world. Well, that Sunday, all was definitely well with the world, or at least, well with my world, which isn’t a bad way to be on a delightful sunny February afternoon. Out in town with my camera, well-fed, and just wandering around, seeing what would turn up in front of my camera.

If I were to be honest, I know that if I go to such-and-such an area, I will get such-and-such a kind of photo, so we can’t about wandering around aimlessly, but there was a sort of randomness… Sort of.

Get ready for some technical information, which will hopefully explain the style of photos that I am presenting to you today. When converting my images to black and white, I edited as if I had a red filter on my camera and as if I were using black and white film. When using this red filter, anything that is blue comes out in a darker tone. It’s going to be easier to use an image instead of a thousand words…

Basically, anything that is a deep blue turns almost black and makes for a powerful image. Some people love it (I do), others don’t (ah well), and that’s all fine too! You get the picture!

A lot of the photos that follow will exhibit this effect as if they were case book studies. You need the sky to be a certain way or it just won’t work, but when it does, you get the kind of image that jumps out at you. That and the 16-35mm lens, you can’t really go wrong. Mind you, after that delicious brunch, not a lot could go wrong…

L’œil du Cyclone


Dear Reader, some of you might know that I don’t live too far away from Nantes and that I can be found wandering the streets of Nantes with a camera, or sitting in the pub talking with friends. So, nothing new here then.  You might not know that I sometimes publish said photos of Nantes, and even the pub, with friends of course, on Instagram.  I also sometimes go out and participate with other photographers in what is usually a solitary pastime. 

Nantes Grand Angle, a sort of collective of photographers from Nantes, often has events (with local partners) that want to get their event onto the local social networks and get some “viral” publicity.  The game is you go to the event and then talk about it on your social accounts and people might be interested thinking well, he went to see this, why don’t I go along too.  It’s the basics of social marketing. 

Why do I usually see photography as a solitary pastime? Because I get a certain amount of social anxiety.  For most extroverts, those pushy people that are in favour now, the word “mingle” gives them a buzz that they seem to thrive on.  I, as an introvert, find the words “new people”, or even the idea of “meeting new people”, “social”, or “mingle” just fill me with dread.  It’s akin to going on one of those terrifying rides at the fair. It’s scary, thankfully doesn’t last very long, leaves you feeling empty, very awkward, sheepish, and makes you want to run away as soon as possible.  sonds like my sex life on a good day.

So against my better judgement, I confronted my fear, and went on an outing with Nantes Grand Angle.  I could always just stay at the back and be subtle and try to fade into the background.  It also meant that I would visit a new place, Le Lieu Unique, which as its name might suggest, is certainly unique!  The Lieu Unique also contains the Tour Lu (sans T pour le jeu de mot de merde en français, et oui, je suis rendu à ce point là !)  It originally house the LU biscuit factory (des petits beurres de LU, which is another pun for the Happy Birthday song).  Dear Reader, I apologise for the years of therapy that you will need to get over that last paragraph.  It’ll teach you to speak French!

Right, back on track.  The Lieu Unique, which indeed is unique as the name suggests, houses not only an exhibition for introverts to take photos of for social marketing, but a bar, a reading room, a bookshop, and if I’m not mistaken, a hammam, as well as a whopping great tower.  It is a hothouse of culture where you can get fed, drunk, steamed, and get some culture, leading to the acquisition of a little intelligence! Maybe, depending on the order you do each activity.

I was there with my fellow photographers, some of which were annoyingly extrovert, to live the experience of Art from Taiwan in the “Eye of the Cyclone.”  The Lieu Unique boss, had, uniquely, gone to Taiwan in 2018, had been to an exhibition at The National Museum of Fine Arts of Taiwan, and had invited some of the artists to come to Nantes and show their work, purely an artistic venture.  Since 2018, the world has changed not only through COVID, but also because China would like to get its hands on Taiwan for economic reasons and political ones.  Taiwan came to the front in modern terms when the Kuomintang government who lost to Mao’s Communists, fled Mao and fled to the Island of Taiwan, setting up a new independent government, that China still hasn’t gotten over and is still very upset about.

In the early 1960s, Taiwan entered a period of rapid economic growth and industrialisation called the “Taiwan Miracle».  In the late 1980s and early 1990s, ROC transitioned from a one-party military dictatorship to a multi-party democracy with a semi-presidential system. Taiwan’s export-oriented industrial economy is the 21st-largest in the world by nominal GDP and 19th-largest by PPP measures, focusing on steel, machinery, electronics and chemicals manufacturing. Taiwan is a developed country, ranking 20th in GDP per capita. It is ranked highly in terms of civil liberties, healthcare, and human development.  Again, something that China isn’t overjoyed by.  So as you can imagine, such an exhibition is as much political as artistic.

So now we have set the scene, let’s get down to the nitty-gritty.  The expo itself.  I admit not knowing a huge amount about Taiwan, however, since visiting the expo, I have read up to find out more about its history and culture.  It’s Chinese but at the same time properly Taiwanese. I will include official links to the expo and the English documentation at the end of the article.  But what I really wanted to do with this article was to talk about my experience of the exposition and the way the exhibits left their mark on me.

The first exhibit, Exhibit A, or Battle City – Scene, by Chang, Li-Ren, model, just blew me away with the complexity of the modelling and the realism recreated in model form.  The artist came over for the oeuvre installation and I can imagine a rather rotund Asian chap on all fours adding details to his masterwork.  Not based on reality, but the artist just wants to give an impression of what Taiwanese urbanism looks like.   There are cars, housing, and motorbikes, but the whole place is devoid of people.  It’s very eerie, yet totally fascinating and a photographer’s dream.  The whole thing is massive (7600mm x 8100mm x 2600mm), and the attention to detail is fascinating.

Exhibit B, Future Shock, by SU Hui-Yu, video, talks about a dystopian future, unfortunately, a not-too-distant future according to the artist influenced heavily by the American author Alvin Toffler, where people are drowning in information, and unethical technologies.  Maybe it’s happening already?  Definitely though provoking and frightening in equal measure.

Exhibit C, Braindead travelogue, YUAN Goang-Ming.  At first, you have the impression of traditional Chinese brush art, but with non-traditional means, like using markers, but also gold and jade.  From the centre of the painting, shoot out 10 disks of images showing the artist marking his territory in the landscape.

Exhibit D?  I’m going to keep the rest of the exhibition secret, because the idea is that you go and have a look yourselves, especially if you live in Nantes!  Did you really think that I would or could reveal all?  No!  Leave them wanting more!!!  Oh ok, you can have a few more pictures, but that’s your lot.  Go down there and have a look.  It’s free to visit; and you won’t be left unmoved…  You really get a feel of what life is like in the “Eye of the Cyclone.”

Links and all that:
Le Lieu Unique
Nantes Grande Angle
The documentation in English (pdf file 0,99Mo)

I would like to thank Nantes Grande Angle and our guide, Tanguy, not only for his welcome to the uniquely Lieu Unique but also for his great expertise. The poor man even had a look at this blog to see where I would publish my write-up. Brave too, and probably already in therapy. I hope I have done him justice!

He went wider


Dear Reader, you know how in the past I have talked about how some of us love the big massive telephoto lenses?  And how others like to go wider?  And how we start of with the “nifty fifty” F1.8 and learn on that?  That was in the days before digital photography and a world where zoom lenses came to the fore.  We had them before in the days of film photography, but my memories are of using these prime lenses, and zooms seemed to be looked down on.  I wanted to go wider.

I remember my first proper photography course where I learnt the basics of film photography, going from taking the photo, developing the film, and getting a print as an end result.  I remember seeing a photo of a horse taken with a massive head taken with a wide-angled lens and finding it fascinating!  When I said the head was massive, the lens deformed our view of this majestic beast and its body seemed smaller than its head, which is something indeed.  It was then that I learnt a photograph doesn’t have to represent a visual that is faithful to the subject.  We can mess around with reality and show the world completely differently.

So, as I said, I learnt photography with a 50mm lens.  These 50mm seem to be closest to how the human eye sees the world.  It represents reality.  In 2018 I acquired the Fujifilm X100F which has a lens equivalent to a 35mm lens.  Slightly wider, but still represents the reality of this world, and is considered “the” street photography lens par excellence.  It has a larger angle of view and allows me to get a little more in the frame and I felt the difference with the 50mm straight away.  It was still a great lens and very versatile until I tried taking a close-up portrait.  All of a sudden, I discovered some distortion in my model.  I’m not saying that my model is deformed, well, no more deformed than any of us. 

Suddenly watching YouTube, as many of us do apparently, I discovered the 16-35mm F4 lens from Canon for my Canon 6D Mark II.  It was a little more than I had ever paid for a lens, but worth every centime of euro and so satisfying.  If you care to have a look in the archives of this blog on my Instagram feed, you will discover many photos taken with this lens.  My desire to go wider was now a reality.  Distortion of reality was now in my hands.  I could create interesting images.  I discovered the way a very wide-angled lens can transform the world around us.  Leading lines exist all over the place, and the wide-angled lens exaggerates each line, leading or not!

But, and this is a big but.  You fellas can’t deny… It is possible to go wider.  I know.  Exciting isn’t it!  My mind is now blown!  There is a lens, a very special lens, called a fish-eye lens.  This type of lens can offer you even more distortion and make the world seem even weirder than it already is!  Canon does one.  It’s a 15-8mm zoom lens.  There are two types of fish-eye lenses.  One will give a rectangular view, however distorted, and one will give a round image with a black frame.  It’s a wonderful piece of engineering and for over €1000 it can be yours.  But for €1000 it can’t be mine simply because I can’t justify spending that much money on camera kit and might even be cause for divorce.  Since it is cheaper to keep her, I would have to look elsewhere instead of buying a super duper automatic lens from Canon.  So like any self-respecting poor photographer I went onto Amazon and found a manual lens for my Fujifilm XT2 (like the famous X100F except I can change lenses) for 169€ which is slightly cheaper and a slightly more reasonable purchase, and my dear wife didn’t bat an eyelid!  Not batting and eyelid is a very desirable reaction!!!

I will go out this afternoon to test this new toy and get back to you with some pictures!                                          

Hepple for Photos not Gin


Hepple. Even just saying it gives me a certain sensation of pleasure. Heh-pull. It just rolls of the tongue, and the pull sound at the end is tension that is let out and offers some relief. A bit like a fart, but less smelly. Amis de la poésie, bonsoir!

Now don’t get me wrong, I love Alnmouth but I like to get out into the country when I visit my parents. You drive into Alnwick, and then through the town past the TA base going up towards Rothbury and the on to Otterburn where the Army likes to play soldiers with live ammo and you are warned not to go onto the land otherwise you might go boom. Going boom is not a nice thing to do and should he avoided at all costs unless you really do want to go out with a bang.

You go past Cragside which as a family we have visited before, in the sun and the rain. It was one Summer and it was raining all bloody week and my mother said we should go out to Cragside and have fun going through the maze on the hills around the very stately home. It was a great idea, except for the fact that it had been raining like a cow taking a piss, and the whole place was waterlogged and we were all wearing crocs (other more suitable footwear from other brands do exist) and that other footwear would have been most welcome. We arrived back at my parents house soaked and a little pissed off. Oh the joys of family holidays during the British summer.

I digress. Je diverge, et parfois je dis bite!

Anyway, you go past Cragside and you will eventually end up at Hepple. I tend to go through the village and park up on the verge after the bridge. You can’t miss it, and if you do miss it the you are on the wrong road.

I have this stupid idea in my head that if I watch enough YouTube and try and learn ever more about photography from the various videos watched, and learn to leave my comfort zone and try new things, then I might discover something new and find out something that I might not even suspect possible. Yes it was one of those kinds of days… I should have known.

I was in the car with my camera and my father for this trip out. For some reason or other, fate had thrown us together and I had missed having sandwiches for lunch at parent’s house and still can’t remember how and why my father was in my car. Well, I wasn’t going to miss the opportunity to spend some quality time with one of my favourite people. So we had driven off to Hepple. I promise I will get to the end of this story. Maybe not straight away, but maybe by the end of this article.

Parked up. Ready to shoot. Camera out. Lens on camera. And then I just jave to work the scene and try and get compositions and pictures together. Now one video suggested using a telephoto lens for landscape photography. I wasn’t sure about this but tried it anyway just in case. While I was out of the car taking photos my father would be quietly listening to car radio holding one of the lenses as I was doing my thing. Bless him. That man has the patience of a saint. Either that or he enjoyed seeing me doing my thing. It was sharing with him one of the ways I seem to spend a lot of time.

It’s moments like that, that will stick in my memory forever in a way that going to the kitchen to get salt for my wife will be forgotten once I arrive in the kitchen. Not that I don’t want to to get salt for my wife, I just seen to forget very quickly.

So I started of by using my wide-angle lens and the thought, why the hell not, I’ll get the 70-300mm out of the bag and see what I can do with it. A wide angled lens will give you a very wide angle of view and offer up some wonderful distortion. Hence the name wide angled lens. The originality of that name still blows my mind! A telephoto lens however will give you the impression that everything has been drawn in and the background seems to be just being the foreground. It compresses the view… However they still say telephoto lens and not compressor lens. Go figure.

In the photos from this outing I think you’ll be able to see which photos were taken with which pens and of you click on each photos you can see the type of lens used in the description.

It’s one of my happy places and one that I keep going back to. They must think it weird that every summer a French car pulls up and this fat dude gets out with a camera and starts taking photos then gets back into said French car and drives off with souvenirs in his head that will keep him going until he comes back. It was just brilliant being able to just take in the scenery and enjoy being there with my Dad. Definitely a keeper that memory. It was just happiness. Happiness is being out with your Dad taking pictures and just being two men in a car driving across the Northumbrian countryside. These little instances of happiness that just seem to carry you through. Thanks Dad.

February Continued…


In my last article Dear Reader, I promised you some colour photography and in this article, you’re going to get it.  The sun was still warming my back and it felt good to be alive again!  I talked about missing out on the Jaune in the Grue Jaune, but not this time.  Shorter article maybe but some great colour for you.  When I bought the Fujifilm X100f one of the things that had was the Classic Chrome film simulation, which was supposed to emulate Kodachrome which of course died in 2009 and can no longer be processed.    The X100f of course has other film simulations, which you can look up on the web, but that Classic Chrome look just got me.  A slightly more subdued colour range with a certain warmness and something that you just can’t quite put your finger on, which reminded you of an age gone by in photography.

I mean the whole camera seems to have a certain vintage vibe to it despite all the technology hidden away inside.  The little knobs and buttons everywhere just remind you of a film camera.  How was I supposed to resist?  As you can see in various articles and various photo galleries, I didn’t resist and I’m still OK with that!  I even went on to acquire an XT2 with interchangeable lenses, which offer me more variety in the kinds of shots I can take, as well as keeping the same feel to my shots. 

Everyone says to shoot in RAW.  I can hear them even now saying, “Shoot in RAW you fool!”  Well I do, but I also shoot jpegs to have those images already colour edited to fit that Chrome feeling.  It’s consistent and I still have my RAW files to fall back on if needed.  The Fuji Jpegs are amazing and it helps me to cut down on the amount of editing that I have to do.  I’m basically lazy, so if I can avoid doing something and yet get a perfectly satisfactory result, then I’m going with the path of least resistance. 

On this outing, I was using the 18mm (24mm equivalent) lens with the XT2.  Again, I’ve talked before how I decided to go wider instead of longer, and if any of you are laughing at this point, get your minds out of the gutter!  I’m talking photography!!

So without much further ado, let me present you with some colour photography taken on the XT2 in Nantes.  

P.S.  I think I found the banana….