I went to the Merville Battery in August 2019, between Pegasus Bridge in the morning and the war cemetery at Ranville in the afternoon. I wrote about both of those and never wrote about this, and the photographs sat on a disk for seven years. This is the part of that day I had let go of.
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On the passage of time: through a family, through a landscape, and through the photographs we leave behind. On the 8th of August I watched Maureen marry Maciej.
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For forty years, I have been taking photographs. Mostly on film. Mostly in the Vendée, Nantes, and the UK, with a few detours to places like China. For…
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I headed back out with the Canon AE1 Program to capture more of the Voyage à Nantes, this time at the Jardin Extraordinaire—a hidden garden carved into an abandoned quarry. With the car at 48°C, it was sweltering, but the wandering through Chantenay and an unplanned brewery visit made the day worth every frame.
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It was 46°C in the car when I set off and 40°C by the time I reached Place Graslin, which is not the weather for walking a city. But Le Voyage à Nantes paints a green line through the streets and I wanted to follow it, at least as far as I could manage without melting. The AE1, a roll of HP5+ rated at 100, and whatever the evening put in front of me.
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I know it’s been quiet here, but that’s just the natural rhythm of accumulating material before bothering to process it properly. Jardin Extraordinaire, Voyage à Nantes, a zoo visit, and Normandy have all given me photographs and notes. New posts are coming soon.
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I asked an AI to show me what ijmphotography.net looks like, and it gave me back a Parisian bridge that doesn’t exist in Nantes. But it got everything…
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There’s a photography blog I keep coming back to, and I want to tell you about it. Monochromia is a collective — photographers from Chicago, Nuremberg, Rome, Washington D.C., and a village on the Nile, all posting one black and white image at a time with barely a word of explanation. I contribute the occasional shot from France, which makes me biased. It also makes me a better photographer.
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A day trip to Paris with my daughter Kate in July 2020 — the Louvre, the Pyramide Inversée, and more steps than anticipated. Shot on Fujifilm XT2. Republished six years on.
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I had been noticing these fields for weeks from the car window — flat wheat and telegraph poles in the north of the Vendée, golden in the evening. One night, on the way home from dropping my daughter off, I had the X-T2 on the passenger seat and finally pulled over. The Helios 44-2 was on the front of it. I was back in the car in under half an hour.
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Seven years ago today, Killian and I followed a painted green line through Nantes for twelve kilometres. In thirty-six-degree heat. With a Canon 6D Mark II and no…
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