Category: Family Life

Back to Hell’s Belz

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Welcome back, dear reader, to my world.

Today we will talk about families, food, being a hero, and more family, and kir. I know you can’t wait, so let’s begin.

Arrival in Bretagne

It was early evening and we eventually arrived in Bretagne, feeling very warm, surprisingly peaceful, and ready for whatever the weekend had in store for us. Or so I thought, but more about that later.

We arrived and my mother-in-law was talking to some people with Southern accents. Strange… But I recognised something in the gentleman’s voice. It was Raymond and Sylvie who are friends with Marina, my sister-in-law, and Vincent, her husband. You’re going to meet quite a few members of the family, so try and keep up. Vincent is deaf and has a hearing loss of 94%. Raymond was completely deaf, but had had a cochlear implant and could now hear! Isn’t science amazing. Sylvie is his wife.

L’Apéro – The Social Ritual That Just Happens

As will happen in summer, especially in France, we settled down to have the apéro. What an amazing invention. I have talked about this before, but they just seem to happen and people just know what to do and fit naturally into their respective roles. We talked about our hearing aids, and the difference they made in our lives. And started cracking jokes and basically having a good time. I was on the fizzy mineral water—you never know when you might need a driver.

Crisis Calls – Jessica and Xavier Need Rescue

We were in coastal Bretagne and it was nice to be back seeing Gisèle, my mother-in-law. The conversation was flowing and it was turning out to be a lovely evening. The phone rang. For once, Gisèle heard the phone and answered it. She has hearing problems too. Jessica, my wife’s other sister, and her husband Xavier, had been in La Rochelle and had taken a coach to get back home. That coach was late, and the boat back had stopped running. Ian to the rescue.

Xavier and I are the black sheep of the family, and get the most criticism. Xavier, because he is Xavier, and me because I’m not French. After 30 years we have become accustomed to our rôles and are secretly proud of it.

To the Rescue – Loca Loca Restaurant, Here We Come

I reminded my mother-in-law how shitty it can be when a plan, well, doesn’t go to plan—even more so when it’s not your fault. I said, right, let’s get in the car and go and get them. My mother-in-law would be the navigator. She asked if my car was a new car. I wasn’t, but it would be nice if it were. And wasn’t it far to drive? No, it wasn’t. She would have told them to stay the night with their son. True, but isn’t it nice, at the end of a long day of plans going wrong, to have something that goes right? It’s good to be good, etc.

Embrassades and Bises – Reunited at Last

We arrived at the station and couldn’t find each other. Gisèle was starting to get worked up, and I just calmed the situation down. Jess, you where? OK. I don’t know how to get there but I saw the Loca Loca restaurant. Can you both go there? They could. I drove round the block and I’m not sure whether where I parked was legal, but no flying farts were given, and that would be where I would be parking to pick them up. Embrassades and the famous “bise” and let’s get that case into the boot. Try and find a place on the back seat. They found a place on the back seat. And back to Belz to get them home. Yes, it’s good being good.

Kir, Shrimps, and a Forgotten CPAP Machine

Gisèle and I got back to her house, and the Kir was flowing and now it was my turn to have a few. Very nice it was too. We talked, talked, and talked some more, and Raymond went back to Sylvie and Gisèle, my wife and I decided to eat. Shrimps, homemade mayonnaise, and boiled potatoes. Simple, and wonderful!

We were to sleep in the bureau. My wife was upset at me because I had forgotten my CPAP machine. I would just go to sleep and enjoy the night… Tomorrow would be another day, full of adventure. Well, everything is relative I suppose. I will see you, Dear Reader, tomorrow…

Bastille Day 2025

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An audio “deep dive” into the article…

Bastille Day, or should I say la fête nationale, is linked to the French Revolution but technically has nothing to do with the Bastille, which was a fortress prison in Paris that was stormed on the 14th of July 1789. It only housed seven prisoners, and yet it became a symbol of anti-royalism. It still cost the guv’nor his head! Oops-a-daisy.

No, no, no. La fête nationale, technically speaking, started as the Fête de la Fédération in 1790, and was only officially established in 1880. After the fall of Napoleon III and the creation of the Third Republic in 1870, there was a need to unify the country and create a shared national identity. They always need so much time, these Frenchies, to get some things done and agreed upon…

To the modern Frenchman, it is synonymous with a weekend off, the military parade, the chance to hear the President’s speech, to make a biting critique of said President, and to declare him a despicable little man. It’s always their fault anyway. It is also synonymous with firework displays and dances organised by the fire brigade—bal des pompiers—which, contrary to popular belief, does not literally translate to “firemen’s balls.”

It also marks the official start of the Grandes Vacances, when the country begins to shut down for summer until the rentrée in September.

But for me, it meant getting the children to a restaurant for lunch on the Saturday to eat with my brother-in-law, his wife, his daughter, and his grandson. Killian was a “little tired” after a long week at work and some drinkie-poos with friends at the bottom of the castle walls in Montaigu. No, of course he wasn’t hungover, heaven forbid. Of course he hadn’t lost his phone, and of course he hadn’t hurt his wrist wrestling—or cuddling with—his mates. He had tried to get out of it, but was told, “Not bloody likely,” by his mother, and I said I’d take Kate to go and get the boy. A friend had found his phone, so we passed by her flat to get it back. The Anglais arrived fashionably late at 12h15. Sat down and had a couple of beers. We almost looked presentable!

We ate and caught up, had a very pleasant lunch, and I finally met my new nephew Raphaël—a lovely two-and-a-half-year-old. Motherhood suits my niece to a tee, and it felt wonderful not to have to be on full alert because it was no longer my job. After eating, we men went to pay for the meal, and Killian was more than happy to contribute, bless him.

We dropped off Killian, who declared his intention to have a “little snooze,” and dropped Kate off at home so she could welcome Emeline, who would be spending the weekend with her. Virginie had cleaned the kitchen, and Kate had been briefed to keep said kitchen just as spotless for our return from Brittany to visit my in-laws… The last visit had gone surprisingly well, and it was with actual pleasure that we set off. It was still a tad warm, and since there was a risk of fires, all fireworks had been cancelled by the préfet. In Montaigu there would be no fireworks, no bal des pompiers, but in Brittany it would be fine! Yippee!!

The trip up was very much the usual trip to Brittany on a busy weekend on the roads. We were not driving at a rapid rate of knots, and Virginie’s infamous and rather colourful language punctuated the drive. The Frenchman, whilst driving in 36°C heat, can get a little irate. His ultimate goal is to get there—wherever there might be—before the car in front of him.

The hierarchy of traffic, as far as he’s concerned, goes like this:
– Anyone from the same department is a mate.
– Anyone from our region is a mate—unless they’re from Maine-et-Loire, who apparently don’t know how to drive, or Loire-Atlantique, who think they know how to drive but clearly don’t.
– We’re from the Vendée—and we do know how to drive… we’re just usually too drunk to do it properly.
– Anybody else from France is fine, I suppose.
– UK drivers are also mates—especially if, like us, your car proudly displays both an F and a UK sticker.
– Drivers from 75 (Paris)? Absolutely clueless.
– Those from 91, 92, 93, 94, 95, 77, and 78—the rest of Île-de-France—are also deeply suspect.

Ah, Bastille Day. The revolution may be over, but the road rage? That’s just getting started.

Drop in next week for another adventure where we actually get to Hell’s Belz, in one piece. That first evening is already full of adventures as I rise to save the day, Jessica and Xavier, and not get told off by Gisèle. I do get told off by my wife for being a complete idiot and forgetting my CPAP machine for my sleep apnea…

Lourdes 2025

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There are places in the world where time feels different — where the air is thick with memory, hope, and something quieter than silence. Lourdes is one of those places. This is the story of my pilgrimage there with my son Killian — and of the moment that changed us both.

Lourdes 2025

I look back on our trip to Lourdes with great affection and know that I will be going back with Killian one day. Lourdes is one of the most significant sites when it comes to Marian apparitions — and was where the dogma of the Immaculate Conception was confirmed. Our Lady made several apparitions to Bernadette Soubirous, and the grotto remains exactly as it was, as does the spring she once dug by hand, along with the sacred alcove where Mother Mary actually appeared.

This time we didn’t manage to go to the baths, but I did attend Mass and go to confession.

Was it a pilgrimage for both of us? In some way, yes. Killian’s faith path and my own may be at different places, but we couldn’t help but feel changed.

Little did I know that while I was waiting inside to go to confession, an African nun had come up to Killian and had started talking to him.

When I was confessing my many sins, the priest guided me, taught me, and reminded me of some of the key elements of the faith — and the importance of looking after myself. He was completely right about everything. It was a moving experience — I left that confessional a new man, newly reconciled with God. I said my penance and went to find the boy.

For those of us who went to Catholic schools, we know all about the power of nuns — and you listen to them. She spoke to him not only with authority, but with profound wisdom, deep kindness, and the kind of love only an African mother can carry in her voice. He later told me how much she had marked him. When I came out of confession, she was still talking to him — and boy, was he listening.

Was it just a nun — or was it Our Lady speaking to him the way Jesus speaks through the words of the priest during Mass? I don’t know. But what I do know is that what that nun said to him had moved him more than any lecture from his father ever could. She was such a happy woman, and her laugh was infectious. She truly had the joy of serving Christ.

Lourdes is a place of hope, healing, and searching — a place where we often find God through Mary.

Killian had not only been a constant companion to me, helping me and laughing with me, but I believe God had spoken to that boy through that nun and set something in motion. Is he still fighting his demons? Yes. But there was a glimmer of hope in the darkness — one that won’t leave him untouched.

I didn’t question him further. Some moments are too sacred to dissect. And every soul walks its own path to God.

We had spontaneously gone to Mass the day Pope Leo was elected, and there was a joyful energy in the sanctuary. Habemus Papam. It was a special day.

Not because of the ceremony, or the news, or even the setting — but because, in that moment, I knew: God had not stopped speaking.

Sometimes, He speaks through a stranger. Sometimes, through a mother’s voice. And sometimes, through a son who learns to listen again.

The Pyrenees Mountains – and the Pont d’Espagne which isn’t in Spain

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If the Vendée is Jane Birkin — elegant, understated — then the Pyrenees are full-on Marilyn. Proper mountains. Vast. Unapologetic. Even in May, some peaks were still capped in snow.

I was in Lourdes hoping to strengthen my faith. I think Killian needed that too — but more than anything, he needed his mountains. Now, finally, I get it. Up there, I saw him more clearly: less the boy I once knew, more the man he’s becoming.

Like most of us, he has his issues — but he’s working through them. And sometimes, he even lets me help. Those are the moments I think I might just be getting somewhere as a father.

He’d decided we were heading to see his beloved mountains. The place? The Pont d’Espagne — yes, in France, despite the name. I may have mentioned that. Maybe.

We left the impressive foothills of Lourdes behind and climbed into the real mountains. Snowy peaks against blue sky and drifting clouds. Windows down, music low, we drove toward the famous pont.

Killian and I travel at a relaxed pace. If the view’s good, we’ll pull over. Get the camera out. Take a few shots. See what happens.

Sometimes it works. Sometimes it’s a fiasco. But more often than not, we come away with something.

Oh no! Catastrophe! A village where you can park, and go and get an ice cream. Ah well. We took one for the team, and the lady behind the counter told us that the previous week they had snow and were shut, yet this week everything looked just like a day in May should look like. Ice cream seems to have this way of just hitting “that” spot. It’s not the tidiest of foods to eat, but it’s one I’ve developed a great fondness for it over the years.

I was already learning how to approach the infamous concept of the hairpin bend. As you know, a full head of hair hasn’t been my issue for years — let alone hairpins. But the name fits. The main thing is to drive slowly, carefully, and not die… Given I’m writing this now, reports of my untimely demise were, as they say, greatly exaggerated.

We arrived at the Parc National des Pyrénées. You go through a barrier that didn’t seem to be working — one that had given up on life and was just standing to attention, waiting for whatever ‘it’ might be. So, being the thoroughly decent chaps and all-round good eggs that we are, we tried to find a ticket. We couldn’t, but since we had tried, we said something that rhymes with bucket, and started walking to see, at long last, the bloody bridge. It had better be worth it.

I had the X100F with me and Killian was carrying my DSLR and kit. What a good lad he is. He later said that if I wasn’t lugging it around, we might’ve gone just that little bit further. So back to the pont…

Before we even saw the bridge, we heard it: the sound of the water was tremendous. Water is a primeval force, and this was huge. I wanted the “money” shot, and decided to try with the X100F, giving it a sporting chance. The Canon 6D Mark II, with its stabilised lens, would come out on top. Handheld at 1/6th of a second? Not ideal — but fun to try. You get the feeling of movement in your shot, and with the magic of ND filters, you’re not overexposed.

The site itself is just astounding — not just because of the view or the sound, but because of the raw power of the place. Killian led me grumbling up the hill and we sat down to have our picnic. We fed the ants a bit of our pâté en croûte and watched them discover it, then devour it completely. And devour it they did.

He led me past the téléphérique — closed, of course — and followed the river until we reached a wide, flat-bottomed valley with water snaking through it. We saw traces of horses and wild boars, which are a lot less boring than you might think. I noticed the clouds coming round the mountains as they go, but not singing. I don’t know a huge amount about mountains, but that’s usually a cue to get back to the car…

The walk back to the car was just about being father and son — taking the mickey out of each other as we went. It seemed to be the way we operated, and I wouldn’t change it for the world.

Lourdes 2025: A Father–Son Farewell Tour

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When your son tells you 2025 is going to be his year, you smile, nod, and try not to think about how quiet the house will be once he’s gone. But before Killian set off into his new chapter, he offered me something unexpected: one last road trip—just the two of us.

You might well be aware that I have a son. His name is Killian, he’s 26, and he’d been living at home since a rather painful break-up. My wife had been dropping “subtle” hints for months, wondering aloud when her boy might consider leaving again. Last year, he brashly declared that 2025 would be his year.

The little bugger was true to his word. I now live with my wife and daughter, firmly in the minority. Molly, the dog, and Zombie, the cat, are both girls. The only other male left in the house is Mamaduke, the other cat—and he was neutered as a kitten.

Feeling somewhat emasculated, Killian offered to accompany me on one final road trip before leaving me alone with all this oestrogen. He suggested we return to Lourdes, as we had done back in 2019. He was a different man back then—brighter around the eyes, more reckless, maybe—but he has since matured through his heartache, and the healing that followed.

The Airbnb was booked and paid for. The car was ready. We were ready. My wife was looking forward to some peace and quiet. We’d be fine, and yes, we promised to send messages on the way to let her know where we were. We had the whole week off work, and this four-day visit would give us a bit of time together before he started this new chapter of his life. One last Ian-and-Killian trip.

On the way down, I quickly learnt that I’d have to hand over control of the music. That was going to be interesting.

He still hates selfies, and is terribly self-conscious about being on camera. So when he spotted my phone recording the both of us, he just muttered, “Mais quel enfer…” The road was very quiet for most of the journey, and things only got rough around Bordeaux. We passed a lorry on its side, cargo strewn everywhere. We said a quiet prayer for the driver. It was a sobering reminder of how fragile life on the road can be.

Killian kept a close eye on me as we tackled the ring road around Bordeaux, directing me with impressive calm. Once we got past the city, things settled down—so did we. Frequent stops for coffee, and fresh air at service stations helped. I wasn’t about to push through and risk ending up like that poor lorry driver. My wife would kill me if I died…

We managed to find our digs for the stay, and although small, it was perfect for the two of us. Killian made us dinner, and we got to bed feeling happy to be alive, and happy to be once again in Lourdes.

We would go down to the Sanctuary the next morning, say hello to Our Lady, maybe go to confession, and visit the baths. Killian wanted to go to Spain, but since I didn’t have our passports, Lourdes it was. We’d go via the Pont d’Espagne.

Through the Lens of Love: Reframing Shakespeare’s Sonnet 18

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Through the Lens of Love: Reframing Shakespeare’s Sonnet 18

I’ve been experimenting with video lately — combining image, voice, rhythm, and mood. So I made a simple film of myself reading Sonnet 18. No music. No flair. Just words and breath.

“Shall I compare thee to a summer’s day?”

It’s one of Shakespeare’s most quoted sonnets and one of his least thought about. Everyone knows the first line. Fewer people follow it to its conclusion — which is essentially an argument against time. Beauty fades, summer ends, but the poem itself refuses to. Art, Shakespeare is saying, holds what life cannot.

Photography makes the same claim. We press the shutter because we don’t want to let go.

I’m no literary scholar. But I’ve been married for over thirty years, and that gives you a particular relationship with the idea of love lasting. Virginie and I are not the same people we were in our twenties — and I’m grateful for that. What I felt then wasn’t what I feel now. It was the seed of it. Love doesn’t stay still. That’s its difficulty and its grace.

My son has just left home after his first real heartbreak. It was messy, as first loves tend to be. He’ll come through it — hopefully a little wiser, maybe a little gentler. My daughter still believes she knows exactly what love is. I hope I can guide her without crushing that certainty too soon.

In the North of England where I grew up, summer is short and unreliable. Shirtless Geordies drinking lager in May, ice cream vans doing brisk trade under grey skies — we know the value of warmth because we get so little of it. Here in the Vendée the summers are longer, but just as hard to hold on to. The light is different. Softer. Still slipping.

“By chance or nature’s changing course untrimm’d.”

Untrimmed sails. Love as a voyage. Not always calm water.

A photograph feels permanent. Look at it years later and the people in it have become slightly foreign — younger, in clothes they no longer own, with expressions they’ve since lost. Art doesn’t stop time. It echoes it.

We don’t photograph to freeze a moment. We photograph because we know it’s already leaving.

Shakespeare understood this. He didn’t name the beloved. We don’t know who the sonnet was written for. But we feel the love — and that’s the part that survives.

So long as men can breathe, or eyes can see — So long lives this, and this gives life to thee.

The Opening of the Film Archives – March 2017 with Kate in the Vines

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Hello you! It’s great to have you back for another dive into the archives. Over the past few posts, you might have noticed a recurring star of the series: my Canon AE1. While it’s true I’ve leaned on this camera heavily for many of these moments, I promise there’s more variety to come—even some colour film photography! For now, though, let’s continue exploring these Canon snapshots together. Thank you for sticking with me—it means a lot to me.

This time, I took my daughter Kate for a walk among the vines—a walk I used to do with Killian when he was about her age. Admittedly, it wasn’t the most creative choice for me, but for Kate, it was a brand-new adventure. That’s my excuse, and I’m sticking to it.

The day was all about Kate, the wind, and the way it danced through her hair. Unlike me, where the wind barely leaves a trace, it created a beautiful, dynamic subject in her. There’s something magical about how the movement of hair and clothing in the wind adds life to a photograph. I captured some truly memorable shots that I now treasure as priceless souvenirs of a fleeting moment.

Maybe they were some of those famous Kodak moments… Whatever the case, they bring back lovely memories of simpler times. Looking back, it reminds me how the simplest moments—like a walk through familiar vines—can hold so much meaning. Sometimes, what’s close to home can be just as captivating as far-off adventures.

It also reminds us that though we might be in familiar territory, that territory can look entirely different to someone seeing it for the first time. The soft, diffused light that day brought out rich textures in the vines, and Kate’s sense of wonder made even the most ordinary details come alive.

When you’re out with your camera, maybe, just maybe, that’s something to keep in mind. How might your everyday surroundings look through fresh eyes—or through the eyes of someone discovering them for the first time?

Browse the full Film Archives →

Opening of the Film Archives, Château de Clisson, February 2017

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I had obviously taken a break with the Canon AE1 and spent the whole of December and January in hibernation, as most grumpy bears of my age do. Get Christmas over with, then go back to bed… I like my bed. No, I love my bed!!

Spring was just around the corner, and Kate had managed to awaken the beast and proceeded to tell me what she had planned for the day. It included me, a camera, and the Chateau de Clisson. I had just been “told” by my daughter, and off we headed to Clisson.

Now, the Chateau de Clisson is no small affair by any means. It dominates the centre of the town, sitting atop a hill as an imposing structure. I remember Kate having begged me on numerous occasions to actually go inside, and this time I acquiesced.

It was the perfect opportunity to not only document the inside of this historic site but also to let my playful daughter do what children do best: be cute, or as they say in French, espiègle. At that age, she was still content to pose for the camera, unlike the moody teenager she has become. Yet, sometimes, that same playful nature still manages to shine through.

If you’re curious to learn more about the history of the Chateau de Clisson, I’ve included a link for further reading.

After our outing in Clisson, I retreated to the quiet of my darkroom, where the real magic happens—transforming the captured moments into tangible memories. The familiar routine of developing the film, loading it into the tank, and watching the images slowly emerge never fails to captivate me. Once the negatives are ready and the scans are complete, I file them away in both my digital and analogue archives.

Then, a few years later, I get to share these memories with you. It’s a special kind of nostalgia—the kind that comes with taking time to slow down, reflect, and preserve what matters most. Thank you for joining me on this journey and for allowing me to share these pieces of the past with you. Prints from Clisson available in the IJM Photography shop.

Browse the full Film Archives →

The Opening of the Film Archives – Trentemoult October 2016

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This was another Ian and Kate day.  Similar in concept to the Ian and Killian day, but a day where I can dedicate myself solely to Kate.  She’s fifteen now of course, but I should spend more time with her.  If she’ll let me of course.  At the time she was only seven—simpler times where I could make her happy with just a nice tea, a boat trip across the river, and just wandering around exploring the intricate streets of an old fishing village on the “bords de Loire.”  There are no cars in the narrow streets, and the children can run wild.  

This day was one spent in Trentemoult, that rather colourful village that you can see here. The colours are intense and provide a great backdrop for portrait photography. So of course I went in with a film camera and black and white film.  Which only goes to show that when you photograph a location, however colourful, and take away the distraction of that colour, you have to really concentrate on composition, texture, and forms.  I couldn’t rely on colour for my photos today.  But I was sure that I could reveal some good photos despite that.

So what do you do?  You just try and capture some moments of your daughter messing around and being a perfectly normal seven year old.  I tried to capture her exploring the streets and being absorbed by the whole ambiance of the place.  She became part of the scenery, and blended in perfectly.

I was just there purely to observe and record the day on film, with one eye in my camera and the other on Kate.  It was a good day.  

Looking back at those moments reminds me of how quickly time seems to slip by without me realising that I am getting older.  She of course is slightly older, and possibly slightly less “insouciante” or carefree, but my love for that girl is still as strong as ever.

Browse the full Film Archives →

The Opening of the Film Archives: An October Saturday in Town with Killian, 2016

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Welcome back to another look at the film archives. This time, I’m sharing a few black-and-white street shots from an October Saturday in Nantes, likely taken with the Praktica MTL3 and HP5 Plus film. These outings with my son Killian, which we called ‘Ian and Killian days,’ became a cherished routine, a time for us to reconnect amidst the busyness of life.

He was 17 then, a weekly boarder at his lycée in La Roche sur Yon. On the weekends, we’d often head into Nantes, following the same familiar programme: a visit to the barbershop, a meal at the Sugar Blue café, and finally, a drink at the John Mc Byrne Irish Pub. In the photo, that handsome chap in the barber’s seat is Killian—a little reminder that it wasn’t always Kate joining me on these trips. These outings were a way to stay connected, despite his growing independence. Even with him being only 17, I still felt that sense of responsibility. Once a Dad, always a Dad.

As we went through our usual routine, I found myself facing the familiar challenge of capturing these moments on film. The low light inside the barbershop always made me second-guess whether I could get a decent shot without using a flash. But over time, I learned to trust the Praktica and the HP5 Plus film. There’s a rawness to film photography, especially with Ilford’s HP5. It adds a certain grit and texture to the image, something that digital just can’t replicate.

That’s what I love about film—the imperfections. The grain gives it character, a certain honesty that smooth, polished digital photos lack. It’s not about creating something flawless but about preserving the authenticity of the moment. This shot of Killian in the barbershop, for example, may not be technically perfect, but it’s real. It’s us, it’s Nantes, it’s one of those ‘Ian and Killian days.’

Looking back at these photos, I’m reminded that sometimes, it’s the imperfections that make an image truly memorable. Quite the day, right?

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The Opening of the Film Archives: On va Marcher sur la Lune

Posted on Posted in Architecture, Black and White Photography, Family Life, Film Photography, France, Nantes Photography, Street Photography, The Film ArchivesTagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , 10 Comments

New from the film archives – On va Marcher sur la Lune, captured on a warm October day in 2016. Could this be a nod to Jules Verne, one of Nantes’ famous sons? Possibly. As I look through these photos now, I’m transported back 8 years—to a time when my daughter still saw me as her hero, and we spent afternoons exploring with our cameras.

That day, she had her Olympus Trip 35, and I was carrying the equally iconic Canon AE-1 with some 400ASA Kentmere black and white film. Both cameras, steeped in history, were very much a part of our lives at the time. And when I say the Olympus is so simple a seven-year-old could use it, I’m not exaggerating—she handled it with ease, maybe even with a bit more flair than I did.

We parked near the Grue Titan and wandered towards the Elephant, a landmark almost as famous as Jules Verne himself. It was one of those days that would just lead its own way along the Loire, and I was completely fine with that. My only concern was Kate remembering to change the dial on the Olympus to the right focus zone. In hindsight, I should’ve let her take the lead and placed more confidence in her. Hindsight—that luxury of later life. Her photos? They turned out better than just fine.

Later, we explored the “On va Marcher sur la Lune” exhibit, which featured a lunar landscape with trampolines in each crater—a hit with children of all ages. The area was bustling with people enjoying the Indian Summer, including a mix of families and those embracing the trendy atmosphere. As we walked towards the Elephant, we noticed how it had revitalized this once rundown shipbuilding area. The remnants of the old shipyards still linger, but the new architecture is resolutely modern.

The UK Chronicles, Part V: Rothbury to Hepple

Posted on Posted in Family Life, Landscape Photography, Northumberland, The UK Chronicles, Travel photography, United KingdomTagged , , , , , , , , , 7 Comments

Do you have a place, be it real or imaginary, that just haunts your mind?  You think of it, and you are transported there instantly.  The smells of the grass, the sounds of the river, and the odd car driving past you wondering what the heck you are doing?  Hepple is my special place.  It is a place where I feel at peace and that all is right with the world.

I’m thinking back to an article I wrote a couple of years ago called Hepple for Photos, Not Gin. I was with my father and had my Canon 6D Mark II with the 16-35mm F4.0 lens and the 70-300mm zoom lens. This year, however, I had my X100F with just the 35mm f2.0 equivalent lens, and I was with Killian, who, surprisingly, was a little tired and decided to curl up on the back seat for a snooze. His loss…

This is the place, this stretch of road, that I have been looking forward to for 2 years. The weather was clement, and I can assure you that the place is still as beautiful as ever. I wasn’t going to have the choice of lenses this time; I would have to see the scene in 35mm and make do with it. No zooming, no switching lenses—just a little constraint. And you know what? I was fine with that!

The lack of zooming and my sleeping son allowed me to walk around the area a little more, exploring under the tree at the end of the road and at the bottom of the hill.  These were views that I had not seen before.  It only goes to show that we might think we know a place, even in our memories, but it still has so much more to offer us.

I parked just before the bridge, as I usually do. Everything was still in place: the stiles, the trees, the river—just as I had pictured it in my mind. It’s when looking at the countryside like this that I am convinced there is a creator behind all this creation. The beauty of it didn’t just happen by chance.

The noises were made by the flowing of the river and the breeze in the trees.  I had this feeling of calm.  I could take photos of that place every day and not get tired of it all.  I might even go so far as to say I could have died here and died a happy death.  I had found my peace.

Killian had found his peace too and was still asleep in the car.  A micro sieste, he said.  He might be 25, but he reminded me of the small boy who was once my son. 

I can’t be the only person on this earth to feel this?

Also in this series: Preface  ·  Lesbury  ·  Alnmouth  ·  Bamburgh  ·  Alnwick  ·  Rothbury  ·  Hepple  ·  Chesters  ·  Return  ·  B&W Footnote  ·  Summer I  ·  Summer II  ·  Summer III  ·  Summer IV