Mon beau-père, ce héros


My father in law, this hero.

This is the final chapter from our trip to Brittany. Now, where were we? Ah yes—the party in my pants. Not the fun kind. Not the sexy kind. The kind caused by just one “not so good” mussel.   I had paid my tribute to the seafood god.  And of course, as any self-respecting Frenchman would, we started thinking about lunch.  How very continental!

Marina has a flat just opposite where Gisèle, my mother in law, lives, and had made the very kind offer of feeding us that lunchtime.  Virginie, my wife, was asked if she wanted oysters for lunch.  No she didn’t, Maman. Did I want oysters?  Thinking back to my uncomfortable tribute to the seafood god, not for me, Gisèle. Oh I must have eaten a mussel that wasn’t bon…  Possibly Gisèle…

Gisèle still opened all the oysters she had and laid them out on a platter.  We would take said oysters with the leftovers from yesterday’s mammoth family lunch.  Yes of course I could take this, and that, and t’other….

The plan of the day: eat with Marina, Vincent, Raymond and Sylvie, and then go and see my father in law in hospital before heading home.

We ate with Marina and the others, and it was a lovely meal and we were made to feel so welcome.  Champagne to celebrate the 14th of July.  Ah well, I took one for the team and had a glass.  I wouldn’t be driving anyway.  My wife would be driving since I don’t know how to drive, and when I do, I drive like an old man.  My mother seems to like me driving like an old man, so there, Virginie!

The meal and company were both delicious, but like all good things had to come to an end.  We were going to the hospital to visit my father in law.

The poor chap hasn’t been well for some time, and has battled through cancer, botched operations, and old age.  This was the man I had met 32 years ago.  He was the Pasha.  The main man.  The man.  He was the archetype of a French male.  A man that I had grown to love and respect over the three decades.  Not always easy but what is?

We wandered through the hospital, and we eventually found Monsieur Jacob in his bed watching Arte, and films starring Jean-Paul Belmondo.  He was in pain but so happy to see us.  He looked nostalgic when watching the film, similar to the way I do when listening to the music of my youth.  However, he was no longer the man I had once known.  He had lost his right leg, and actually started to look old.  He looked like a shell of the man I had first met all those years ago.  His hands, once so strong they could crush a walnut, now trembled slightly under the thin hospital sheet.  Virginie held her father’s hand with such love and his eyes were telling her how much he loved her.  She told him about the trip to the UK to see my parents this summer, and about the children.  How Killian was back home, how Kate was changing schools, and how everything was good at home in Vendée.

We didn’t want to tire him more than necessary, and he had a date with Belmondo.  He hugged his daughter, then took my arm and kissed it.  Time moves on whether we like it or not.  He might no longer be the Pasha, but he’s still the man!

Saint Cado


The concert was for the municipality of Lorient and was more I’ll scratch your back if you scratch mine. Sometimes as musicians we have to kowtow to certain political matters to keep the municipality sweet. They said it would be cramped, but it was, at worst, cosy, so no complaints there.

After the concert, I had organised my car so I could sleep in it. I parked up in front of my mother-in-law’s house to spend the night and get some photography in during the early hours of the morning — and because my mother-in-law can be intense, and I don’t like bothering people. It’s not that I don’t like staying overnight in people’s houses, but at one stage on exercise with the RCT (Royal Corps of Transport) back in the late 1980s, I learnt that I could sleep anywhere and that it was nothing to worry about. I didn’t have my sleeping bag from those days, which would let me sleep comfortably in minus temperatures, but I did have a couple of Scottish tartan blankets that would keep me nice and warm.

It wasn’t long before I got off to sleep. I actually slept quite well, considering, and bought myself breakfast at the local boulangerie. No snoring to contend with and no risk of being shouted at because the dog was awake and needed to go outside to poop. Yes, a very satisfying night.

After my wonderful bakery breakfast, I headed to St Cado, which really is a cadeau — a gift — for the eyes. You’ll see what I mean when you see the pictures.

I relish solitude, not just because I’m an introvert, but because I like calm and quiet. And the idea of being up at the crack of dawn is wonderful, especially when I don’t have to get out of my bed and stop hugging my wife. I was on my own and loving every minute of it.

I arrived at St Cado and used the public conveniences, as it is not the done thing to poop in front of everyone. I’m not a dog, after all. St Cado was there waiting for me to get some photos in some beautiful light. I’ve started bracketing lately to get as much as I can out of each image. Bracketing, for those who think I am speaking in Chinese, consists of taking the same photo three times — once with normal metering for light, once underexposed, and once overexposed. Back in the day, you would set up your tripod and take each photo one at a time, but now I press the button and it does it automatically. On film you would lose film doing this, but on digital, with an empty SD card — why not?

As the morning light continued to change and the village slowly came to life, I packed up my gear feeling quietly content. These simple moments — waking early, capturing the beauty of a place like St Cado, and enjoying solitude — remind me why I keep a camera close. It’s not just about the photos, but about being present and finding peace in the everyday. Saint Cado truly was a gift to the senses, and I’m grateful for the chance to savour it in my own way.

Notes in Monochrome: Music, Photography, and a Quiet Beach Walk


Those who know me know I’m alright at photography, reasonably OK at music, and not especially brilliant at much else. Over Christmas, I was off adventuring in China, but now I’m back in France, trying not to overcommit—and failing, as usual.

It turns out I’ve joined a new orchestra. Lanester, just next door to Lorient, who needed a horn player, and some of the musicians I toured with last year gave me the heads-up. “Only one full-day rehearsal a month,” they said. “Just come try it out,” they said. So I did. And here we are.  Oops a daisy

It’s early days, but I’m settling in, and I think they’re warming up to me too. I’m doing my best to approach things with what I like to call legendary finesse—and not my more traditional approach of putting my foot in it. So far, so good.

Getting to Lanester is a bit of a trek, but I’m lucky to liftshare—what the French call co-voiturage—with Anne, a colleague from the SBL and a percussionist in the orchestra. It’s good to have company on the road, especially someone who doesn’t feel the need to critique my driving. Not that anyone at home does that. Of course not. Never. Virginie, me darling wife…

Anne has serious percussion chops, which puts a bit of pressure on my playlist game. I found a drum tutorial version of Wipe Out by The Surfaris recently and played it for her—she was delighted. It’s nice to have shared moments like that on the drive. Adds a little rhythm to the road.

Anne also likes to arrive early to check over the percussion gear before concerts. On this particular day, we had some time to spare before the pre-concert rehearsal, so we headed down to the beach for a walk. Spring light, sea air, and the strange hush that comes with lowish tide—it felt like stepping sideways out of time.

Naturally, I had my camera with me. You didn’t think I’d go to the coast without it, did you?

There’s something about black and white photography that suits these moments. The beach in spring  isn’t always the bright, holiday postcard version most people imagine—it’s quieter, starker, but no less beautiful. Stripped of colour, the textures stand out: the grain of driftwood, the ripple of sand under wind, the blurred silhouettes of gulls in motion.

I love how black and white invites the eye to slow down, to notice more. Just like music, really—it’s not always the loudest note that makes the biggest impression.

Below, you’ll find a few of the images I made during that walk. Nothing posed, nothing polished. Just a quiet moment between rehearsal and performance, caught in passing light.

Discovering the Musée de Préhistoire of Carnac with Paris 1972 – Versailles 2003


As a compliment to the film archive article featuring the standing stones in Carnac, I’m just going to drop this article here. Paris 19972 – Versailles 2003 is a site run by a friend who has some very interesting articles and a prolific output of articles covering a wide selection of subjects, including Bretagne, Paris, Versailles, Spain.

The Ship Cemetery


I can’t help but think about the men who sailed on these old ships that have been abandoned. Most likely, fisherman heading out to sea to bring back fish to sell at Ettel, a Breton port. They must be grateful not to be shipwrecks like their former vessels. And yet, when we contemplate them, we are filled with awe, realising that these fishing boats were the only defence these men had against the elements and the mighty waves.

Some of them are so decomposed that we can only just make out their skeletons and speculate about their previous states. Others have been turned into supports for street art. Maybe a more fitting tribute.

This maritime cemetery is just upstream of the Barre d’Etel, a most treacherous stretch of water with currents that will drag you out to sea, and sandbanks that will stop you entering the Ria D’Etel.

Les filles et un garçon


As I think I’ve already told you, I am in the middle of trying to learn about this portrait palaver! I had watched the videos, I had perused the books, I had bought the equipment, I just needed some willing victims. Erm, I mean models. I was going to see my perfectly dysfunctional family for the weekend in Brittany so I was going to have to charm them into sitting for me.

We were of course late and as usual it was my fault. Who else could possibly be to blame? Just remember that the previous day I had been in Paris with my 10 year old daughter. Now I’m not trying to invent excuses but I’m certainly claiming mitigating circumstances.

But it was still my fault. all my camera gear was downstairs and ready to be loaded into the car. My son was still with us and helped me. I had my backdrop, my flash, my camera, which is pretty important, my soft box, my trigger, and everything, or so I thought. Little did I know that I had forgotten the stand. I wasn’t going to go home to get it, otherwise I would never live it down and going 200km and back for a stand might seem a little unreasonable. I think reasonable is about 500 metres and I will still incur the wrath of my wife.

We made it in one piece and after a while I wasn’t being yelled at either. What I didn’t say was that I needed to fill the car with petrol and that was going to add on time. I also bought some water too. Hey, if you’re going to be late , then be late for a reason! The other reason was that there was loads of traffic on the roads too as it was the 14th July weekend. Our average speed for the 200km was 56km/h.

We settled in, and I unloaded my kit and started cursing myself for having forgotten that blasted stand, bordel de merde de mes couilles, but it’s a learning curve and I had just learnt to load everything myself so I’m sure of everything. Ah well, I was going to have to without the flash set-up and just use natural light.

The next morning my brother in law posed for me and gave me a chance to explain to everyone how the whole shebang worked. I also got a really good photo of him that won applause on his Facebook wall, which is praise indeed! We were going for the philosopher look….

my brother in law, Vincent.

Can you feel that 80mm F 1.8 bokeh creaminess? Just the right ammount to look like an understated sex symbol… Even I’m starting to get flustered!

The results had really given me a confidence boost and my sister in law was so impressed that she needed no coaxing to sit for me. It was going so well that my niece wanted in as well. My wife and daughter had obviously forgiven my short- comings and I ended up taking photos of all of them.

It was a fun moment and I think one that will be remembered for the right reasons. I couldn’t have hoped for better.