Nantes in Novembre


Halloween has come and gone and the countdown to Christmas has begun, but no trees until at the earliest the beginning of Advent or at the latest St Nicholas’ Day.

The weather is now officially miserable and rainy. And with the hour having gone back the nights seem to be staring earlier. The rain is not proper rain, but drizzle. It’s not cold yet but the humidity is making itself known. As I drive though the country I can see leaves changing colours, falling and turning into mush along the roads. I can see mushrooms sprouting out of nowhere and remember not to take them from fields that have had crops in them.

It’s the kind of weather that makes you want to dive in to a cafe, and have a nice cup of tea and piece of cake. The French are making great efforts at tea, and though not up to Yorkshire standards, it is becoming more and more drinkable. I have stocked up on Yorkshire Tea pre-Brexit, so should be good for a while. Thank heavens for extensions!!

For the photographers amongst us we are facing the other challenges that Autumn sends our way. Bad light, rain, and worrying about getting our gear wet. I still think it’s worth going out though. You might think that you need the sun, the good light, the warmth of Summer or Spring, but each season has it’s own particular beauty and deserves its place in our photographic collection. The soft light will lead to less contrasty images, and you will have to think more about the scene in front of you.

Photographs are like ideas. They are there waiting to be picked and put down on paper, or on screens, and shared. Are we really inventing and creating or are we merely recording what is there?

People have accused me of being and artist, and I have told them that I am nothing more than an observer and documentalist.

I have heard a definition of art saying that art is the transformation of matter by the artist into something new. Drawing is taking the graphite in the pencil and applying it to a page, painting is taking the pigments, putting them into a medium, be it oil, acrylic, or water, and applying them to another medium, be that paper, canvas, or anything else that will let the paint stick to it.

Now in photography one could argue that the matter is light, that we apply to a film in our carmera or our sensor… I see people creating things either in the darkroom or on the computer. Is it art? Possibly. But I feel that what I do isn’t. I do some minimal editing, the basics if you will, reframe and then publish. I might apply some of the basic rules of art to my photographs, but does that make me an artist? I don’t really think so.

When I was studying the horn, yes dear reader, for my sins I am a musician also, I was told that when you play your concerto in front of an audience, you are reciting the text on the page of music before you. The phrasing is given by the composer, as well as indications of nuance and dynamics. Alright, not before the classical period, but they followed conventions that were deem so self evident that there was no point in writing them down… so! I play my concerto. The audience may listen to it and maybe moved by the composer’s music, and when they clap at the end, or throw bottles of beer etc., is it due to the music, or just my playing of it? I won’t be as prideful to say it’s my playing. I am just reproducing what is on my page. The same things goes for photographs.

Once that concerto, or photo is out there, it is no longer mine. It belongs to the audience or you, the viewer. It might inspire an emotive response, but it is not me, it is your response to the stimulus before you. It might remind you of something. It might spark that souvenir from the past that I talked about in my last article. You might even interpret it in some way that I couldn’t even begin to imagine.

The photos were taken on the x100f. I’m off to mass so I will love you and leave you. I hope you enjoy looking through these photographic offerings.

Lourdes.


For those of you who don’t know Lourdes, let me tell you about it. It is no ordinary place, and there is a feeling of profound hope, and healing, that strikes you immediately. There are mountains, souvenir shops for Catholic pilgrims, and the sanctuary itself.

Oh. I said that “C” word again. Except this one doesn’t rhyme with “punt.” I am unashamedly Catholic, and had drifted from the church, but I wanted to drift back.

When people go on pilgrimages, even unofficial ones like this, we talk about the voyage being almost as important as the destination. This is, of course, not just the physical journey, but the mental, and spiritual voyage also. I’ve wanted to return to Lourdes since I was 9, and this time I took my son with me.

As a parent you can only do so much, and part of my faith is to know that I can’t control everything in my life, let alone in the lives of others, and that there is something else that is beyond my comprehension. I wanted to help my son in his life, and despite maintaining a dialogue, I had done as much as I could. I could do no more, so I asked Our Lady to look after him. We all need a mother, and most of the Jewish people that I know, seem to agree that a Jewish mother is the best. And you don’t need to be a Jewish to be a Jewish mother. It’s a state of mind. And if God decided on a Jewish mother for His Son, then it was good enough for me. As a Catholic, we see Mary as being a mother to all of us. So when the proverbial **** hits the fan, you ask your Mum if she can help, before you ask your (heavenly) Father. Mums have a way of talking to Dads that help make things alright.

That’s something I understood once I became a father myself. God has that relationship with us. In Judaism, and Christianity, He does anyway. A father loves his child. Even when that child is “naughty,” we still love them. We might punish them, but we always want to forgive them. God is the same with us. You could argue that it’s a way of showing humanity through divinity.

Wow, this got heavy all of a sudden!

Anyway. I went to Lourdes to try and reconcile myself with God. To ask forgiveness for my many sins, to make reparation, to heal, and to try and return towards my Father. We do this with our own fathers here on earth, and so it was the same process for my soul. Does that make sense?

My son was my carer, and he did his job admirably. He also benefitted from his trip. In the Sanctuary there is an overwhelming sense of peace. We went to the grotto, and prayed. We did the night time procession and recited the rosary holding our candles. We bathed in the baths with the water from the source that appeared when Mary asked Saint Bernadette to dig. That source is still there and provides water for the many pilgrims. We put some of that water into bottles to take home with us. I went to Confession.

We also went up a mountain, and came down again. It was almost as much a religious experience as the rest of the pilgrimage. When Moses goes up the mountain to receive the ten commandments it is to be closer to God. At the top of that mountain we saw a nun talking to a young friend. They were laughing and taking selfies. We saw a priest praying from his Brievery. It was a moving experience seeing the cloud coming over the summit. We saw the clouds clear, and we looked over the valley to the other mountains. I still don’t understand how people can look at that scenery and doubt the existence of a creator.

Anyway. Let’s talk about the photos. They were taken with the X100F which is compact enough not to be noticed, and a little less heavy than my DSLR and all the lenses that I use with it. It limits me, but makes it all simpler. No unnecessary questions about which lens to use etc. Feel free to comment on the article or the photos. Any feedback is always welcome.

Countryside in October



The weather today is officially depressing and even more so because it’s a Monday. I was so annoyed with life that it now is Friday afternoon. 5 days to get to the second sentence is possibly a sign. Of what, I don’t know…

The tree that is in the photo is “my tree” that I pass every day to and from work. I’d taken photos of it on film, and in digital but hadn’t been back to see her for a while. I’ve just checked Instagram and the last photo I took dates from February 2017! It’s as if I had neglected a friend that I had not seen for ages but still pass in the street just exchanging glances and a swift hello.

It was time to remedy the situation. I had left her in black and white, and returned to her in black and white. She didn’t have much to say for herself. Being a tree might have something to do with that, but she was still there. Still covered in ivy. Still with all her branches. Still a part of my workday.

The field of maize was still there. The maize replacing the wheat harvested in Summer. By Tuesday it had been harvested and all you could see in the field were the remains of stalks not over 6 inches high, and yet the day before had been as high as a man. Time goes on and the field will be used to produce a winter crop. Such is the way in the countryside.

Some fields had be let to fallow and recover from growing our food. Nature reclaims them for herself and plants grow up the fence posts and in the ditches by the sides of the road. At least they’ve gone back to green instead of the drier washed out colours of a hot summer.

It’s now Friday afternoon and I was only at work this morning. The sun is out, I’m in a t-shirt, and it’s 19°C. The rain has done its job, and isn’t there to dampen the earth or my mood. When I was a child I imagined the rain being God having a shower. I couldn’t bring myself to think of Him having a wee on creation.

I think He’s out of the bathroom.

Nantes in September


I’d been wanting to get back into Nantes with the X100F to try and do some old fashioned street photography. I’ve been experimenting with colour and have had some interesting feedback. Maybe it was a case of getting it out of my system.

With the Canon I have a few interesting lenses and although it’s great having the options, it’s equally challenging to go without.

Now I have to explain something to the non-French readers. Basically the whole of France is on holiday from mid July to the end of August. My firm litterally shuts down for the month of August and we get four weeks off work! Between you and me, it’s also the best time to visit Paris, because all the Parisians have buggered off on holiday elsewhere!

The obvious consequence to this mass migration is of course the return to every day life in September. This return to work is called the Rentrée and sucks big time for everyone, even more than a small child sucking juice though a non plastic reusable straw, because single-use straws are the spawn of Satan and mess up the environment.

We have the children that go back to school, the TV shows that start again, the MPs that go back to Parliament, etc. You get the picture. Can you remember the Gilet Jaune demonstrators? We’ll they’re no longer in holiday, and are back to demonstrating. Their Rentrée was the 14th of Spetmber, and they all decided that it would be a really good idea to come to Nantes and cause a bit of havoc and make sure that the police knew that it was the Rentrée too!

And, (there I go using And as a beginning of a a sentence) this pillock thought it would be a good idea to go along into town, and thought it would be fine. And to be honest I have seen worse, but it allowed me to get some interesting photos.

Course de Serveurs et Garçons de Café, Nantes 2019


It has been know for me to frequent a certain establishment in Nantes now and again, he said whilst competing for the understatement of the year. That establishment, aka Daddy’s happy place, aka mes quartiers à Nantes, aka the pub, aka home from home, is the John McByrne Irish Pub, 21 Rue des Petites Écuries , Nantes.

It is a place for which I have a great affection, not only because they supply me with Guinness, and Taytos imported from Ireland (and I’m going to be really controversial here, I prefer the salt and vinegar, but even the cheese and onion are perfectly palatable), but most importantly, the bar staff, that started out as just people, have ended up being friends. And that Dear Reader, is the most important, and wonderful outcome.

And, (you should never start a sentence with And, but I’m feeling a little rebelious here about gramatical conventions, oh my life has such depth, and what was I going to say again, ah yes, no, it’s gone again…)

Oh yes, back on track there… And, as a friend, I want to help and offer support. And, (oh there I go again) this time I did it by not just buying them chocolate, and other rather naughty things to eat, but by coming along to support them in the annual Course de Serveurs et Garçons de Café, Nantes 2019.

Wow, only took me four paragraphs to get to my subject. I’m doing well today!!

Here is Eydie with the official tray with a coffee cup, energy drink, sparkling water, non alcholic beer, and an orange soda.

Each competitor must carry this tray over nearly three and a half kilometres, with time being deducted for spilt drinks. They are not allowed to run, only walk, and of course they have to go up the stairs in the Passage Pommeraye, twice. I’ll just let that sink in for a few moments. Take the time to imagine them going up all those stairs with a tray, looking slightly odd in fancy dress costumes. Is that image in your mind? You’ll see it in the photos anyway!

They didn’t end up on the podium, but they did win best costume and won best team spirit, which is even more important.

Here are the photos taken on the X100F which was perfect for capturing the whole atmosphere of the day.

Honfleur, Daytime


I’ve been trying to “find myself” lately as far as photography goes. Different editing techniques instead of always doing black and white. Maybe it’s time to get back to basics for at least one article. You’ve seen Honfleur in colour and at night in my last article. However, I did take my camera out during the day! Yes, that can happen sometimes.

You’ve already had the witticisms about Normandy and the like, so this article is somewhat shorter. It’s about exhibiting some black and white photography of a very pretty little town in Normandy without the distraction of colour. They were taken whilst walking from where I had parked the car, to the house that we had rented for the week. They were taken whilst meandering through the streets, getting lost, trying to see what the place looked like in daylight. They were taken whilst I just let my mind wander off and just take in the beauty of the place. Quite typical for me really, and probably the best way to photograph a town.

The photographs were taken over a period of three days using both the Canon 6D Mark II, with the 16-35mm lens, and the Fujifilm X100F.