The Opening of the Film Archives – On the way to work

Sometimes we can have a tendency to ignore our habitual surroundings as photographers.  In this series of photos from the film archive, I’m going to show you part of the route I use to go to work.  What is ordinary to one person might be an pastoral idyl to somebody else.  It only goes to show that there is beauty everywhere in this world and one of our roles as photographers is to document it for future generations.

My wife, bless her, has always said that my black and white photos have a timeless feel to them, be they in the city or out here in the country.  I think that using film, especially this grainy HP5 Plus, even shot at box speed, adds to that sentiment.  The fact that I used Rodinal as my developer might have accentuated the grain too.  Also don’t forget that this is the beginning of my return to film development so I might have been a little vigorous in my “agitations” whilst developing the film.  I now use mostly Ilfosil 3 and lower grain film, and have brought a little more “calm” to my “agitations.”

The camera that day was the FED 5 rangefinder camera from Ukraine.  I’ve talked about it before, and although I mainly use SLRs, I still feel guilty about not using it more.  It’s a beautiful camera and I don’t want it to feel neglected.  I might just have to correct that soon.

I lived just outside Paris for 7 years before moving out to the country in 2001.  The change in ambiance was startling.  I went from blocks of flats to village life in the French countryside.  I went from riding the metro, and suburban Parisian trains, to learning to drive though this beautiful landscape.  Driving through this scenery still gets me every time I get into the car.  I wonder what I’ll see.  I see the changes in the fields and countryside through the seasons.

I want you to promise me, Dear Reader, that you will take a closer look at your route to work, and maybe I can convince you to record it too for prosperity.  Don’t worry about film or camera, even just using your phone will do the trick.

Instagram’s Double-Edged Legacy: A Photographer’s Perspective

In October 2010, Kevin Systrom and Mike Krieger launched Instagram. With its filters and simple interface, it changed how people shared photos and opened up mobile photography to everyone. It’s been a different story lately.

In the early days, the chronological feed and the filters turned casual snapshots into something people were proud to share, and a real photography community grew up around it. That changed when the algorithm did. Instagram now prioritises whatever gets the most likes, comments and shares, which rewards trends and viral content over anything more considered. Photos increasingly lose out to Reels and short-form video, so photographers get buried regardless of the quality of the work.

Then there’s the influencer problem. Fame on Instagram now has more to do with follower counts than with talent, and that culture of self-promotion and brand deals pushes genuine artistic work further down the feed. It also feeds a fairly unhealthy cycle of comparison for anyone still trying to make honest work.

None of this means photographers are out of options. VERO runs a chronological, ad-free feed built with visual artists in mind. 500px is still a proper home for photography, contests included. Glass is a newer app built specifically around long-form visual storytelling. Ello has always positioned itself as artist-first, without the algorithm or the ads.

Instagram isn’t really a photography platform any more. It’s a video and influencer platform that photography happens to live on. If you want your work seen for what it is rather than how it performs, it might be worth spending more time on one of the alternatives instead.