Coming Soon


Yes, we went back to the UK on holiday, but before that, I had a trip with the children to Lourdes, and with film cameras, and the X100F just in case. the articles are written and all I have to do now is to develop some film and scan it. Damn you procrastination. I just have to start one and the rest will follow.

China – Shenzhen Day 3


A Day Off in Shenzhen – Rest, Reflection, and Culture

https://ijmphotography.net/2025/11/14/致我在中国的读者们:一封感谢信a-letter-of-gratitude-to-my-readers-in-china亲爱/

After a late night chat (you know how it goes on tour – what happens, stays on tour), I decided to treat myself to the luxury of a lie-in. And it was just what I needed. This felt like our mini-break during the tour – a sort of weekend off. It was well deserved. Life on tour can be demanding, and the emotional investment involved can really take its toll. Corentin and I both got up at the same time, and he was off to join the others in the big city. As for me, I was having a day to myself with my little companion – the X100F. Just the two of us.

So, what was the plan for the day? Well, I was hoping to visit a spa for a massage to sort out my legs. I’m not exactly fond of pain, but thought it would do me good. I have arthritis in my right knee, and although the weight loss has relieved much of the pain, my left knee has been compensating, and my left calf was starting to feel like it was on the brink of tearing. Not ideal. I had found a few places on TripAdvisor, one of which had a rather dubious reputation – apparently, not only offering massages but also “happy endings.” Definitely not for me. I did find a more refined option with a solid reputation for wellness. Perfect. All I had to do now was find it.

As I left the hotel, I bumped into Jennifer Courcier, our soloist and guest star. She still has an amazing voice – if you caught last week’s concert post, you would have heard it. If not, well, go have a listen now. I’ll wait…

Starbucks and Cultural Contradictions

Good, wasn’t it? Doesn’t she sing beautifully? Jennifer mentioned she was heading to the beach but first needed a coffee fix. Starbucks was nearby, so off we went for a caffeine hit. Now, whenever I hear the word “Starbucks,” the phrase “basic bitch” comes to mind. I never know what to order, so, with a bit of help, I discovered that “ordinary” coffee is actually a double espresso. My anxiety was starting to rise as I tried to make the choice, but I finally settled on the “Yunnan” blend. The Chinese barista prepared it with such care that I almost felt like royalty. Things were already looking up.

We sat on the terrace and chatted. I’d been mentoring one of my younger horn players to help him out of a funk. He had recently switched mouthpieces to improve his upper range but went back to his old one. Classic horn player existential crisis. If you know, you know. Jennifer had witnessed one of my coaching sessions and seemed quite impressed by the process. Maybe I did know a thing or two about teaching after all.

The coffee was excellent, and so was the company. We chatted some more, staying off the topic of music. Who wants to talk shop when you can get to know the real person? It humanises them, and Jennifer shared the story of how she became a professional singer, her journey to this point. We eventually parted ways, and I popped back into Starbucks to buy a couple of mugs for the children. One less thing to argue about back home.

Solo Adventure – Exploring the City

I managed to find the metro on my own and bought my little green ticket. The attendant asked where I was going and showed me the map. I couldn’t make sense of it, so out came my phone to zoom in on the stop I needed. I suddenly felt very old, yet thoroughly modern.

On the train, I just watched people, even managed to get a photo or two. My destination? Window to the World – a theme park where you can see replicas of monuments from around the world. I wasn’t going to pay for the full experience, as I’ve already seen many of the real monuments during my travels, but it seemed like good material for photography.

I’ve mentioned before the cultural differences between France and China, but this next observation took me by surprise. Let me introduce you to our characters: Chinese girlfriend and Chinese boyfriend. Chinese girlfriend is the picture of elegance, effortlessly fashionable, her makeup and hair flawless. Chinese boyfriend, by definition, is the photographer, capturing every moment to make his girlfriend look like a top model. She strikes a pose, usually demure and poised, while he stands there, holding the handbag, looking less than graceful. After a few snaps, she sends him back to retake the shot, and they repeat the process at every new location.

I could understand the desire to control one’s image, especially in a location that might seem exotic for a Chinese person, just as a pagoda in Europe feels exotic for us. In some ways, I must seem a bit exotic to them, too. Later, I learned that some people had been taking photos of me without approaching. It might have been a respect thing, as I was a bit older than them.

I wandered around, watching society unwind on a Sunday outing. It felt good to be alive. But then, it was time to head to my massage.

The Google Maps Mishap

I knew the spa wasn’t far away, but that’s where I made the mistake of trusting Google Maps in China. Let’s just say it’s not the most reliable way to get around here. It led me in the wrong direction, and before I knew it, I was walking the streets, getting increasingly lost. But in moments like these, you often find unexpected shots because you’re paying attention to everything, frantically trying to orient yourself. I eventually found my way thanks to a kind gentleman at a hotel who pointed me in the right direction. I was back on track.

The Deep Tissue Experience

Arriving at the spa, I was greeted by dimmed lighting, tea, and a comfortable chair to relax in. I chose a deep tissue massage that would last an hour – pure self-care. I was told there was a short wait, so I took the opportunity to edit some of my photos from earlier in the day. I was offered more tea by the receptionist, who made sure I felt well taken care of.

When it was my turn, I was shown to the massage room and instructed to change into the disposable undies and bathrobe. Let’s just say, as a bigger guy, I was given their largest robe, and it was definitely on the small side. The little lady who came in to perform the massage had no hesitation in digging her elbows into my back with surprising force. She asked if the pressure was okay, and honestly, it felt like her elbows were massaging so deep that they had gone right through me. The pressure was definitely intense, and despite whincing a little, I said the pressure was fine, lying through my back teeth. She worked through my back, shoulders, and calves, and though at times it felt a “little” too much, I could feel the benefits immediately. They don’t call it deep tissue for nothing!

Recharging and Reflection

After the massage, I was feeling thoroughly relaxed, though not quite “recharged” yet. It would take a couple of days before I truly felt the benefits, but it was already worth it. I was pampered with more tea, biscuits, and nuts – twice! I couldn’t fault the service.

Next, I popped into a shopping mall near the hotel, hoping to find a silk tie for my outfit. Dark jeans, nice shirt, and sports jacket – I looked quite dashing, if I do say so myself. But the price of the ties wasn’t going to work for me, I’m fine with a little luxury now and again, but everything within reason…

A Humorous End to the Day

I took the tube back to the hotel, but of course, I foolishly tried to use Google Maps again to navigate. That was a mistake. I ended up lost. As my phone battery started running low, I sent a WhatsApp message to Corentin, who suggested I take a taxi and sent me the address in Chinese. I was perfectly safe, but definitely lost. Eventually, I hailed a cab, showed the driver the address, and thanked him for saving me. When I told him how awful Google Maps was in China, he just smiled. The fare wasn’t much, but the relief of getting back to the hotel was priceless.

As the great man himself once said, “All’s well that ends well.”

Opening of the Film Archives – Canon AE1 Street Photography in Nantes


Good afternoon, Dear Reader. I’m writing this article thinking of you and wondering what to show you next in this ongoing series. The clue is in the title: Canon AE1 Street Photography in the streets of Nantes.

I know you have the eyes of a hawk who never miss a trick because your vision is so sharp. You might even have scrolled down to the photos already, and your eagle eyes will have noticed that this isn’t the usual area I visit on these outings. And, of course, you’d be right!

Yes, I still parked in the Feydeau car park but crossed the road to the south, heading along Baco-Lu, past the Tour Lu (sans “t”), towards the St Felix Canal, and then back into town… Some of the places no longer exist or have changed hands, but you would still recognise them even today.

I think that with these photographs, I’m getting closer to what some might call “proper” or “traditional” street photography. The images have a certain gritty quality to them, including the people in the shots. This was something I was actively aiming for. Maybe it’s the grain—something I don’t get with the X100F—that helped bring this about. Or could it be the people, whose presence seems to reveal the stories behind them? Whatever it is, I felt that this was a very good day.

I think I may have shared with you that I’m going to China this Christmas on tour with the orchestra I play for. I’m still undecided about which camera to take and wondering if I should bring a film camera along. With the X100F, I’ve become so accustomed to the 35mm lens, while my film cameras only have 50mm lenses to work with. Reviewing these older images may help me make up my mind. It’s going to be an epic trip, and I want to be sure of the kinds of images I’ll be able to capture.

As much as I’d love the flexibility to hop in the car and retake a shot if needed, this trip to China will be different. I’ll need to trust my choices and embrace the moment as it unfolds—something that feels both exciting and a little daunting. But that’s the beauty of photography, isn’t it? The challenge of capturing fleeting moments, knowing they might never come around again. So, whatever I decide, I know the experience will be unforgettable.

While the anticipation of the China photos may be killing you, I know you’ll be patient, whatever I decide to use. Rest assured, those photos will capture the spirit of the trip. Only two and a half weeks before I start my travels…

The Opening of the Film Archives—Le Château des Ducs de Bretagne, August 2016


Welcome back to the Film Archive of IJM Photography! This time, we find ourselves in the beautiful city of Nantes, in the heart of the Cité des Ducs. Our adventure takes us through the majestic Château des Ducs de Bretagne, a site rich in history and culture.

As we explore the castle, I’m armed with another one of my favorite cameras from the golden days of film photography—the Canon AE1. This was before the surge of interest from the YouTube hipster crowd, who quickly snatched up every classic camera they could find, driving up prices and making these gems harder to come by.

The Canon AE1 is justifiably sought after, and for good reason. It’s a camera that offers both simplicity and elegance, paired with the beautiful FD 50mm F1.8 lens. This lens, in particular, has a way of capturing light that enhances every shot, allowing me, the photographer, to create images that feel alive. You can see the results in the photos here—every frame is a testament to the quality and craftsmanship of this camera.

It feels solid in the hand, and focusing with the split prism is a breeze. The camera is “shutter priority,” and it adapts the f-stop to the speed at which you’re shooting. As a street photographer, I don’t need to shoot at 1/1000th of a second for all my shots, so I have a wider range of options than someone taking pictures of sports. It still provides me with the necessary depth of field.

On this particular day, I was motivated and thought I could walk up the steps to the battlements to get some more interesting shots from a raised standpoint. I captured the urban landscape that spans from the 13th to the 21st century, and in one of the shots, you can see the ever-present figure of the Tour de Bretagne. It once represented the modernity of the 20th century and is now closed for asbestos removal. My feet, however, were firmly rooted much earlier in the castle.

Exploring the Château des Ducs de Bretagne with the Canon AE1 was a journey through both time and photography. The castle’s ancient walls and rich history provided a stunning backdrop for capturing moments that feel timeless. With every click of the shutter, I was reminded of the magic of film photography—the anticipation, the artistry, and the satisfaction of seeing the world through a vintage lens. As I descended from the battlements, I couldn’t help but feel grateful for the simple joy of capturing life on film, in a place where history and modernity blend seamlessly. Until next time, keep exploring and shooting. There’s always more to discover.

The Opening of the Film Archives – Le Hangar à Bananes July 2016


Continuing our journey through the film archives, we find ourselves on the Île de Nantes, home to the iconic Hangar à Bananes. Let’s rewind to July 2016, when I captured this vibrant scene with my then favourite Canon AE1. Once a shipbuilding powerhouse, Nantes had cleverly repurposed its abandoned infrastructure into a bustling hub. The area is now home to the fantastical Machines de l’Île, the historic Chantiers Navals, the towering Grue Jaune, and of course, the Hangar à Bananes itself. Back then, the Hangar was a hive of activity, buzzing with picnics, impromptu barbecues, and lazy afternoons under the summer sun.

My goal was to capture that unmistakable “Summer Vibe.” As always, I started with the architecture, drawn to its striking modern lines, a refreshing departure from the stark brutalism of the 1970s. The clever use of texture and the innovative design of the apartment buildings particularly caught my eye.

That summer, the Voyage à Nantes festival had a brilliant idea: communal barbecues for everyone. Genius, right? You simply brought your food, and they provided the grills, charcoal, tables, and chairs. It might not be Texas, but the French know their way around a barbecue, and being the food lovers they are, they go beyond the usual sausages and burgers. It was a true testament to what a public space should be – a place for everyone to gather, share, and simply enjoy themselves.

Then there was the dancer. He was just filming himself with a GoPro, but the way the sunlight caught his movements and the glistening sweat on his skin was mesmerising. It was a fleeting moment, the first and only time I’ve ever photographed a dancer, but it left a lasting impression. There’s something undeniably captivating about the human body in motion.

My wanderings continued to the edge of the island, where the mighty Grue Jaune – now a “monument historique” and a symbol of Nantes – stands tall. Walking past and through this enormous yellow crane was an awe-inspiring experience.

Along the riverfront, the Anneaux de Buren, a series of massive rings, stretched out in a mesmerizing pattern. At night, they transform into a dazzling display of vibrant reds, blues, and greens – a photographer’s dream, offering endless possibilities for capturing leading lines, geometric shapes, and unique framings of the cityscape.

And of course, no photo series of mine would be complete without the obligatory bike shot. It’s a bit of a tradition for me.

Even now, in 2024, the Hangar à Bananes still exudes that same “Summer Vibe.” It remains a popular spot for after-work drinks with friends and colleagues, boasting a variety of restaurants, bars, the HAB Gallery, and the infamous “Warehouse.” While the area can get a bit dicey later at night, it’s perfectly safe and enjoyable for a daytime visit or an early evening soirée.

The Opening of the Film Archives – Nantes November 2016


Following our last trip to Carnac, the film archive now has a look at Nantes in the autumn of 2016. These photos offer a glimpse into how I approached photographing a city back then, and if I’m being totally honest with you, still do. I treat the city much like a model on a photoshoot. The goal is to capture not just the physical landscape, but the essence and atmosphere of a place, allowing viewers to get a feel for the city simply by looking at the images. In this series of pictures, Nantes reveals herself and her architecture, resplendent in the autumnal sunshine.

Over time, I have come to know the city and appreciate her architecture. Buildings are not only a reflection of the architect but also of the people who live in them. They add character to the city, allowing her personality to shine through.  I enjoy looking at the lines, and the shapes of them.  They inspire me.  They tell the story of the people who, either work, or live in them.  They are not just mere edifices.  

You will notice as we go through the archives, I might not respect the timeline slavishly. My aim is to give you an aperçu of my world at the time through film. I know you will be able to take this affront in your stride and not hate me!

We’ll go from the bains douches municipales, through to the Sainte Croix church, to the Stalinian 1950’s architecture of the Social Security building, passing by the odd shop, Hausmanian architecture, and even a shot looking towards the Cathedral.