Summer 2025, Part II: Faith, Family, and the Road to Lourdes


The Lourdes trip.

The Plan: Stress-Free or Bust

I wanted the trip down south to Lourdes to be a quiet one—especially for Kate. Stress-free, as much as possible. I can do this. No stress. Who needs stress anyway? My wife? Definitely not! No shouty-shouty, nothing.

There was an era in French driving when people thought nothing of a five-hour dash. I am not of that persuasion. Not my thing. If I want to stop, I will stop. We had one goal: get to Lourdes—and not die on the way. If that happened… my wife would kill me!

On the Road: Wine, Pines, and a Good Co-Pilot

The only thing I insisted on was that Killian, my son, be my co-pilot on the Bordeaux ring road. His support on our last trip had been invaluable. He has a knack for staying calm and guiding me gently. As we went past Cognac, Jonzac, Saint-Émilion, and Blaye, I could almost taste the wine on my lips—but no, just keep driving, as Dory might say.

South of Bordeaux, other names began to appear: Graves, Cadillac (the wine, not the car), Sauternes, and eventually the Landes, with their towering Pins Maritimes. Then came signs for Madiran—a nice little tipple!

First Sight of the Mountains

Kate was in the back seat, seeing the mountains for the first time. As soon as the Pyrénées appeared on the horizon, we told her, “Those aren’t clouds—they’re mountains.” She seemed to share our awe. She was also amazed that I didn’t say no to snacks, especially the chocolate chip cookies. Killian got me a coffee to keep me going until we arrived. Good man.

Saturday Morning in Lourdes

Saturday morning would be for God, and Saturday afternoon for the mountains.

We set off relatively early—or, in my fifteen-year-old daughter’s eyes, the crack of dawn. We parked where we had during our last visit and walked gently down toward the Sanctuary. I didn’t even have to stop the children from entering each shop, intent on burning a hole in my bank card. The majority were still shut. And there might be some of you thinking I did that on purpose!

We popped into the café: Killian and I had espresso with croissants, while Kate enjoyed hot chocolate and a tartine of bread with unsalted butter. I felt so bad for her—we live in a region where salted butter is almost sacred! We thanked our waiter, amused by the children speaking French to me while I replied in a different language.

Faith, Water, and Candles

The morning was for God. I went to confession, half-hoping the nun from last time—the one who had made such an impression on Killian—would still be there. She wasn’t, but that was fine. We drifted toward the grotto and said a quiet prayer to Our Lady. Kate seemed less impressed than we were, and I secretly hoped she might feel something. We asked about the baths, but they had reached the daily limit. I still managed to have them sprinkle the healing waters of Lourdes on their faces.

As we crossed the bridge, we spotted a fish—Kate was delighted. She lingered, fascinated by the enormous candles left by pilgrims, each wrapped with prayers. We lit our own candles and said “our” prayers. I checked the mass times for the next day—and found them! No idea where the mass would be, but Kate got us there. Today was Saturday… not Sunday yet.

These photos were taken on the Nikon FE using HP5+ film shot at box speed.

The Opening of the Film Archives – April 2017 On the Border


Good evening Dear Reader.  Some of you may know that I live in France, despite being originally from the UK, and despite probably having gone native after living here for 30 years.  I have even been accused of being a little “Continental” whatever that may mean..  I live in the west of France.  You could think that I live in Nantes just judging by the quantity of photos taken in that city.

I actually live in a smallish village at the very northern edge of the Vendée and my village borders the “la Loire Inférieure” or to use the more modern term “la Loire Atlantique.”  Our department number is 85 and theirs is 44.  I’m not saying there is any animosity between the two, in the same way that there isn’t any animosity between the inhabitant of Lancashire, and God’s own county of Yorkshire.  Absolutely none at all.

You now know where I am.  Let’s have a closer look at that area through the lens of my Canon AE1.  This series of photos was taken along my route to work.  You can see the milestone on the road where the border between the two departments finds itself.  

The trees along this stretch form a natural tunnel, creating an otherworldly atmosphere as sunlight filters through the canopy. Capturing that interplay of light and shadow was my goal with the Canon AE1. Despite some doubts about its metering capabilities, the camera performed admirably, and I’m thrilled with the results.

Since I took these photos, some of the trees have been cut back, making these images even more precious. They preserve a fleeting beauty—a reminder of how photography can immortalise moments before they change forever.

At the base of the hill runs a quiet stream, tame in spring but often overflowing in winter. Its stillness offers another perspective, reflecting the surrounding trees and clusters of mistletoe hanging high in their branches. These reflections, captured on film, reveal a different kind of magic—a mirror-like calm that contrasts with the lively interplay of light above.

This installment of the Film Archives is a tribute to the quiet beauty of my daily commute. Through these photographs, I hope to share not just a sense of place but a moment in time that speaks to the power of film photography to hold onto the ephemeral.

The Opening of the Film Archives – March 2017 with Kate in the Vines


Hello you! It’s great to have you back for another dive into the archives. Over the past few posts, you might have noticed a recurring star of the series: my Canon AE1. While it’s true I’ve leaned on this camera heavily for many of these moments, I promise there’s more variety to come—even some colour film photography! For now, though, let’s continue exploring these Canon snapshots together. Thank you for sticking with me—it means a lot to me.

This time, I took my daughter Kate for a walk among the vines—a walk I used to do with Killian when he was about her age. Admittedly, it wasn’t the most creative choice for me, but for Kate, it was a brand-new adventure. That’s my excuse, and I’m sticking to it.

The day was all about Kate, the wind, and the way it danced through her hair. Unlike me, where the wind barely leaves a trace, it created a beautiful, dynamic subject in her. There’s something magical about how the movement of hair and clothing in the wind adds life to a photograph. I captured some truly memorable shots that I now treasure as priceless souvenirs of a fleeting moment.

Maybe they were some of those famous Kodak moments… Whatever the case, they bring back lovely memories of simpler times. Looking back, it reminds me how the simplest moments—like a walk through familiar vines—can hold so much meaning. Sometimes, what’s close to home can be just as captivating as far-off adventures.

It also reminds us that though we might be in familiar territory, that territory can look entirely different to someone seeing it for the first time. The soft, diffused light that day brought out rich textures in the vines, and Kate’s sense of wonder made even the most ordinary details come alive.

When you’re out with your camera, maybe, just maybe, that’s something to keep in mind. How might your everyday surroundings look through fresh eyes—or through the eyes of someone discovering them for the first time?

Opening of the Film Archives, Château de Clisson, February 2017


I had obviously taken a break with the Canon AE1 and spent the whole of December and January in hibernation, as most grumpy bears of my age do. Get Christmas over with, then go back to bed… I like my bed. No, I love my bed!!

Spring was just around the corner, and Kate had managed to awaken the beast and proceeded to tell me what she had planned for the day. It included me, a camera, and the Chateau de Clisson. I had just been “told” by my daughter, and off we headed to Clisson.

Now, the Chateau de Clisson is no small affair by any means. It dominates the centre of the town, sitting atop a hill as an imposing structure. I remember Kate having begged me on numerous occasions to actually go inside, and this time I acquiesced.

It was the perfect opportunity to not only document the inside of this historic site but also to let my playful daughter do what children do best: be cute, or as they say in French, espiègle. At that age, she was still content to pose for the camera, unlike the moody teenager she has become. Yet, sometimes, that same playful nature still manages to shine through.

If you’re curious to learn more about the history of the Chateau de Clisson, I’ve included a link for further reading.

After our outing in Clisson, I retreated to the quiet of my darkroom, where the real magic happens—transforming the captured moments into tangible memories. The familiar routine of developing the film, loading it into the tank, and watching the images slowly emerge never fails to captivate me. Once the negatives are ready and the scans are complete, I file them away in both my digital and analogue archives.

Then, a few years later, I get to share these memories with you. It’s a special kind of nostalgia—the kind that comes with taking time to slow down, reflect, and preserve what matters most. Thank you for joining me on this journey and for allowing me to share these pieces of the past with you.

Opening of the Film Archives – Canon AE1 Street Photography in Nantes


Good afternoon, Dear Reader. I’m writing this article thinking of you and wondering what to show you next in this ongoing series. The clue is in the title: Canon AE1 Street Photography in the streets of Nantes.

I know you have the eyes of a hawk who never miss a trick because your vision is so sharp. You might even have scrolled down to the photos already, and your eagle eyes will have noticed that this isn’t the usual area I visit on these outings. And, of course, you’d be right!

Yes, I still parked in the Feydeau car park but crossed the road to the south, heading along Baco-Lu, past the Tour Lu (sans “t”), towards the St Felix Canal, and then back into town… Some of the places no longer exist or have changed hands, but you would still recognise them even today.

I think that with these photographs, I’m getting closer to what some might call “proper” or “traditional” street photography. The images have a certain gritty quality to them, including the people in the shots. This was something I was actively aiming for. Maybe it’s the grain—something I don’t get with the X100F—that helped bring this about. Or could it be the people, whose presence seems to reveal the stories behind them? Whatever it is, I felt that this was a very good day.

I think I may have shared with you that I’m going to China this Christmas on tour with the orchestra I play for. I’m still undecided about which camera to take and wondering if I should bring a film camera along. With the X100F, I’ve become so accustomed to the 35mm lens, while my film cameras only have 50mm lenses to work with. Reviewing these older images may help me make up my mind. It’s going to be an epic trip, and I want to be sure of the kinds of images I’ll be able to capture.

As much as I’d love the flexibility to hop in the car and retake a shot if needed, this trip to China will be different. I’ll need to trust my choices and embrace the moment as it unfolds—something that feels both exciting and a little daunting. But that’s the beauty of photography, isn’t it? The challenge of capturing fleeting moments, knowing they might never come around again. So, whatever I decide, I know the experience will be unforgettable.

While the anticipation of the China photos may be killing you, I know you’ll be patient, whatever I decide to use. Rest assured, those photos will capture the spirit of the trip. Only two and a half weeks before I start my travels…

The Opening of the Film Archives – Chaussée des Moines, Autumn 2016


It was one of those sunny late autumn days we sometimes get here—warm, golden, and untouched by the inevitable rain, wind, and cold that would soon claim the season. This time, I wasn’t in Nantes, or exploring the Forest of Grasla like last week’s outing. Instead, I decided to take my Canon AE-1 for a walk down by the river—more precisely, along the Sèvre Nantaise—to explore the Chaussée des Moines.

Chaussée des Moines translates to “the monk’s pathway,” and no, it’s not a detour through Iowa. I always get the name wrong, thanks to the cheese Chaussée aux Moines. Freud would probably call it a slip—though even he might have struggled to find better footing on this trail.

The pathway, bathed in the low autumn sun, was serene. Its golden light skimmed the water, creating shimmering reflections on the surface, while the riverbanks glowed with the last stubborn hues of the season. For those of you looking at the photos in black and white, you’ll just have to imagine the colours. The Canon AE-1 was a faithful companion that day, helping me focus on the interplay of light and shadow, the quiet stillness of the river, and the textured beauty of autumn’s final stand.

The Sèvre Nantaise is a river that flows into Nantes at the Bras de Pirmil. The Chaussée itself is a weir—a place where, weather permitting, you can walk across the river, loop over a nearby bridge, and return along the opposite bank. It’s a lovely little circuit, especially on a crisp autumn day.

The photographs from this outing were taken with the Canon AE-1 using Ilford HP5+ film, shot at 400ASA. I later edited the images in Lightroom to bridge that gap between film and digital. Some might call me a charlatan, but even in the darkroom, we worked our magic with tools akin to what Lightroom offers today—just a bit more hands-on and aromatic.

When I was learning how to draw, I was often reminded of the importance of contrast: darker, more defined elements in the foreground and softer, lighter tones in the background. Looking back at these photos, especially the ones of trees and fields, I’m struck by how naturally this principle seems to have played out.

All in all, it was lovely being out in the autumn sun, soaking up the scenery, and enjoying every minute of it. The boat moored along the bank, the cascading weir, the solitary man fishing—it all added to the charm of a wonderful afternoon. And if you’re wondering, the slice of cake and cup of something nice at the café overlooking the river had absolutely nothing to do with how fondly I remember the day… or so I tell myself.