Summer 2025 Part IV.  What I Gave Them at the Grotto.


Mass, Ice Cream, and the Retour

Setting the House in Order

I owe it to my children to be the best father possible.  A priest once gave me this advice:  Whatever you do for your children, do it with love.  And that if I do that then I won’t go too far wrong.  I wanted to bring them to Lourdes and show them my faith. 

My son always says that, each time we go to Lourdes, something changes.  The last time was the nun, this time it was the desire to do sport and get even more back on track.  For Kate it was being exposed to something different.  It might have been God’s creation in the mountains, or just seeing that I’m not the guy who goes to mass, and who prays…

Maybe we’ll never know.  But the faith isn’t something that you impose.  It is something that can be introduced in gentleness and humility.  Seeing Dad go to confession and then to mass might just have left its mark upon her.  Maybe that is what I gave them at the grotto.

It was Sunday. That meant returning to the Sanctuaire for Mass—a last thank you to Our Lady in the Grotto, lunch, and then, for dessert, Burger King ice cream with the mountains laid out before us.

Before leaving, the house had to be set back in order—towels and bedding piled for washing, bags zipped, keys returned. Killian was up bright—almost—and early, already in gear. I was coaxing my diesel brain awake. Kate was still asleep. Pretty normal, if you ask me. She’s not a morning person. With her it’s always the softly-softly approach.

We gathered outside at last, the three of us dressed appropriately for Mass. Kate looked radiant in her dress—gone are the days of childhood. She is a young woman now. We only made sure her shoulders were covered before we left.

The Way She Knew

“Papaaaaaa”—tone number three: I want something.
“Can I take the jumper from the back of the car?”
“Yes,” I said. “Take the jumper—but don’t forget, it’s mine.”

Every trip to Lourdes leaves me grateful I came—and wishing I could stay. It’s strange how quickly a place becomes home. The children were already debating who would control the car radio. It wouldn’t be me.

We parked where we usually do and headed down to the sanctuary. Chocolatines in hand—this is the South-West, after all—I tried explaining to them why it wasn’t a “pain au chocolat.” I doubt I convinced anyone.

I knew the name of the chapel where Mass would be said, but not the way. Kate did. She deserves more credit than she gets.

Beside Me

Mass was in English. After thirty years in France, it felt strange yet familiar. “And with your spirit” still jars in English, though I say it every week in French and in Latin.

But what mattered most wasn’t the words. It was having them beside me. That turned Mass into something more. Into a legacy. Into my spiritual gift to them — something I hope will outlast even me.

Grainy. Imperfect. Like Love.

 We ate Indian food for lunch. Had ice cream at Burger King, overlooking the same mountains that had watched us that weekend. A good way to begin the long drive back to reality…

I didn’t take many photos that day—Kate and Killian together in the sanctuary, sunlight cutting across their shoulders. Kentmere, 100 ASA, f/8. Slightly grainy. Imperfect. Like faith. Like fatherhood. Like love.

Maybe that’s all I ever gave them.

And maybe it’s enough. 

Summer 2025. Part III.


From Lourdes to the mountain. 

Lunch Before the Climb

The children walked ahead through the Sanctuary, as usual. Why is everyone in such a rush? Is it really that important to be first?

We’d done God. Now, God’s creation. But first: lunch. We stopped at Leclerc — secular, efficient, French.  Cheese and chutney for me, sardines for Killian, pâté for Kate — and a baguette each, because of course. Beer for him, ginger beer for us. And diesel for the car.

Driving Hairpins and Dodging Ravines

We would eat on the mountain side, and it would be amazing.  Back to the Pont d’Espagne — still in France, we checked. In Cauterets, we stopped for ice cream. Sat on a bench. Looked at the mountain. Said nothing. Then I herded them back to the car. “Souvenirs on the way down,” I promised.

It was much the same as last time, lots of first and second gear.  Praying all the way not to go off the road and die at the bottom of a ravine.  I wasn’t dying in a ravine today…  Around the hairpin bends we went, but since I had driven there last month I was slightly less panicky, and even started to enjoy the drive.  At last, we arrived at the car park, still in one piece and happy to be alive.  We were guided to a parking spot by staff.   

Killian got his day sack out of the car and as foolish as I am, I decided to rough it and not wear my hat.  I didn’t want to lose it.  When we got to the official entrance we found out that the télésièges and cable car were working. I took my stick anyway — just in case. And if I needed to beat any small children on the way up? Well, it might come in handy.  We bought our tickets to go right up to the Lac de Gaube, Killian would see it at last….  And, I wouldn’t have to walk 500 metres further up in altitude.  This was turning out to be quite the civilised way to go up a mountain.  I could get into this.  

The Cable Car: A Snug Fit

The cable car, well, to do it justice, could best be described as a snug fit, but the three of us piled in.  Up till that point, I was fine — just panicking when phones were poking through windows to film.

Some children were very nearly beaten!

Nearly…

A very close thing…

Mostly because I’d be the poor bugger having to replace thephones if anything happened. 

Nothing did happen.  Thank you Lord!

Surviving the Télésiège

At the top, we faced the télésiège — a bench on a wire, a bar that barely keeps you in. I took my stick. Just in case. And if I needed to beat any small children filming while rocking the thing? Well, it might come in handy.

My legs shook. Not from height — I’m fine above a certain level. It’s the low heights I hate. The ones where you fall and get impaled by trees. Or worse — have to explain it to their mother.

I survived. Stepped onto solid ground. The more-a the firma, the less-a the terror!

Lunch with a View at the Lac de Gaube

The “short” fifteen-minute walk up to the lake was fine and we passed those coming down, and were overtaken by those going up.  I didn’t care.  I would get there eventually.  Killian spotted a couple of boulders that would do very nicely for table and chairs and we sat down for lunch. I joked that my dark brown chutney, squeezed from the container, looked — and sounded — alarmingly like something it really shouldn’t.  The children did NOT find it as funny as I did.  No sense of humour these youngsters!  But with a baguette and a view? Near perfect. He’d regret the beer later. 

Kate in the Water, Me in Awe

Kate paddled in the lake. It was amazing. I’d heard of someone bivouacking up here. Now I understood. Mountains inspire awe. A glimpse into the glory of God’s creation.  

The Descent: More Civilised This Time

The descent was a more civilised affair.  Kate and I shared the télésiège, Killian took the one just behind us.  We got off and I told Killian to stop hanging around…  The “children” — Killian (26), Kate (nearly 16) — filmed the river, even under the water. I was impressed. Back at the car, Killian dumped the rubbish, then sneaked up and went “boo.” The little shit scared me half to death. Much to his merriment.

A Perfect Drive Home

The drive home was perfect.

God is, indeed, good. 

Summer 2025, Part II: Faith, Family, and the Road to Lourdes


The Lourdes trip.

The Plan: Stress-Free or Bust

I wanted the trip down south to Lourdes to be a quiet one—especially for Kate. Stress-free, as much as possible. I can do this. No stress. Who needs stress anyway? My wife? Definitely not! No shouty-shouty, nothing.

There was an era in French driving when people thought nothing of a five-hour dash. I am not of that persuasion. Not my thing. If I want to stop, I will stop. We had one goal: get to Lourdes—and not die on the way. If that happened… my wife would kill me!

On the Road: Wine, Pines, and a Good Co-Pilot

The only thing I insisted on was that Killian, my son, be my co-pilot on the Bordeaux ring road. His support on our last trip had been invaluable. He has a knack for staying calm and guiding me gently. As we went past Cognac, Jonzac, Saint-Émilion, and Blaye, I could almost taste the wine on my lips—but no, just keep driving, as Dory might say.

South of Bordeaux, other names began to appear: Graves, Cadillac (the wine, not the car), Sauternes, and eventually the Landes, with their towering Pins Maritimes. Then came signs for Madiran—a nice little tipple!

First Sight of the Mountains

Kate was in the back seat, seeing the mountains for the first time. As soon as the Pyrénées appeared on the horizon, we told her, “Those aren’t clouds—they’re mountains.” She seemed to share our awe. She was also amazed that I didn’t say no to snacks, especially the chocolate chip cookies. Killian got me a coffee to keep me going until we arrived. Good man.

Saturday Morning in Lourdes

Saturday morning would be for God, and Saturday afternoon for the mountains.

We set off relatively early—or, in my fifteen-year-old daughter’s eyes, the crack of dawn. We parked where we had during our last visit and walked gently down toward the Sanctuary. I didn’t even have to stop the children from entering each shop, intent on burning a hole in my bank card. The majority were still shut. And there might be some of you thinking I did that on purpose!

We popped into the café: Killian and I had espresso with croissants, while Kate enjoyed hot chocolate and a tartine of bread with unsalted butter. I felt so bad for her—we live in a region where salted butter is almost sacred! We thanked our waiter, amused by the children speaking French to me while I replied in a different language.

Faith, Water, and Candles

The morning was for God. I went to confession, half-hoping the nun from last time—the one who had made such an impression on Killian—would still be there. She wasn’t, but that was fine. We drifted toward the grotto and said a quiet prayer to Our Lady. Kate seemed less impressed than we were, and I secretly hoped she might feel something. We asked about the baths, but they had reached the daily limit. I still managed to have them sprinkle the healing waters of Lourdes on their faces.

As we crossed the bridge, we spotted a fish—Kate was delighted. She lingered, fascinated by the enormous candles left by pilgrims, each wrapped with prayers. We lit our own candles and said “our” prayers. I checked the mass times for the next day—and found them! No idea where the mass would be, but Kate got us there. Today was Saturday… not Sunday yet.

These photos were taken on the Nikon FE using HP5+ film shot at box speed.

The Opening of the Film Archives – April 2017 On the Border


Good evening Dear Reader.  Some of you may know that I live in France, despite being originally from the UK, and despite probably having gone native after living here for 30 years.  I have even been accused of being a little “Continental” whatever that may mean..  I live in the west of France.  You could think that I live in Nantes just judging by the quantity of photos taken in that city.

I actually live in a smallish village at the very northern edge of the Vendée and my village borders the “la Loire Inférieure” or to use the more modern term “la Loire Atlantique.”  Our department number is 85 and theirs is 44.  I’m not saying there is any animosity between the two, in the same way that there isn’t any animosity between the inhabitant of Lancashire, and God’s own county of Yorkshire.  Absolutely none at all.

You now know where I am.  Let’s have a closer look at that area through the lens of my Canon AE1.  This series of photos was taken along my route to work.  You can see the milestone on the road where the border between the two departments finds itself.  

The trees along this stretch form a natural tunnel, creating an otherworldly atmosphere as sunlight filters through the canopy. Capturing that interplay of light and shadow was my goal with the Canon AE1. Despite some doubts about its metering capabilities, the camera performed admirably, and I’m thrilled with the results.

Since I took these photos, some of the trees have been cut back, making these images even more precious. They preserve a fleeting beauty—a reminder of how photography can immortalise moments before they change forever.

At the base of the hill runs a quiet stream, tame in spring but often overflowing in winter. Its stillness offers another perspective, reflecting the surrounding trees and clusters of mistletoe hanging high in their branches. These reflections, captured on film, reveal a different kind of magic—a mirror-like calm that contrasts with the lively interplay of light above.

This installment of the Film Archives is a tribute to the quiet beauty of my daily commute. Through these photographs, I hope to share not just a sense of place but a moment in time that speaks to the power of film photography to hold onto the ephemeral.

The Opening of the Film Archives – March 2017 with Kate in the Vines


Hello you! It’s great to have you back for another dive into the archives. Over the past few posts, you might have noticed a recurring star of the series: my Canon AE1. While it’s true I’ve leaned on this camera heavily for many of these moments, I promise there’s more variety to come—even some colour film photography! For now, though, let’s continue exploring these Canon snapshots together. Thank you for sticking with me—it means a lot to me.

This time, I took my daughter Kate for a walk among the vines—a walk I used to do with Killian when he was about her age. Admittedly, it wasn’t the most creative choice for me, but for Kate, it was a brand-new adventure. That’s my excuse, and I’m sticking to it.

The day was all about Kate, the wind, and the way it danced through her hair. Unlike me, where the wind barely leaves a trace, it created a beautiful, dynamic subject in her. There’s something magical about how the movement of hair and clothing in the wind adds life to a photograph. I captured some truly memorable shots that I now treasure as priceless souvenirs of a fleeting moment.

Maybe they were some of those famous Kodak moments… Whatever the case, they bring back lovely memories of simpler times. Looking back, it reminds me how the simplest moments—like a walk through familiar vines—can hold so much meaning. Sometimes, what’s close to home can be just as captivating as far-off adventures.

It also reminds us that though we might be in familiar territory, that territory can look entirely different to someone seeing it for the first time. The soft, diffused light that day brought out rich textures in the vines, and Kate’s sense of wonder made even the most ordinary details come alive.

When you’re out with your camera, maybe, just maybe, that’s something to keep in mind. How might your everyday surroundings look through fresh eyes—or through the eyes of someone discovering them for the first time?

Opening of the Film Archives, Château de Clisson, February 2017


I had obviously taken a break with the Canon AE1 and spent the whole of December and January in hibernation, as most grumpy bears of my age do. Get Christmas over with, then go back to bed… I like my bed. No, I love my bed!!

Spring was just around the corner, and Kate had managed to awaken the beast and proceeded to tell me what she had planned for the day. It included me, a camera, and the Chateau de Clisson. I had just been “told” by my daughter, and off we headed to Clisson.

Now, the Chateau de Clisson is no small affair by any means. It dominates the centre of the town, sitting atop a hill as an imposing structure. I remember Kate having begged me on numerous occasions to actually go inside, and this time I acquiesced.

It was the perfect opportunity to not only document the inside of this historic site but also to let my playful daughter do what children do best: be cute, or as they say in French, espiègle. At that age, she was still content to pose for the camera, unlike the moody teenager she has become. Yet, sometimes, that same playful nature still manages to shine through.

If you’re curious to learn more about the history of the Chateau de Clisson, I’ve included a link for further reading.

After our outing in Clisson, I retreated to the quiet of my darkroom, where the real magic happens—transforming the captured moments into tangible memories. The familiar routine of developing the film, loading it into the tank, and watching the images slowly emerge never fails to captivate me. Once the negatives are ready and the scans are complete, I file them away in both my digital and analogue archives.

Then, a few years later, I get to share these memories with you. It’s a special kind of nostalgia—the kind that comes with taking time to slow down, reflect, and preserve what matters most. Thank you for joining me on this journey and for allowing me to share these pieces of the past with you.